HYPERSPACE in Your Everyday Life
FILENAME: INTRO-A
An INTRODUCTION to
************************* HYPERSPACE **************************
in
Your Everyday Life
WHERE IS HYPERSPACE?
------ and ------
HOW DO WE GET THERE FROM HERE?
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THE Ancients imagined a timeless space beyond human
comprehension that they called Heaven, Hades, Valhalla, Gehenna,
------ ----- -------- -------
Limbo, Elysian Fields, Happy Hunting Grounds, each in his own
----- -------------- ---------------------
language. The mysterious supernal and infernal regions were
populated with gods and goddesses, devils and demons, angels and
fairies, ghosts and goblins, chimerae of every conception. On an
Olympian stage, the immortal spirits acted out the universal
human drama in myths teaching the meanings of life and death,
good and evil, morality and nemesis, until the advent of modern
science brought discredit to intangible realities.
Man does not live without myth. As the traditional morality
plays lose their power to rule men's minds, lively new myths are
composed to replace the dead. If the modern priests of science
refuse to address the problems of the human soul, the modern
poets of science-fiction will use the ken and cant of science to
answer spiritual needs for intangible ideals. Mentor and Merlin
are reincarnated as Obi Wan Kenobi and Yoda; as the last of the
Jedi Knights of a Round Table on some planetary Camelot, Luke
Skywalker draws a laser Excalibur from the Stone to wield The
Force on a cosmic odyssey. After running for centuries at
Olympus, followed by a century of full houses at Dodge City, the
spiritual epics are now playing in hyperspace.
----------
Hyperspace is known to science only as a calculation of
pure, abstract mathematics. Physicists are unaware that they
are actually charting the tangible landmarks of hyperspace while
they plot the PSI factors defining the virtual state of the
------------------------
quantum field. Like Moliere's BOURGEOIS GENTILHOMME, everyone
-------------
lives in The Twilight Zone without knowing it. After reading
-----------------
this book, you will be able to recognize the landscape of
hyperspace in your everyday life. The immortal spirits are very
real entities, and God is alive and well on the street where you
live.
__________________________
I I
I Creatures that drift I
I in the depths of the sea I
I are the very last I
I to discover the water. I
I__________________________I
THIS thesis has grown over twenty-five years since I noticed
that the ceremonial KATAS of the ZEN martial arts express the
very same energy equations that physicists write in mathematical
notation. (SIDE-1) Once I discovered this key, I realized that
all forms of art are mathematical equations expressing
transformations of energy more subtle than brute strength. Works
of art are a special kind of physical machinery that projects
higher-dimensional structures into lower-dimensional spaces for
some convenience of perceiving. You can see the way art performs
this function by applying the rules of optical perspective to
represent a three-dimensional structure on a plane surface.
The most familiar kind of pictorial perspective presents the
appearance of its subject from but a single viewpoint. In order
to comprehend a solid structure in its entirety, it is necessary
to render it from as many aspects as are required to reveal all
of its structural details in their correct relationships to each
other; many tridimensional perspectives must be studied in order
to construct a conception of a hyperspacial entity.
The art of mathematics presents alternative aspects in the
form of tautological equations, each expressing the view from a
different frame of reference, such as a=lw, l=a/w, and w=a/l to
describe the two-dimensional structure of a square by one-
dimensional semantics. All the codices of mathematical equations
express different views of the single hyperspacial entity known
as the universe; our comprehension of the universal structure
--------
is far from complete.
Artists have a vocation to express their perceptions of
hyperspacial realities from every point of view that man can
reach, at every different time that man can live in, to provide
us with handles on universal truths. All the myths and all the
religions present us with different pictures of the same
hyperspacial entity, and that entity is ourselves.
CLOSE THIS FILE
OPEN FILE "INTRO-C"
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SIDE-1
Most lovers of literature know that "Gulliver's
Travels is a satire on the politics of Jonathan
Swift's time and place but did you realize that
"Alice In Wonderland" and "Through The Looking
Glass" are cryptic explorations of hyperspace?
Alice's adventures are a comic dramatization of the
very same protean confusions, instabilities,
fantasies, whimsies, cruelties, and self-
contradictions of the virtual state of the quantum
field that you are about to tour by way of a more
mathematical direction.
Lewis Carroll is the pen name of the Reverend
Charles Dodgson, a mathematician more competent
than he dared to reveal to his contemporaries, so
he became better known under his real name for
making sensitive photographs of pretty little girls
all bare naked with no clothes on.
___________________________________
I I
I Scientists and artists I
I are both mystics I
I competing in the myth business. I
I I
I The differences between them I
I are mainly a matter I
I of professional jargon. I
I___________________________________I
YOU are able to perceive voluminous space only because your
mind fuses the two different perspectives received by your two
eyes. *1
From one point of view, your inner eye sees merely plane
images. In order to perceive solid structures in voluminous
space, you must move around the subject under observation and
fuse an indefinite number of aspects from all sides. A cone,
for illustration, is seen as a circle in plan view, a triangle in
elevation, and various angles subtended by various arcs in all
other views. The solid structure of a cone is conceived only
after fusing all images in the mind. If your mind were not able
to construct this gestalt, you would be unable to recognize the
-------
triangular aspect of the cone as having the same identity as the
circular aspect. (SIDE-1)
The ability to fuse an indefinite number of plane images
into a solid image in the mind is usually achieved during
childhood as we master language, so no one is aware of common
aberrations. As an example, few people saw the view from the top
until everyone travelled by air. Without flight experience, you
don't learn to fuse plan views of the landscape with the familiar
elevations; therefore, aerial photographs remain unintelligible
to most people. You would be surprised by the number of people
who cannot read blueprints because of their inability to fuse all
sectional drawings into a dynamic tridimensional gestalt. Cubism
is four-dimensional perspective; the art of Cubism makes no sense
to people who cannot analyze plural perspectives and recombine
them mentally to form a hyperspacial image of the pictorial
subject.
Since George Eastman provided everyone with a camera, we find
that most snapshots, like driver's IDs, can't be recognized by the
subject's mother. How is it possible for the camera (that cannot
lie) to produce unrecognizable portraits? From the infinite number
of views you see of your nearest and dearest, only a certain number
are selected for fusion into the mental image of the person you
identify. The zillions of other views are occulted from the visual
consciousness because they are insignificant or because the
differences are great enough to produce the painful condition of
cognitive dissonance that prevents fusion of disparate ideas.
--------------------
Cognitive dissonance is produced by harmonic discord among
the vibrations defining ideas, images, and sounds. All
differences produce cognitive dissonance until discordant phases
are cancelled and the remaining vibrations are resolved into a
harmonically integrated gestalt in a higher dimension, like a
musical chord. Wave cancellation is the physical basis of the
concept of psychological repression established by Freud; these
wave mechanics also produce KARMA. (*2)
Interference between (mental) waves transforms them into
other frequencies so that objects are not perceived as they
really are, if they are not rendered altogether invisible as a
consequence of cognitive dissonance. Therefore, each person sees
and hears truly only those signals that are congruent with the
conceptual patterns already defining one's own mental structure;
all other perceptions are distorted and repressed, occulted
behind the Veils of Maja. (SIDE-2) At the bottom line,
intereference produces a pair of predominant patterns separated
by 180o of phase. As a result, reality is perceived to be
polarized between good and evil, black and white, strong and
weak, male and female, etc.
Just as only one side of a solid structure can be seen at a
time, without a mirror, only one phase of a hyperspacial
structure can be perceived directly at one time. It is natural,
therefore, to assign a unique identity to different phases that
exceed the observer's capacity for resolution into a single
gestalt. Virtue is not recognized as the front of vice, no light
is seen in darkness, and you have to know your TAO to find
strength in compliance. Union of complementary opposites
transforms them both into a structure of higher dimension. The
degree to which you can resolve polar opposites establishes the
dimensional scope of your Consciousness. An understanding of
hyperspace enables you to answer problems that defy all
philosophers limited to three-dimensional concepts; given
sufficient scope, you will even understand the opposite sex. (*3)
CLOSE THIS FILE
OPEN FILE "INTRO-D"
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SIDE-1
Assigning different identities to
different aspects of the same structure is
most commonly experienced in interpersonal
relationships. During the initial rush of
love, all perceptions that trouble the purity
of the relationship is repressed. Admonitions
from friends and family to watch where you are
giving your heart are ignored as utterly
irrelevant to the paragon identified with all
the virtues of true love, and none of the
vices. When dissonant aspects of the loved one
appear from behind the Veils of Maja, they are
perceived to belong to another person, a
stranger in your home and a devil in your bed.
Unable to conceive that pleasure and pain
can come from the same parent, infants
perceive a good true-parent and a wicked step-
parent. Most people still cannot identify God
with the devil, nor can they perceive that
Heaven and hell are complementary aspects of
one real world.
=============================================
SIDE-2
The Latin mind has no imprinted concept
of the English SCHWA sound. Without the mental
concept, the Latin ear cannot distinguish
between his and hees. The sound of big
--- ---- ---
activates the concept of beeg, and beeg is
---- ----
what the Latin mind hears. Likewise, the
Japanese mind has no imprint for the ell
---
sound; in the Japanese mind, the elle sound is
----
heard as arr.
---
Male and female mentalities are
imprinted with different concepts making it
physically impossible for the opposite sex to
receive the same message thatis sent.
Communication between sexes is like
communication between different species. No
matter how many times arguments are settled,
the very next argument is the very same
argument. Acquiescence is not agreement, but
resignation and tolerance of the
incomprehensible.
---------------------------------------------------------------
*1 If your mind is unable to fuse plural images, the brain
is confused, and all images but one are erased from your visual
Consciousness. The eye transmitting the voided image loses its
functional capacity. It may be speculated that other sense
organs also lose their function when their information is voided.
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*2 If Freud studied physics before medicine, he wouldn't
have invented a square wheel in his theory of sexual
determinism. Psychology and psychiatry would be radically
different if a grounding in elementary physics were prerequisite.
These professions will soon be demolished and reconstructed by
the hard science of artificial intelligence.
The soft sciences are not soft by their very nature, but
because soft ideas attract people incapable of comprehending
hard, mathematical concepts, and once soft-heads populate a
profession, hard-heads move out of the neighbourhood. As a
consequence, the soft sciences degenerate into nonsense until
they become too impractical to hold their customers. If astrology
were not so soft-headed, actuaries would be calculating horoscopes
instead of statistics.
The essential difference between the hard-head and the soft-
head is concentration of mental focus. Whereas the hard-head
defines particulars, the soft-head senses the overview. Both
heads are half-wits if they cannot vary the scope of their focus
to integrate particulars with wholes to comprehend both at once
in a higher dimension of Consciousness.
---------------------------------------------------------------
*3
OOOOOOOOOOOOO\ The confusion prodiced by the
O\ O \ Necker cube is due to seeing the
O \OOOOOOOOOOOOO inside and the outside of a box
O O O O at the same time. When seen as a
O O O O plane image, a transparent cube
O O O O presents a different structure
OOOOOOOOOOOOO O from every point of view, and
\ O \ O except when seen in a plan or
\OOOOOOOOOOOOO elevation, no aspect resembles
the shape of an opaque box.
This is an object lesson in the difference between the structure
of an entity in hyperspace and the form it presents in a lower
dimensional space.
Since God is an Entity of utmost dimensional extent,
no man can look at a complete image of It in this lifetime ---
and that is the reason for the religious prohibition against
graven images. In order to preclude any manifestation of The God
That Is All That Is from being worshipped as the One Big I, The
First Commandment is engraved, "Thou shalt not hold any god
before Me." Anything less than God is the very devil, and the
devil grows more diabolical as it grows more Godly; the devil is
the Brightest Angel of them all.
The worship of anything less than God, no matter how Godly,
is Satanism; the good people of this world are far more
dangerous than the bad. You see, the only difference between bad
people and good people is that bad people say that all wars are
good, whereas good people say that some wars are good; both
sides agree that no war is bad unless it is lost. As the child
prays, "Dear God, please make all the bad people good and the
good people nice."
30
THE mind is able to fuse two visual images only when
there is practically no difference between them. Fusion of visual
images into a stereo gestalt becomes impossible if the two
perspectives differ by more than the interocular distance. In
other words, there is a limit to the amount of difference that
can be resolved without producing an identity crisis. (SIDE-1)
To illustrate, if your views of a cone were limited to the
extremes of plan and elevation, only extraordinary conditions and
mathematical calculation would enable you to realize that the two
mutually incommensurable figures were aspects of the same
identity in a higher dimension of space. Ordinarily, you are able
to relate one extreme view to the other extreme by innumerable
other viewing angles revealing the gradual transformation of the
circle into the triangle. Even after identifying the circle as
an allotropic aspect of the triangle, you would still be unable
to form the concept of a solid cone unless your mental space
were large enough to comprehend three dimensions; you would
believe that the conical structure alternates between a
circle and a triangle according to the viewing angle; it would
be the wave-particle paradox all over again.
