Children's Writers Chat 5-23-00
Subject: Children's Writers - HUnderdown
Author: Harold Underdown, Editor
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Date: 6/21/2000
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Children's Writers Chat 5-23-00
Our guest: Harold Underdown, Editorial Director of Charlesbridge Press.
What, when & where:
Tuesdays
9 p.m. ET (6 p.m. PT), Writers Workshop
Children's Writers chat - writers and illustrators of children's books meet for specific topics and special guest speakers, moderated by HOST WRTR WBABE & HOST WRTR CGaley, with HOST WRTR sUe & HOST WRTR Neely (Greeters).
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<HTML><FONT SIZE=3 PTSIZE=10>Children's Writers Workshop 5-23-00<BR>
Our guest: </FONT><FONT COLOR="#0000d4" SIZE=3 PTSIZE=10><B>Harold Underdown, Editorial Director of Charlesbridge Press.</FONT><FONT COLOR="#000000" SIZE=3 PTSIZE=10></B> <BR>
</FONT><FONT SIZE=3 PTSIZE=10><BR>
WriterBabe: Harold, are you ready?<BR>
UNDERDOWNH: I'm in Brooklyn too andl looking forward to rain tomorrow<BR>
RoxyanneY: That qualifies as rain here.<BR>
UNDERDOWNH: Im' ready<BR>
WriterBabe: Great!<BR>
WriterBabe: Okay, folks, we're going into protocol now.<BR>
WriterBabe: That means when it's time for audience participation, <BR>
WriterBabe: type ? for a question,<BR>
WriterBabe: ! for a comment,<BR>
WriterBabe: and wait your turn in the queue to be called on.<BR>
WriterBabe: Type GA for Go Ahead (guests, too) when you've finished<BR>
speaking.<BR>
WriterBabe: Tonight I'm truly pleased to welcome a fellow Brooklynite,<BR>
WriterBabe: excellent editor,<BR>
WriterBabe: and web guru,<BR>
WriterBabe: Harold Underdown.<BR>
WriterBabe: Hi, Harold!<BR>
UNDERDOWNH: Thanks!<BR>
WriterBabe: Let me just add that co-host Chuck Galey is allowed to interrupt<BR>
at will.<BR>
UNDERDOWNH: Good to be here (wherever that is) GA<BR>
WriterBabe: Say hi, Chuck.<BR>
CGaley: Hello everyone!<BR>
WriterBabe: Harold, do you want to make opening remarks, or shall I plunge<BR>
in with questions? GA<BR>
UNDERDOWNH: I hadn't prepared any remarks...<BR>
UNDERDOWNH: GA<BR>
WriterBabe: No problem.<BR>
WriterBabe: We were talking about Monty Python and you're a fan.<BR>
WriterBabe: That suggests a witty, sophisticated, somewhat idiosyncratic<BR>
taste.<BR>
WriterBabe: How does that relate to your taste in children's books?<BR>
WriterBabe: In what you accept/reject? GA<BR>
UNDERDOWNH: Or a love of bad puns, crude language, and such...<BR>
WriterBabe: That too!<BR>
UNDERDOWNH: Or a liking for humor and nonsense,<BR>
UNDERDOWNH: and those are things I like to see.<BR>
UNDERDOWNH: But good quality nonsense... GA<BR>
WriterBabe: What makes for "good quality," Harold? GA<BR>
UNDERDOWNH: Ah, I know it when I see it. GA<BR>
WriterBabe: Oy vay, famous editorial words.<BR>
WriterBabe: LOL<BR>
UNDERDOWNH: Of course.<BR>
UNDERDOWNH: But there isn't time and space to explain here. GA<BR>
WriterBabe: Okay, you used to be an elementary school teacher. What effect<BR>
has that had on your taste? <BR>
WriterBabe: GA<BR>
UNDERDOWNH: Now that's a good question...<BR>
UNDERDOWNH: I know that I look for books that I would have wanted to use <BR>
Becca4656: hi room..how are you all<BR>
UNDERDOWNH: in the classroom I used to teachin.<BR>
