Ask the Experts guest writer and organizer of KIDS LOVE A MYSTERY WEEK, Janet Riehecky.

 Subject:  Childrens Writers Chat-JRiehecky

Author:  Janet Riehecky

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Date:  2/18/2000


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Ask the Experts guest writer and organizer of KIDS LOVE A MYSTERY WEEK, Janet Riehecky.


What, when & where:

Tuesdays 

9 p.m. ET (6 p.m. PT), Writers Workshop

Children's Writers chat - writers and illustrators of children's books meet for specific topics and special guest speakers, moderated by HOST WRTR WBABE & HOST WRTR CGaley, with HOST WRTR sUe & HOST WRTR Neely (Greeters).


***file disinfected using Anti-Virus 7.8***


<HTML><FONT  SIZE=3 PTSIZE=10>Childrens Writers Chat 2-15-00<BR>

Kids Love A Mystery<BR>

Guest: Janet Riehecky<BR>

</FONT><FONT  SIZE=3 PTSIZE=10><BR>

WriterBabe: We are going into protocol now.  When it's time for audience<BR>

participation,<BR>

WriterBabe: type ? for a question, ! for a comment, and wait your turn in<BR>

the queue to be called on.<BR>

WriterBabe: Type GA for Go Ahead (guests, too) when you've finished<BR>

speaking.<BR>

WriterBabe: Tonight I'm delighted to welcome as our guest writer and<BR>

organizer of KIDS LOVE A MYSTERY <BR>

WriterBabe: WEEK, Janet Riehecky.<BR>

WriterBabe: Hiya, Janet!<BR>

JRiehecky: Hi everyone!<BR>

WriterBabe: Before I forget--co-host Chuck Galey is allowed to pop in with<BR>

questions at will.<BR>

WriterBabe: Wave, Chuck.<BR>

WriterBabe: Oh, Chuck....<BR>

CGaley: Hey!<BR>

WriterBabe: There he is.<BR>

WriterBabe: Janet, would you like to tell us what KIDS LOVE A MYSTERY WEEK<BR>

is and then I'll hit you with<BR>

WriterBabe: some questions?<BR>

JRiehecky: "Kids Love A Mystery Week has existed for three years.<BR>

JRiehecky: It was started by Joan Lowery Nixon when she was president of<BR>

Mystery Writers of America.<BR>

JRiehecky: She ran it the first year with help from Barnes & Noble.<BR>

JRiehecky: The second year Barnes & Noble bowed out and Joan didn't have<BR>

time to run the program, so I <BR>

JRiehecky: got the chance to run it.<BR>

JRiehecky: We are hoping to encourage kids to read and write mysteries.<BR>

JRiehecky: We Sponsor events all over the country.<BR>

JRiehecky: Kids can sign up at a local bookstore, school, or library.  <BR>

JRiehecky: Some people host reading programs. A kid gets an certificate from<BR>

Mystery Writers of America<BR>

JRiehecky: for reading one book and gets one ticket in a drawing for each<BR>

mystery book read.<BR>

JRiehecky: We had authors all over the country donated autographed books for<BR>

the prizes in the drawing.<BR>

JRiehecky: The writing program is similar.  Kids write a story and everyone<BR>

get a certificate. <BR>

JRiehecky: The Stories are judged by a panel and the best stories win<BR>

autographed books.<BR>

JRiehecky: This year Carol Higgins Clark has agreed to be our Honorary<BR>

Chair--after all, she learned to<BR>

JRiehecky: love mysteries as a kid!  GA<BR>

WriterBabe: A great program, Janet.  I'm curious--why did B&N bow out?<BR>

JRiehecky: They said they didn't make enough money from having authors come<BR>

to the store for signings. <BR>

JRiehecky: They did great with big names but not so great with midlist<BR>

writers. GA<BR>

WriterBabe: That's a shame.<BR>

WriterBabe: This year I had the honor of chairing the YA panel of the Edgars<BR>

(the mystery/crime fiction <BR>

