Ask the Experts guest writer and organizer of KIDS LOVE A MYSTERY WEEK, Janet Riehecky.
Subject: Childrens Writers Chat-JRiehecky
Author: Janet Riehecky
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Date: 2/18/2000
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Ask the Experts guest writer and organizer of KIDS LOVE A MYSTERY WEEK, Janet Riehecky.
What, when & where:
Tuesdays
9 p.m. ET (6 p.m. PT), Writers Workshop
Children's Writers chat - writers and illustrators of children's books meet for specific topics and special guest speakers, moderated by HOST WRTR WBABE & HOST WRTR CGaley, with HOST WRTR sUe & HOST WRTR Neely (Greeters).
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<HTML><FONT SIZE=3 PTSIZE=10>Childrens Writers Chat 2-15-00<BR>
Kids Love A Mystery<BR>
Guest: Janet Riehecky<BR>
</FONT><FONT SIZE=3 PTSIZE=10><BR>
WriterBabe: We are going into protocol now. When it's time for audience<BR>
participation,<BR>
WriterBabe: type ? for a question, ! for a comment, and wait your turn in<BR>
the queue to be called on.<BR>
WriterBabe: Type GA for Go Ahead (guests, too) when you've finished<BR>
speaking.<BR>
WriterBabe: Tonight I'm delighted to welcome as our guest writer and<BR>
organizer of KIDS LOVE A MYSTERY <BR>
WriterBabe: WEEK, Janet Riehecky.<BR>
WriterBabe: Hiya, Janet!<BR>
JRiehecky: Hi everyone!<BR>
WriterBabe: Before I forget--co-host Chuck Galey is allowed to pop in with<BR>
questions at will.<BR>
WriterBabe: Wave, Chuck.<BR>
WriterBabe: Oh, Chuck....<BR>
CGaley: Hey!<BR>
WriterBabe: There he is.<BR>
WriterBabe: Janet, would you like to tell us what KIDS LOVE A MYSTERY WEEK<BR>
is and then I'll hit you with<BR>
WriterBabe: some questions?<BR>
JRiehecky: "Kids Love A Mystery Week has existed for three years.<BR>
JRiehecky: It was started by Joan Lowery Nixon when she was president of<BR>
Mystery Writers of America.<BR>
JRiehecky: She ran it the first year with help from Barnes & Noble.<BR>
JRiehecky: The second year Barnes & Noble bowed out and Joan didn't have<BR>
time to run the program, so I <BR>
JRiehecky: got the chance to run it.<BR>
JRiehecky: We are hoping to encourage kids to read and write mysteries.<BR>
JRiehecky: We Sponsor events all over the country.<BR>
JRiehecky: Kids can sign up at a local bookstore, school, or library. <BR>
JRiehecky: Some people host reading programs. A kid gets an certificate from<BR>
Mystery Writers of America<BR>
JRiehecky: for reading one book and gets one ticket in a drawing for each<BR>
mystery book read.<BR>
JRiehecky: We had authors all over the country donated autographed books for<BR>
the prizes in the drawing.<BR>
JRiehecky: The writing program is similar. Kids write a story and everyone<BR>
get a certificate. <BR>
JRiehecky: The Stories are judged by a panel and the best stories win<BR>
autographed books.<BR>
JRiehecky: This year Carol Higgins Clark has agreed to be our Honorary<BR>
Chair--after all, she learned to<BR>
JRiehecky: love mysteries as a kid! GA<BR>
WriterBabe: A great program, Janet. I'm curious--why did B&N bow out?<BR>
JRiehecky: They said they didn't make enough money from having authors come<BR>
to the store for signings. <BR>
JRiehecky: They did great with big names but not so great with midlist<BR>
writers. GA<BR>
WriterBabe: That's a shame.<BR>
WriterBabe: This year I had the honor of chairing the YA panel of the Edgars<BR>
(the mystery/crime fiction <BR>
WriterBabe: awards). <BR>
JRiehecky: They also left me hanging for several months, thinking they were<BR>
going to do somethings.<BR>
WriterBabe: We got quite a few books, but felt that many of them were NOT<BR>
mysteries (or crime fiction).<BR>
WriterBabe: Janet, how do YOU define a mystery?<BR>
WriterBabe: GA<BR>
JRiehecky: I think there needs to be a crime to be solved and that there<BR>
must be a character who seeks <BR>
JRiehecky: to solve it. GA<BR>
WriterBabe: How major a part does the crime pay in the book? GA<BR>
JRiehecky: I think it should be the main plotline. If there's a secondary<BR>
story, such as a romance, it<BR>
JRiehecky: shouldn't overwhelm the detective work. Otherwise, it's a<BR>
romance, not a mystery.<BR>
JRiehecky: GA<BR>
WriterBabe: Our feelings exactly. But the publicists seem to be confused. <BR>
WriterBabe: I wonder if it's more difficult on a YA level to define a<BR>
mystery. Do you think it is? GA<BR>
JRiehecky: My books are intermediate readers, so I haven't tried a YA novel,<BR>
but I think the same <BR>
JRiehecky: standards should apply. GA<BR>