WriterBabe: (Becca, we're in protocol. Read your IM)<BR>
UNDERDOWNH: And for books my students would have liked and would have<BR>
UNDERDOWNH: found meaningful. GA<BR>
WriterBabe: Charlesbridge specializes in non-fiction books for the very<BR>
young.<BR>
WriterBabe: Please tell us a bit about that genre.<BR>
WriterBabe: What makes a successful non-fiction picture book? <BR>
WriterBabe: What doesn't? GA<BR>
UNDERDOWNH: Well, not that young, up to 10.<BR>
WriterBabe: Okay.<BR>
UNDERDOWNH: There are a number of kinds of books we publish.<BR>
UNDERDOWNH: A concept book, for example, needs a strong concept, well<BR>
developed, and age appropriate.<BR>
UNDERDOWNH: For older readers I look either for a narrative flow, almost a<BR>
story,<BR>
UNDERDOWNH: or a text that lends itself to spread-by-spread treatment. <BR>
UNDERDOWNH: We get a lot of stuff that reads like magazine articles<BR>
UNDERDOWNH: or like entries in a reference book, and those just don't make<BR>
good picture books. GA<BR>
WriterBabe: Very dry or lightweight, eh? GA<BR>
UNDERDOWNH: Oh, I'll always go for lightweight.<BR>
WriterBabe: LOL<BR>
UNDERDOWNH: Actually, you can pack a lot into 32 pages. GA<BR>
WriterBabe: I agree.<BR>
WriterBabe: How related are Charlesbridge's books to the curriculum?<BR>
UNDERDOWNH: And the trick is to find the balance. Pack too much, and you<BR>
have a problem. GA<BR>
WriterBabe: Would you advise authors to find out what books are "needed" for<BR>
schools?<BR>
WriterBabe: Ga<BR>
UNDERDOWNH: Some of our books are very school-targeted,<BR>
UNDERDOWNH: others less so.<BR>
UNDERDOWNH: It doesn't hurt to know what schools need, but you shouldn't <BR>
UNDERDOWNH: write about a topic that doesn't interest you just because you<BR>
believe it will sell. That's <BR>
UNDERDOWNH: death.<BR>
UNDERDOWNH: Ga<BR>
WriterBabe: One comment I've gotten when I've pitched certain non-fiction<BR>
ideas is that they're "too <BR>
WriterBabe: specific."<BR>
WriterBabe: One book that I did--on animal rear ends--got that criticism.<BR>
WriterBabe: How big a problem is specificity in the marketplace? GA<BR>
UNDERDOWNH: Part of that balance issue. You don't want to be too broad,<BR>
either. You<BR>
UNDERDOWNH: really have to be able to get the right level. GA<BR>
WriterBabe: How does one find a fresh topic for non-fiction? What sort of<BR>
topics catch your eye? GA<BR>
UNDERDOWNH: Specificity can also be an editorial shorthand for "I' m not<BR>
interested but I can't say exac<BR>
UNDERDOWNH: tly why.<BR>
WriterBabe: Or for we have no idea how to market this one.<BR>
UNDERDOWNH: I never know what is going to catch my eye<BR>
UNDERDOWNH: until it does, but I will tell you one of my<BR>
UNDERDOWNH: nonfiction heroes is Holling Clancy Holling.<BR>
UNDERDOWNH: Anyone who wants to write nonfiction for children<BR>
UNDERDOWNH: should know his books.<BR>
UNDERDOWNH: GA<BR>
WriterBabe: I'm not familiar with him. What does he write on? GA<BR>
UNDERDOWNH: He was active in the 50's, and his books are still in print. <BR>
UNDERDOWNH: He may be the only person to win both a Caldecott Honor and a<BR>
Newbery<BR>
UNDERDOWNH: Honor. Books like Minn of the Mississippi. This is nonfiction<BR>
UNDERDOWNH: that tells a story. And that brings in many different <BR>