On the atomic scale, hyperspacial rotations occur at such
speed that transition phases between extreme views cannot be
resolved within the temporal precision of the experiment. The
wave-particle dichotomy is refractory to scientific
comprehension not only because an electron flips between its two
phases faster than the instruments can follow, but also because
both wave packets and particles are three-dimensional concepts.
Mentally unable to comprehend ultratridimensional entities,
physicists identify different projections of one subatomic
particle as several new discoveries, and that is why there is no
end to the number of elementary particles.
At least four dimensions of space are required to fuse
several three-dimensional structures into a single identity in
the same place at the same time. The most highly respected
scientific authorities aver that it is impossible for any human
intellect to visualize space extending in more than three
dimensions. Nevertheless, your mind reveals the mathematical
parameters of four-dimensional hyperspace every time you fuse
more than one three-dimensional image into a gestalt. Look at
that, would you; like the atom, the inner space of your mind is
-------------------------------
hyper! Hyperspace is as familiar to you as your own mental
-----
concepts. How 'bout that, Dr. Einstein?
The science of physics is actually the physics of
perception. Your mind is a house of many mansions. Most people
never see the doors in the walls of their nurseries; they spend
their entire spiritual lives confined in the crib where they
were born, while they can only wonder about the sounds of family
activity that transpire dimly into their windowless
compartments. In these pages, you will read the construction
plans of your spiritual palace. Once you realize that the
barriers limiting your experience are merely partitions, you
will open the doors of your mind to explore the manifold halls
of self-knowledge. You may even leave your father's house to
make your way as a grown person in the big hyperworld outside.
Of course, it is dangerous out there, and not all who venture
return sound and successful, but that is what real life is all
about when play school is left behind. The physics of
consciousness is what this book is all about.
CLOSE THIS FILE
OPEN FILE "INTRO-E"
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SIDE-1
The limits of identity provide a
universally practical principle for getting
what you want out of life -- especially if you
have to get what you want out of other people.
To wit, it is impossible to change anyone's
mind except by nicely graduated argument that
slowly turns the other's point of view to your
direction; if you argue too strongly, you only
provoke rage, denial, and repression of
everything you say. The TAO teaches that the
battle does not go to the strong, nor the race
to the swift, but to the gentle and the
patient; this is the true meaning of Jesus'
promise that the meek will inherit the Earth.
Beggars, flatterers, and cheaters take more
than workers, racers, and robbers.
___________________________
I I
I It is not in our stars I
I that our troubles arise, I
I my dear reader, I
I but in our telescopes. I
I___________________________I
FUSING disparate images depends upon the development of a
faculty for ignoring differences. The mind learns to ignore
differences by subsuming them to a common feature, such as
association of time, place, utility, or physical property. The
subsumption of ideas into abstract classifications is produced
by wave interference; and so, particular, individual differences
are repressed to the Unconscious as the mind grows from
perceptions limited to tangible sense data to comprehend
abstract concepts. (SIDE-1)
Plato wrote the original hyperspacial theory explaining
that each of the material bodies in this world is a
manifestation of an Ideal Form in Heaven. In modern mathematical
terms, Plato can be paraphrased to say that each individual
structure is a unique cross- section (or projection) of an
entity existing in a space of more than three dimensions,
intersecting with our tridimensional world. Plato conceived his
concept of Universal Form by the mental process of verbal
abstraction, and then with true philosophic backasswardness he
declared that the particular is derived from the abstract,
instead of the other way 'round; nevertheless, Plato is right.
Since Plato explained that all individual differences are
unique aspects of the ideal, and since wave interference is
proven to be the physical mechanism that subsumes differences
within the gestalt, the technical means for revealing a tangible
manifestation of the Ideal Form is self-evident. By
superimposing an indefinitely large number of individual images
of the same class of tangible manifestations, the individual
-----
wave-forms arrange themselves according to the principle of the
Conservation of Energy into a single, harmonically integrated
structure. Photographers will recognize this process as the way
to make a hologram. A hologram, therefore, is a tangible
--------
hyperspacial structure. How 'bout that, Dr. Gamow?
A hologram looks like nothing so much as a compounded
vortex. A compound vortex is what a hyperspacial entity looks
like when it becomes manifest in its entirety as a tridimensional
form. When Cecil B. DeMille represented the God of Moses as a
vortex of light, he was revealing his Unconscious knowledge of
the platonic Ideal. (SIDE-2)
_____________________
I I
I Beauty is the Beast I
I_____________________I
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OPEN FILE "INTRO-F"
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SIDE-1
Children notice microscopic differences;
they inspect details minutely, and object to
the slightest change in their environment ---
especially food. Children lose their
preternatural discrimination of tangible
reality as they learn to speak, and everyone
spends the rest of his life trying to find the
original reality of the child, by way of
sensory excitement, philosophizing, religious
disciplines, and chemical keys to the Kingdom.
Childish minds that grow big without
growing up make a profession of details
without being able to realize their meaning in
a universal gestalt; they are favoured to
become scholars and authorities. Swelled heads
are illustrated by the learned philosophers
who argued about Adam's navel while remaining
incapable of questioning Adam's rib. But
however narrow their perspective, scholars
are broadminded enough to realize that it does
not profiteth a man in this life to gain the
whole world in one vision.
The joys of youth, and its bellicosity,
are the intense excitement produced by the
perception of differences. Conversely, most
of the normal depression which grows with age
is the result of losing discrimination so
that nothing new is perceived under the Sun.
The conventional wisdom believes that the
senses atrophy along with the thymus gland,
the gonads, and the digestive organs, to
produce ennui from lack of excitement.
Actually, the sense organs atrophy as
interest in differences is lost because of
terminal classificationosis. Your tour of duty
on this planet is done when you no longer find
any difference between one day and the next,
one season and the next, one person and
another, one sex and the other. VIVE LES
DIFFERENCES!
=========================================
SIDE-2
Christ is the God of Man, variously
called The Son of God and The Son of Man. The
epithets of Christ mean that He is the
platonic Ideal of the human species, and each
of us is a unique manifestation of this
Universal Ideal Human Being.
A special kind of holographic portrait
of the Christ can be produced by superimposing
an indefinite number of life-size photographs
of people. This technical photography has
actually been done. In this process, the
superimposed waves do not produce a vortex;
instead, the wave interference pattern is
manifest like the superimposition of musical
notes to produce a predominant key tone. The
image resulting from this extraordinary
holographic process reveals an ineffably
beautiful human body of exquisitely perfect
proportions. Christ is quite simply the One
Perfect Human Being from Whom all mortals are
imperfectly projected.
Individuals possessing features
approximating the human average manifest some
of Christ's Divine Beauty, and that is why all
us mortals who deviate from the average are
moved to adore these paragons of pulchritude.
Unhappily, the instinct to deify the norm has
the necessary consequence of abhorring
deviation as the very devil.
The great truth revealed by this
photographic demonstration is not that good
looks are as good as God; the image of the
Perfect Human Being is composed of every one
of the ugliest and most deviant among us, as
well as the most beautiful freaks. Beauty
without ugliness is less than the whole
platonic Human Being, and anything less than
perfect is diabolical to the degree that
wholeness is lacking.
The youthful, female form divine tends
toward the average human proportions; the
elderly, male form is the ugly deviant.
Mortals who have seen the Christ Spirit
testify that His counten-nance is like an
unmarked youth with compassion that is learned
only through eons of suffering; His ugliness
radiates beauty.
The closer a nearly holy creature
approaches perfection, the greateris its power
for evil, and that is why Satan is the
Brightest Angel of them all, second only to
the Creator, Itself; the buck private's
mistakes will kill him, but the general's
mistakes kill everyone. Before damning the
practically good, execrating the almost true,
and abominating the compellingly beautiful as
Temptation, always remember and bear in mind
that Money is not Evil; it is the worship
-------
of Money that possesses one's soul. We are
given beauty to enjoy while it lasts; the
mortal sin is worshipping beauty --- or any
other god that does not incorporate its
proper devil.
30
WORDS are ultraspacial structures created by abstracting
common features of significance while ignoring unique features.
Words amplify similarities and eliminate differences by wave
interference. Words are the product of fusing all the unique
images of several structures into an ultraspacial gestalt.
The gestalt represented by its abstract noun is not visible
to the material eye because it is a ultratridimensional physical
structure that is manifest to our Consciousness only as a form
of what we conceive to be mental energy, more rarified than
electromagnetic substance. A word is an image of an ultraspatial
mental Form; words are the very Ideas that Plato talked about.
The tridimensional material eye can see only a unique,
material example of the gestalt at any one time. In other words,
a gestalt exists as an extension of its material manifestations
in the form of a trajectory through time and space; to wit, a
---------- ----
mental concept extends through no fewer than four dimensions.
(SIDE-1) The minds comprehends the dimensions of time; this is
why intelligence is identified with the sense of time. Abstract
verbal concepts are understood only as they can be comprehended
within the temporal dimensions of one's mind; a mind is perceived
to grow to the extent that it perceives precedents and
consequences. Athena is merely the god of intellect; the ruler of
consciousness is Kronus, the Overlord of Time and Change.
The nemesis of abstraction, as Korzybski pointed out, is
that the symbol becomes the reality, and the individual
differences in the real world are occulted behind the Veils of
Maja. As the focus of the mind shifts from the immediately
tangible world to verbal concepts, the mind becomes separated
from the body and both lose their health. Paradise is a myth
about a preverbal Consciousness, before men created words and
subsequently mistook the symbol (idol) for reality (God); the
Fall of Man and his Expulsion is the consequence of worshipping
verbally fashioned images. Philosophers pretend to lead us back
to reality on ways paved with more words of higher abstraction,
like devils promising to lead us to Heaven. If the devil is the
Father of Lies, words are surely the Mother.
Conscious mind is a creation of words. Therefore, no one in
his socially defined, right-thinking, right-handed mind can
perceive anything not previously defined by words. Experiments
have found that people lacking the words to describe subtle
colours are also unable to distinguish fine differences in hues,
but as soon as they are given the words to define the
differences between crimson, scarlet, and vermillion, for
example, they no longer see all reds as red. Poets expand the
common Consciousness by giving new meanings to old words and by
coining new words.
Words referring to abstract concepts are projections of
spiritual structures from hyperspace into our mental space.
We are unable to know the higher dimensions of the hyperspacial
universe we live in because our culture lacks the verbal
concepts for our minds to perceive what our eyes plainly see.
Although there is no way that you can learn to swim without
getting wet, reading is the most efficient way for you to
acquire the vocabulary of hyperspace that you need for your eyes
----------
to open on the New Heaven and New Earth of hyperspace.
Hyperspacial vocabulary is what this book is all about.
Scientific knowledge is nothing but verbal knowledge, and
knowledge is the key to power; humanity is ruled by words. The
physical and mathematical principles that explain the material
world of three dimensions also control the manifestations of
hyperspacial energies; e.g., e=mc^2 opens the way to the high-
dimensional energies of the atom. Furthermore, the very forms in
which higher-dimensional energies are represented serve as a
handle for wielding the power. This is what magic, idols,
charms, amulets, spells, incantations, hexes, and prayers are
all about. (*1)
Artists, scientists, and mystics who glimpse spirits dimly
through the Veils of Maja limn a projection of the eternal
entities into the human dimensions of literature, theatre,
music, dance, architecture, engineering, philosophy,
mathematics, justice, politics, morality --- in a word, culture.
-------
Like pictorial art, all cultural artifacts compress hyperspacial
structures into fewer dimensions so that ideas are represented
in more or less tangible forms. The form is the specialized
language of its poet and the meaning of the form is the essence
of the myth.
The difference between science and religion is the
difference between the quantified equations of mathematics and
the unquantified equations of metaphore. Those who cannot focus
their mental scope with sufficient precision to count must
guesstimate relationships by comparing superficial attributes to
derive meanings from their experiences. The errors of both
science and religion are produced by logical deductions made
from inherently faulty language, but the errors cannot be
perceived by people who mistake their words for real things and
their language for a real map. Philosophic disputes are word
wars; those who live by their words also die by their words.