WriterBabe: awards).  <BR>

JRiehecky: They also left me hanging for several months, thinking they were<BR>

going to do somethings.<BR>

WriterBabe: We got quite a few books, but felt that many of them were NOT<BR>

mysteries (or crime fiction).<BR>

WriterBabe: Janet, how do YOU define a mystery?<BR>

WriterBabe: GA<BR>

JRiehecky: I think there needs to be a crime to be solved and that there<BR>

must be a character who seeks <BR>

JRiehecky: to solve it.  GA<BR>

WriterBabe: How major a part does the crime pay in the book?  GA<BR>

JRiehecky: I think it should be the main plotline.  If there's a secondary<BR>

story, such as a romance, it<BR>

JRiehecky: shouldn't overwhelm the detective work.  Otherwise, it's a<BR>

romance, not a mystery.<BR>

JRiehecky: GA<BR>

WriterBabe: Our feelings exactly.  But the publicists seem to be confused.  <BR>

WriterBabe: I wonder if it's more difficult on a YA level to define a<BR>

mystery.  Do you think it is?  GA<BR>

JRiehecky: My books are intermediate readers, so I haven't tried a YA novel,<BR>

but I think the same <BR>

JRiehecky: standards should apply.  GA<BR>

WriterBabe: I've asked Joan Lowery Nixon this question, and now I'm going to<BR>

ask you:  <BR>

WriterBabe: why do kids who won't read other books read mysteries?  GA<BR>

JRiehecky: I think it's several things.  Mysteries and fantasy are about the<BR>

only places left where <BR>

JRiehecky: there is a clear-cut definition of right and wrong, good and bad.<BR>

JRiehecky: Most kids feel more secure knowing the boundaries.  Also<BR>

curiosity sets in.  They want to <BR>

JRiehecky: know the answer to the mystery.  And usually the characters are<BR>

people you care about.  GA<BR>

WriterBabe: Great answer.<BR>

WriterBabe: Someone said that mystery writers set the world to rights.  It<BR>

sounds as though you agree wi<BR>

WriterBabe: Let's talk about your writing a bit.<BR>

WriterBabe: Which do you start with, character or plot, or does it vary?  GA<BR>

JRiehecky: I start with a plot.  I always know how it ends and work from<BR>

there. GA<BR>

WriterBabe: I've written some mysteries and find that working out those<BR>

jigsaw puzzles hurts my brain!<BR>

WriterBabe: Give me and everyone else some tips on organization.  GA<BR>

JRiehecky: I keep a file of things--clues, incidents, even lines a character<BR>

might say--even if I don't<BR>

JRiehecky: know where they are going to fit in the story.  When I get stuck<BR>

I always look at that list.<BR>

JRiehecky: An outline also helps.  My outlines are vague, because my<BR>

characters usually take over and <BR>

JRiehecky: tell me what they're going to do next.  I do think mysteries,<BR>

especially if you want the <BR>

JRiehecky: reader to be able to solve the crime also need to be well<BR>

organized. If you could see my <BR>

JRiehecky: office, though, you wouldn't think I knew anything at all about<BR>

organization.  GA<BR>

WriterBabe: Great tips!<BR>

WriterBabe: Let's talk about those characters.<BR>

WriterBabe: There are many detectives out there and many gimmicks have been<BR>

used to create them.<BR>

WriterBabe: How can we create fresh characters?  GA<BR>

JRiehecky: I think it helps to model characters after real people.  Real<BR>

people do and say unexpected <BR>

JRiehecky: things all the time. Of course, you have to be careful about<BR>

libel.<BR>

JRiehecky: GA<BR>

WriterBabe: LOL<BR>

WriterBabe: A few more questions from me, and then let's open this to the<BR>