WriterBabe: I've asked Joan Lowery Nixon this question, and now I'm going to<BR>
ask you: <BR>
WriterBabe: why do kids who won't read other books read mysteries? GA<BR>
JRiehecky: I think it's several things. Mysteries and fantasy are about the<BR>
only places left where <BR>
JRiehecky: there is a clear-cut definition of right and wrong, good and bad.<BR>
JRiehecky: Most kids feel more secure knowing the boundaries. Also<BR>
curiosity sets in. They want to <BR>
JRiehecky: know the answer to the mystery. And usually the characters are<BR>
people you care about. GA<BR>
WriterBabe: Great answer.<BR>
WriterBabe: Someone said that mystery writers set the world to rights. It<BR>
sounds as though you agree wi<BR>
WriterBabe: Let's talk about your writing a bit.<BR>
WriterBabe: Which do you start with, character or plot, or does it vary? GA<BR>
JRiehecky: I start with a plot. I always know how it ends and work from<BR>
there. GA<BR>
WriterBabe: I've written some mysteries and find that working out those<BR>
jigsaw puzzles hurts my brain!<BR>
WriterBabe: Give me and everyone else some tips on organization. GA<BR>
JRiehecky: I keep a file of things--clues, incidents, even lines a character<BR>
might say--even if I don't<BR>
JRiehecky: know where they are going to fit in the story. When I get stuck<BR>
I always look at that list.<BR>
JRiehecky: An outline also helps. My outlines are vague, because my<BR>
characters usually take over and <BR>
JRiehecky: tell me what they're going to do next. I do think mysteries,<BR>
especially if you want the <BR>
JRiehecky: reader to be able to solve the crime also need to be well<BR>
organized. If you could see my <BR>
JRiehecky: office, though, you wouldn't think I knew anything at all about<BR>
organization. GA<BR>
WriterBabe: Great tips!<BR>
WriterBabe: Let's talk about those characters.<BR>
WriterBabe: There are many detectives out there and many gimmicks have been<BR>
used to create them.<BR>
WriterBabe: How can we create fresh characters? GA<BR>
JRiehecky: I think it helps to model characters after real people. Real<BR>
people do and say unexpected <BR>
JRiehecky: things all the time. Of course, you have to be careful about<BR>
libel.<BR>
JRiehecky: GA<BR>
WriterBabe: LOL<BR>
WriterBabe: A few more questions from me, and then let's open this to the<BR>
audience.<BR>
WriterBabe: How important is setting? Atmosphere? What are some techniques<BR>
for creating those? GA<BR>
JRiehecky: Setting and atmosphere are very important to a mystery. I think<BR>
sensory detail expressed in<BR>
JRiehecky: fresh metaphors and similies helps a lot. GA<BR>
WriterBabe: Thanks.<BR>
WriterBabe: What are the rules of good mystery writing? The no-no's?<BR>
WriterBabe: And after that, it's the audience's turn! GA<BR>
WriterBabe: (Start typing ? and !, folks)<BR>
JRiehecky: Unfortunately, the most important rule right now is: Be<BR>
politically correct. It seems like <BR>
Lauryntwo: Hi I Like To Write About Dogs<BR>
JRiehecky: publishers care more about that than anythig. I think you need<BR>
to have a clearly defined <BR>
JRiehecky: situation and characters actively working to solve the mystery.<BR>
I think good should triumph<BR>
Neely f: Lauryn. We are in a meeting. Turn on your IMs for inside<BR>
information.<BR>
CGaley: (Sorry Lauryn, this chat is in protocol, Please read your IM's...<BR>
:-))<BR>
JRiehecky: over evil and that you should have your readers feel as if you<BR>
played fair throughout the <BR>
JRiehecky: whole book. GA<BR>
Neely f: (Lauryn's IMs are turned off.)<BR>
WriterBabe: Janet, you're wonderful! And I noticed that in your books, you<BR>
have a warmth and a good <BR>
WriterBabe: feeling for family, which I think is pleasing to kids.<BR>
WriterBabe: An underlying safety, if you will.<BR>
WriterBabe: I'm assuming that's quite intentional. GA<BR>
JRiehecky: Yes, one of the many joys of writing for children is just that!<BR>
GA<BR>
WriterBabe: Okay, folks, it's your turn. <BR>
Aplbrk: ?<BR>
WriterBabe: Anyone have ? or !<BR>
WriterBabe: Wow--lag there for me!<BR>
WriterBabe: Barbara, you're first.<BR>
Aplbrk: You said there is always a crime to be solved; must it always be a<BR>
crime, or<BR>
Aplbrk: can it be a loss of something, or someone acting strangely, etc.<BR>
JanssD: ?<BR>
JRiehecky: You're right. It doesn't have to be something against the law as<BR>
long as there is something<BR>
JRiehecky: strange that requires an investigation to explain. GA<BR>
Ekbruno: ? Would ghost stories be considered a true mystery?<BR>
Aplbrk: Thanks.<BR>