The highest energies are manifest in the power of pure
thought, which mortals call God. Words are the coins of thought,
like money is minted power. It is the extraspacial power of the
human God expressed through the words of men that vouchsafes our
articulate species dominion over all the dumb beasts of the
field, and word power is the very Divine soul deficient in all
other planetary life. The extraspacial power of God expressed
through the word is attested in John 1:1, IN THE BEGINNING WAS
THE WORD AND THE WORD WAS WITH GOD, AND THE WORD WAS GOD.
---- ---- --- ---
Parsing the language of hyperspace reveals the very diction,
syntax, and grammar of Creation, Itself.
CLOSE THIS FILE
OPEN FILE "INTRO-G"
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SIDE-1
A trajectory is a mathematical and
physical reality that lacks tangible
substance, confounding all scientific
philosophers. A trajectory is a commonplace
example of a pure, objective thought form. A
------------
compound vortex is an infinite trajectory
compressed in time until its entire extension
can be comprehended within a single view.
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*1 The automobile is actually a mathematical idea
expressed in a material form, like an idol, that enables us to
use the power of gasoline for propulsion. No other idol possesses
its devotees so compellingly as the automobile, nor does any
other god demand such human sacrifice, not even Ares; the apple
of our modern Eden is a red sports car.
30
________________________________
I I
I The sound of one hand clapping I
I is the echo I
I of your own praise I
I for your own beliefs I
I reflected from the wall I
I of an indifferent world, I
I and heard only by yourself. I
I________________________________I
AS modern physics becomes mystical, "the ZEN of science" has
become a parlour cliche among the scientifically literate. ZEN
Masters penetrate the Veils of Maja cast by verbal logic to
apprehend reality by direct experience. (SIDE-1) Since they
eschew words, ZEN Masters write no books and preach no sermons.
ZEN disparages texts because no mathematical terminology existed
in its high and far-off times when the YOGAs were developed
empirically. (*2) Nevertheless the Masters knew a mathematical
language, and they used it to express their knowledge of
hyperspace. They composed their KATAs as mathematical equations
in the languages of art, music, chanting, dancing, theatre,
graphics, and architecture. The arts inspired with ZEN are
exquisitely measured. The Hyperspace Trilogy is a Rosetta Stone
translating the language of the ZEN arts into the language of
modern science. This book could be called The Physics of TAO.
The sage says, "Seek and ye will find. Ask and it will be
answered unto you." Scientists are fond of saying that their
business is discovering the right questions to ask. If
scientists weren't so cocksure that they knew everything there
is to know about their business, any lawyer could tell them how
to discover the right questions. The correct question is the
---------------------------
question to which you already know the answer. If you don't have
---------------------------------------------
an immediate answer, you must know where to find it. No other
questions are of any use in the enterprise of deducing Nature's
secrets.
ZEN Masters are fond of answering disciples asking for
wisdom by a question called a KOAN. KOANs are believed to be
nonsense intended to confuse one's mind until a critical tension
precipitates a mystical insight. KOANs are not nonsense; they
are a special kind of question to which you already know the
answer, but you don't want to know you know because such
knowledge is self-knowledge; the most heinous crime of this
civilization is to be caught in possession of self-knowledge.
Self-knowledge, you see, is the special kind of knowledge that
releases a person from the KARMIC wheel of life and the rule of
Satan, however you conceive your devil. As soon as you answer
the KOAN, you are expelled from Plato's cave, and the game of
darkness is over. The Laughing Buddha in the heart of your
personal Lotus Blossum isn't ready to cash your chips because of
Enlightenment until damn good and ready. The mental crisis of
the KOAN is resolved by formulating a plausible answer that
satisfies the curiosity without actually taking the terminal
gaze into the brilliant Face of God. Psychoanalysts get
plausible answers from all their patients; the trouble with
psychoanalysis is that the entire science is nothing but a
plausible answer to estop its advertised purpose of self-
discovery.
All those posing unanswerable questions, or declaring that
their questions can't be answered are not in the business of
creating science, nor do they have any intention of informing
the public; their real purpose is obscuring knowledge and
confusing you in order that they may gain and hold their
advantage over you. Rhetorical questions take many forms, and
none are so beguiling as the scientific poser. Rhetoric
manipulates automatic psychological reflexes so as to make the
audience believe that the authority who cannot answer his own
questions knows something that his audience doesn't know. The
only thing he knows that you don't know is how to get well paid
for knowing nothing you don't know --- and telling you to your
face.
CLOSE THIS FILE
OPEN FILE "INTRO-H"
==================================================
SIDE-1
ZEN defies comprehension by Europeans
for reasons similar to the incomprehensibility
of mathematics by broadly focussed minds. It
is simply impossible to describe the
essentially hard-headed precision of ZEN
practise by soft-headed language, and it is
just the softest of American heads that are
attracted to ZEN as an escape from
responsibility, rather than for love of
order. Like a symphony and a cathedral, ZEN
is pure mathematics with out words. ZEN is
the essence of art. (*1)
---------------------------------------------------------------
*1 I used to tease waitresses by ordering two fried
eggs, the first egg fried on one side and the second fried on the
other. Eventually I met a serving maid who gave me exactly what I
asked for. She sure shut my mouth. I wonder what she is doing,
now?
I've never met a ZEN freak who used KOANs to blow his mind.
They were all playing one upmanship on me, in the curious belief
that posing an unanswerable question made them superior. They
invested all their faith in the conviction that the KOAN can't be
answered logically, so they have something greater than reason
going for them. Children delight in playing with words to create
statements that are self-contradictory and impossible to realize;
it is a childish mind that believes unanswerable questions are
more significant than answers. When the KOAN is answered, like
drawing the Sword from the Stone, they not only lose their game,
but they also lose their faith. It satisfies their competitive
humility to proclaim they are stupid, but no one can be smarter
than their GURU, so they are wiped out when their GURU's bluff is
called.
--------------------------------------------------------
*2 Every arcane study has devotees of vastly different degrees
of competence. Groupies preserve and preach all precepts
indiscriminately, because they don't know the difference between
genius and learned fools.
The moral is that everyone who believes he knows what's what
should write his solutions for world salvation. Sooner or later,
people will regard every recorded folly as inspired wisdom; it
could be yours.
30
FILENAME: INTRO-H
____________________________________________________
I I
I Like proverbs and all other legislation, I
I every scientific law and mathematical equation I
I is contradicted I
I by another scientific law and mathematical proof. I
I I
I Wisdom is a matter I
I of choosing the law I
I which satisfies your purpose. I
I____________________________________________________I
YOU will find nothing of theoretical importance in this
book that you don't already know; all you will find in this book
is innumerable different views of what you already know and
believe in different contexts. Since the TAO of "phasics" turns
everything into its opposite, you will find that everything you
believe is self-contradictory; nevertheless, PLUS CA CHANGE and
all that. How much of this book you will understand and believe
depends entirely on your ability to maintain mental focus on the
structural points of the subject so that you can hold its
identity as I change the perspective. By the time you finish
this book, you will realize that the entire universe is your own
self, turned around every which way and inside out.
This is not a scholarly thesis; it is not the product of
laboratory experiments, abstruse calculations, nor of library
research. Everything you will read in this book is derived from
observation of everyday, ordinary life. I shall introduce
cardinal cases with commonplace observations or some commonplace
facts and see what comes by way of some commonplace logic. As
you follow my line of reason, you will see that your common
sense leads to insights that are ignored and denied by
authorized versions of truth. Now, what do you do? Do you deny
your own senses and let authorities tell you what your life is
all about, or do you decide for yourself the basis of your facts
and take responsibility for making up your own mind?
Professional authorities are convinced that the public is too
stupid and ignorant to understand science, health, religion, and
politics, not to mention teaching your children. The authorities
have always condemned the Socratic dialogue as a corruption of
youth. You won't think you are so stupid and ignorant by the
time you finish reading this book.
It is just because this thesis is based on common
experience that you can satisfy yourself of its truth. If you do
not agree with me after checking my observations and facts
against your own, tell me about it. You may be right; we may
both be right from our respective points of view and frames of
reference. If you find me mistaken, this book will have served a
worthwhile purpose as an object lesson illustrating the ways
that observations are susceptible to misperceptions, common
facts are liable to be mistaken, and common sense can lead to
common delusion. You need only look at the continual revisions
of established scientific facts to see that the most highly
qualified experts are just as subject to changing views as the
rest of us --- which is why they should not be believed with
less question than you are expected to direct at this book. (*1)
The best advice your medical doctor will ever give you is
"seek a second opinion"; the advice is just as wise when you
attend doctors of philosophy.
During earlier years of my life while my livelihood
depended on orthodox beliefs, I refused to give a thought to any
of the ideas I am able to entertain now that my employer doesn't
care what science I believe, as long as I don't bad mouth his
politics (I work for the government, now). So do not suppose
that I have no sympathy for the authorities; I have believed
their doctrine for the same reasons they maintain their faith. I
use satire only to reduce the awe of authority that stultifies
people under oppressive doctrines. As you know, no one hates
smokers more than a quitter --- who longs for a drag.
The critical word in the previous sentence is oppressive.
----------
As long as a doctrine is bigger than its believers, it opens
their minds to explore the vastness of its comprehension; no
believer is going to give up that space --- nor should anyone.
But when its believers outgrow their doctrine, it becomes
spiritually oppressive, and they seek a greater freedom. And so,
you see, no doctrine is inherently true or false; its truth
depends upon how well it fits the vital needs and the mental
stature of the people who believe it. Try this book on for size.
If it fits your head, give it a test run on your road of life;
if it cramps your style or rattles your chassis, you should have
learned by now that we have to kiss a lot of frogs before we
find our princes, and lick a lot of muddy feet before we find a
God that repays our belief with as much support as we give.
My comments on religions are not informed by scholarship
but merely reflect generally held conceptions that outsiders
entertain about creeds other than their own, like ethnic jokes
express one's perspective on foreigners. Outsiders perceive
meanings quite different from insiders. Confession, for example,
----------
has an entirely different meaning for Romans than for other
people; you have to be a Catholic to experience it. Which is the
true meaning? It depends on whether you are looking from the
inside or the outside, doesn't it? Nevertheless, ethnic jokes
express human identities, values, and follies more acutely than
anthropological studies --- especially the identity, the values,
and the follies of the teller. Some pious people may not be able
to tolerate the respect I have for any church but theirs, nor
can they tolerate any mention of their obvious follies. I ask
you --- is a sense of humour and appreciation of the ludicrous a
gift of the devil? No soul could abide in a Heaven without
humour if hell holds all the fun. If I failed to offend anyone,
let me know and the next edition will treat you the same as
everyone else.
If you find this book intolerable, it is mainly because you
have not been exposed to this kind of ideas before. You will be
surprised at how inoffensive they will be the next time you have
an encounter of this challenging kind. The initial denial,
ridicule, and scepticism of Flying Saucer sightings gradually
changed to belief for no reason other than the persistence of
the reports for forty years; it doesn't matter that most of the
reports are not true, and UFO hysteria was composed by the media
to supply popular demand. If you haven't come here from
Buckminster Fuller, see how his "Synergetics 1 & 2" grab you when
you go there from here.
Most people expect to understand a book on one reading; a
book baffling at first sight can't get a literary review. I
expect many readers to appreciate the insights into their
special interest and competence, but be lost through the pages
referring to other kinds of knowledge. You must realize,
however, that this book would have no reason for its existence
if it explained hyperspace from the mathematical view, alone ---
as all other books on this subject do. This is a synthesis of
many disciplines and philosophies; your mind must be capable of
fusing the concepts and languages of many arts, crafts, sports,
and sciences into a single gestalt in order to understand the
physical structure and manifestations of hyperspace in your
----
everyday life; this book is a holy scripture for the working
-------------
days of the week. Mathematics and metaphore, high philosophy and
vulgarity, are combined in the same paragraph, if not in the
same sentence, so that you may realize that all languages
express the very same truths. Thus, the believers of every faith
will find scientific substantiation of their religion in the
structure of hyperspace, and artists will find their common
identity with scientists in politics' strangest bed.
Mathematics, science, art, philosophy and religion cannot be
experienced in everyday life unless they are expressed as
everyday ideas in everyday language.
This book is as paradoxical as its subject. It is clear and
confused, profound and superficial, comic and tragic, ludicrous
and reverent, it has no single thread of reason but spreads a
tapestry, it is incoherent but an indivisible whole, it is fact
and fantasy --- with more truth in the fantasy than in the fact.
