Ask the Experts guest writer and organizer of KIDS LOVE A MYSTERY WEEK, Janet Riehecky.

 Subject:  Childrens Writers Chat-JRiehecky

Author:  Janet Riehecky

Uploaded By:  JOANWRITE

Date:  2/18/2000


File:  CHILD~11.LOG (13378 bytes) 

Estimated Download Time (17541 baud):  < 1 minute

Download Count:  24


Equipment:  whatever got you here

Needs:  word processor/ text reader



Ask the Experts guest writer and organizer of KIDS LOVE A MYSTERY WEEK, Janet Riehecky.


What, when & where:

Tuesdays 

9 p.m. ET (6 p.m. PT), Writers Workshop

Children's Writers chat - writers and illustrators of children's books meet for specific topics and special guest speakers, moderated by HOST WRTR WBABE & HOST WRTR CGaley, with HOST WRTR sUe & HOST WRTR Neely (Greeters).


***file disinfected using Anti-Virus 7.8***


<HTML><FONT  SIZE=3 PTSIZE=10>Childrens Writers Chat 2-15-00<BR>

Kids Love A Mystery<BR>

Guest: Janet Riehecky<BR>

</FONT><FONT  SIZE=3 PTSIZE=10><BR>

WriterBabe: We are going into protocol now.  When it's time for audience<BR>

participation,<BR>

WriterBabe: type ? for a question, ! for a comment, and wait your turn in<BR>

the queue to be called on.<BR>

WriterBabe: Type GA for Go Ahead (guests, too) when you've finished<BR>

speaking.<BR>

WriterBabe: Tonight I'm delighted to welcome as our guest writer and<BR>

organizer of KIDS LOVE A MYSTERY <BR>

WriterBabe: WEEK, Janet Riehecky.<BR>

WriterBabe: Hiya, Janet!<BR>

JRiehecky: Hi everyone!<BR>

WriterBabe: Before I forget--co-host Chuck Galey is allowed to pop in with<BR>

questions at will.<BR>

WriterBabe: Wave, Chuck.<BR>

WriterBabe: Oh, Chuck....<BR>

CGaley: Hey!<BR>

WriterBabe: There he is.<BR>

WriterBabe: Janet, would you like to tell us what KIDS LOVE A MYSTERY WEEK<BR>

is and then I'll hit you with<BR>

WriterBabe: some questions?<BR>

JRiehecky: "Kids Love A Mystery Week has existed for three years.<BR>

JRiehecky: It was started by Joan Lowery Nixon when she was president of<BR>

Mystery Writers of America.<BR>

JRiehecky: She ran it the first year with help from Barnes & Noble.<BR>

JRiehecky: The second year Barnes & Noble bowed out and Joan didn't have<BR>

time to run the program, so I <BR>

JRiehecky: got the chance to run it.<BR>

JRiehecky: We are hoping to encourage kids to read and write mysteries.<BR>

JRiehecky: We Sponsor events all over the country.<BR>

JRiehecky: Kids can sign up at a local bookstore, school, or library.  <BR>

JRiehecky: Some people host reading programs. A kid gets an certificate from<BR>

Mystery Writers of America<BR>

JRiehecky: for reading one book and gets one ticket in a drawing for each<BR>

mystery book read.<BR>

JRiehecky: We had authors all over the country donated autographed books for<BR>

the prizes in the drawing.<BR>

JRiehecky: The writing program is similar.  Kids write a story and everyone<BR>

get a certificate. <BR>

JRiehecky: The Stories are judged by a panel and the best stories win<BR>

autographed books.<BR>

JRiehecky: This year Carol Higgins Clark has agreed to be our Honorary<BR>

Chair--after all, she learned to<BR>

JRiehecky: love mysteries as a kid!  GA<BR>

WriterBabe: A great program, Janet.  I'm curious--why did B&N bow out?<BR>

JRiehecky: They said they didn't make enough money from having authors come<BR>

to the store for signings. <BR>

JRiehecky: They did great with big names but not so great with midlist<BR>

writers. GA<BR>

WriterBabe: That's a shame.<BR>

WriterBabe: This year I had the honor of chairing the YA panel of the Edgars<BR>

