Roderick Hudson, by Henry James

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RODERICK HUDSON

by

HENRY JAMES

CONTENTS

            I. Rowland

           II. Roderick

          III. Rome

           IV. Experience

            V. Christina

           VI. Frascati

          VII. St. Cecilia's

         VIII. Provocation

           IX. Mary Garland

            X. The Cavaliere

           XI. Mrs. Hudson

          XII. The Princess Casamassima

         XIII. Switzerland

CHAPTER I. Rowland

Mallet had made his arrangements to sail for Europe on the first

of September, and having in the interval a fortnight to spare,

he determined to spend it with his cousin Cecilia, the widow

of a nephew of his father.  He was urged by the reflection

that an affectionate farewell might help to exonerate him

from the charge of neglect frequently preferred by this lady.

It was not that the young man disliked her; on the contrary,

he regarded her with a tender admiration, and he had not

forgotten how, when his cousin had brought her home on her marriage,

he had seemed to feel the upward sweep of the empty bough from

which the golden fruit had been plucked, and had then and there

accepted the prospect of bachelorhood.  The truth was, that, as it

will be part of the entertainment of this narrative to exhibit,

Rowland Mallet had an uncomfortably sensitive conscience, and that,

in spite of the seeming paradox, his visits to Cecilia were rare

because she and her misfortunes were often uppermost in it.

Her misfortunes were three in number:  first, she had lost

her husband; second, she had lost her money (or the greater part

of it); and third, she lived at Northampton, Massachusetts.

Mallet's compassion was really wasted, because Cecilia was a very

clever woman, and a most skillful counter-plotter to adversity.

She had made herself a charming home, her economies were not obtrusive,

and there was always a cheerful flutter in the folds of her crape.

It was the consciousness of all this that puzzled Mallet whenever

he felt tempted to put in his oar.  He had money and he had time,

but he never could decide just how to place these gifts gracefully

at Cecilia's service.  He no longer felt like marrying her:

in these eight years that fancy had died a natural death.

And yet her extreme cleverness seemed somehow to make charity

difficult and patronage impossible.  He would rather chop off

his hand than offer her a check, a piece of useful furniture,

or a black silk dress; and yet there was some sadness in seeing

such a bright, proud woman living in such a small, dull way.

Cecilia had, moreover, a turn for sarcasm, and her smile, which was

her pretty feature, was never so pretty as when her sprightly

phrase had a lurking scratch in it.  Rowland remembered that,

for him, she was all smiles, and suspected, awkwardly, that he

ministered not a little to her sense of the irony of things.

And in truth, with his means, his leisure, and his opportunities,

what had he done?  He had an unaffected suspicion of his uselessness.

Cecilia, meanwhile, cut out her own dresses, and was personally

giving her little girl the education of a princess.

This time, however, he presented himself bravely enough;

for in the way of activity it was something definite, at least,

to be going to Europe and to be meaning to spend the winter in Rome.

Cecilia met him in the early dusk at the gate of her little garden,

amid a studied combination of floral perfumes.  A rosy widow

of twenty-eight, half cousin, half hostess, doing the honors

of an odorous cottage on a midsummer evening, was a phenomenon

to which the young man's imagination was able to do ample justice.

Cecilia was always gracious, but this evening she was almost joyous.

She was in a happy mood, and Mallet imagined there was a private

reason for it--a reason quite distinct from her pleasure in receiving

her honored kinsman.  The next day he flattered himself he was on

the way to discover it.

For the present, after tea, as they sat on the rose-framed porch,

while Rowland held his younger cousin between his knees, and she,

enjoying her situation, listened timorously for the stroke of bedtime,

Cecilia insisted on talking more about her visitor than about herself.

"What is it you mean to do in Europe?" she asked, lightly, giving a turn

to the frill of her sleeve--just such a turn as seemed to Mallet to bring

out all the latent difficulties of the question.

"Why, very much what I do here," he answered.  "No great harm."

"Is it true," Cecilia asked, "that here you do no great harm?

Is not a man like you doing harm when he is not doing positive good?"

"Your compliment is ambiguous," said Rowland.

"No," answered the widow, "you know what I think of you.

You have a particular aptitude for beneficence.  You have it in

the first place in your character.  You are a benevolent person.

Ask Bessie if you don't hold her more gently and comfortably

than any of her other admirers."

"He holds me more comfortably than Mr. Hudson," Bessie declared, roundly.

Rowland, not knowing Mr. Hudson, could but half appreciate the eulogy,

and Cecilia went on to develop her idea.  "Your circumstances,

in the second place, suggest the idea of social usefulness.

You are intelligent, you are well-informed, and your charity,

if one may call it charity, would be discriminating.

You are rich and unoccupied, so that it might be abundant.

Therefore, I say, you are a person to do something on a large scale.

Bestir yourself, dear Rowland, or we may be taught to think

that virtue herself is setting a bad example."

"Heaven forbid," cried Rowland, "that I should set the examples

of virtue!  I am quite willing to follow them, however, and if I

don't do something on the grand scale, it is that my genius is

altogether imitative, and that I have not recently encountered

any very striking models of grandeur.  Pray, what shall I do?

Found an orphan asylum, or build a dormitory for Harvard College?

I am not rich enough to do either in an ideally handsome way,

and I confess that, yet awhile, I feel too young to strike

my grand coup.  I am holding myself ready for inspiration.

I am waiting till something takes my fancy irresistibly.