Writing it has been my KOAN; I composed it to be your KOAN.
There is at least one epiphany for every reader, but, like a
joke, you must be baffled to get it. This is a book for reading
many times between reflections on life because it yields
different meanings as you learn your living. Read it like a
Bible that can be understood only in parts, according to your
experience, intelligence, and wisdom --- and the number of
children you have raised --- especially the little darlings who
came with your second spouse.
Understanding hyperspace is nothing but the ability to
comprehend plural concepts, including polar opposites, within
the same gestalt. Not only have I written the text to reflect
the confusion of hyperspace, but I have also composed the format
to serve as your object lesson in comprehending multiple views
simultaneously. A magazine style should present no difficulty to
a generation brought up on split-screen movies, multi-media
light shows, and studying for academic exams while watching
television with a friendly friend of the opposite sex. After
reading the sidenotes to get the relevance, the logic is woven
by the continuous text. On the third run through, you may read
the footnotes without feeling interrupted.
Reading this book is somewhat like listening to a symphony;
on first hearing, it is noise. It is only after the structure
and the details have imprinted a gestalt in one's mind that
melodies and counterpoint can be heard as musical architecture.
The meaning of music is the gestalt; otherwise it is only notes;
the beautiful sensation of music is produced by experiencing the
energy of the gestalt amplified by harmonic resonance with each
note. Likewise, the meaning of this book is in its gestalt, a
synthesis of all its disparate parts in a higher dimension of
consciousness. Nevertheless, each page can also be fruitful
without further reference; this book offers something for
everyone at any time.
Once you are informed that lw=a, no further instruction is
required for you to realize that a/l=w and a/w=l; the three
equations express the very same structure. If you can only
memorize equations, however, they will always seem mutually
contradictory to you; lacking any intuitive understanding of why
lw=a, the only proof you have of its truth is that the wallpaper
fits the wall. As a consequence, Hitler was adequately trained
to cut wall paper, but his groupies are unable to calculate the
cost of deceptive packaging.
There is nothing in this book that is not self-evident from
elementary equations known to everyone before entering high
school. The only reason this book can be considered necessary
reading is to clear your mind of the rote thinking inculcated by
formal schooling. Formal education is determined to prohibit
everyone from relating facts into a whole body of knowledge that
inspires wisdom. Deprived of faculties for judgement, the public
is unable to understand what is really being done to them; thus,
everyone is forced to pay the professional establishment
exhorbitant fees for simple services everyone can do for himself
--- like filing divorce papers --- and rendered susceptible to
believing everything one is told, like perennial children.
Liberated women know exactly what I mean.
You don't learn about hyperspace so much as you grow into
----- ----
understanding as a consequence of mental/physical/spiritual
evolution, like you grow into walking, talking, and sexual
consciousness. Always remember and bear in mind that hyperspace
extends through more than three dimensions, so you must be able
to read construction plans easily before you can make sense of
this book. In short, hyperspace is not difficult to understand;
if its meaning does not develop like music after some
rumination, comprehension is simply impossible, so don't sweat it.
CLOSE THIS FILE
OPEN FILE "INTRO-I"
----------------------------------------------------------------
* I am impressed that the speakers at conferences are
determined to persuade their audiences to believe, not
criticize, and the audiences are seeking something to believe
rather than a mandate to exercise their judgement. Thus, both
parties waste the opportunty to learn something --- like, maybe
they are mistaken.
30
FILENAME: INTRO-I
________________________
I I
I The Hyperspace Trilogy I
I is a universal theory. I
I________________________I
"TIME TRAVEL --- The Secret Science of The UFOs " is the
first volume of a trilogy. This First Book puts you on The Yellow
Brick Road by way by studying some simple models illustrating how
familiar space is converted into familiar time by increasingly
----- ----
fine division and increasingly accelerated velocity. Once you
arrive in The Emerald City of hyperspace, you will learn how
higher dimensions are defined by the familiar measurements of
energy; i.e., frequency, phase, and amplitude. You will see how
the familiar physical fields of force known as nuclear,
electromagnetic, gravitic, sonic, and even life and mental
forces, constitute a scale of successively rarified hyperspacial
worlds manifest to our senses as pure energy. Hyperspace is
nothing but energy, and the geometry of hyperspace is nothing but
a mathematical plotting of the laws governing transformations of
energy.
"TIME TRAVEL --- THe Secret Science of The UFOs"
presents a graphic solution to the Unified Field Equations that
has defied the entire scientific world for a century. Unlike
e=mc^2, which could not be implemented without an army of the
world's most creative engineers funded by national treasuries,
e=mc^3 is within the economic capacity of a home workshop,
enabling free-enterprising Yankee know-how to open a new era of
peace and prosperity like the palmy days of Edison, Ford, Tesla,
the Wright Brothers, Tim Leary and Hugh Hefner. To the degree
that the experiments of Henry Moray, Thomas Townsend-Brown,
Bruce de Palma, and Pat Flanagan are as successful as they
claim, the first lights are already shining into the New Age.
Professional engineers will develop this Unified Field Theory to
technical details beyond the scope of this book --- not to
mention the competence of this author. After giving a
ringful of keys to several adventurers who would be kings, the rest
of this book will speculate on the probable design and
engineering of the Flying Saucers. Once we have some practicable
idea of how the Saucers operate, the possibilities of who builds
--- ---
them, where they come from, and what they are doing here are
----- ----
reduced to a practical argument.
The Second Book of Hyperspace, titled "LIVING CRYSTAL ---
The Philosopher's Stone", explains the theorems of hypergeometry,
providing inventive explorers with a mathematical foundation to
create new engines, sciences, and arts. The discovery of the New
World of Hyperspace will transform our civilization more
radically than the discovery of America. Like the early
explorers of this world found wealth, power, and fame, the
explorers of the New Reality on the other side of the universal
Klein Bottle will also found their empires and fortunes --- if
they manage to avoid the savage cannibals prowling the
hyperspacial jungles and the jealousy of the nobility when they
return with their finds to civilization --- you are better off
with the savages. Success could be yours, if you are young,
energetic, enterprising --- and if your spouse will support you
while you get your act together.
The theorems of hypergeometry actually describe the
properties of crystals, the quintessence of solid state physics.
--------
Crystals provide the means for tapping the titanic energies of
hyperspace for human industry. By the time you read The Second
Book of Hyperspace, you will realize that the human body is
actually a living crystal, the most highly evolved crystal in
this world. Miracles are worked by holy men, such as Jesus,
when they learn to alter the crystal parameters of their bodies.
The Rock on which Christ built His Church is the very
----
Philosopher's Stone sought by alchemists throughout history;
-------------------
like the Riddle of The Sphynx, Peter is the human body. The very
-----------------------
fact that the Philosopher King Arthur's Stone is sought indicates
that this hyperscience was known by prehistoric cabals; they are
probably still alive and herding the human livestock on this
lively little planet for their own benefit more than ours. Anyone
who trusts the shepherd when he comes bearing gifts has got to be
some kind of sheep.
"KARMA --- The Birth, Life, and Death of YOUR SOUL"
completes this trilogy. You will learn why some people are
healthy, wealthy, and wise, while others suffer various
deficiency diseases. Even love, marriage, and happiness are
determined by each person's position in hyperspace, commonly
plotted by astrologists. Just as modern science has already
opened hyperspace for trade and commerce without knowing what
they hath wrought, the spiritual dimensions of hyperspace are
all described in the world's religions without anyone knowing
what the great Teachers were really talking about. You will
realize the meaning of your life and your eternal soul by the
time you complete The Hyperspace Trilogy. (*1)
If I live long enough, the story of how I made all these
discoveries in the ZEN martial arts will be told when I finish
writing the first book I began, "FIERCE LOVE --- The Secret
of Spiritual Power in The ZEN MARTIAL ARTS".
The Flying Saucer is a challenge to science and politics. As
far as the millions of wonderersare concerned, however, the UFO
phenomenon is an essentially religious excitement, the secular
apotheosis of the Messiah. Unlike any other study, The Hyperspace
Trilogy responds to all public concerns by explaining the
technological, the political, and the religious mysteries
concurrently. This book is the beginning of a literary work
destined to be a seminal classic of the New Age, a text for
researchers, inventors, engineers, farmers and gardeners,
psychologists and psychiatrists, religious disciples, medical
doctors and interminably ill patients, politicians, advertisers,
artists, architects, athletes, science-fiction writers and
everyone who wants to know why people are such problems,
especially the people we love. You are not starting to read a
book but beginning a graduate university course of studies that
will change your perception more drastically than an O.D. ticket
on the SugarCube Express. The Hyperspace Trilogy is the kind of
study that enables its readers to fullfill their vocations to
become holistic teachers needed to lead people into the New Age.
CLOSE THIS FILE
OPEN FILE "INTRO-J"
---------------------------------------------------------------
*1 Everyone prays that "Thy will be done", and then prays that
"My will be done". We'll get one or the other, shan't we.
30
FILENAME: INTRO-J
__________________________________________________
I I
I Curiosity about hyperspace I
I is the mental forerunner I
I of our metamorphosis I
I into the Kingdom of Christ, I
I like curiosity about sex I
I is the forerunner I
I of sexual maturation. I
I People with no curiosity I
I about the higher dimensions of ther existence I
I are not yet ready for their Salvation. I
I I
I The direct perception I
I of our Divine Entity in hyperspace I
I is the spiritual destiny of every soul, I
I like parenthood is the destiny of most mortals. I
I__________________________________________________I
EVERY creature is born into this world instinct with all the
knowledge it needs to understand the meaning of its own life and
solve its problems without consulting professional authorities.
Rather than seek a teacher, you are better advised to find your
instincts; your Christ Consciousness is nothing but your higher
instincts. The little child sent to lead us is a symbol of our
------------
instincts. The child will show you your way by the following
pentalogue. A real little blind child led me --- which just goes
to show that the blind can lead.
1. The Universe does not hide from Her Children.
The Truth is always in plain sight.
But the Truth is always subtle.
The Child must be perceptive.
2. The Universe does not deceive Her Children.
The Truth is always simple.
But the Truth is always comprehensive.
The Child must be responsible.
3. The Universe wants Her Children to know Right from Wrong.
The Truth always works.
The Truth works immediately.
The Truth works without effort.
The Truth is always gentle.
The Child must be practical.
4. The Universe wants Her Children to love life.
The Truth is always joyous.
But the Truth is always changing.
The Child must be reborn each day.
Rebirth is the other side of death's door.
5. The Universe is an Equal Opportunity Teacher.
She answ all who ask in commitment to the answer.
It's a wise Child that knows when to stop asking
END OF INTRODUCTION GO TO CHAPTER 1
*********************** EXPLORING **********************
HHH HHH HHH HHH HHHHHHH HHHHHHHHHH HHHHHHH.
HHH HHH HHH HHH HHHHHHHHH. HHHHHHHHHH HHHHHHHHH
HHHHHHHHHH HHH HHH HHH HHH HHH______ HHH HHH
HHHHHHHHHH 'HHH' HHHHHHHHH HHHHHHHHH HHHHHHHHH
HHH HHH HHH HHHHHHH' HHH HHHHHHH'
HHH HHH HHH HHH HHHHHHHHHH HHH HHH
HHH HHH HHH HHH HHHHHHHHHH HHH HHH.
.HHHHHHHH HHHHHHH. HHH .HHHHHHH HHHHHHHHH
HHHHHHHHHH HHHHHHHHH. HHHHH HHHHHHHHH HHHHHHHHH
HHH_____ HHH HHH HHH HHH HHH' HHH_____
HHHHHHHH HHHHHHHHH HHH___HHH (HH( HHHHHHHH
HHH HHHHHHH' HHHHHHHHHHH HHH. HHH
HHHHHHHHH HHH HHH HHH HHHHHHHHH HHHHHHHHH
HHHHHHHH' HHH .HHH HHH. 'HHHHHHH HHHHHHHHH
in
********************* EVERYDAY LIFE ********************
by
T.B. PAWLICKI
______________________________
I I
I (C) COPYRIGHT 1988 I
I by I
I T.B. Pawlicki I
I 843 FORT STREET I
I VICTORIA, BRITISH COLUMBIA I
I V8W 1H6 I
I CANADA I
I______________________________I
********************** FORWARD **********************
Thank you for participating in a pioneering publishing
venture.