(the mystery/crime fiction <BR>

WriterBabe: awards).  <BR>

JRiehecky: They also left me hanging for several months, thinking they were<BR>

going to do somethings.<BR>

WriterBabe: We got quite a few books, but felt that many of them were NOT<BR>

mysteries (or crime fiction).<BR>

WriterBabe: Janet, how do YOU define a mystery?<BR>

WriterBabe: GA<BR>

JRiehecky: I think there needs to be a crime to be solved and that there<BR>

must be a character who seeks <BR>

JRiehecky: to solve it.  GA<BR>

WriterBabe: How major a part does the crime pay in the book?  GA<BR>

JRiehecky: I think it should be the main plotline.  If there's a secondary<BR>

story, such as a romance, it<BR>

JRiehecky: shouldn't overwhelm the detective work.  Otherwise, it's a<BR>

romance, not a mystery.<BR>

JRiehecky: GA<BR>

WriterBabe: Our feelings exactly.  But the publicists seem to be confused.  <BR>

WriterBabe: I wonder if it's more difficult on a YA level to define a<BR>

mystery.  Do you think it is?  GA<BR>

JRiehecky: My books are intermediate readers, so I haven't tried a YA novel,<BR>

but I think the same <BR>

JRiehecky: standards should apply.  GA<BR>

WriterBabe: I've asked Joan Lowery Nixon this question, and now I'm going to<BR>

ask you:  <BR>

WriterBabe: why do kids who won't read other books read mysteries?  GA<BR>

JRiehecky: I think it's several things.  Mysteries and fantasy are about the<BR>

only places left where <BR>

JRiehecky: there is a clear-cut definition of right and wrong, good and bad.<BR>

JRiehecky: Most kids feel more secure knowing the boundaries.  Also<BR>

curiosity sets in.  They want to <BR>

JRiehecky: know the answer to the mystery.  And usually the characters are<BR>

people you care about.  GA<BR>

WriterBabe: Great answer.<BR>

WriterBabe: Someone said that mystery writers set the world to rights.  It<BR>

sounds as though you agree wi<BR>

WriterBabe: Let's talk about your writing a bit.<BR>

WriterBabe: Which do you start with, character or plot, or does it vary?  GA<BR>

JRiehecky: I start with a plot.  I always know how it ends and work from<BR>

there. GA<BR>

WriterBabe: I've written some mysteries and find that working out those<BR>

jigsaw puzzles hurts my brain!<BR>

WriterBabe: Give me and everyone else some tips on organization.  GA<BR>

JRiehecky: I keep a file of things--clues, incidents, even lines a character<BR>

might say--even if I don't<BR>

JRiehecky: know where they are going to fit in the story.  When I get stuck<BR>

I always look at that list.<BR>

JRiehecky: An outline also helps.  My outlines are vague, because my<BR>

characters usually take over and <BR>

JRiehecky: tell me what they're going to do next.  I do think mysteries,<BR>

especially if you want the <BR>

JRiehecky: reader to be able to solve the crime also need to be well<BR>

organized. If you could see my <BR>

JRiehecky: office, though, you wouldn't think I knew anything at all about<BR>

organization.  GA<BR>

WriterBabe: Great tips!<BR>

WriterBabe: Let's talk about those characters.<BR>

WriterBabe: There are many detectives out there and many gimmicks have been<BR>

used to create them.<BR>

WriterBabe: How can we create fresh characters?  GA<BR>

JRiehecky: I think it helps to model characters after real people.  Real<BR>

people do and say unexpected <BR>

JRiehecky: things all the time. Of course, you have to be careful about<BR>

libel.<BR>

JRiehecky: GA<BR>

WriterBabe: LOL<BR>

WriterBabe: A few more questions from me, and then let's open this to the<BR>

audience.<BR>