If inspiration comes at forty, it will be a hundred pities

to have tied up my money-bag at thirty."

"Well, I give you till forty," said Cecilia.  "It 's only a word to the wise,

a notification that you are expected not to run your course without having

done something handsome for your fellow-men."

Nine o'clock sounded, and Bessie, with each stroke, courted a

closer embrace.  But a single winged word from her mother

overleaped her successive intrenchments.  She turned and kissed

her cousin, and deposited an irrepressible tear on his moustache.

Then she went and said her prayers to her mother:  it was evident

she was being admirably brought up.  Rowland, with the permission

of his hostess, lighted a cigar and puffed it awhile in silence.

Cecilia's interest in his career seemed very agreeable.

That Mallet was without vanity I by no means intend to affirm;

but there had been times when, seeing him accept, hardly less

deferentially, advice even more peremptory than the widow's,

you might have asked yourself what had become of his vanity.

Now, in the sweet-smelling starlight, he felt gently wooed to egotism.

There was a project connected with his going abroad which it was on

his tongue's end to communicate.  It had no relation to hospitals

or dormitories, and yet it would have sounded very generous.

But it was not because it would have sounded generous that poor

Mallet at last puffed it away in the fumes of his cigar.

Useful though it might be, it expressed most imperfectly the young

man's own personal conception of usefulness.  He was extremely

fond of all the arts, and he had an almost passionate enjoyment

of pictures.  He had seen many, and he judged them sagaciously.

It had occurred to him some time before that it would be

the work of a good citizen to go abroad and with all expedition

and secrecy purchase certain valuable specimens of the Dutch

and Italian schools as to which he had received private proposals,

and then present his treasures out of hand to an American city,

not unknown to ; aesthetic fame, in which at that time there

prevailed a good deal of fruitless aspiration toward an art-museum.

He had seen himself in imagination, more than once, in some mouldy

old saloon of a Florentine palace, turning toward the deep embrasure

of the window some scarcely-faded Ghirlandaio or Botticelli,

while a host in reduced circumstances pointed out the lovely drawing

of a hand.  But he imparted none of these visions to Cecilia,

and he suddenly swept them away with the declaration that he was

of course an idle, useless creature, and that he would probably

be even more so in Europe than at home.  "The only thing is,"

he said, "that there I shall seem to be doing something.

I shall be better entertained, and shall be therefore,

I suppose, in a better humor with life.  You may say that

that is just the humor a useless man should keep out of.

He should cultivate discontentment.  I did a good many things

when I was in Europe before, but I did not spend a winter in Rome.

Every one assures me that this is a peculiar refinement

of bliss; most people talk about Rome in the same way.

It is evidently only a sort of idealized form of loafing:

a passive life in Rome, thanks to the number and the quality

of one's impressions, takes on a very respectable likeness

to activity.  It is still lotus-eating, only you sit down

at table, and the lotuses are served up on rococo china.

It 's all very well, but I have a distinct prevision of this--

that if Roman life does n't do something substantial to make

you happier, it increases tenfold your liability to moral misery.

It seems to me a rash thing for a sensitive soul deliberately

to cultivate its sensibilities by rambling too often among the ruins

of the Palatine, or riding too often in the shadow of the aqueducts.

In such recreations the chords of feeling grow tense,

and after-life, to spare your intellectual nerves, must play

upon them with a touch as dainty as the tread of Mignon when she

danced her egg-dance."

"I should have said, my dear Rowland," said Cecilia, with a laugh,

"that your nerves were tough, that your eggs were hard!"

"That being stupid, you mean, I might be happy?  Upon my word I am not.

I am clever enough to want more than I 've got.  I am tired of myself,

my own thoughts, my own affairs, my own eternal company.

True happiness, we are told, consists in getting out of one's self;

but the point is not only to get out--you must stay out;

and to stay out you must have some absorbing errand.

Unfortunately, I 've got no errand, and nobody will trust me with one.

I want to care for something, or for some one.  And I want to care with

a certain ardor; even, if you can believe it, with a certain passion.

I can't just now feel ardent and passionate about a hospital or a dormitory.

Do you know I sometimes think that I 'm a man of genius, half finished?

The genius has been left out, the faculty of expression is wanting;

but the need for expression remains, and I spend my days groping

for the latch of a closed door."

"What an immense number of words," said Cecilia after a pause,

"to say you want to fall in love!  I 've no doubt you have as good

a genius for that as any one, if you would only trust it."

"Of course I 've thought of that, and I assure you I hold

myself ready.  But, evidently, I 'm not inflammable.

Is there in Northampton some perfect epitome of the graces?"

"Of the graces?" said Cecilia, raising her eyebrows and suppressing too

distinct a consciousness of being herself a rosy embodiment of several.

"The household virtues are better represented.  There are some

excellent girls, and there are two or three very pretty ones.

I will have them here, one by one, to tea, if you like."

"I should particularly like it; especially as I should give you a chance

to see, by the profundity of my attention, that if I am not happy,

it 's not for want of taking pains."

Cecilia was silent a moment; and then, "On the whole,"

she resumed, "I don't think there are any worth asking.

There are none so very pretty, none so very pleasing."

"Are you very sure?" asked the young man, rising and throwing

away his cigar-end.

"Upon my word," cried Cecilia, "one would suppose I wished to keep you

for myself.  Of course I am sure!  But as the penalty of your insinuations,

I shall invite the plainest and prosiest damsel that can be found,

and leave you alone with her."