Mass communication has progressed through four major
transformations. The first revolution separated the author from
his audience by means of writing; the LITERATI became a secret
society of COGNOSCENTI that used its exclusive knowledge to
dominate the ignorant masses. Modern democracy began when movable
type made it possible for a message to be received by everyone
who could read. Recently, radio broadcasting countered the first
and second revolutions by delivering messages to everyone who
can't read; television is likely to be the MATADOR of democracy.
The capital cost of printing plants and broadcasting studios
limits the messengers to parties of power and wealth, whose
messages are determined to maintain the STATUS QUO --- natcherly
--- especially their own status plus all the more quid they can
quo. The tragic consequence of mass communications has been the
dissemination of tendencious knowledge to enslave the minds of
mankind, rather than free us to experience our own ignorance
until we learn better. A truly free press for truly free minds
could not exist until the personal home photocopier brought
publishing within the economic capacity of every person with a
message and postage. As well as reducing the cost of copying to a
few pennies per kilowatt hour, the computer completes the
revolution of mass communications by restoring audience feedback.
As camels and soups show, quality goes down as participation
increases, but participation is better for the participators;
eventually, participators support higher standards.
Since authors began to write, instead of speaking directly
to their audience, ideas have flowed in one direction, only. It
is, however, as impossible to teach without learning as it is to
learn without teaching, which is why so little is learned from
reading books. For the first time since the advent of writing,
the computer makes it possible for readers to contribute to the
discourse and transform a lecture into a dialogue, a
conversation, a seminar, a workshop, a global town meeting.
Finding a publisher for my first book, How To Build A
--------------
Flying Saucer, took nearly ten years; nearly ten more years
-------------
passed while my market grew to critical mass by word of mouth.
Now people are reading my first book as if the ideas were as hot
as tomorrow's news, but a whole generation has grown up to
drinking age --- and another generation has died of cirrhotic
livers --- since I was working out those early insights. My
ideas develop so rapidly that I had to rewrite the manuscript
every year until it was published. Once printed, however, the
printing plates are as immutable as graven stone. As soon as I
began to write my personal correspondence on computer, I
realized that this electronic medium keeps discoveries alive and
growing through pooling contributions in ways not feasible by
any other means of communication. The entire industry is built
by fielding half-baked ideas and then improving them with
consumer feedback, as it goes along; no other industry advances
so fast, and in no other industry do the suppliers lag behind
the advances made by their own demanders. And thus it came to
pass as I was speaking to the Global Sciences Congress, held at
Denver in August, l987, that the idea came to me to offer my
audience my current manuscripts explaining HYPERSPACE to
----------
everyone who would participate by also sharing their ideas on
computer discs.
Ideally, a book of this nature should be transmitted over
wires to be downloaded by Special Interest Groups on
international networks. In the present state of the art,
however, computers still cannot replace paper. This
unrealistically jealous industry has not yet made files
universally readable, like sound and film tapes, and it is still
impractical to transmit text formats and illustrations through
wires. Even after the computer industry gets its parameters
together, all of us early worms will remain stuck with our
capital investments. Therefore, I have decided to print my
manuscripts onto discs for postal distribution to the computers
being used now.
---
This enterprise will succeed only if each reader will make
at least two copies and pass them on. Some readers may not know
three other people with compatible computers, so it is hoped
that readers with the most popular computer models will pass on
to their computing friends as many copies as they feel this
publication is worth. If anyone can make conversions to
unpopular computers, a copy returned to me will be passed on to
other readers out in left field.
This brings us to the matter of copyrights. Most people
----------
believe that anyone may freely copy published material in any
numbers for any purpose as long as the copies are not sold for a
profit (*1). If legal process were not so expensive, a lot of
copycats would learn how very mistaken they are. Copyright
entitles the author to assign legal permission to make copies and
set the conditions of contract. Although I am assigning all my
readers the right to make copies and distribute this literature
freely, the formal copyright remains mine. Any party enterprising
enough to reproduce these discs by the hundred for sale at a
profit will very likely interest my attorney to offer a royalty
contract as a more attractive alternative to a court ordered
remedy. Any party that fails to include my byline and copyright
notice will be taken to task for the more serious offense of
plagiarism.
----------
Heckling is a part of all public speaking, and most of the
fun. If hecklers had a fair chance to give their opinions, many
of them would have more to say than the speakers, and some may
have better ideas. The only way a reader can add his two bits
worth to a discourse is by scribbling in the margins of public
library books. Anything that can be done will be done, so
hecklers will always be with us, and so will graffiti, along
with carefully considered letters to editors. Since it is so
easy to add and subtract opinions to a magnetic publication, a
lot of opinionated readers are going to do it. The main purpose
of this venture is to turn audience feedback into an advantage
--- for everyone --- by encouraging constructive criticism
guided by rules for fair comment within the laws governing
copyright and public utterance.
By the nature of this medium, this publication is going to
be shared by an unknown number of readers. Those who want to
give us the benefit of their superior information are asked to
follow these rules. On those matters that readers can wait for,
please append your comments to the end of the file. If you feel
that your information needs to be interjected, then mark the
beginning and end of your contribution with lines or stars.
Please include your name and the date so that we know whom to
credit. If you find mistakes of fact, your immediate correction
is eagerly asked for. Critics looking for an argument improve
their chances by including their addresses. If you are so
offended by some statements that you are compelled to make
deletions, please mark your censorship with a notice of the
amount of text you deleted, in numbers of lines or bytes, and
include your name and date to prove the courage of your
convictions. Anyone who wants to retain his copyright on
contributions is advised to include notice of their legal claim
so that no one will assume that all commentaries and
contributions are in the public domain. Expect disputes;
democracy is not for weak stomachs and faint hearts.
Depending on the number of readers who distribute more
copies, and the number of contributions added --- not to mention
subtracted --- my original text will be unrecognizable by the
time this print passes through a dozen recopies. There is no way
to know whether all contributors have marked the changes they
make. Neither is there any way to know whether they have their
facts correct, unless they cite their sources for reference.
Furthermore, these discs are communicated person-to-person
through private, first-class mail, making the message into a
conversation between acquaintances rather than a publication to
strangers; it is permissible to say things in private and
personal mail that is regarded as unethical, if not illegal, in
public utterance. Therefore, all readers must always remember
and bear in mind that the copy they are reading is a
BOUILLABAISSE stirred by many cooks, not a FILET MIGNON SAUTEED
by a chef. Unless you receive a copy that you can certify as
unaltered from the original, do not believe anything that
offends your common sense and don't hold the original author or
signed contributors responsible for statements and/or context
that may have been altered by hecklers who prefer to remain
anonymous (*2). My own editors have altered my manuscripts until
I could hardly recognize my publications as my own compositions
--- usually for the better. If some party suffers personal
injury from this special interest group disc, everyone who
receives it becomes suspect. This is an utterly novel kind of
case for the courts to rule on, not quite so much privileged
privacy as a closed computer conference but still a one-on-one
private correspondence. I dare say that honest mistakes will be
excused with a pointed finger, but deliberate malice producing
suffering to an identifiable person, when proven unjustified in
these litiginous times, will be liable to legal penalties. We may
protect ourselves from slanderous or obscene remarks by scanning
each disc immediately before mailing, to check that no one else
has run the copy and added comments disgraceful to polite
company.
I have enough discoveries in my head to keep me writing
full time for ten years --- I should live so long. In the
likelihood that my insurance is vastly underrated, I am
curtailing my research and graphic design in order to put as
much of my time as I can into getting my ideas written.
Unfortunately, the charter members of this publishing revolution
will receive bare bones of text, a dearth shared by everyone who
buys Version 1.0 of any program. The economy of electronic
publication, however, enables me to update my text whenever I
get a break, add animated illustrations in colour, and enliven
the text with creative layouts in future editions. Most
important of all, as copies eventually find their way back to me
with accumulated reader input, new editions can be issued with
the latest and most extensive information --- better than
anything I can do. This publication can be considered as a book
written by its best qualified readers. In order to receive
updates and new books, all readers will have to send me their
names and addresses, regardless whence they received their
copies. Please bear in mind that my resources are exceedingly
limited, and expect to wait like a Christian for me to follow up
in my spare time. I expect this enterprise to be taken over by
more resourceful enthusiasts.
The definitive version of this disc book will be written on
an APPLE IIc, in ASCII files; the animated illustrations will be
rendered with DAZZLE DRAW and FANTAVISION --- if I can't find
more practical graphics programs. I invested in the APPLE system
because I believed all the press reports that the computer field
has more APPLE trees planted than anything else. I am deceived;
MS-DOS is the most widely used operating system on this scene.
This original version, however, is written on a KAYPRO II
operated by CP/M 2.2 in WORDSTAR 3.3. files. It will take me
time to convert WORDSTAR files to ASCII, and then convert both
to MS-DOS. The few graphics included on this disc are drawn with
keyboard characters. Since the ASCII code is standardized only
for alphanumeric characters, computers using different keyboard
codes will produce surprising characters --- the trouble is not
in the disk or your computer.
As long as computers remain inconvenient to read in bed or
on public transportation, I shall concurrently try to find
publishers for paper versions of my disc books. These discs hold
the beginning of a 75,000 word paper book, heavily illustrated
with animated illustrations included on disc, under the title
TIME TRAVEL --- The Secret Science of The UFOs. Availing myself
----------- ------------------------------
of the impermanent and quasiconversational nature of magnetic
correspondence, I have included many speculations and tangents
on these disks to stimulate response; these unessential essays
will be deleted from the paper version. The heaviest reading is
the Second Chapter; once you establish the theoretical
foundation laid in my repetitive manner of logic, the rest of
the book is freeway, much like the First Chapter. For the first
time, the theory and engineering of time travel are explained in
sufficient practical detail for young physicists to begin
constructing their own Philadelphia Experiments in their home
workshops; at least one researcher I know is doing it already,
in California. Let me know whether you are willing to buy
TIME TRAVEL --- The Secret Science of The UFOs at a prepublication
----------- ------------------------------
price of $10 or a postpublication price of $16. Send no money. I
only want to know whether there is a market for a paper book
before I invest more than I can afford to print it. I apologize
for my inability to acknowlege subscribers to this paper book by
individual letters, as they are received; at a dollar a letter,
the cost of mailing is prohibitive. Subscribers will be notified
individually to write their cheques when the response is
sufficient to underwrite publication. In the meantime, enquiries
from royalty publishers are welcome. Zees is a bootstrap
production, Dollink --- my apologies to Zsa Zsa.
END OF FORWARD
*1 This is the belief taken by the Government of the United
States, especially its Public Broadcasting System. Assuredly,
what the lord hath given us starving authors with one hand, he
taketh away by truckloads driven by the other. With legal
protection like we got, we are better off with our pirates.
Unless you are a government authorized freebooter, however, the
first hand lays down the law.
Readers who copy programs published in magazines are
subject to the same legal strictures. The magazine publishers do
not assign its readers the right to make copies of their text to
give to their friends, much less sell.
---------------------------------------------------------------
*2 The most heavily edited and censored book in the world is
the Holy Bible, yet its readers are convinced every copy is the
original and every last Word of God. Evidently, God has
afterthoughts --- The New Testament. The Holy Koran is an even
later Word of the very same God compiled from the very same
orginal Scriptures. And don't forget the equally Holy Book of
Mormon. I can relate to Him; I am also compelled to rewrite my
original words innumerable times as I get my act together.
I believe the Bible; it is the publishers I question. I
have no doubt that God inspires all His chosen publishers, but I
wonder whether He chose every publisher; after all, the Bible is
in public domain. If God inspired the American Constitution, in
which I believe more than the Bible, He is the Source of the
First Amendment --- entitling Larry Flint to turn a dollar in
the pre-eminently profitable religious market. It isn't belief
in the Bible that fomented the most vicious wars, but belief in
the infallible veracity of the publishers.
FILENAME: CHAP-1A
************************ CHAPTER ONE *************************
The Universal Hologram
======================
SCIENTIFIC authorities aver that the fourth dimension is a
concept of purely abstract mathematics, and no human intellect
can possibly visualize a tangible hyperspacial structure.
The natural reflex of lay people to proclamations from
Olympus is to believe the gods without question --- especially if
you don't know what they are talking about. If you can resist
your Unconscious reflex to suspend your disbelief, however, your
critical faculties will be aroused to demand an explanation. And
you want to be told in terms you can understand; an explanation
you can't understand is no explanation at all --- like being
paid money you can't spend.
