The X-Files: Gene X
This story is based on the characters and situations created by Chris
Charter, Ten Thirteen Productions and the Fox Broadcasting Company. No
infringement of copyright is intended.
Gene X
by:
Brian M. Suyat
ArchCorp@aol.com
1/2/95
Tuesday, 1:47 AM, Auburn, WA.
Two figures duck through branches and bushes, keeping out of the moonlight.
They draw to a halt just shy of a clearing and a roving spotlight. Their
destination rises ahead, a modest two-story office building. Most of the
office lights are out, but the bottom floor remains active. A security
fence marks the perimeter. There is a good 50 meter run from the clearing
to the fence, another 100 meters to the compound.
"My teeth ache," grumbles the shorter one.
"Hush up, its only the security fence. Don't worry about it."
The first digs into the pockets of his black fatigues. He pulls out a
black instrument with one LED and a small dial indicator. When he pushes a
button, the needle clicks to the high end.
"Jesus," he cries. "There's enough charge to stick a ten pound cat to a
twelve foot ceiling."
The larger one, his gloved hand wrapped around a compact crossbow,
needles him with the weapon. The scowl reminds Junior to shut up. He rolls
up the sleeve of his turtle-neck to reveal a large red tattoo on the
underside of his arm, a large, thick circle with an 'X' inside of it. Next
to the tattoo a watch ticks consistently toward 1:50.
A loud thud fills the air. The sulfur lamps dim, and emergency halogens
come on. The four perimeter guards scramble closer to the building. Another
loud noise, this time a growing hum, befuddles the guards. Soon, the
halogens pop and the compound is put into darkness.
All the time, Junior busily takes readings and makes notes. Now, Thug
grabs his shirt and tugs him to the fence. Of balance, Junior fumbles to set
his starlight goggles and check the dial.
"No charge," Junior confirms.
Thug quickly clips an opening in the fence, and they rush to the southwest
corner. Junior checks the dim glow of his GPS module, and points straight
up. Thug readies his crossbow.
In an unexpected move, he shoves Junior and lands on top of him. Beams of
light dance around over them, but they disappear around the corner.
Junior wipes dirt from his goggles as Thug puts a crossbow bolt through
the gap between roof and gutter. He climbs to the second window and easily
pops it open. Inside, he searches for a firm point to tie the line.
Outside, the guards continue their sweep. Junior gets more fidgety and
thinks he hears a barking dog then coming around the corner. The left side
of his face still hurts from where Thug fell on him. He works it around
checking for broken bones. Luckily he holds tight to his mouth as Thug
started to drag him up the side of the wall. He would have let out a yelp
otherwise.
Thug looks deep into Junior's eyes. "Stop goofing around." Hot breath
steams Juniors contact lenses.
Thug then helps Junior in the room by tossing him to the far wall. "Get
to work."
Now the other side of Junior's face hurts. He refrains from goofing with
it. Instead he fumbles into another of his pockets to pull out a small box.
It too has a single LED that lights when activated. He attaches a flexible
antenna to it. Out of a breast pocket, Junior pulls a floppy disk. Its
tangled cord wraps around his hand and he has to shake it free. He inserts
the disk part into a floppy drive, the cord end he inserts into the box.
Thug reenters the room, but makes no comment. He glances at his watch and
looks around. His gloved hands now hold a 9mm pistol.
Junior bumps his head while searching around under the desk. He lets out
a yelp, and gets a kick as a reminder not to do it again. His hands search
the neatly arranged cords until he comes to the power strip carefully
mounted to the wall. He punches the 'on' button, but that LED does not light
up. He traces the cord to the outlet and pulls it out.
Finding the releases with his free hand, Junior unclasps his belt, and it
falls to the floor with a dull thud. The plug end goes into a receptacle on
the belt and then the power strip's LED turns on. A smile appears on
Junior's face.
Looking behind him, he doesn't see Thug. His smile drops to concern. The
GPS shows that their ride is arriving right on schedule, but his ticket has
disappeared.
A beep on the computer reassures him that they are in business.
Gunshots down the hall alert him to utter wrongness. Thug is bounding
toward him in staggering steps, chips are being peeled away from the walls
by gunfire. Thug lifts Junior up with both hands as he takes another slug
in the back of his kevlar coat. Two steps take them to the window, a third
big one takes them into the air. Thug's left hand grips the rope while his
right makes sure that Junior does not fly to far. Thug's grip manages to
control their decent, but he looses it as the rope tears through his glove
and into his flesh. They drop the last four feet and roll toward the
building. Thug grabs a fully-loaded weapon from his leg holster and fires
blindly up to the window.