Rowland smiled.  "Even against her," he said, "I should be sorry

to conclude until I had given her my respectful attention."

This little profession of ideal chivalry (which closed

the conversation) was not quite so fanciful on Mallet's lips

as it would have been on those of many another man; as a rapid

glance at his antecedents may help to make the reader perceive.

His life had been a singular mixture of the rough and the smooth.

He had sprung from a rigid Puritan stock, and had been

brought up to think much more intently of the duties

of this life than of its privileges and pleasures.

His progenitors had submitted in the matter of dogmatic

theology to the relaxing influences of recent years;

but if Rowland's youthful consciousness was not chilled

by the menace of long punishment for brief transgression,

he had at least been made to feel that there ran through all

things a strain of right and of wrong, as different, after all,

in their complexions, as the texture, to the spiritual sense,

of Sundays and week-days. His father was a chip of the primal

Puritan block, a man with an icy smile and a stony frown.

He had always bestowed on his son, on principle, more frowns

than smiles, and if the lad had not been turned to stone himself,

it was because nature had blessed him, inwardly, with a well

of vivifying waters.  Mrs. Mallet had been a Miss Rowland,

the daughter of a retired sea-captain, once famous

on the ships that sailed from Salem and Newburyport.

He had brought to port many a cargo which crowned

the edifice of fortunes already almost colossal, but he had

also done a little sagacious trading on his own account,

and he was able to retire, prematurely for so sea-worthy

a maritime organism, upon a pension of his own providing.

He was to be seen for a year on the Salem wharves, smoking the best

tobacco and eying the seaward horizon with an inveteracy

which superficial minds interpreted as a sign of repentance.

At last, one evening, he disappeared beneath it, as he had often

done before; this time, however, not as a commissioned navigator,

but simply as an amateur of an observing turn likely to

prove oppressive to the officer in command of the vessel.

Five months later his place at home knew him again, and made

the acquaintance also of a handsome, blonde young woman,

of redundant contours, speaking a foreign tongue.

The foreign tongue proved, after much conflicting research,

to be the idiom of Amsterdam, and the young woman,

which was stranger still, to be Captain Rowland's wife.

Why he had gone forth so suddenly across the seas to marry her,

what had happened between them before, and whether--though it was

of questionable propriety for a good citizen to espouse a young

person of mysterious origin, who did her hair in fantastically

elaborate plaits, and in whose appearance "figure" enjoyed

such striking predominance--he would not have had a heavy weight

on his conscience if he had remained an irresponsible bachelor;

these questions and many others, bearing with varying

degrees of immediacy on the subject, were much propounded

but scantily answered, and this history need not be charged

with resolving them.  Mrs. Rowland, for so handsome a woman,

proved a tranquil neighbor and an excellent housewife.

Her extremely fresh complexion, however, was always suffused

with an air of apathetic homesickness, and she played her part

in American society chiefly by having the little squares

of brick pavement in front of her dwelling scoured and polished

as nearly as possible into the likeness of Dutch tiles.

Rowland Mallet remembered having seen her, as a child--

an immensely stout, white-faced lady, wearing a high cap

of very stiff tulle, speaking English with a formidable accent,

and suffering from dropsy.  Captain Rowland was a little

bronzed and wizened man, with eccentric opinions.

He advocated the creation of a public promenade along the sea,

with arbors and little green tables for the consumption of beer,

and a platform, surrounded by Chinese lanterns, for dancing.

He especially desired the town library to be opened on Sundays,

though, as he never entered it on week-days, it was easy to turn

the proposition into ridicule.  If, therefore, Mrs. Mallet

was a woman of an exquisite moral tone, it was not that she had

inherited her temper from an ancestry with a turn for casuistry.

Jonas Mallet, at the time of his marriage, was conducting

with silent shrewdness a small, unpromising business.

Both his shrewdness and his silence increased with his years,

and at the close of his life he was an extremely well-dressed,

wellbrushed gentleman, with a frigid gray eye, who said

little to anybody, but of whom everybody said that he had

a very handsome fortune.  He was not a sentimental father,

and the roughness I just now spoke of in Rowland's life dated

from his early boyhood.  Mr. Mallet, whenever he looked at

his son, felt extreme compunction at having made a fortune.

He remembered that the fruit had not dropped ripe from

the tree into his own mouth, and determined it should

be no fault of his if the boy was corrupted by luxury.

Rowland, therefore, except for a good deal of expensive

instruction in foreign tongues and abstruse sciences,

received the education of a poor man's son.  His fare was plain,

his temper familiar with the discipline of patched trousers,

and his habits marked by an exaggerated simplicity which it

really cost a good deal of money to preserve unbroken.

He was kept in the country for months together, in the midst

of servants who had strict injunctions to see that he suffered

no serious harm, but were as strictly forbidden to wait upon him.

As no school could be found conducted on principles

sufficiently rigorous, he was attended at home by a master who set

a high price on the understanding that he was to illustrate

the beauty of abstinence not only by precept but by example.

Rowland passed for a child of ordinary parts, and certainly,

during his younger years, was an excellent imitation of a boy

who had inherited nothing whatever that was to make life easy.

He was passive, pliable, frank, extremely slow at his books,

and inordinately fond of trout-fishing. His hair, a memento

of his Dutch ancestry, was of the fairest shade of yellow,

his complexion absurdly rosy, and his measurement around the waist,

when he was about ten years old, quite alarmingly large.