UNDERDOWNH: kinds of information. Minn is a turtle who travels all the way<BR>
UNDERDOWNH: down the Miss. river. We hear her story and we see<BR>
UNDERDOWNH: maps, diagrams of leaves, pictures of archaeological sites...<BR>
UNDERDOWNH: It's a great read. GA<BR>
WriterBabe: Thanks. A few more questions from me, and then we'll open this<BR>
to the audience.<BR>
WriterBabe: What are some of the mistakes pre-published (and even published)<BR>
picture book writers make? <BR>
WriterBabe: GA<BR>
UNDERDOWNH: Some? I've got a list of them in my article<BR>
UNDERDOWNH: Getting Out of the Slush Pile on my WWW site, but<BR>
UNDERDOWNH: one that always amazes me is how few people<BR>
UNDERDOWNH: do good research on the company that they are sending <BR>
UNDERDOWNH: a manuscript to. We get novels. We get the wrong kind of<BR>
nonfiction<BR>
UNDERDOWNH: and we also get submissions that show someone has a vague idea<BR>
UNDERDOWNH: about our program. BUT the submissions that get MY<BR>
UNDERDOWNH: attention are the ones that mention books of ours, like The Flag<BR>
We Love or <BR>
UNDERDOWNH: Turn of the Century or The Ugly Vegetables. That writer<BR>
UNDERDOWNH: is showing me they have a reason for choosing us. GA<BR>
WriterBabe: Yes, you do, and it's a great article. I urge everyone to read<BR>
it--and check out your <BR>
WriterBabe: entire site.<BR>
WriterBabe: Thanks for the tips!<BR>
WriterBabe: I'd like to talk about the internet for a moment.<BR>
WriterBabe: How can a writer effectively use the internet for promotion?<BR>
WriterBabe: It's obvious how to use it for research!<BR>
WriterBabe: GA<BR>
UNDERDOWNH: Excellent question. You have to integrate what you do into<BR>
UNDERDOWNH: your overall promotional efforts.You can't just build a WWW <BR>
UNDERDOWNH: site and leave it there. You have to update it. You have to talk<BR>
about<BR>
UNDERDOWNH: it at your school visits and list your school visits on it.<BR>
There is a list on my<BR>
UNDERDOWNH: site of some WWW sites from authors and illustrators<BR>
UNDERDOWNH: that I think are effective. It's a time investment! But worth it<BR>
for some people.<BR>
UNDERDOWNH: Ga<BR>
WriterBabe: Thanks, Harold. My site is, I fear, lying there like a lox.<BR>
You've inspired me--<BR>
WriterBabe: and all of us!<BR>
WriterBabe: Now, it's time for audience participation.<BR>
UNDERDOWNH: Thanks.<BR>
RoxyanneY: ?<BR>
WriterBabe: Folks, type ? and !<BR>
WriterBabe: Roxy, you're quick on the draw and you're first.<BR>
RoxyanneY: Is writing-in-progress posted to a website considered published?<BR>
Not to an ezine, to a <BR>
Prbatey: ?<BR>
RoxyanneY: personal promotional website.<BR>
RoxyanneY: ga<BR>
RoxyanneY: (blowing the smoke off my keyboard)<BR>
UNDERDOWNH: I wouldn't consider it published. But since Charlesbridge looks<BR>
at all submissions, <BR>
UNDERDOWNH: regardless of whether or not you are published, that doesn't<BR>
matter.<BR>
UNDERDOWNH: GA<BR>
WriterBabe: Does that answer your question, Roxy? GA<BR>
RoxyanneY: thank you<BR>
PHeeren: ?<BR>
WriterBabe: Prb, go ahead.<BR>
Prbatey: Harold, what grade did you teach in elementary school? And what<BR>
were your favorite <BR>
RoxyanneY: I just wanted to make sure that these sites I'm building with<BR>
writers' works-in-progress<BR>