Guards are running toward the southwest corner, but several canisters of
smoke fly across their path and stun them.
A Hummer bursts through the barricade, its bright lights blinding the
guards. Seemingly out of control, the Hummer weaves through the smoke to
the southwest corner. Thug and Junior waste no time jumping into the vehicle
as it careens out the way it came.
Wednesday, 9:18 AM, Washington DC
Agent Scully weaves her way through the a bull pen of other agents. All
hurrying from one place to another. At her elbow Field Agent Roberts trails.
"So, are we still on for tonight?" He queries.
Shouldering her purse and slipping to the left she misses an older agent
leading an entourage of cadets. Roberts is trapped as a seemingly unending
trail of youngsters separates the couple.
Scully calls behind her, "I'll catch you later, I'm already late."
Special Agent Mulder tosses a case file to her side of the desks as she
enters. "You almost missed the morning briefing," he prods.
"Your friend the wire tap specialist asked me for coffee."
"I thought that it would be good for him to get out and see other people."
As dry as possible, "Thanks, Mulder. I'm surprised you hadn't broken it
off with him long ago." She picks up the folder absently.
"Agent Roberts shares my, uh, search for what's out there."
"That's because all the women on this planet have dumped him."
"From what I hear, you haven't actually confirmed that figure yet." Mulder
may enjoy this banter, but his persistence hurries the conversation to the
next case.
"Look, Mulder, I admit I'm late this morning, and its been rough already.
Can we credit this Q&A to the case and you just get right to the point?"
She sifts through the headlines, but notices no pattern yet.
Mulder smiles in acquiescence. "Sure, Scully, all you have to do is ask."
He dims the lights and turns on the projector. "This is Brandt L. Jannes."
A picture of a young male is projected onto the far, blank wall. Jannes is
small for a fifteen-year-old. He has a bright face and glasses. He is
staring intently at a chess board as if willing the pieces into position.
"What happened, did a ghost steal his bicycle?"
"Are you up for more banter?" Mulder retorts. Scully rolls her eyes, but
remains quiet and attentive.
Mulder skips through six slides of kids ranging in age from 11 - 16. The
last one is of a sixteen year old. He is a strong fellow with a mean look,
built like a professional linebacker, Scully believes him to have a serious
glandular problem.
"This one, only known as 'Joey', doesn't really fit the mold, but for
sure," Mulder clicks to a picture of them as a group visiting a science
museum, "we are looking at a gang of high tech thieves."
Scully looks intently at a small twelve year old girl with reddish hair.
Not too much unlike her own picture at that age. A gang of children.
"What does this have to do with us? How are they connected to the Files?"
He still hasn't gotten to the point, and it wearies her.
"They steal them."
A moment goes by as Mulder's simple answer weaves its way through the air
and into Scully's hearing.
"Doesn't look like anything is missing here." Scully comments with glee
and motioning about the room. She is going to get the upper hand at some
point this morning.
"How observant." Mulder clicks through more slides. "California, New York,
Texas, and last night Washington." He stops on a slide of a modest two story
office building.
"Here?"
"No, state." Mulder answers. "The place where its much gloomier than the
post cards depict."
"Just last night? How did you fit that one in so fast?"
"I saw it on CNN, they think its a Neo-Nazi group." He pauses for effect.
"I thought about calling you, but it was pretty late."
"Then I guess I should have called you. I would have had an excuse out of
my tryst with Roberts."
An outright smile drifts onto Mulder's expression. He manages to contain
it and get back to business. "These were all data storage sites of one type
or another."
"How do you know they were after your Files, they could be after any of
the Bureau's secrets."
"There are a number of places like this around the country. Some big and
some pretty small. All have an inordinate amount of security for their size,
policy, but they don't hold anything of much secrecy. What you can get out
of these places has already been published in Scientific American, Omni and
Wired. Its the kind of data no one much cares about."
Realizing where this might be going, Scully interjects, "And you think the
bureau doesn't care about your Files?"
"Doesn't matter what the Bureau thinks, these kids do care about them. If
they wanted useless data, they could tap our mainframe. No, they are looking
for something specific, and I have it."