This, however, was but an episode in his growth; he became

afterwards a fresh-colored, yellow-bearded man, but he was

never accused of anything worse than a tendency to corpulence.

He emerged from childhood a simple, wholesome, round-eyed lad,

with no suspicion that a less roundabout course might have

been taken to make him happy, but with a vague sense that his

young experience was not a fair sample of human freedom,

and that he was to make a great many discoveries.

When he was about fifteen, he achieved a momentous one.

He ascertained that his mother was a saint.  She had always

been a very distinct presence in his life, but so ineffably

gentle a one that his sense was fully opened to it only

by the danger of losing her.  She had an illness which for

many months was liable at any moment to terminate fatally,

and during her long-arrested convalescence she removed

the mask which she had worn for years by her husband's order.

Rowland spent his days at her side and felt before long

as if he had made a new friend.  All his impressions at this

period were commented and interpreted at leisure in the future,

and it was only then that he understood that his mother

had been for fifteen years a perfectly unhappy woman.

Her marriage had been an immitigable error which she had

spent her life in trying to look straight in the face.

She found nothing to oppose to her husband's will of steel

but the appearance of absolute compliance; her spirit sank,

and she lived for a while in a sort of helpless moral torpor.

But at last, as her child emerged from babyhood, she began to feel

a certain charm in patience, to discover the uses of ingenuity,

and to learn that, somehow or other, one can always arrange

one's life.  She cultivated from this time forward a little private

plot of sentiment, and it was of this secluded precinct that,

before her death, she gave her son the key.  Rowland's allowance

at college was barely sufficient to maintain him decently,

and as soon as he graduated, he was taken into his father's

counting-house, to do small drudgery on a proportionate salary.

For three years he earned his living as regularly as

the obscure functionary in fustian who swept the office.

Mr. Mallet was consistent, but the perfection of his consistency

was known only on his death.  He left but a third of his property

to his son, and devoted the remainder to various public institutions

and local charities.  Rowland's third was an easy competence,

and he never felt a moment's jealousy of his fellow-pensioners;

but when one of the establishments which had figured most

advantageously in his father's will bethought itself to affirm

the existence of a later instrument, in which it had been

still more handsomely treated, the young man felt a sudden

passionate need to repel the claim by process of law.

There was a lively tussle, but he gained his case;

immediately after which he made, in another quarter,

a donation of the contested sum.  He cared nothing for the money,

but he had felt an angry desire to protest against a destiny

which seemed determined to be exclusively salutary.

It seemed to him that he would bear a little spoiling.

And yet he treated himself to a very modest quantity, and submitted

without reserve to the great national discipline which began in 1861.

When the Civil War broke out he immediately obtained a commission,

and did his duty for three long years as a citizen soldier.

His duty was obscure, but he never lost a certain private

satisfaction in remembering that on two or three occasions

it had been performed with something of an ideal precision.

He had disentangled himself from business, and after the war

he felt a profound disinclination to tie the knot again.

He had no desire to make money, he had money enough;

and although he knew, and was frequently reminded, that a young

man is the better for a fixed occupation, he could discover

no moral advantage in driving a lucrative trade.  Yet few young

men of means and leisure ever made less of a parade of idleness,

and indeed idleness in any degree could hardly be laid at

the door of a young man who took life in the serious, attentive,

reasoning fashion of our friend.  It often seemed to Mallet

that he wholly lacked the prime requisite of a graceful flaneur--

the simple, sensuous, confident relish of pleasure.

He had frequent fits of extreme melancholy, in which he declared

that he was neither fish nor flesh nor good red herring.

He was neither an irresponsibly contemplative nature nor a sturdily

practical one, and he was forever looking in vain for the uses

of the things that please and the charm of the things that sustain.

He was an awkward mixture of strong moral impulse and restless

aesthetic curiosity, and yet he would have made a most ineffective

reformer and a very indifferent artist.  It seemed to him

that the glow of happiness must be found either in action,

of some immensely solid kind, on behalf of an idea, or in producing

a masterpiece in one of the arts.  Oftenest, perhaps, he wished

he were a vigorous young man of genius, without a penny.

As it was, he could only buy pictures, and not paint them;

and in the way of action, he had to content himself with making

a rule to render scrupulous moral justice to handsome examples

of it in others.  On the whole, he had an incorruptible modesty.

With his blooming complexion and his serene gray eye,

he felt the friction of existence more than was suspected;

but he asked no allowance on grounds of temper, he assumed

that fate had treated him inordinately well and that he had no

excuse for taking an ill-natured view of life, and he undertook

constantly to believe that all women were fair, all men

were brave, and the world was a delightful place of sojourn,

until the contrary had been distinctly proved.

Cecilia's blooming garden and shady porch had seemed so friendly to repose

and a cigar, that she reproached him the next morning with indifference to

her little parlor, not less, in its way, a monument to her ingenious taste.

"And by the way," she added as he followed her in, "if I refused last night

to show you a pretty girl, I can at least show you a pretty boy."

She threw open a window and pointed to a statuette which occupied

the place of honor among the ornaments of the room.  Rowland looked

at it a moment and then turned to her with an exclamation of surprise.

She gave him a rapid glance, perceived that her statuette was of

altogether exceptional merit, and then smiled, knowingly, as if this

had long been an agreeable certainty.

"Who did it? where did you get it?"  Rowland demanded.

"Oh," said Cecilia, adjusting the light, "it 's a little thing

of Mr. Hudson's."