Prbatey: subjects? ga<BR>
RoxyanneY: wouldn't endanger their chances of having those works considered<BR>
for publiocation<BR>
RoxyanneY: .ga<BR>
UNDERDOWNH: I taught different grades, but immediately before I got burned<BR>
out and left<BR>
UNDERDOWNH: for publishing I was teaching 3rd and 4th graders. They loved<BR>
James and the Giant Peach<BR>
UNDERDOWNH: and so did I.<BR>
UNDERDOWNH: I enjoyed Reading and Science with them.<BR>
UNDERDOWNH: But I am interested in just about everything. I think one has to<BR>
be, to <BR>
UNDERDOWNH: edit nonfiction effectively. I always find I'M learning a lot,<BR>
and that <BR>
UNDERDOWNH: makes it fun. GA<BR>
Prbatey: Yes, me too (Peach). Thanks! ga <BR>
WriterBabe: PH, you're next.<BR>
PHeeren: I am thinking of writing a nonfiction picture book about diabetes<BR>
PHeeren: since I have experience with the disease and I wonder if little<BR>
kids would read about diabet<BR>
PHeeren: es or not....what do you think? ga<BR>
UNDERDOWNH: My Topic Book Alarm is going off. Possible to do but you could<BR>
get shoved<BR>
UNDERDOWNH: into a niche. Kids will read it. The market may be less open! GA<BR>
UNDERDOWNH: How about some fiction questions?<BR>
WriterBabe: The queue is open, folks.<BR>
WriterRoss: ?<BR>
WriterBabe: Pam, fire away.<BR>
WriterRoss: Hi then-- Pamela Ross. What do you do first<BR>
WriterRoss: re: editing a fiction book you've acquired?<BR>
WriterRoss: GA<BR>
WriterRoss: (Thanks)<BR>
Neely f: (Hey, I know you. )<BR>
WriterRoss: ;><BR>
UNDERDOWNH: Sit and stare at it for a while. Then put it away and get back<BR>
to it a week later...<BR>
Jonezeemac: hi all<BR>
UNDERDOWNH: Sorry, but you need to be more specific, Pam! GA<BR>
WriterRoss: (Sounds like what we do after we finish a mss.) <BR>
WriterRoss: Line edit? Overall? or..<BR>
UNDERDOWNH: Well, it depends!<BR>
Jonezeemac: i am writing a mystery story<BR>
Texsarks: ?<BR>
UNDERDOWNH: Depends on what it needs. Some need a structural edit, and<BR>
UNDERDOWNH: in that case I'll just ask questions and make comments. <BR>
UNDERDOWNH: Or it might be ready to line-edit. GA<BR>
CGaley: (Jonez, this is a children's writers group... and we're in protocol,<BR>
read your IM's)<BR>
WriterRoss: I think that's my final answer, isn't it? Thanks-- <BR>
Prbatey: ?<BR>
WriterBabe: Tex, go ahead<BR>
Texsarks: I go to edit and next thing I am re-writing and changing>Why does<BR>
this happen?<BR>
UNDERDOWNH: Isn't that what happens in the editing process? I'm not sure I<BR>
understand what the problem<BR>
UNDERDOWNH: is. GA<BR>
WriterBabe: Tex, why do you consider that a problem? GA<BR>
Texsarks: The book is finished. Complete. As I edit I change, go off in a<BR>
diffrent direction.<BR>
UNDERDOWNH: You are doing this, or the editor is? GA<BR>
WriterBabe: Then why are you editing? GA<BR>
WriterBabe: Tex?<BR>
Texsarks: I do. Take secondary characters and go with them. Add and change<BR>
and rearrange.<BR>
UNDERDOWNH: Sounds like a problem I run into sometimes.<BR>
UNDERDOWNH: It can be hard to stop, and say you are done. But you have to.<BR>
Texsarks: Why? Why can't we be thorugh? Finished?<BR>
UNDERDOWNH: I might edit a book right up to the deadline and beyond. But<BR>
UNDERDOWNH: that's why there are deadlines! GA<BR>