Thursday, 8:19 AM, PNW Memory
"And then they left through the gate, but my people say they were too
quick and precise to stop them." Security Lieutenant Amanda Edwards explains
as she led Agents Mulder and Scully to the southwest corner office. Lt.
Edwards is small but built powerful. She carries a large sidearm, wears
armor, and never takes off her sunglasses.
Mulder trailed behind a little too closely, twice getting nicked by that
thin, black nightstick. "How did they manage to get to the archival files
below from way up here?" he asked.
"The techies are still working on that one. In theory, all the computers
are LANned by physical wires," She looked thoughtful, as if preparing to
sound silly, "but that night the power was cut. There was no juice to run
the hardware. The power came up unexpectedly, and we immediately yanked the
transmitter here and cut the terminal off. So, we still aren't sure how or
when they actually pulled the Files."
She hands a small, black project box with a single LED to Mulder and
points to a cable running across the floor. The casing had been hacked away
and the wires split and frayed as if cut by a dull boot knife.
Lt. Edwards continues, "We thought it was caught in time, but deep memory
probes reveal that files in alt.files.x were accessed."
"What was the time stamp on the access?" Mulder asks.
"The LAN clock went out with the power, they don't know when they were
accessed, but since no one researches your records, Agent Mulder, they
figure.."
Silent until now, Scully interjects, "What else seems to have been
tampered with."
Lt. Edwards turns to Scully, "Commonly used files, we're not sure. It is
reasonably certain that no other limited access data was retrieved
recently."
Mulder approaches the computer, examining it closely. "Does this thing
still work?"
"Yes, it suffered no damage, but its not connected to the LAN."
"Have you examined these, uh, artifacts?" Scully asked, referring to the
gadgets that stole precious FBI secrets.
"That is a battery pack, used to boot up and run the computer, apparently
they accounted for us trying to pull the plug on it."
Seemingly oblivious to the rest of the conversation, Mulder crawls under
the desk searching for loose wires.
"And this?"
"We figure that's a GPS, uh Global Positioning System."
"Who do you think it positions?"
"This room for sure, or rather a disk we found in that box. A pirated
copy of 'Doom'." Noticing Scully's quizzical expression Lt. Edwards adds,
"Its a very violent video game, quite addicting." Edwards adds after a
pause too long, "So I am told."
Scully nods comprehension to get to her next question, "What else?"
"It's specifically tuned to a couple of very unique signals."
"How unique?"
Embarrassed, Edwards replies, "We don't even know why this disk sets
it off."
At this time, Mulder decides to make his exit from underneath the computer
desk. He bumps his head in the process and manages to shove the two women
out of his way by crawling back into them.
"Agent Mulder, are you all right?" Edwards queries.
Smiling, "Yeah, sure, I'm fine." He is rubbing his head and absently
searching his pockets. "Scully will you do me a favor?" He produces a
floppy disk from his long trench coat. "Take this to some computer and
print out last week's budgetary analysis?"
"Mulder, I don't..." but Scully stops as she sees protesting would only
prolong the agony of suspense. Taking the disk dejectedly, she looks to
Edwards for help.
"Oh, there is a computer and laser printer down in this office." Edwards
leads Scully down the hall. Scully stops at the door to turn at Mulder, but
he only gives a winning smile and starts tapping at the keyboard.
Mulder leans back in the chair, puts his feet up, and steeples his
fingers. His mind drifts through the many images he has picked up in his
life. A complex filing system, product of a photographic memory, sorts the
images and places them in proper Fox Mulder order. He runs a quick
regression exercise to deal with the flood. Last year, the academy, Oxford,
high school. That report on primates in the seventh grade is still as clear
as daylight. He spent most of the night before tracing and meticulously
coloring his cover drawing to match the encyclopedia. He couldn't quite find
the right shade of brown among Samantha's old crayons.
Samantha, his little sister, gone, left all her toys behind. He remembers,
with perfect clarity, her frightened face. He tries harder to go back to
happier times, when he and Samantha were together. Those memories are not
so clear. He vaguely remembers a birthday party, either his or Samantha's,
kids there. Happy, they were happy he was sure of it, even though he
couldn't make out all of the smiling faces.
"Mulder, I got that report for you."
Reality snaps into focus as Scully returns, still annoyed, with a stack
of papers twenty some odd pages thick. "Thanks, Scully." He pulls the top
page off and examines it thoughtfully.
"Mulder, what is it this time?" Scully's curiosity barely overshadows her
annoyance.