An expert can't explain anything to you unless he knows
what you can understand. Therefore, it is necessary for you to
tell the exegist what you know before he can begin to tell you
what he knows. So, how do you tell the expert where you are
coming from without drawing a detailed map of your entire life
territory? The expert sees what you know by the questions you
ask him. Now you may wonder what kind of a question tells what
you know, already. The right question to ask for a
comprehendable explanation is the question to which you already
know the answer; any other question will elicit a reply that can
only confuse the matter. You can prove the practicality of this
tactic by observing what happens every time your child asks a
question without knowing what he is talking about. If you can't
think of a question that you can answer immediately, ask a
question for which you know how to find the answer. You can
always find the answer to your question if you ask what the
mystery does and what you can do about it? Directions you can
understand but cannot implement mean that the matter is of no
concern to you, so you are only wasting your time by investing
more than idle curiosity. Anyone who can't give you directions
you can follow doesn't know what you are talking about, and
probably doesn't know what he is talking about, either, so you
are only wasting your curiosity, never mind your belief. The
main importance of knowing the answer when asking questions is
that you also know when you are being answered truthfully, or
you'll find out soon enough.
Ah... so! A good question for starters is what are the
identifiable characteristics of hyperspace that make it
different from the ordinary garden variety of real estate where
you hoe for a living. By strict mathematical definition, at
least four dimensions are required in a space that can hold more
than one (tridimensional) volume in the same place at the same
time. All you have to do to find hyperspace is put two things in
the same place at the same time --- and there you have
hyperspace, already. See how easy it is to understand the
inconceivable when you ask questions you can answer?
Now, you are thinking that I am trying you for a fool. How
can you put more than one thing in the same place at the same
time? The directions cannot be followed; therefore, my own
precepts prove I don't know what I am talking about. Trust me,
and follow my directions.
The professor demonstrates the fourth dimension to
undergraduates by placing an object on his desk, then replacing
that object with another object. This is supposed to show that
two volumes can occupy the same volume at different times,
proving that time is a fourth dimension. Do you see where the
professor is breaking the rules? The mathematical definition
specifies that two things must occupy the same place at the same
-----------
time before the space can be hyper; occupying the same place at
----
different times is not the same thing, at all. It is
flabbergasting that profs have been bamboozling students for
nearly a century without anyone blowing the whistle; anyone
presenting this case in law school would be cashiered as soon as
everyone realized he wasn't kidding.
If you want to see real hyperspace, take one very level
teaspoon of coarsely granulated sugar and one very level
teaspoon of water. Now, drip the water onto the sugar until you
have one heaping teaspoon of mixed solution. VOILA! you are
looking at one teaspoonful of 80% pure hyperspace in your hand.
How 'bout that, Mr. Spielberg?
You will object that the water is merely filling the empty
spaces between the crystals and the molecules of sugar. And
there you have it. You have just discovered the principle of
hyperspace. Genius is simply a matter of recognizing what you
are looking for when you find it.
You have just demonstrated that it is possible for two
material volumes to coexist in the same space at the same time
if they are not continuous. In other words, a continuous space
----------
is tridimensional, but a discontinuous space allows another
---
discontinuous space to occupy the discontinuities, thereby
answering the mathematical definition of four-dimensional
hyperspace. Discontinuous space-time is what the Quantum Theory
is all about.
The molecules of a solvent do not have enough empty space
between them to contain the molecules of a solute without some
increase in the volume of the solution; the amount of additional
space occupied by the molecular intermixture varies according to
the kind of molecules. There is, however, enough space between
atoms for another kind of atoms to occupy without increasing the
volume of their sum. The proof is found in gas chemistry; when
44.8 litres of hydrogen is burned with 22.4 litres of oxygen,
exactly 22.4 litres of water vapour is produced. When the volume
of oxygen is chemically combined with the volume of hydrogen,
the compounded mixture occupies exactly the same amount of space
as the smaller volume of atoms. Chemistry, you see, is the
applied science of hyperspace. (*1)
A solution is not only a discontinuous structure
manifesting four-dimensional properties, but the molecules
comprising a solution are also so thoroughly mixed that any
sample contains the same information that any other sample
holds, and the information of any sample is identical to the
information of the entire volume. A structure that contains all
the information in every one of its parts, and all parts has the
same significance as the whole, is called a hologram. Solutions
--------
are the original holograms and holograms are hyperspacial
--------------------------
structures.
----------
Although the Greeks had words for wind, some writers say the
Greeks were unable to perceive the existence of still air.
Likewise, hyperspace remains unknown to science simply because it
is manifest as the oceans of air, water, and light we live in.
(SIDE-1)
Einstein established the concept of the fourth dimension as
a popular scientific fact, yet, he persisted in thinking of
space-time as a continuum. You have just seen for yourself, that
it is impossible to contain four dimensions in a continuum. It is
the contradiction between Einstein's calculations and his beliefs
that made him express his Theory of Relativity in words
impossible to comprehend. Contemporary with Einstein, Max Planck
plotted the four-dimensional coordinates of atomic space while
continuing to express himself in tridimensional concepts. And so
the two seminal genius of modern physics argued across the
dimensional gap all their lives, unable to reach an agreement.
CLOSE THIS FILE
OPEN FILE "CHAP-2B"
=============================================
SIDE-1
Have you ever seen a three-dimensional square?
A square is a two-dimensional
figure, by mathematical definition; therefore,
a three-dimensional square must be a
contradiction of terms.
A space that can contain more than one
plane structure on the same plane at the same
time answers the mathematical definition of a
hyperplane. Actually, no one ever made this
mathematical definition until now; nobody
thought such a definition would ever be
needed.
Now, project a photographic diapositive
slide onto a screen. The image you see on the
projection plane is two-dimensional, isn't it?
Now, project another image onto the same
screen at the same time and look at the
inconceivable mathematical impossibility, two
perfect planes in the same perfect plane at
the same time. The perfect hyperplane is
physically possible because light is the very
discontinuous wave phenomenon by which Planck
discovered and proved the Quantum Theory.
Make this demonstration in school to
show your colleagues the five stages of
psychological repression when the prof flips
into a Freudian crash --- provided, of course,
that you have already decided you don't need
an academic degree to support your sex life in
the style to which she wants to become accustomed.
-------------------------------------------------------------
*1 Hyperspace can be deduced from the Pauli Exclusion
Principle; to wit, two particles cannot occupy the same energy
level at the same time. Exclusion is the effect of phase
opposition. Atoms in phase harmony, however, can occupy the
space at the opposite phase of the other. A chemical explosion
occurs when a shock flips the atomic vibrations out of phase
harmony, causing them to repel each other.
30
FILENAME: CHAPTER-1B
____________________________
I I
I The Theory of Relativity I
I changed everything, I
I except the way I
I Einstein thought. I
I____________________________I
MATHEMATICIANS define a four-dimensional hypersphere as a
ball containing every point in its volume on its surface. In
other words, a hypersphere is a globe that is all surface,
inside and out. If you are baffled, it is simply because you are
unfamiliar with the verbal statement. You have made hyperspheres
all your life without knowing it by so many words; nobody told
you that reg'lar fellas make a hypersphere every morning because
nobody thought you had to know, so the concept was not included
in high school family planning courses.
Take a sizable piece of tissue paper. It is practically all
surface and practically no volume, isn't it? Now, crumple it
into a ball. VOILA! You got the whole hypersphere in your hand.
The wad is all surface, inside and out, isn't it? (SIDE-1)
Books are all surface, inside and out, and no words are so
plane as the written word. Libraries are filled with four-
dimensional hypervolumes. Whereas oral communication can be
processed in Consciousness as small as four dimensions, the
written language resists reading by minds no greater than four
dimensions. This is why Johhny can't read after graduating from
high school.
Physicists are puzzled by the way some particles disappear
at one place and reappear elsewhere, with no trace of passing
through the intervening space and time. They say that locations
widely separated in real space are adjacent to each other in the
fourth dimension. The concept of wormholes is postulated to
---------
account for jumps through warps in atomic space-time; a wormhole
is nothing but a quantum jump that doesn't know when to whoa.
Now, if you look at the wad of paper in your hand, you will see
that points separated by considerable surface distance are in
contact. You are holding a handful of wormholes.
If you could compress the wad to atomic density, every
point on its surface would be practically in contact with every
other point on its surface at the same time, making the entire
wad into one humungous wormhole. Quantum jumps occur on the
atomic scale simply because an atom is all wormhole. A structure
containing every point in contact with every other point is a
hologram. (*1)
=============================================
SIDE-1
The human brain has more surface for its
volume than the brain of any other creature.
It is necessary for the human brain to have a
high ratio of surface to volume because the
human nervous system operates at a high
electrical potential. Tesla proved that a
voltage moves to the surface of its conductor
as its charge is raised. If the human brain
does not have enough surface to contain its
charge within its inefficient dielectric,
nervous electricity will arc and the body will
go into convulsions.
As the human brain increases its
surface, the operation of the human mind
evolves from tridimensional activity to
quadimensional activity. The mental faculty
for fine-focus is actually splitting hairs to
the fourth dimension. As a focussing faculty,
language comes to us from the fourth
dimension. We have dominion over the beasts of
the field because language raises human
consciousness to a dimension above all the
other animals. If time is a higher dimension,
then we rule the planet because we are
conscious of time, also; words are timed.
The ability of the brain to associate ideas
that are widely separated by a line of logic
is a manifestation of wormholes in the brain
--- so you really do need holes in your head.
The TAO says that a cup holds its
contents by virtue of its emptiness. An
absolutely empty cup is all surface, and that
is the end to which the human brain is
evolving. Empty space is all surface, as you
can prove for yourself by simple palpation.
The ambient electromagnetic field is the
Universal Mind of God that has raised its
voltage beyond the capacity of a material
brain. Now you can see that your very own mind
becomes the legendary Divine Cup when it is
perfectly empty, and your own Consciousness
is the very Holy Grail sought by all the more
or less steined philosophers.
---------------------------------------------------------------
* Now that you know a hologram is the product of infinitesmal
division and perfect distribution, you understand that every
point-event in the universe is in immediate contact with a
REPLICA of every other point-event in the universe. Particles
don't jump through wormholes; quantum jumps are an illusion
created when a particle accelerates above detectability (i.e.
light speed) by drawing energy from another particle already
above light speed. When the drawn clone drops into detectability
below light speed, the perceived effect is identical to a single
identified particle that disappears in one place and reappears
instantaneously in another.
30
FILENAME: CHAP-1C
____________________
I I
I The impossible I
I doesn't take I
I any longer. I
I I
I It is only I
I the improbable I
I that takes I
I indefinite time. I
I____________________I
EVERY time you slice a ham for sandwiches, you increase the
surface of the meat without adding anything to its volume.
Ultimately, your ham is all surface and no volume. Since a
hypervolume is all surface, division to finality is the physical
operation that converts a tridimensional volume into a
quadimensional surface. The single slice of ham in sandwiches
sold on the Canadian Pacific Railway, fifty years ago, was
shaved so thin that it was practically four-dimensional. Fine
division transforms space from a continuum into a discontinuum.
Fine division is what quantum physics is all about.
The elemental substance of hyperspace is discovered by
gradually dividing a volume until it becomes a mathematically
perfect plane. We shall proceed with this process by way of a
DEDANKEN experiment to discover the perfect four-dimensional
element.
Planets appear to be solid, tridimensional bodies, as in
rigid, but this perception is mistaken. A planet is an
-----
exceedingly viscous fluid under the pressure of its own gravity,
and it is centripetal force that molds both planets and
raindrops into globular shapes. If a giant planet like Jupiter
were divided into a few parts, all the segments would eventually
collapse under gravity into balls. The plastic planet is actually
a mixture of molecules in more or less solution, and you have
just proven that a solution has more than three dimensions,
although not quite four. Life as we know it, and everything in
it, is in between three dimensions and four.
If one of the planetary segments were subdivided
progressively, a critical size would be attained when the
cohesion of the material exceeds the force of its gravity so
that it won't collapse into a ball. At this critical size, the
planet becomes transformed into a chunk. Subplanetary debris is
the nearest thing we have to ideal (tridimensional) volumes that
will congregate by their mutual gravitational attraction.
Trispace is the proper province of gravity, and it is by gravity
that the trispacial world is described.
Dividing the planetary chunk into smaller pieces does not
produce a congregation of smaller chunks as one may expect from
a general understanding of gravity; up to a certain distance,
minute chunks effectively repel each other. Over the course
of time and continued subdivision, the chunks become a belt of
cometary debris extending around the entire length of the orbit.