"And who the deuce is Mr. Hudson?" asked Rowland.  But he was absorbed;

he lost her immediate reply.  The statuette, in bronze, something less

than two feet high, represented a naked youth drinking from a gourd.

The attitude was perfectly simple.  The lad was squarely planted on

his feet, with his legs a little apart; his back was slightly hollowed,

his head thrown back, and both hands raised to support the rustic cup.

There was a loosened fillet of wild flowers about his head,

and his eyes, under their drooped lids, looked straight into the cup.

On the base was scratched the Greek word ;aa;gD;gi;gc;ga, Thirst.

The figure might have been some beautiful youth of ancient fable,--

Hylas or Narcissus, Paris or Endymion.  Its beauty was the beauty

of natural movement; nothing had been sought to be represented but

the perfection of an attitude.  This had been most attentively studied,

and it was exquisitely rendered.  Rowland demanded more light,

dropped his head on this side and that, uttered vague exclamations.

He said to himself, as he had said more than once in the Louvre

and the Vatican, "We ugly mortals, what beautiful creatures we are!"

Nothing, in a long time, had given him so much pleasure.

"Hudson--Hudson," he asked again; "who is Hudson?"

"A young man of this place," said Cecilia.

"A young man?  How old?"

"I suppose he is three or four and twenty."

"Of this place, you say--of Northampton, Massachusetts?"

"He lives here, but he comes from Virginia."

"Is he a sculptor by profession?"

"He 's a law-student."

Rowland burst out laughing.  "He has found something in Blackstone that I

never did.  He makes statues then simply for his pleasure?"

Cecilia, with a smile, gave a little toss of her head.  "For mine!"

"I congratulate you," said Rowland.  "I wonder whether he could

be induced to do anything for me?"

"This was a matter of friendship.  I saw the figure when

he had modeled it in clay, and of course greatly admired it.

He said nothing at the time, but a week ago, on my birthday,

he arrived in a buggy, with this.  He had had it cast at the foundry

at Chicopee; I believe it 's a beautiful piece of bronze.

He begged me to accept."

"Upon my word," said Mallet, "he does things handsomely!"

And he fell to admiring the statue again.

"So then," said Cecilia, "it 's very remarkable?"

"Why, my dear cousin," Rowland answered, "Mr. Hudson,

of Virginia, is an extraordinary--" Then suddenly stopping:

"Is he a great friend of yours?" he asked.

"A great friend?" and Cecilia hesitated.  "I regard him as a child!"

"Well," said Rowland, "he 's a very clever child.

Tell me something about him:  I should like to see him."

Cecilia was obliged to go to her daughter's music-lesson, but she assured

Rowland that she would arrange for him a meeting with the young sculptor.

He was a frequent visitor, and as he had not called for some days it

was likely he would come that evening.  Rowland, left alone, examined the

statuette at his leisure, and returned more than once during the day to take

another look at it.  He discovered its weak points, but it wore well.

It had the stamp of genius.  Rowland envied the happy youth who, in a New

England village, without aid or encouragement, without models or resources,

had found it so easy to produce a lovely work.

In the evening, as he was smoking his cigar on the veranda, a light,

quick step pressed the gravel of the garden path, and in a moment

a young man made his bow to Cecilia.  It was rather a nod than a bow,

and indicated either that he was an old friend, or that he was scantily

versed in the usual social forms.  Cecilia, who was sitting near the steps,

pointed to a neighboring chair, but the young man seated himself abruptly

on the floor at her feet, began to fan himself vigorously with his hat,

and broke out into a lively objurgation upon the hot weather.

"I 'm dripping wet!" he said, without ceremony.

"You walk too fast," said Cecilia.  "You do everything too fast."

"I know it, I know it!" he cried, passing his hand through his

abundant dark hair and making it stand out in a picturesque shock.

"I can't be slow if I try.  There 's something inside of me that drives me.

A restless fiend!"

Cecilia gave a light laugh, and Rowland leaned forward in his hammock.

He had placed himself in it at Bessie's request, and was playing

that he was her baby and that she was rocking him to sleep.

She sat beside him, swinging the hammock to and fro, and singing a lullaby.

When he raised himself she pushed him back and said that the baby

must finish its nap.  "But I want to see the gentleman with the fiend

inside of him," said Rowland.

"What is a fiend?"  Bessie demanded.  "It 's only Mr. Hudson."

"Very well, I want to see him."

"Oh, never mind him!" said Bessie, with the brevity of contempt.

"You speak as if you did n't like him."

"I don't!" Bessie affirmed, and put Rowland to bed again.

The hammock was swung at the end of the veranda, in the thickest

shade of the vines, and this fragment of dialogue had

passed unnoticed.  Rowland submitted a while longer to be cradled,

and contented himself with listening to Mr. Hudson's voice.

It was a soft and not altogether masculine organ, and was pitched

on this occasion in a somewhat plaintive and pettish key.

The young man's mood seemed fretful; he complained of the heat,

of the dust, of a shoe that hurt him, of having gone on an errand

a mile to the other side of the town and found the person he was

in search of had left Northampton an hour before.

"Won't you have a cup of tea?"  Cecilia asked.  "Perhaps that will

restore your equanimity."

"Aye, by keeping me awake all night!" said Hudson.

"At the best, it 's hard enough to go down to the office.

With my nerves set on edge by a sleepless night, I should

perforce stay at home and be brutal to my poor mother."

"Your mother is well, I hope."

"Oh, she 's as usual."