Mulder points to the upper left hand corner of the page, where you can
see the time of printout.
5:58 AM
"Scully, what happens to your alarm clock when the lights go out?"
"Mulder, I hope this is going somewhere." She looks at him expectantly.
Fearing the worst, she answers him, "It turns off, of course."
"What time is it when the lights come back on?"
"It would flash 12 midnight. Just like your VCR." Scully answers, just a
little pleased with her small victory so far.
Ignoring her jibe, Mulder continues, "So, when the power went out, all
the computers lost their time, right?" The rhetorical question allows Mulder
to plod on, "then the thieves put power to this computer and the clock
resets. Moments later, guards come in, foil the robbery chase the villains
out."
"Yes, that fits the report so far."
"They somehow get away in the smoke and confusion just before the power
comes back on and ALL the clocks reset. And by this, they would have reset
at," Mulder checks his digital watch reading it at 08:27, "about 2:30 in the
morning."
"Mulder, you had me print out a twenty-seven page report so you could
check the time on the computers?" Exasperated, she tosses the other twenty
six pages on an unused desk. "Why didn't you just ask?"
"I did," Mulder calmly replies turning the screen to Scully.
C:\> time
Current time is 6:29:46.14a
Enter new time:
C:\>
"Seems that this computer turned on just before 2:00 AM. It was running
for a good half an hour, and no one noticed."
Thursday 1:24 PM, Bellvue
"Was this Ghetts a friend of yours in the Bureau?" Scully asks.
They had driven into the Seattle area. Mulder had figured he might be
able to get some local information from an old acquaintance. Scully was
still not sure where this whole case was going, but that was nothing new.
"He and I went to the same, uh, school at one time."
Scully wasn't really listening to Mulder's replies and his stories of a
boarding school for reclusive, yet gifted young children. Instead she
drifts thinking about this case. Why were their Files being stolen? How do
they do it? And, what made Mulder care so much?
This was really a security matter. The files belonged to them, Mulder and
Scully in some way, but, to tell the truth, this whole case was a matter for
a different department. Surely, there were some suspicious circumstances,
yet that's why it was a mystery. If there were no mystery, the culprits
would be behind bars and the case closed.
Mulder was looking for something. More likely, he had already found
something and hadn't yet told her the whole thing. Stealing Files would be
a very personal matter for Mulder. You'd have to be a lot like Mulder to
risk so much for, what?
"They helped us deal with our abilities and to socialize. It was a great
help to people like us?" Mulder was finishing his stories about his youth.
Scully became aware he had been talking, and that she had probably missed
something. "What, Mulder?"
"Scully are you OK?"
"Yeah, I'm OK. I, uh, what were you saying about kids like you?"
"Oh, that. Its nothing really, ancient history.I didn't mean to bore you."
"No, I," but Scully hesitated. She wondered what it was really like to be
like Mulder. Ahead of the game somehow. What would it be like to know more
than one Fox Mulder type person?
"Ah, we're here." Mulder pulls into a parking tunnel that lead below the
University of Washington. They find a parking space somewhere underneath the
main courtyard, Red Square. A staircase opens up directly into the heart of
the campus.
Two rollerbladers and a group of mountain bikers whisk past them. All too
quick to ask for directions. Out of one of the libraries, a young coed
breaks into the sunlight. She has long blonde hair tied back in a ponytail.
She is quite engrossed in whatever reading assignment she had just picked
up, but passes close enough to for Scully to get her attention.
"Um, excuse me, where do you find the computer sciences buildings?"
The girl looks up to greet them with a smile. Despite her light hair, her
eyes are very dark, with very little white to them. She is quite young for
a college student, easily mistaken for a teenager. The girl looks them over,
and, upon deciding that they do indeed require assistance, points to the
main library.
"You see that building with the scholars who look like gargoyles?" She
paused to see if they find humor in that. Mulder did, but Scully was
squinting. "Well, you go down and around it to the left. Go straight. They
look like a 70's retro-futuristic office building. You can't miss them."
When she saw that they had accepted the directions as fact, she slipped
away. The area wasn't too crowded between classes, but she somehow vanished
before Scully had a chance to thank her. Mulder was already heading off to
seek out the retro-future.
The sign on the door said Willis Ghetts, Ph.D. Mulder opened it after
waiting for a reply to his knock.
"Hey, its Snaps!" Dr. Ghetts called out.