WriterBabe: Well, an interesting problem for a lot of writers is that we<BR>
don't know when to stop.<BR>
WriterBabe: A question that comes up here is how do we know when something<BR>
IS finished?<BR>
WriterBabe: Any tips on that, Harold? GA<BR>
Texsarks: Right!!!!! Help.<BR>
UNDERDOWNH: When the book has to go to press? <BR>
RoxyanneY: !<BR>
UNDERDOWNH: I'm serious. I am somewhat notorious at work for <BR>
WriterBabe: :-P<BR>
UNDERDOWNH: not letting go of stuff. GA<BR>
RoxyanneY: I have a writing teacher who says, "Writing is never finished,<BR>
it's just due."<BR>
UNDERDOWNH: VERY apt.<BR>
WriterBabe: Doesn't work when you're shaping a manuscript to send to an<BR>
editor, though.<BR>
WriterBabe: It's not due at any time, then.<BR>
UNDERDOWNH: No. But sometimes you just have to set your own deadlines and<BR>
goals.<BR>
Jonezeemac: hi<BR>
UNDERDOWNH: And realize that if the manuscript is published it will change<BR>
again. GA<BR>
Prbatey: How many books does Charlesbridge publish per year? Any plans to<BR>
expand into middle grade? <BR>
Prbatey: ga<BR>
UNDERDOWNH: We publish about 25 books a year now. About ten are fiction. We<BR>
are \<BR>
Neely f: (Jon, Please do not interrupt the meeting.)<BR>
UNDERDOWNH: talking about middle grade but have made no plans. I don't <BR>
UNDERDOWNH: see it happening for the next couple of years, at least.<BR>
UNDERDOWNH: GA<BR>
Prbatey: thanks ga<BR>
WriterBabe: Harold, I'm curious as to why you don't do chapter books? GA<BR>
UNDERDOWNH: Personally I have always worked on older books, and I would<BR>
UNDERDOWNH: love to do them. But Charlesbridge started as a picture<BR>
WriterBabe: (The queue's empty)<BR>
Texsarks: ?<BR>
UNDERDOWNH: book publisher and going into middle grade is going into<BR>
RoxyanneY: ?<BR>
UNDERDOWNH: a different market, and one we would need to adjust to. GA<BR>
WriterBabe: Thanks.<BR>
WriterBabe: Tex, you're up.<BR>
RoxyanneY: I've been toying with an idea that came to me after I had written<BR>
my third article on an <BR>
Ekbruno: ?<BR>
RoxyanneY: whoops - sorry!<BR>
Texsarks: children face so much... Columbine, violence. Are books that<BR>
address such serious issues <BR>
Texsarks: in demand like how to face such crisis with fiction?<BR>
UNDERDOWNH: The trick with books like that is in not letting the <BR>
UNDERDOWNH: message overwhelm the story, unless you <BR>
UNDERDOWNH: are deliberately publishing a kind of emotional <BR>
Jonezeemac: is this the childrens room<BR>
UNDERDOWNH: how-to book. We did a book called Bottles Break last yearm<BR>
BOEDEN: ?<BR>
UNDERDOWNH: about a child with an alcoholic mother. Pretty direct, but<BR>
effective. <BR>
UNDERDOWNH: I wouldn't say, though, that there is a DEMAND for such books.<BR>
GA<BR>
WriterBabe: Roxy, your turn.<BR>
RoxyanneY: Okay, after my third article on the topic of historic shipwrecks,<BR>
I find myself becoming a <BR>
RoxyanneY: maritime tragedy expert. I was thinking of proposing a book idea<BR>
on the topic, but I'm not s<BR>
Prbatey: ?<BR>
RoxyanneY: sure whether to do a book on a single wreck, or a longer chapter<BR>
book on<BR>
RoxyanneY: several wrecks. What do you think?<BR>
UNDERDOWNH: I think either one could work, but you would probably find more<BR>
interest<BR>
PHeeren: !<BR>