"And Miss Garland?"

"She 's as usual, too.  Every one, everything, is as usual.

Nothing ever happens, in this benighted town."

"I beg your pardon; things do happen, sometimes," said Cecilia.

"Here is a dear cousin of mine arrived on purpose to congratulate

you on your statuette."  And she called to Rowland to come and be

introduced to Mr. Hudson.  The young man sprang up with alacrity,

and Rowland, coming forward to shake hands, had a good look

at him in the light projected from the parlor window.

Something seemed to shine out of Hudson's face as a warning

against a "compliment" of the idle, unpondered sort.

"Your statuette seems to me very good," Rowland said gravely.

"It has given me extreme pleasure."

"And my cousin knows what is good," said Cecilia.

"He 's a connoisseur."

Hudson smiled and stared.  "A connoisseur?" he cried, laughing.  "He 's

the first I 've ever seen!  Let me see what they look like;" and he drew

Rowland nearer to the light.  "Have they all such good heads as that?

I should like to model yours."

"Pray do," said Cecilia.  "It will keep him a while.

He is running off to Europe."

"Ah, to Europe!"  Hudson exclaimed with a melancholy cadence,

as they sat down.  "Happy man!"

But the note seemed to Rowland to be struck rather at random,

for he perceived no echo of it in the boyish garrulity

of his later talk.  Hudson was a tall, slender young fellow,

with a singularly mobile and intelligent face.

Rowland was struck at first only with its responsive vivacity,

but in a short time he perceived it was remarkably handsome.

The features were admirably chiseled and finished, and a frank

smile played over them as gracefully as a breeze among flowers.

The fault of the young man's whole structure was an excessive

want of breadth.  The forehead, though it was high and rounded,

was narrow; the jaw and the shoulders were narrow;

and the result was an air of insufficient physical substance.

But Mallet afterwards learned that this fair, slim youth could draw

indefinitely upon a mysterious fund of nervous force, which outlasted

and outwearied the endurance of many a sturdier temperament.

And certainly there was life enough in his eye to furnish

an immortality!  It was a generous dark gray eye, in which

there came and went a sort of kindling glow, which would

have made a ruder visage striking, and which gave at times

to Hudson's harmonious face an altogether extraordinary beauty.

There was to Rowland's sympathetic sense a slightly

pitiful disparity between the young sculptor's delicate

countenance and the shabby gentility of his costume.

He was dressed for a visit--a visit to a pretty woman.

He was clad from head to foot in a white linen suit,

which had never been remarkable for the felicity of its cut,

and had now quite lost that crispness which garments of this

complexion can as ill spare as the back-scene of a theatre

the radiance of the footlights.  He wore a vivid blue cravat,

passed through a ring altogether too splendid to be valuable;

he pulled and twisted, as he sat, a pair of yellow kid gloves;

he emphasized his conversation with great dashes and flourishes

of a light, silver-tipped walking-stick, and he kept constantly

taking off and putting on one of those slouched sombreros

which are the traditional property of the Virginian or Carolinian

of romance.  When this was on, he was very picturesque,

in spite of his mock elegance; and when it was off,

and he sat nursing it and turning it about and not knowing

what to do with it, he could hardly be said to be awkward.

He evidently had a natural relish for brilliant accessories,

and appropriated what came to his hand.  This was visible

in his talk, which abounded in the florid and sonorous.

He liked words with color in them.

Rowland, who was but a moderate talker, sat by in silence,

while Cecilia, who had told him that she desired his

opinion upon her friend, used a good deal of characteristic

finesse in leading the young man to expose himself.

She perfectly succeeded, and Hudson rattled away for an hour

with a volubility in which boyish unconsciousness and manly

shrewdness were singularly combined.  He gave his opinion on

twenty topics, he opened up an endless budget of local gossip,

he described his repulsive routine at the office of Messrs.

Striker and Spooner, counselors at law, and he gave with great

felicity and gusto an account of the annual boat-race between

Harvard and Yale, which he had lately witnessed at Worcester.

He had looked at the straining oarsmen and the swaying crowd

with the eye of the sculptor.  Rowland was a good deal

amused and not a little interested.  Whenever Hudson uttered

some peculiarly striking piece of youthful grandiloquence,

Cecilia broke into a long, light, familiar laugh.

"What are you laughing at?" the young man then demanded.

"Have I said anything so ridiculous?"

"Go on, go on," Cecilia replied.  "You are too delicious!

Show Mr. Mallet how Mr. Striker read the Declaration of Independence."

Hudson, like most men with a turn for the plastic arts, was an

excellent mimic, and he represented with a great deal of humor

the accent and attitude of a pompous country lawyer sustaining

the burden of this customary episode of our national festival.

The sonorous twang, the see-saw gestures, the odd pronunciation,

were vividly depicted.  But Cecilia's manner, and the young man's

quick response, ruffled a little poor Rowland's paternal conscience.

He wondered whether his cousin was not sacrificing the faculty

of reverence in her clever protege to her need for amusement.

Hudson made no serious rejoinder to Rowland's compliment

on his statuette until he rose to go.  Rowland wondered

whether he had forgotten it, and supposed that the oversight

was a sign of the natural self-sufficiency of genius.

But Hudson stood a moment before he said good night,

twirled his sombrero, and hesitated for the first time.

He gave Rowland a clear, penetrating glance, and then,

with a wonderfully frank, appealing smile:  "You really meant,"

he asked, "what you said a while ago about that thing of mine?