WriterBabe: How important is setting?  Atmosphere?  What are some techniques<BR>

for creating those?  GA<BR>

JRiehecky: Setting and atmosphere are very important to a mystery.  I think<BR>

sensory detail expressed in<BR>

JRiehecky: fresh metaphors and similies helps a lot. GA<BR>

WriterBabe: Thanks.<BR>

WriterBabe: What are the rules of good mystery writing?  The no-no's?<BR>

WriterBabe: And after that, it's the audience's turn!  GA<BR>

WriterBabe: (Start typing ? and !, folks)<BR>

JRiehecky: Unfortunately, the most important rule right now is: Be<BR>

politically correct.  It seems like <BR>

Lauryntwo: Hi I Like To Write About Dogs<BR>

JRiehecky: publishers care more about that than anythig.  I think you need<BR>

to have a clearly defined <BR>

JRiehecky: situation and characters actively working to solve the mystery.<BR>

I think good should triumph<BR>

Neely f: Lauryn. We are in a meeting. Turn on your IMs for inside<BR>

information.<BR>

CGaley: (Sorry Lauryn, this chat is in protocol, Please read your IM's...<BR>

:-))<BR>

JRiehecky: over evil and that you should have your readers feel as if you<BR>

played fair throughout the <BR>

JRiehecky: whole book.  GA<BR>

Neely f: (Lauryn's IMs are turned off.)<BR>

WriterBabe: Janet, you're wonderful!  And I noticed that in your books, you<BR>

have a warmth and a good <BR>

WriterBabe: feeling for family, which I think is pleasing to kids.<BR>

WriterBabe: An underlying safety, if you will.<BR>

WriterBabe: I'm assuming that's quite intentional.  GA<BR>

JRiehecky: Yes, one of the many joys of writing for children is just that!<BR>

GA<BR>

WriterBabe: Okay, folks, it's your turn.  <BR>

Aplbrk: ?<BR>

WriterBabe: Anyone have ? or !<BR>

WriterBabe: Wow--lag there for me!<BR>

WriterBabe: Barbara, you're first.<BR>

Aplbrk: You said there is always a crime to be solved; must it always be a<BR>

crime, or<BR>

Aplbrk: can it be a loss of something, or someone acting strangely, etc.<BR>

JanssD: ?<BR>

JRiehecky: You're right.  It doesn't have to be something against the law as<BR>

long as there is something<BR>

JRiehecky: strange that requires an investigation to explain.  GA<BR>

Ekbruno: ? Would ghost stories be considered a true mystery?<BR>

Aplbrk: Thanks.<BR>

WriterBabe: A real puzzle, in other words, right, Janet and Barbara?  GA<BR>

JRiehecky: I think it depends on what happens.  If nothing requires an<BR>

explanation, if it's just a <BR>

Aplbrk: !<BR>

JRiehecky: scary story, then I don't think it qualifies as a mystery.  But<BR>

if the ghost leads character<BR>

JRiehecky: s to investigate something, like the cause of its death, then it<BR>

could easily be a mystery. <BR>

JRiehecky: GA<BR>

Aplbrk: I agree.<BR>

WriterBabe: So do I.  Barbara, do you have another comment?<BR>

Aplbrk: Yes.  <BR>

Aplbrk: In recent books I've read,<BR>

Aplbrk: it seems the secondary plot begins the story, but that leads to the<BR>

Aplbrk: main mystery line; that's one feature peculiar to mysteries, or so<BR>

it seems.<BR>

Aplbrk: That is, when you don't start right out with a crime or question to<BR>

solve.<BR>

Aplbrk: ga<BR>

LYPHIS: ?<BR>

WriterBabe: Janet, do you want to comment on Barbara's comment?  GA<BR>

Aplbrk: (did that come out as muddled as I think it did?)<BR>

JRiehecky: I do that in my books to build suspense. If you start with the<BR>

biggie, you've got nowhere to<BR>

JRiehecky: go but down.  One idea I use when I teach about writing for<BR>

children is to put a conflict on<BR>