This observed phenomenon reveals that subdivision of a material
body to a critical size releases a seemingly mutually repelling
force that eventually overcomes gravity. (*1) As trispace is
gradually converted into hyperspace by dividing chunks into
crystals, electromagnetic forces become manifest until gravity
is supervened. Quadspace is the proper province of the
electromagnetic field which defines it.
Subdivision of a chunk eventually reaches another critical
size where individual crystals are defined. When the elemental
crystal is divided, it ceases to be a crystal by reduction to a
clump of molecules. The molecular clump can be divided until a
single molecule remains. At this critical size, one more cut
destroys the molecule into free radicals. After the radicals are
sectored into electrically active atoms, the next cut demolishes
the atom into particles. Eventually all particles are reduced to
electrons; the electron is pure electricity. Notice that the
electrical force and particle velocity increases inversely with
size.
The final sectioning transforms the massless volume of the
electron into photons. A photon is defined by mathematical
physicists as a plane particle. (SIDE-1) In other words, a
-----
photon is all surface with no volume. When a tridimensional
space is subdivided into its elemental photons, all of its
volume is reduced to an infinite surface. At this point, the
space is wholly transformed from three dimensions to four. (*2)
The empty space of the universe is chock full of nothing
but photons. Therefore, empty space is absolutely pure,
hypersolid, Grade A, Government Inspected hyperspace.
Four-dimensional structures manifest merely two dimensions
in trispace (*3); all surfaces are the two-dimensional
projections into material form of four-dimensional empty space.
All surfaces are planes. All planes are pure energy. All energy
is carried by photons. Photons are the agents of all
transformation and transmutation. Therefore, all activity,
chemistry, electricity, and change occurs on interfacing
surfaces; this is why chemical reactions are accelerated by fine
division. The geometry of energy is the mathematics of alchemy.
When Einstein proved that time stops at light speed, the
corollary that light speed is equivalent to infinite velocity
also proves that light speed brings everything in the universe
into immediate contact at the same time. Since the electro-
magnetic field has light speed, every part of it is everywhere
at once. In other words, all space everywhere satisfies the
definition of a hyperspacial hologram and everything in the
universe is in intimate contact with everything else through
cosmic wormholes. Since the atom is a part of the universal
hologram, every atom must contain all the information of the
entire universe. No wonder there is no end to subatomic
particles.
Correlative with progressive subdivision, the velocities,
frequencies, and energy levels of parts and particles increase
inversely as an exponential function of size. When subdivision
of a tridimensional material body reaches finality by total
conversion of volume into plane, material is entirely
transformed into pure radiant photonic energy defined by the
velocity of light. (*4) In other words, hyperspace is nothing
but pure, kinetic energy. The higher dimensions of hyperspace
are the very dimensions of energy already measured, plotted, and
equated by physicists and engineers since Newton wrote his
PRINCIPIA.
The same equations that accelerate velocity as an inverse
exponential function of size also prove that size is diminished
as an exponential inverse function of velocity. In other words,
size is reduced by accelerated velocity. As a result, a star
decreases in size inversely with increase in mass until it
disappears into atomic dimensions upon collapse into the
hyperlight zone of a Black Hole. Conversely, a photon grows to
infinite size as it decelerates from light speed. (*5)
Einstein used the equations of the Fitzgerald Contraction
to prove that extension is lost on the axis of travel as a
function of accelerated velocity until a structure is squeezed
into a plane at light speed; plane photons is the result of that
Fitzgerald Contraction. (SIDE-1) From our perspective, Lorentz
Transformations occur instantaneously above light speed;
immediately over the time barrier at the light limit, the plane
contracts into a line and the line collapses into a superdense
point. The lines are probably manifest as String Theory and the
points are particles composing the strings.
CLOSE THIS FILE
OPEN FILE "CHAP-1D"
=============================================
SIDE-1
The rear end of a racing car crosses the
finish line after the front end. From the
velocity of the car and the temporal interval
between the front and rear ends, the length of
the car can be calculated; only professional
mathematicians would conceive of such a
complicated way to measure the overall length.
The front end of a bullet enters a target
ahead of the back end. From the velocity of
the bullet and the temporal interval between
the front and rear ends, the length of the
bullet can be calculated. The bullet, however,
travels much faster than a car, and a bullet
is also much smaller. It is considerably more
difficult, therefore, to measure the temporal
interval with any significant precision; for
all practical purposes, the rear end of a
bullet reaches the target in the same instant
as the front end. When dealing with a particle
as small as a photon travelling at light
speed, it is physically impossible to detect
any temporal difference between its bow and
stern. Therefore, for all mathematical
purposes, both leading and trailing surfaces
of the photon pass the measuring point in the
same instant. Mathematically, it is possible
for two separated surfaces to occupy the same
point in space at the same instant of time
only at infinite velocity; as a consequence,
light speed is mathematically equivalent to
infinite velocity. Since four dimensions of
space are required for two volumes to occupy
the same location at the same instant, it
follows that acceleration to light speed
expands the spacial extension of a structure
from three dimensions to four. Conversely,
(*3) it is possible for the trailing end of a
particle travelling at a finite velocity to
pass the measuring point in the same instant
as the leading end only if there is no
distance between the two ends. A perfect plane
is the only mathematical structure without
any distance between its front and its rear.
Since a plane has no extension in the third
dimension, it is mathematically possible to
lay an indefinite number of planes in the same
plane. And that is why planes answer the
definition of hyperspace. Furthermore, the
elimination of capacity makes it impossible
for a plane to carry any mass, and that is why
photons are massless, plane particles. No mass
or extension is lost by acceleration; the
Fitzgerald Contraction is merely a
mathematical illusion produced by the limits
of precision. So now you know what the
mysterious Fitzgerald Contraction is all
about. A child can understand it easily, but
professional mathematicians can confuse the
obvious beyond the comprehension of a
Philadelphia lawyer.
---------------------------------------------------------------
*1 The mutually repelling feature of small bodies produces the
illusion perceived as the mysterious "Fifth Force". This
illusion is produced when the proper velocity of particles/
bodies exceeds the orbital velocity defined by their positions
in their field. Collisions among congregated bodies in orbit
exchange velocity to produce a gradual separation.
---------------------------------------------------------------
*2 Whereas the electrically inert, gravitically active chunk
defines the quintessential third dimension, the electromagnetic
but massless photon defines the exact plane of the fourth dimension.
During its growth, the gravitic field of a star is
supervened by its electromagnetic field. When a star collapses
into a Black Hole, all its manifest gravitic features condense
into the electromagnetic force. A star that collapses into a
Black Hole assumes atomic dimensions; the cosmic Black Hole is
nothing but a glorified atom. Thus, the third dimension spans
the space between quadimensional Black Holes defined by the atom
and the quadimensional Black Holes of stars.
---------------------------------------------------------------
*3 The same mathematics that prove a photon at light speed to
be a plane is extrapolated to prove that a particle's trailing
end gets ahead of its leading end when exceeding light-speed, to
produce reversal of extension on the axis of travel and reversal
of time. In other words, hyperlight speed transforms a structure
into its negative. As a practical consequence, orbitting bodies
are experimentally proven to precess in time as Einstein
calculated correctly.
The negative of solid material is mathematically emptier
than the perfect vacuum, and that is why a hyperspacial
structure can contain an indefinite number of trispacial
stuctures in the same space at the same time.
All fields have hyperlight centres, which is why all
fields suck. All fields are glorified Bournelli Force.
Field repulsion is defined wherever the velocity separating
particles is less than light speed, but greater than zero. Thus,
we find that mutual repulsion is reduced in both directions from
a velocity differential of half light speed; the next chapter
explains why mutual repulsion is defined by the square root of
twice light speed, empirically. As a consequence, we find that
all celestial bodies within the same scale of size repel each
other more than they attract each other, and that is why all the
planets maintain the largest possible average distance from each
other, instead of gravitating into a clump. Velikovsky got
pilloried for pointing out the mutual interplanetary repulsion
that no astrophysicist could see. What greater punishment would
have befallen Velikovsky if he managed to explain the phenomenon
correctly?
---------------------------------------------------------------
*4 A star cannot be tridimensional because it is a mass of
free radicals, atomic particles, and blazing photons. A star is
actually space in the process of condensing into hyperspace.
Most astrophysicists will allow that a Black Hole is space
concentrated into hyperspace by gravity. A Black Hole is
calculated to be a gravitic centre of such intense concentration
that anything falling into it exceeds the speed of light; even
light cannot escape from the interior of a Black Hole.
Now, if you take this information to an atomic physicist, you
will be told that particles radiate intensely as they are
accelerated to the speed of light. Specialists never compare notes
under penalty of losing their membership cards, but as a lay
person, there is nothing to stop you from putting the empirical
fact of the atomic physicist to the calculated fact of the astro-
physicist to deduce that everything falling into a Black Hole must
radiate with the intensity of a quasar before disappearing into
the gravitic maelstrom. In other words, it is physically impossible
for Black Holes to be black; they must be the most brilliant
centres in the known universe. And that is what a star is; a star
is the brilliant photosphere surrounding a nascent Black Hole.
-------------------------------------------------------------
*5 In a universe undergoing exponential aceleration, every
observer experiences himself to be the One Still Point while
everything accelerates away at a rate that increases with
distance. Since wave strustures accelerate as a condition of
their physical existence, the Big Bang is an unnecessary
postulate.
Since mass is a function of velocity, mass must increase as
a function of distance. Infinite mass is found in atomic nuclei
where velocities exceed light speed. In fact, all mass is
defined by nuclear particles.
Since velocity also accelerates to light speed at the event
horizon, it follows that the event horizon must also be defined
by infinite mass; astrophyicists are busy seeking a lot of
missing mass and can't see it for looking. Since gravitation is
a product of mass, it is necessary that the cosmos gravitate
with accelerating velocity to the event horizon --- which is
what the Big Bang is all about. The point is that the self-
evident can be confused beyond all comprehension, with a little
mathematics, if you don't know what the equations mean.
30
FILENAME: CHAP-1D
____________________________________
I I
I Easy things are seldom done I
I for the same reason I
I that impossible things I
I are rarely done; I
I no one will pay I
I for anything believed to be easy I
I or impossible. I
I____________________________________I
A SIMPLE demonstration will prove that all empty space is a
hyperspacial hologram. Fix your camera on a tripod and take a
picture through the aperture set at f/16. Then, take another
picture after you open the aperture to f/2. You can see that
both pictures are practically identical, except for depth of
sharply focussed field.
The aperture opened to f/2 passes a beam of light sixty-
four times greater in area than the aperture closed to f/16.
This means that each beam of light, no matter how constricted,
contains the same information as every other beam and all beams
put together. The only change that aperture makes is the
resolution of fine detail. Furthermore, no matter where you set
the camera, your pictures reveal essentially the same
information; the only difference that perspective makes is the
relative sizes and positions of the image details. If your lens
could accept rays from all directions, you would see that every
location in space contains all the same information as every
other location; the differences produced by different locations
are merely a matter of spacial sequence, aspects, and relative
size. A space that contains all its information in all of its
parts answers the mathematical definition of a hologram. You can
see for yourself that we live in a cosmic hyperspacial hologram.
-----------------------------------------
The hypothesis of the universal hologram is shaking
scientific thought to its foundations at this time, but the
proof has been self-evident to everyone since the effect of the
pinhole camera was noticed. How 'bout that, Sir Isaac? William
Blake understood the universal hologram when he saw the universe
in a grain of sand; art is truth apprehended directly with no
need for logic --- so is insanity.
Everyone has seen holograms in charm bracelets, on credit
cards, in science fairs, and on the cover of NATIONAL GEOGRAPHIC.
A hologram can be understood as a moire pattern made with light
waves. The EDMUND people at EDMUND SCIENTIFIC PRODUCTS
International Operations Department
8780 Edscorp Building
Barrington, New Jersey
08007 U.S.A.
will sell you a kit of moire patterns to study. Moire patterns
serve as moving pictures to illustrate this book.
The hologram was inconceivable outside of a small cabal of
theoretical physicists who plotted the mathematics since the
beginning of this century, and a hologram couldn't be produced
until the laser was invented to provide the necessary coherent
waves. Without any parade of mathematics, I discovered the
hologram while soaking in my tub, with my big toe protruding
above the surface of the steamy water. I dare say many other
soakers must have made the same discovery since bathing became
intentional. (*1)
Ordinary light can be represented by splashing water in a
bathtub until the surface is covered with random waves. In
contrast, a slow drip from the faucet into a tub full of still
water covers the surface with a regular, parallel wave pattern,
illustrating the coherent light waves in a laser beam. Now, if
you set a firm object in the tub so that it breaks the surface
of the water, the regular waves will reflect from the surface of
the object, and the reflected waves intersect the regular waves
at an angle determined by the angle of reflection. Soon the
entire surface of the water is covered with a pattern of regular
waves perfusing with reflected waves. The remarkable feature of
this pattern is that the angles of intersection are about the
same over the entire surface; remember Euclid's theorem that a
straight line intersects all parallel lines at the same angle.