It is good--essentially good?"

"I really meant it," said Rowland, laying a kindly hand on his shoulder.

"It is very good indeed.  It is, as you say, essentially good.

That is the beauty of it."

Hudson's eyes glowed and expanded; he looked at Rowland for some time

in silence.  "I have a notion you really know," he said at last.

"But if you don't, it does n't much matter."

"My cousin asked me to-day," said Cecilia, "whether I supposed

you knew yourself how good it is."

Hudson stared, blushing a little.  "Perhaps not!" he cried.

"Very likely," said Mallet.  "I read in a book the other day that great

talent in action--in fact the book said genius--is a kind of somnambulism.

The artist performs great feats, in a dream.  We must not wake him up,

lest he should lose his balance."

"Oh, when he 's back in bed again!"  Hudson answered with a laugh.

"Yes, call it a dream.  It was a very happy one!"

"Tell me this," said Rowland.  "Did you mean anything

by your young Water-drinker? Does he represent an idea?

Is he a symbol?"

Hudson raised his eyebrows and gently scratched his head.

"Why, he 's youth, you know; he 's innocence, he 's health,

he 's strength, he 's curiosity.  Yes, he 's a good many things."

"And is the cup also a symbol?"

"The cup is knowledge, pleasure, experience.  Anything of that kind!"

"Well, he 's guzzling in earnest," said Rowland.

Hudson gave a vigorous nod.  "Aye, poor fellow, he 's thirsty!"

And on this he cried good night, and bounded down the garden path.

"Well, what do you make of him?" asked Cecilia, returning a short

time afterwards from a visit of investigation as to the sufficiency

of Bessie's bedclothes.

"I confess I like him," said Rowland.  "He 's very immature,--

but there 's stuff in him."

"He 's a strange being," said Cecilia, musingly.

"Who are his people? what has been his education?"  Rowland asked.

"He has had no education, beyond what he has picked up,

with little trouble, for himself.  His mother is a widow,

of a Massachusetts country family, a little timid, tremulous woman,

who is always on pins and needles about her son.  She had some

property herself, and married a Virginian gentleman of good estates.

He turned out, I believe, a very licentious personage, and made

great havoc in their fortune.  Everything, or almost everything,

melted away, including Mr. Hudson himself.  This is literally true,

for he drank himself to death.  Ten years ago his wife was left

a widow, with scanty means and a couple of growing boys.

She paid her husband's debts as best she could, and came

to establish herself here, where by the death of a charitable

relative she had inherited an old-fashioned ruinous house.

Roderick, our friend, was her pride and joy, but Stephen, the elder,

was her comfort and support.  I remember him, later; he was

an ugly, sturdy, practical lad, very different from his brother,

and in his way, I imagine, a very fine fellow.  When the war broke

out he found that the New England blood ran thicker in his veins

than the Virginian, and immediately obtained a commission.

He fell in some Western battle and left his mother inconsolable.

Roderick, however, has given her plenty to think about,

and she has induced him, by some mysterious art, to abide,

nominally at least, in a profession that he abhors, and for which

he is about as fit, I should say, as I am to drive a locomotive.

He grew up a la grace de Dieu, and was horribly spoiled.

Three or four years ago he graduated at a small college in

this neighborhood, where I am afraid he had given a good deal more

attention to novels and billiards than to mathematics and Greek.

Since then he has been reading law, at the rate of a page a day.

If he is ever admitted to practice I 'm afraid my friendship won't

avail to make me give him my business.  Good, bad, or indifferent,

the boy is essentially an artist--an artist to his fingers' ends."

"Why, then," asked Rowland, "does n't he deliberately take up the chisel?"

"For several reasons.  In the first place, I don't think he more

than half suspects his talent.  The flame is smouldering,

but it is never fanned by the breath of criticism.

He sees nothing, hears nothing, to help him to self-knowledge. He

's hopelessly discontented, but he does n't know where to look

for help.  Then his mother, as she one day confessed to me,

has a holy horror of a profession which consists exclusively,

as she supposes, in making figures of people without

their clothes on.  Sculpture, to her mind, is an insidious

form of immorality, and for a young man of a passionate

disposition she considers the law a much safer investment.

Her father was a judge, she has two brothers at the bar,

and her elder son had made a very promising beginning in

the same line.  She wishes the tradition to be perpetuated.

I 'm pretty sure the law won't make Roderick's fortune,

and I 'm afraid it will, in the long run, spoil his temper."

"What sort of a temper is it?"

"One to be trusted, on the whole.  It is quick, but it is generous.

I have known it to breathe flame and fury at ten o'clock in the evening,

and soft, sweet music early on the morrow.  It 's a very entertaining

temper to observe.  I, fortunately, can do so dispassionately,

for I 'm the only person in the place he has not quarreled with."

"Has he then no society?  Who is Miss Garland, whom you asked about?"

"A young girl staying with his mother, a sort of far-away cousin;

a good plain girl, but not a person to delight a sculptor's eye.

Roderick has a goodly share of the old Southern arrogance;

he has the aristocratic temperament.  He will have nothing

to do with the small towns-people; he says they 're 'ignoble.'

He cannot endure his mother's friends--the old ladies and

the ministers and the tea-party people; they bore him to death.

So he comes and lounges here and rails at everything and every one."

This graceful young scoffer reappeared a couple of evenings later,

and confirmed the friendly feeling he had provoked on Rowland's part.