WriterBabe: A real puzzle, in other words, right, Janet and Barbara? GA<BR>
JRiehecky: I think it depends on what happens. If nothing requires an<BR>
explanation, if it's just a <BR>
Aplbrk: !<BR>
JRiehecky: scary story, then I don't think it qualifies as a mystery. But<BR>
if the ghost leads character<BR>
JRiehecky: s to investigate something, like the cause of its death, then it<BR>
could easily be a mystery. <BR>
JRiehecky: GA<BR>
Aplbrk: I agree.<BR>
WriterBabe: So do I. Barbara, do you have another comment?<BR>
Aplbrk: Yes. <BR>
Aplbrk: In recent books I've read,<BR>
Aplbrk: it seems the secondary plot begins the story, but that leads to the<BR>
Aplbrk: main mystery line; that's one feature peculiar to mysteries, or so<BR>
it seems.<BR>
Aplbrk: That is, when you don't start right out with a crime or question to<BR>
solve.<BR>
Aplbrk: ga<BR>
LYPHIS: ?<BR>
WriterBabe: Janet, do you want to comment on Barbara's comment? GA<BR>
Aplbrk: (did that come out as muddled as I think it did?)<BR>
JRiehecky: I do that in my books to build suspense. If you start with the<BR>
biggie, you've got nowhere to<BR>
JRiehecky: go but down. One idea I use when I teach about writing for<BR>
children is to put a conflict on<BR>
Neely f: I:I:I:I:I:::I:I 15 MINUTE WARNING I:I:I::I:I:I<BR>
JRiehecky: the first page to draw the reader in, but that little conflicts<BR>
should lead up to the big <BR>
JRiehecky: one. GA<BR>
Aplbrk: Interesting...and enlightening! Thanks.<BR>
WriterBabe: This is a marvelous discussion! Thank you both.<BR>
WriterBabe: Derek, you're next.<BR>
JanssD: Staying on the subplot-vs.-mystery question:<BR>
JanssD: You mentioned the character subpl. shouldn't be secondary to the<BR>
mystery plot--<BR>
JanssD: (Er, vice versa: Mystery shouldn't be secondary, sorry)<BR>
JanssD: --But how secondary is TOO secondary?: It always helps a mystery,<BR>
IMO, to<BR>
JanssD: have some kind of character devel. story, otherwise, a crossword<BR>
puzzle never becomes<BR>
JanssD: a story. GA<BR>
JRiehecky: Yes! These days the story has to be character-driven. If the<BR>
secondary plot doesn't<BR>
JRiehecky: help the reader understand the characters better or else further<BR>
the main mystery<BR>
JRiehecky: there's little point in including it. GA<BR>
WriterBabe: Phyllis, your turn.<BR>
LYPHIS: Please speak about the art of planting clues,<BR>
LYPHIS: including those imbedded into the setting<BR>
LYPHIS: ga - sorry<BR>
JRiehecky: A red herring should be treated exactly the same as a real clue<BR>
or else it's obvious that <BR>
JRiehecky: it's a red herring. There's an old saying that if you mention a<BR>
gun over the mantel, that <BR>
JRiehecky: gun has to be fired sooner or later. Play fair with your reader.<BR>
Introduce important clues<BR>
JRiehecky: early enough that they can sink in. Don't hide them in the<BR>
middle of description a reader <BR>
Neely f: IOIOIO 10 MINUTE WARNING IOIOIOI<BR>
JRiehecky: is likely to skim over. Try, though, to make it so natural that<BR>
the reader can think you'd <BR>
JRiehecky: have mentioned it whether it was a clue or not. GA<BR>
WriterBabe: Fabulous tips!<BR>
WriterBabe: The queue's empty. More questions, folks?<BR>
LYPHIS: Gt - thanx ga<BR>
Aplbrk: !<BR>
WriterBabe: Go ahead, Barb.<BR>
Aplbrk: Just a really big thank you for this session; it's been most<BR>
helpful!<BR>
Aplbrk: Thanks, Janet.<BR>
LYPHIS: ?<BR>
WriterBabe: Phyllis, your turn.<BR>
LYPHIS: What are some examples of clues embedded into the scenery or milieu?<BR>
LYPHIS: ga<BR>
JRiehecky: Of course, my mind is a complete blank. It would be something<BR>
like a character getting a <BR>
JRiehecky: glass of orange juice and mentioning that she never drinks coffee<BR>
and then having that be <BR>
Neely f: mnmn-- 5 MINUTE WARNING -nmnm<BR>
JRiehecky: important, such as the criminal drank a cup of coffee while<BR>
waiting for the right moment to <BR>
JRiehecky: commit the crime. GA<BR>
LYPHIS: Gt - and what about into the background, the scenery or something?<BR>
LYPHIS: ga<BR>
JRiehecky: Maybe a tree or bush screens the area while a crime happened<BR>
except for one direction where <BR>
JRiehecky: a witness was. GA<BR>
LYPHIS: aaah, thanx so... ga<BR>
WriterBabe: Excellent information.<BR>
WriterBabe: Janet, any parting words of wisdom for us?<BR>
WriterBabe: GA<BR>
JRiehecky: Never give up. If you write something you like there will be<BR>
people out there that like it <BR>
JRiehecky: too. GA<BR>
Aplbrk: Hear, hear!<BR>
<BR>
end<BR>
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