"Hello, Clicker." Mulder offers his hand and they shake like old friends,
patting each others arm in a friendly male ritual.
"Clicker, this is my partner, Agent Dana Scully." Mulder pulls Scully
into the room and half pushes her to meet his friend.
She offered a timid smile. "Pleased to meet you Dr. Ghetts. You have a
nice place around here." she motions out the window where you could just
about make out the sun glimmering off of the water if you looked at the
reflection in the darkened widows across the quad.
"Thank you, Agent Scully. It's nice to be appreciated." He offers them
chairs and returns to behind the desk. Ghetts is a broad shouldered man.
His dark hair is speckled with gray, and his face is quite wrinkled. He
folds large hands on the top of his desk and beams at the two agents. A
broad, teeth showing smile pasted on his face. "So, what has my old pal,
Snaps, been dragging you into lately?"
"Well, Agent Mul-der," Scully emphasizes the pronunciation of her
partner's name, "has an interesting way of keeping me on my toes. He has a
very open viewpoint."
"Yes, so did we all. But Mulder was always the talker. Kind of the
ring-leader, you know?"
Mulder breaks in with, "I think we can leave Agent Scully out of the old
times review."
Scully looks at him like she wouldn't mind knowing a little more about
her peculiar partner. She holds her gaze until it is clear to Mulder that
they would indeed have to go over this at a later time. Mulder breaks the
look by turning to Ghetts and changing the subject to work.
Mulder pulls out a small file folder and removes photographs of the
children. "Have you ever seen any of these kids before?"
Ghetts takes three of the pictures and holds them up to the light. He
frowns a bit in concentration. Waiting a sufficient time to show interest
he replies, "you know I don't have your prowess with faces, but I can be
pretty sure that I do not recognize anyone here."
"Are you sure?"
"Well, as sure as I can be. Where do you think I might have had chance
to meet them? My students usually come from a more mature demographic,
you know."
"They are from The School," Mulder places a heavy emphasis on 'school'.
Scully is noticeably more surprised than Ghetts at this revelation.
She shoots Mulder another look that he tries to avoid but can't help but
understand. It very clearly stated that a trip into Mulder's past is most
definitely scheduled for later in the day. Especially the parts about these
kids, his school and how he fits them all together.
Ghetts becomes more sure of himself. "Nope, I can honestly say, I have
never met these kids. If they are from the school, I hope they get as much
out of it as we did." A broad smile returns to his face as he looks at
Mulder.
Mulder has changed his expression to a less revealing business countenance.
He plods on with more questions about what Ghetts might know of the school's
curriculum these days and what activities he may know of in the area. He
also manages to give enough hints about his past to keep Scully quiet for
the time being.
Oh, there will be hell to pay later, but for now, Ghetts is only confirming
what Mulder already is sure of. Ghetts manages to convince the agents that
he doesn't have any information for them at this time. If any came up, he
would most surely pass it along to them. They plan to get together later
that night as he has to rush off to class. Mulder agrees saying he would
call to confirm a restaurant for dinner. A quick mental note is created to
cancel that idea later on.
Mulder thanks the professor for his time, and wishes him a good afternoon.
Scully and he had much more work to do.
"I don't get?" Scully looks at Mulder questioningly. "What is it with the
nicknames?" The two were walking back through Red Square to the parking lot,
the sun setting over evergreens.
Mulder smiles, but not at Scully, more at fact that he and Ghetts still
couldn't call each other by their proper names. "Well, at the school, every
kid had a nickname of sorts. You earned it by some of the things you could
do."
Scully nodded in acknowledgment, but really didn't get the picture.
"Ghetts got his because he was always good at math stuff. Applied math,
Calculus and all that."
"And you got your because of your ability to recall things as if by
photograph?" Scully found the idea slightly distasteful. "And the teachers
allowed this?"
"They thought it was a good way for people to accept their gifts. So that
they would not fear themselves or each other."
"And you don't see anything wrong with it, even now?" Scully was trying
to pin him down, but she did not yet know why.
Mulder, sensing her uneasiness, shook it off, "Well, it was a long time
ago, we were kids. Now, it's just a part of us."
Scully had planned her attack well so that she could get this whole thing
straight. After her mildly curious question, she goes for the real thing.
"All right, Mulder, tell me all that you haven't been telling me." Scully
stops short of the underground staircase. "Why is it always such a big
secret?" This was the most annoyed she would allow herself to get, it had
better be enough.