UNDERDOWNH: in a book that covered several wrecks, preferably on both<BR>
coasts. More<BR>
UNDERDOWNH: libraries would see it as having value for money, and teachers <BR>
UNDERDOWNH: could fit it into their curriculum. But one gripping story about<BR>
a particular wreck could <BR>
UNDERDOWNH: work too. Look what happened in adult books with The Perfect<BR>
Storm<BR>
UNDERDOWNH: GA<BR>
RoxyanneY: Cool, thanks.<BR>
WriterBabe: Ek, take it away.<BR>
Ekbruno: Do you accept unsolicited manuscripts if we put "exclusive" on the<BR>
envelope? GA<BR>
UNDERDOWNH: Exactly. That's our rule. GA<BR>
Texsarks: ?<BR>
Ekbruno: Thanks ga<BR>
WriterBabe: You also promise to get back to folks quickly, right, Harold?<BR>
GA<BR>
UNDERDOWNH: We try to do two months or less but promise three, and<BR>
UNDERDOWNH: at present I think we are doing that. GA<BR>
Neely f: ##%#% 10 MINUTE WARNING #%#%#%<BR>
WriterBabe: That's pretty fast.<BR>
WriterBabe: Sue, your turn.<BR>
UNDERDOWNH: Thanks.<BR>
BOEDEN: It is said, write what you know. My former profession was in the<BR>
home <BR>
BOEDEN: building industry, inspector and such. Would you think there is an <BR>
BOEDEN: interest in various parts of that topic? ga<BR>
UNDERDOWNH: I have seen several picture books on the building of a home. <BR>
BOEDEN: I am talking more YA/<BR>
BOEDEN: ga<BR>
UNDERDOWNH: I don't know how technical you could get. It would depend on the<BR>
age of your intended reader<BR>
UNDERDOWNH: For YA a more career-oriented approach could work, though<BR>
UNDERDOWNH: that would probably limit you to the library market. GA<BR>
BOEDEN: I agree. I can go low tech or high. Thanks. <BR>
KAWASUNA: ?<BR>
WriterBabe: Prb, you're next.<BR>
Prbatey: If you love a ms., but you see it might need a bit of work and the<BR>
author is unpublished, <BR>
Prbatey: do you hesitate on aquiring it? ga<BR>
UNDERDOWNH: Ah, a tricky question. I probably don't acquire it, but i send<BR>
an editorial letter and try <BR>
UNDERDOWNH: to get it to the point where I can acquire it with all<BR>
confidence. GA<BR>
WriterBabe: PH, you have a comment.<BR>
PHeeren: I think children are always eager and anixous to find out what<BR>
interests them <BR>
PHeeren: because they want to explore the world and its wonderful things it<BR>
gives them, right?<BR>
PHeeren: am I correct?<BR>
PHeeren: ga<BR>
UNDERDOWNH: Absolutely. GA<BR>
Unique Ewe: ?<BR>
WriterBabe: Tex, go ahead.<BR>
Texsarks: does poetry interest children... is it too uh... boring,<BR>
'childish?' old hat? <BR>
Texsarks: in story form of curse.<BR>
Texsarks: course<BR>
UNDERDOWNH: Depends on the poetry. There is a lot of verse published in <BR>
UNDERDOWNH: the mass market. Trade publishers don't find that rhyme is<BR>
BetsFeeney: ?<BR>
UNDERDOWNH: much liked in our market, and all too often just not that good, <BR>
UNDERDOWNH: so we tend to go for prose. But kids love good poetry. And it<BR>
does still<BR>
UNDERDOWNH: get published. The problem is that so many adults <BR>
UNDERDOWNH: don't read poetry, and so they don't buy it or get<BR>
UNDERDOWNH: it from the library for their children! GA<BR>
WriterBabe: I've been told that the market for poetry has expanded again,<BR>
Harold. At least that's what <BR>
Texsarks: thanks!<BR>
WriterBabe: Marc Aronson says.<BR>
WriterBabe: True? GA<BR>