Neely f: I:I:I:I:I:::I:I 15 MINUTE WARNING I:I:I::I:I:I<BR>

JRiehecky: the first page to draw the reader in, but that little conflicts<BR>

should lead up to the big <BR>

JRiehecky: one.  GA<BR>

Aplbrk: Interesting...and enlightening!  Thanks.<BR>

WriterBabe: This is a marvelous discussion!  Thank you both.<BR>

WriterBabe: Derek, you're next.<BR>

JanssD: Staying on the subplot-vs.-mystery question:<BR>

JanssD: You mentioned the character subpl. shouldn't be secondary to the<BR>

mystery plot--<BR>

JanssD: (Er, vice versa:  Mystery shouldn't be secondary, sorry)<BR>

JanssD: --But how secondary is TOO secondary?:  It always helps a mystery,<BR>

IMO, to<BR>

JanssD: have some kind of character devel. story, otherwise, a crossword<BR>

puzzle never becomes<BR>

JanssD: a story.  GA<BR>

JRiehecky: Yes!  These days the story has to be character-driven.  If the<BR>

secondary plot doesn't<BR>

JRiehecky: help the reader understand the characters better or else further<BR>

the main mystery<BR>

JRiehecky: there's little point in including it. GA<BR>

WriterBabe: Phyllis, your turn.<BR>

LYPHIS: Please speak about the art of planting clues,<BR>

LYPHIS: including those imbedded into the setting<BR>

LYPHIS: ga - sorry<BR>

JRiehecky: A red herring should be treated exactly the same as a real clue<BR>

or else it's obvious that <BR>

JRiehecky: it's a red herring.  There's an old saying that if you mention a<BR>

gun over the mantel, that <BR>

JRiehecky: gun has to be fired sooner or later.  Play fair with your reader.<BR>

Introduce important clues<BR>

JRiehecky: early enough that they can sink in.  Don't hide them in the<BR>

middle of description a reader <BR>

Neely f: IOIOIO 10 MINUTE WARNING IOIOIOI<BR>

JRiehecky: is likely to skim over.  Try, though, to make it so natural that<BR>

the reader can think you'd <BR>

JRiehecky: have mentioned it whether it was a clue or not. GA<BR>

WriterBabe: Fabulous tips!<BR>

WriterBabe: The queue's empty.  More questions, folks?<BR>

LYPHIS: Gt - thanx ga<BR>

Aplbrk: !<BR>

WriterBabe: Go ahead, Barb.<BR>

Aplbrk: Just a really big thank you for this session; it's been most<BR>

helpful!<BR>

Aplbrk: Thanks, Janet.<BR>

LYPHIS: ?<BR>

WriterBabe: Phyllis, your turn.<BR>

LYPHIS: What are some examples of clues embedded into the scenery or milieu?<BR>

LYPHIS: ga<BR>

JRiehecky: Of course, my mind is a complete blank.  It would be something<BR>

like a character getting a <BR>

JRiehecky: glass of orange juice and mentioning that she never drinks coffee<BR>

and then having that be <BR>

Neely f: mnmn-- 5 MINUTE WARNING -nmnm<BR>

JRiehecky: important, such as the criminal drank a cup of coffee while<BR>

waiting for the right moment to <BR>

JRiehecky: commit the crime.  GA<BR>

LYPHIS: Gt - and what about into the background, the scenery or something?<BR>

LYPHIS: ga<BR>

JRiehecky: Maybe a tree or bush screens the area while a crime happened<BR>

except for one direction where <BR>

JRiehecky: a witness was.  GA<BR>

LYPHIS: aaah, thanx so... ga<BR>

WriterBabe: Excellent information.<BR>

WriterBabe: Janet, any parting words of wisdom for us?<BR>

WriterBabe: GA<BR>

JRiehecky: Never give up.  If you write something you like there will be<BR>

people out there that like it <BR>

JRiehecky: too.  GA<BR>

Aplbrk: Hear, hear!<BR>

<BR>

end<BR>

</HTML>



Comments

Popular posts from this blog

WHAT THE WATCH TOWER BIBLE AND TRACT SOCIETY OF PENNSYLVANIA HAD TO SAY ABOUT WHAT WERE SUPPOSED TO HAVE HAPPENED in 1874

Uninterruptable Power Source (UPS) FAQ

Blade Runner FAQ