"What do you want to know, Scully.?" Mulder is bad at playing innocent,
and poor acting was just enough to make Scully twice as annoyed.
"Look, we're partners. I know you do things a little differently and I
accept that. But it seems this time you have been keeping me totally out of
the scene. This time you really do know something. There are no hunches
here and you still won't let me know." Scully pauses to take a deep breath
before belting out, "WHAT'S GOING ON?"
Unfazed by her vehemence, Mulder calmly reaches into his coat pockets and
pulls out a floppy disk. Scully looks at him with something nearing rage in
her eyes. She won't print out a budget just to tread water again. He holds
up his left hand as if to restrain her. "Here is a listing of all the
children. Can you run a check on their medical records?" Scully makes no
move to take the disk. Her breathing is ragged and her fists clench and
unclench in hypnotic rhythm.
"Please." Mulder knows a smile would be out of order. He makes a thin
line with his lips showing that he might smile.
Scully reaches for the disk slowly. At the last minute, she lunges for
Mulder's paisley tie a pulls his face mere inches from her own. An icy
gaze locks Mulder in position.
"I... hate... you." The words are spaced evenly and spoken with precision.
She snatches the disk out of his hand and turns on a heel. Special Agent
Fox Mulder is left stooping in the middle of Red Square at the University
of Washington in Seattle.
Thursday, 5:12 PM, Interstate 5, Seattle
Agent Mulder hadn't expected to be on the freeway at this time. He had
really gotten lost after separating from Scully earlier in the day. At one
time he was near Fisherman's Wharf, then the next thing he knew he was
tooling onto the express lane of the freeway. He had just caught a glimpse
of the Boeing test strip, and nothing else interesting. His only hope is to
get to the Zoo exit. That might lead to where he wants to go.
The radio had been acting up lately. He couldn't find a channel that
wasn't playing some type of grunge rock, revolutionary, counter-culture
music. He had given up and settled on a talk radio channel about psychics
and UFO sightings.
"And there was this blinding white light,"a woman on the radio was saying.
"It was like a light that I had never seen before, but I wasn't afraid,
even though I knew I should be."
Mulder looked directly at the radio to speak a single word, "Fake."
His motion to change the channel was interrupted by a high squeal. A
tremendous amount of feedback belched forth from the tiny speaker in the
dash. He fell unconscious before reaching the volume.
Mulder awoke strapped to a table. He was clothed in a white robe. He
looked around him, but the entire room was white. Out of the corner of one
eye, he spied his real clothes in a heap on the floor. Above him, a large
probing light loomed. A light hum indicated that it indeed was moving
toward him.
An grumbling voice echoed from somewhere inside the chamber. "Do not be
afraid Mr. Mulder, we will not harm you."
Sweat began dripping into his eyes. An intense fear gripped him, and he
struggled with the bindings. His teeth clenched and he bit his tongue. The
taste of blood gave him strength.
"Please, do not struggle," the voice urged.
Mulder did not heed. He began yelling obscenities as he wrenched his
body from side to side.
"Mr. Mulder, we are your friends. Please, just look into the light. Do
not be afraid, we are here to help you. To help you understand."
Mulder forced himself to calm down, taking deep breaths. He looked
directly into the light. Through clenched teeth, he breathed, "Fake."
"When I came to, it was like no time had passed," the lady on the radio
continued.
Mulder looked about him. There was a three car length gap ahead of him
that was already being filled by four cars. The car behind him blared its
horn incessantly. His watch proclaimed it to be 5:16 PM. Mulder spun around
in his seat to check the back. Nothing was there. On the dashboard, though,
a small LED blinked quietly from a black project box with flexible antenna.
Thursday, 10:04 PM, Downtown Seattle
Scully poured over the laptop computer. She had burned up the last four
hours on the phone with the network computers in Washington D. C. and
wherever else they stored the country's medical files.
She had taken a taxi back to the extravagant hotel room that the two
partners shared. Normally, this situation would not be the case, but there
was an inordinate number of conventions going on in the city this week. The
two were forced to share a truly overpriced suite with an uncountable number
of amenities.
Scully had, at first, parked herself in the reading alcove with a pulp
novel she picked up at the airport. It was her determination that there
would be no researching while she was in this mood. In fact, the first thing
upon entering the room was to toss the disk Mulder had given her into the
fireplace. It was a symbolic
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