In other words, every part of the surface of the water contains
the same information; you have created a hologram in your
bathtub. If it were possible to reverse the flow of the
reflected waves, they would return to their points of reflection
to reconstruct the cross section of the object.
The coherent light of a laser beam functions as a moire
screen. Waves reflected from an object function as a second
moire screen to generate an interference pattern, like you can
see in your tub demonstration. A sheet of microfine-grain
photographic film placed in the laser light will record a moire
pattern of swirls and whorls; no camera or lens is needed. The
extremely fine lines defining wave interference function as a
diffraction grating and a diffraction grating functions as a
lens. When another laser beam is shone through the film, the
rays are bent to meet at focal points corresponding to resolved
points on the surface of the photographed object so that
projection reconstructs the form of the original solid object as
a ghostly image in space viewable from all sides. A real ghost
is a natural hologram.
Any movement while a hologram is being exposed will blur
one wave into another to register nothing but an even light fog.
Therefore, holograms are photographed on heavy stone tables
firmly set on bedrock --- after consulting timetables for nearby
railways and jetliner takeoffs, and the children are asleep.
Furthermore, the photographic film must be at least as fine-
grained as the moire pattern in the laser light if the image is
to be resolved. Film speed varies directly with graininess, so
holographic microfilm is the slowest emulsion since Daguerre
clamped his portrait sitters in a vise. The growing interest in
holography is likely to stimulate Great Yellow Father to improve
the speed of fine-grain film, while inventors will figure out
ways to simulate holography by more practical techniques for
making television images in-the-round; the solution to cheap
holograms seems to be in computer graphics.
Holograms confound common sense because few people have
ever seen diffraction gratings, and fewer have any idea how they
function as lenses. Light bends around the edge of material
particles, like you can see waves bend around your own big toe
sticking through the water surface in your tub. Waves are bent by
the edges of material structures because every body produces
photonic turbulence around its surface, and turbulence retards the
smooth transmission of wave energy. The more edges a ray of light
brushes, the more it is bent. The amount of bending a diffraction
grating imposes on a transmitted beam is determined by the
closeness of lines in the area. (SIDE-1) In other words, the
refractive index of a diffraction grating is a function of the
concentration of the lines; the refractive index approaches
infinity as the lines crowd together; the material becomes
opaque when the lines touch each other to become a continuous
area. A continuously accelerated density of lines across the
diameter of a diffraction grating can bend all rays to the same
focal point, like a parabolic glass lens or a Fresnel lens. A
holograph of a lens functions as a lens. Since it is easier to
print a diffraction grating onto an optical flat than to grind
and polish delicate glass, Japanese are trying to solve the
problems of diffusion and opacity in order to manufacture camera
lenses as compact, light, and inexpensive as filters.
The swirls and whorls of lines you see on a hologram mean
that the light-bending power varies over its surface. A hologram
is a complex lens with many focal points. A hologram can also be
conceived as an array of innumerable lenses of different focal
lengths, each focal point corresponding to a point resolved on
the original object. Therefore, a hologram projects a
tridimensional image instead of the plane image defined by an
ordinary lens with a single focal length.
The concept of photographic negative is imprinted in the
---------------------
mind so that people continue to perceive the hologram as a
negative image even though there is no image on the film. As a
consequence, watching a hologram being cut into several pieces
with each piece containing the entire image is utterly baffling,
demonstrating as it does that Aristotle's Three Laws of Logic
are not absolutely true, but merely expresses the way the mind
defines its perceptions. This modern miracle of loaves and
fishes is also self-evidently simple when you think about what
you actually see instead of see what you think you see.
A hologram is not a pictorial image, but an array of lenses
that projects the same image from any light. You can see how a
hologram works by looking through a window sectored into many
small panes. The view through each pane is the same, except for
parallax displacement, and the view is complete no matter how
small the pane. Likewise, you will find the same view through
each lens in an array. A hologram is composed of millions of
lens-like panes, mixed as thoroughly as gas molecules in the
atmosphere. Since every part of a hologram has an equal sampling
of replicated lenses, it is obvious that each part must project
the same picture in its entirety. As a hologram is reduced in
size, however, the number of lenses it contains is reduced, and
the holograph becomes fuzzy when there are insufficient lenses
to resolve each point in the image, uniquely. (*2)
The universal hologram is composed of points in a volume
rather than lines on a film plane. Every particle in the cosmos
functions as a point in a voluminous diffraction grating, bending
light as Einstein calculated the curve of waves around the Sun.
The bending produced by the Sun is noticeable only to
astrophysicists looking for the phenomenon; the bending of light
by atomic particles is immeasurably minute, but there are an
infinite number of particles in the cosmos, and compounding
their refraction over a few million light years adds up to the
curve of space around the fourth dimension. Einstein's
mysterious curve of space, you see, can be understood as an
effect produced by the diffraction of light as it flows through
the cosmos.
CLOSE THIS FILE
OPEN FILE "CHAP-1E"
===========================================
SIDE-1
The refraction of transmitted light by a
hologram is produced by wave interference that
amplifies phases off the projection axis so
that the beam of light appears to turn to one
side without any actual bending of the rays.
You can see this effect in the way moire
patterns are turned from the direction of
their elementary waves. The trouble with using
a diffraction grating as a lens is that it
really diffracts light to produce the illusion
of bending; diffraction also produces the
colour fringing that blurs all holograms not
viewed by laser light.
Another way of understanding how a
diffraction grating can function as a lens is
illustrated by the pinhole camera. Light
passing through a pinhole forms an image.
Light passing through many pinholes form many
overlapping images. The images of random
pinholes fuse into a blurry patch of light. If
the pinholes are spaced at regular intervals
according to wavelength, however, the images
will fuse into register to form a brighter and
sharper image. A hologram can be considered as
an array of pinholes separated at wave length
intervals.
---------------------------------------------------------------
*1 Itshak Bentov, author of Stalking_The_Wild_Pendulum and
A_Co(s)mic_Book, discovered the principle of the hologram in a
similar observation. If Diogenes had any water in his tub, he may
have been the first Western philosopher to discover the
structure of the universe.
---------------------------------------------------------------
*2 A hologram is to a picture what a shape program is to a bit-
mapped picture in computer graphics. A hologram is the digital
code turning ANY light into pictures like a Compact Disc turns ANY
electrical current into music.
30
FILENAME: CHAP-1E
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I I
I Optics is Relativity in working clothes. I
I____________________________________________I
WHERE a current of water meets an opposing current, a bar
or tidal rip is raised. The water in a opposed wave cycles, but
the opposed wave does not travel; it remains raised in one spot
as a standing-wave.
-------------
A cup of coffee on board a motor vessel or railway car
manifests a pattern of concentric, annular standing-waves on its
surface. These rings are raised by vibrations radiating from the
walls of the cup to the centre, whence they continue until
they strike the opposite wall and are reflected to repeat the
cycle. The wavelengths which meet each other in exact phase
congruence generate the standing-wave pattern; the other
vibrations do not interfere with each other. In other words, the
standing-waves are a wave/phase interference pattern similar to
a moire pattern. The molecules in the central standing-wave
swirl in a vortex. The standing-waves you see in your cup is, in
fact, a model of the Solar System and atomic structure.
Wave velocity is a function of the average particle
velocity in the medium. Like cars speeding in traffic, particles
driven faster than the average soon pile up a resisting bow wave
that forces them to turn. When particles are driven to twice the
average velocity, they are forced to turn around a complete
circle, effectively stopping most of their net travel and
raising a wave that travels at the average particle velocity in
the medium. Particles driven faster than twice the average
velocity in the medium are forced to turn around a second plane,
to generate a secondary wave flowing at right-angles to the
primary. The wave pattern you see on the surface of open water
reveals these orthogonal dynamics. Particles driven over four
times the average in the medium are forced to turn around a
third plane at right-angles to the other two, to produce a fluid
vortex. (*1) A conical standing-wave is the negative of a vortex.
The plane of particle cycling is at right-angles to the
surface wave flow; frequency is wave velocity cycling at right-
angles to wave flow. Since cycling is produced by exceeding the
speed limit, it follows that frequency represents particle
velocity above wave velocity. Since momentum increases by the
square of velocity, it follows that wave energy must increase by
the square of wave frequency. Therefore, when photon velocity
reaches light-speed, the electromagnetic wave satisfies the
equation, e=mc^2. And where a radiant wave meets another radiant
wave in precise phase opposition, the photonic fluid must
collapse into a vortex because their photons exceed four
times average medium velocity in each wave relative to the other
to generate the matter-wave frequencies calculated by de
Broglie. Furthermore, the logical definition of a wave cycle
makes a partial cycle impossible; therefore all radiant energy
must exist in quantum units defined by frequency. Anyone could
have deduced the Quantum Theory from observation of watery waves
without waiting for Planck to analyze the Ultraviolet Catastrophe
and for Einstein to confuse the Theory of Relativity.
If you have followed the line of reason through the
previous paragraph, you must realize that material particles are
created where the photonic field constituting empty space
collapses into atomic vorteces. Fluid vorteces, therefore, must
manifest the physical properties of material. It is the density
gradient of the photonic vortex surrounding material particles
that bends light rays. If you inspect a vortex in your bath tub,
you will see for yourself that it refracts the light it
transmits to cast both a bright spot and a shadow on the bottom
of the tub. A whorl comprising a hologram is a standing-wave
vortex, and you can see for yourself that it also bends light to
produce bright spots and shadows. A vortex manifests the
inertia of its spin, and inertia is the definitive physical
property of a material particle. Mass is nothing but a
measurement of gyroscopic inertia. Physics students can prove in
ten minutes that vortex equations are equivalent to field and
matter equations. (*2)
Since a hologram is defined by vorteces and since particles
are vorteces, the universal hologram is a cosmic compound vortex
that defines itself by the very waves it transmits. As particles
bend light to focal points, and radiant energy condenses into
particles at focal points, all the particles in the universal
hologram literally procreate all the particles in the universal
hologram. Continuous movements throughout the universe produce
continuously changing focal points so that all material particles
move continuously as they grow and decompose back to radiant
energy in the eternal cycle of YIN and YANG.
CLOSE THIS FILE
OPEN FILE "CHAP-1F"
---------------------------------------------------------------
*1 The paradox of the vortex is that its acceleration
results in a collapse of volume to produce increasing density
while pressure falls; as a consequence, the surrounding medium
is sucked into the vortex. In common experience, natural fluid
vorteces are ephemeral because velocities exceeding four times
the medium average are soon absorbed by the fluid field to
raise the average energy of the medium.
---------------------------------------------------------------
*2 Newton noticed the congruence between the equations for
fields and vorteces, but he decided to omit the proof from his
Theory of Gravitation, and postulated a hypothetical attractive
force, instead, even though he admitted that it is physically
impossible to substantiate an attractive force through empty
space. (I credit Mr. Whamond for this historical information.)
Einstein rediscovered the identity of field with mass in the
calculation of his General Theory of Relativity, and de Broglie
rediscovered the same equivalence twenty years later. It just
goes to show that the foundations of modern physics could have
been laid by anyone knowing the most elementary equations taught
in high school without an incomprehensible parade of mathematics
backed by national treasuries.
30
FILENAME: CHAP-1F
________________________________________
I I
I The original concept of "universe" I
I has the same meaning I
I as the original concept of hologram; I
I to wit, "all in one, I
I which is the original concept I
I of the God That Is All That Is. I
I________________________________________I
SCIENTIFIC research is a multibillion dollar industry.
Scientists protest that fundamental research depends on
megabucks. It is understandable why the scientific profession,
like the artistic, medical, and teaching professions, believes
that money produces quality. Historical facts, however,
contradict the professional sales pitch; the quality of pure
science correlates inversely with cash flow. All the seminal
discoveries of science were made with apparatus put together for
less than $100. Using a teaspoon of sugar, a sheet of tissue
paper, a pinhole camera, and a basin of water, you have just
discovered the answers to the greatest problems of pure
mathematics, physics, and philosophy that defy all the genius in
megadollar laboratories. And it didn't take a day of higher
education, either, did it?
END OF FIRST CHAPTER
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