audience.<BR>

WriterBabe: How important is setting?  Atmosphere?  What are some techniques<BR>

for creating those?  GA<BR>

JRiehecky: Setting and atmosphere are very important to a mystery.  I think<BR>

sensory detail expressed in<BR>

JRiehecky: fresh metaphors and similies helps a lot. GA<BR>

WriterBabe: Thanks.<BR>

WriterBabe: What are the rules of good mystery writing?  The no-no's?<BR>

WriterBabe: And after that, it's the audience's turn!  GA<BR>

WriterBabe: (Start typing ? and !, folks)<BR>

JRiehecky: Unfortunately, the most important rule right now is: Be<BR>

politically correct.  It seems like <BR>

Lauryntwo: Hi I Like To Write About Dogs<BR>

JRiehecky: publishers care more about that than anythig.  I think you need<BR>

to have a clearly defined <BR>

JRiehecky: situation and characters actively working to solve the mystery.<BR>

I think good should triumph<BR>

Neely f: Lauryn. We are in a meeting. Turn on your IMs for inside<BR>

information.<BR>

CGaley: (Sorry Lauryn, this chat is in protocol, Please read your IM's...<BR>

:-))<BR>

JRiehecky: over evil and that you should have your readers feel as if you<BR>

played fair throughout the <BR>

JRiehecky: whole book.  GA<BR>

Neely f: (Lauryn's IMs are turned off.)<BR>

WriterBabe: Janet, you're wonderful!  And I noticed that in your books, you<BR>

have a warmth and a good <BR>

WriterBabe: feeling for family, which I think is pleasing to kids.<BR>

WriterBabe: An underlying safety, if you will.<BR>

WriterBabe: I'm assuming that's quite intentional.  GA<BR>

JRiehecky: Yes, one of the many joys of writing for children is just that!<BR>

GA<BR>

WriterBabe: Okay, folks, it's your turn.  <BR>

Aplbrk: ?<BR>

WriterBabe: Anyone have ? or !<BR>

WriterBabe: Wow--lag there for me!<BR>

WriterBabe: Barbara, you're first.<BR>

Aplbrk: You said there is always a crime to be solved; must it always be a<BR>

crime, or<BR>

Aplbrk: can it be a loss of something, or someone acting strangely, etc.<BR>

JanssD: ?<BR>

JRiehecky: You're right.  It doesn't have to be something against the law as<BR>

long as there is something<BR>

JRiehecky: strange that requires an investigation to explain.  GA<BR>

Ekbruno: ? Would ghost stories be considered a true mystery?<BR>

Aplbrk: Thanks.<BR>

WriterBabe: A real puzzle, in other words, right, Janet and Barbara?  GA<BR>

JRiehecky: I think it depends on what happens.  If nothing requires an<BR>

explanation, if it's just a <BR>

Aplbrk: !<BR>

JRiehecky: scary story, then I don't think it qualifies as a mystery.  But<BR>

if the ghost leads character<BR>

JRiehecky: s to investigate something, like the cause of its death, then it<BR>

could easily be a mystery. <BR>

JRiehecky: GA<BR>

Aplbrk: I agree.<BR>

WriterBabe: So do I.  Barbara, do you have another comment?<BR>

Aplbrk: Yes.  <BR>

Aplbrk: In recent books I've read,<BR>

Aplbrk: it seems the secondary plot begins the story, but that leads to the<BR>

Aplbrk: main mystery line; that's one feature peculiar to mysteries, or so<BR>

it seems.<BR>

Aplbrk: That is, when you don't start right out with a crime or question to<BR>

solve.<BR>

Aplbrk: ga<BR>

LYPHIS: ?<BR>

WriterBabe: Janet, do you want to comment on Barbara's comment?  GA<BR>

Aplbrk: (did that come out as muddled as I think it did?)<BR>

JRiehecky: I do that in my books to build suspense. If you start with the<BR>

biggie, you've got nowhere to<BR>