Neely f: :":":"::":":":" 5 MINUTE WARNING :"::":":":"":"<BR>
UNDERDOWNH: If Marc says it, it must be true. The Children's Book Council<BR>
UNDERDOWNH: has been promoting it, and I do see a LITTLE more being<BR>
UNDERDOWNH: published, but this is not exactly the Golden Age of Verse. GA<BR>
WriterBabe: Boy, I'm glad to hear that.<BR>
WriterBabe: The promotion--not that it's not the Golden Age of Verse.<BR>
WriterBabe: Kawa, you're next.<BR>
KAWASUNA: harold, you mentioned your webpage. the address? ga<BR>
UNDERDOWNH: www.underdown.org<BR>
KAWASUNA: thanks. ga.<BR>
WriterBabe: Ewe, go ahead.<BR>
Unique Ewe: Do children always know what they are interested in before<BR>
reading about a subject?<BR>
UNDERDOWNH: No. Lots of books are introduced to children<BR>
UNDERDOWNH: by the adults in their life, either through school or by a<BR>
relative. GA<BR>
WriterBabe: Bets, fire away.<BR>
BetsFeeney: I am currently travelling the country with my daughter who is in<BR>
a touring broadway show. <BR>
BetsFeeney: I am considering co-writng a journal/scrapbook with her in<BR>
picture book form. have you <BR>
CGaley: (COOL!)<BR>
BetsFeeney: heard of this type of book? GA<BR>
UNDERDOWNH: I have seen books that take that kind of approach, <BR>
UNDERDOWNH: though not with that subject. The challenge is always, when <BR>
UNDERDOWNH: writing directly about personal experience, to avoid being<BR>
UNDERDOWNH: so personal as to lose your audience. GA<BR>
WriterBabe: What's the show, Bets? GA<BR>
Neely f: Folks, the hour hand has swept past ten o'clock and the novelists<BR>
come a-knocking.<BR>
UNDERDOWNH: So long.<BR>
BetsFeeney: good advice, thank you. ga<BR>
Texsarks: thanks and night.......<BR>
Unique Ewe: Nite all<BR>
Ekbruno: goodnight...<BR>
WriterBabe: Harold, any final words of wisdom for us?<BR>
BetsFeeney: RAGTIME!!!<BR>
RoxyanneY: Thank you very much!<BR>
CGaley: Thanks, Harold... good job!<BR>
WriterBabe: Cool, Bets!<BR>
BOEDEN: Thanks for the informative and accommodating session. You are very<BR>
generous with answers. <BR>
MudderGG: Thanks to all...<BR>
BOEDEN: Thanks Marilyn... Consummate professional as always.<BR>
Neely f: ()()()()()( CLAPPING ()()()()()<BR>
UNDERDOWNH: Remember this is a business.<BR>
WriterRoss: Novelists and possums come a-knocking. ;> Ragtime. Whoa.<BR>
DebsWrite: Very much enjoyed the chat<BR>
BOEDEN: Nice job crew...<BR>
WriterBabe: Harold, thank you so much for a great chat.<BR>
BOEDEN: Have a great week everyone!<BR>
Prbatey: Harold, thanks for the info! I look forward to meeting you this<BR>
summer at Chautauqua! <BR>
BetsFeeney: yes, and I have to go pick her up at the theater now --bbye<BR>
WriterBabe: I enjoyed it a lot!<BR>
WriterRoss: Harold: thank you for joining us this evening. []<BR>
WriterBabe: Come back again and talk to us about the business end of the<BR>
business!<BR>
UNDERDOWNH: I will.<BR>
WriterRoss: (I wish we did tonight.)<BR>
Neely f: Harold, hope to see you next week.<BR>
WriterBabe: Next week, Open Chat. I will be on vacation, but Chuck, Donna<BR>
and Sue will be here.<BR>
BOEDEN: Aloha Nui Ka Koa ~ Night<BR>
MaryP2000: Thank you!<BR>
BrendaHB: Welcome, Novelists! :)<BR>
WriterBabe: Happy Memorial Day!<BR>
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