JRiehecky: go but down.  One idea I use when I teach about writing for<BR>

children is to put a conflict on<BR>

Neely f: I:I:I:I:I:::I:I 15 MINUTE WARNING I:I:I::I:I:I<BR>

JRiehecky: the first page to draw the reader in, but that little conflicts<BR>

should lead up to the big <BR>

JRiehecky: one.  GA<BR>

Aplbrk: Interesting...and enlightening!  Thanks.<BR>

WriterBabe: This is a marvelous discussion!  Thank you both.<BR>

WriterBabe: Derek, you're next.<BR>

JanssD: Staying on the subplot-vs.-mystery question:<BR>

JanssD: You mentioned the character subpl. shouldn't be secondary to the<BR>

mystery plot--<BR>

JanssD: (Er, vice versa:  Mystery shouldn't be secondary, sorry)<BR>

JanssD: --But how secondary is TOO secondary?:  It always helps a mystery,<BR>

IMO, to<BR>

JanssD: have some kind of character devel. story, otherwise, a crossword<BR>

puzzle never becomes<BR>

JanssD: a story.  GA<BR>

JRiehecky: Yes!  These days the story has to be character-driven.  If the<BR>

secondary plot doesn't<BR>

JRiehecky: help the reader understand the characters better or else further<BR>

the main mystery<BR>

JRiehecky: there's little point in including it. GA<BR>

WriterBabe: Phyllis, your turn.<BR>

LYPHIS: Please speak about the art of planting clues,<BR>

LYPHIS: including those imbedded into the setting<BR>

LYPHIS: ga - sorry<BR>

JRiehecky: A red herring should be treated exactly the same as a real clue<BR>

or else it's obvious that <BR>

JRiehecky: it's a red herring.  There's an old saying that if you mention a<BR>

gun over the mantel, that <BR>

JRiehecky: gun has to be fired sooner or later.  Play fair with your reader.<BR>

Introduce important clues<BR>

JRiehecky: early enough that they can sink in.  Don't hide them in the<BR>

middle of description a reader <BR>

Neely f: IOIOIO 10 MINUTE WARNING IOIOIOI<BR>

JRiehecky: is likely to skim over.  Try, though, to make it so natural that<BR>

the reader can think you'd <BR>

JRiehecky: have mentioned it whether it was a clue or not. GA<BR>

WriterBabe: Fabulous tips!<BR>

WriterBabe: The queue's empty.  More questions, folks?<BR>

LYPHIS: Gt - thanx ga<BR>

Aplbrk: !<BR>

WriterBabe: Go ahead, Barb.<BR>

Aplbrk: Just a really big thank you for this session; it's been most<BR>

helpful!<BR>

Aplbrk: Thanks, Janet.<BR>

LYPHIS: ?<BR>

WriterBabe: Phyllis, your turn.<BR>

LYPHIS: What are some examples of clues embedded into the scenery or milieu?<BR>

LYPHIS: ga<BR>

JRiehecky: Of course, my mind is a complete blank.  It would be something<BR>

like a character getting a <BR>

JRiehecky: glass of orange juice and mentioning that she never drinks coffee<BR>

and then having that be <BR>

Neely f: mnmn-- 5 MINUTE WARNING -nmnm<BR>

JRiehecky: important, such as the criminal drank a cup of coffee while<BR>

waiting for the right moment to <BR>

JRiehecky: commit the crime.  GA<BR>

LYPHIS: Gt - and what about into the background, the scenery or something?<BR>

LYPHIS: ga<BR>

JRiehecky: Maybe a tree or bush screens the area while a crime happened<BR>

except for one direction where <BR>

JRiehecky: a witness was.  GA<BR>

LYPHIS: aaah, thanx so... ga<BR>

WriterBabe: Excellent information.<BR>

WriterBabe: Janet, any parting words of wisdom for us?<BR>

WriterBabe: GA<BR>

JRiehecky: Never give up.  If you write something you like there will be<BR>

people out there that like it <BR>

JRiehecky: too.  GA<BR>

Aplbrk: Hear, hear!<BR>

<BR>

end<BR>

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