He was in an easier mood than before, he chattered less extravagantly,

and asked Rowland a number of rather naif questions about

the condition of the fine arts in New York and Boston.

Cecilia, when he had gone, said that this was the wholesome effect

of Rowland's praise of his statuette.  Roderick was acutely sensitive,

and Rowland's tranquil commendation had stilled his restless pulses.

He was ruminating the full-flavored verdict of culture.  Rowland felt

an irresistible kindness for him, a mingled sense of his personal

charm and his artistic capacity.  He had an indefinable attraction--

the something divine of unspotted, exuberant, confident youth.

The next day was Sunday, and Rowland proposed that they should

take a long walk and that Roderick should show him the country.

The young man assented gleefully, and in the morning,

as Rowland at the garden gate was giving his hostess Godspeed

on her way to church, he came striding along the grassy margin

of the road and out-whistling the music of the church bells.

It was one of those lovely days of August when you feel the complete

exuberance of summer just warned and checked by autumn.

"Remember the day, and take care you rob no orchards," said Cecilia,

as they separated.

The young men walked away at a steady pace, over hill and dale,

through woods and fields, and at last found themselves on a grassy

elevation studded with mossy rocks and red cedars.  Just beneath them,

in a great shining curve, flowed the goodly Connecticut.

They flung themselves on the grass and tossed stones into the river;

they talked like old friends.  Rowland lit a cigar, and Roderick

refused one with a grimace of extravagant disgust.  He thought them

vile things; he did n't see how decent people could tolerate them.

Rowland was amused, and wondered what it was that made this ill-mannered

speech seem perfectly inoffensive on Roderick's lips.  He belonged

to the race of mortals, to be pitied or envied according as we view

the matter, who are not held to a strict account for their aggressions.

Looking at him as he lay stretched in the shade, Rowland vaguely

likened him to some beautiful, supple, restless, bright-eyed animal,

whose motions should have no deeper warrant than the tremulous delicacy

of its structure, and be graceful even when they were most inconvenient.

Rowland watched the shadows on Mount Holyoke, listened to

the gurgle of the river, and sniffed the balsam of the pines.

A gentle breeze had begun to tickle their summits, and brought

the smell of the mown grass across from the elm-dotted river meadows.

He sat up beside his companion and looked away at the far-spreading view.

It seemed to him beautiful, and suddenly a strange feeling of prospective

regret took possession of him.  Something seemed to tell him that later,

in a foreign land, he would remember it lovingly and penitently.

"It 's a wretched business," he said, "this practical quarrel of ours

with our own country, this everlasting impatience to get out of it.

Is one's only safety then in flight?  This is an American day,

an American landscape, an American atmosphere.  It certainly has

its merits, and some day when I am shivering with ague in classic Italy,

I shall accuse myself of having slighted them."

Roderick kindled with a sympathetic glow, and declared that America was good

enough for him, and that he had always thought it the duty of an honest

citizen to stand by his own country and help it along.  He had evidently

thought nothing whatever about it, and was launching his doctrine on

the inspiration of the moment.  The doctrine expanded with the occasion,

and he declared that he was above all an advocate for American art.

He did n't see why we should n't produce the greatest works in the world.

We were the biggest people, and we ought to have the biggest conceptions.

The biggest conceptions of course would bring forth in time the

biggest performances.  We had only to be true to ourselves, to pitch

in and not be afraid, to fling Imitation overboard and fix our eyes upon

our National Individuality.  "I declare," he cried, "there 's a career

for a man, and I 've twenty minds to decide, on the spot, to embrace it--

to be the consummate, typical, original, national American artist!

It 's inspiring!"

Rowland burst out laughing and told him that he liked his practice

better than his theory, and that a saner impulse than this had

inspired his little Water-drinker. Roderick took no offense,

and three minutes afterwards was talking volubly of some humbler theme,

but half heeded by his companion, who had returned to his cogitations.

At last Rowland delivered himself of the upshot of these.

"How would you like," he suddenly demanded, "to go to Rome?"

Hudson stared, and, with a hungry laugh which speedily consigned our National

Individuality to perdition, responded that he would like it reasonably well.

"And I should like, by the same token," he added, "to go to Athens,

to Constantinople, to Damascus, to the holy city of Benares, where there

is a golden statue of Brahma twenty feet tall."

"Nay," said Rowland soberly, "if you were to go to Rome,

you should settle down and work.  Athens might help you,

but for the present I should n't recommend Benares."

"It will be time to arrange details when I pack my trunk," said Hudson.

"If you mean to turn sculptor, the sooner you pack your trunk the better."

"Oh, but I 'm a practical man!  What is the smallest sum per annum,

on which one can keep alive the sacred fire in Rome?"

"What is the largest sum at your disposal?"

Roderick stroked his light moustache, gave it a twist, and then

announced with mock pomposity:  "Three hundred dollars!"

"The money question could be arranged," said Rowland.

"There are ways of raising money."

"I should like to know a few!  I never yet discovered one."

"One consists," said Rowland, "in having a friend with a good deal

more than he wants, and not being too proud to accept a part of it.

"

Roderick stared a moment and his face flushed.  "Do you mean--

do you mean?".... he stammered.  He was greatly excited.

Rowland got up, blushing a little, and Roderick sprang to his feet.

"In three words, if you are to be a sculptor, you ought to go

to Rome and study the antique.  To go to Rome you need money.

I 'm fond of fine statues, but unfortunately I can't make them myself.

I have to order them.  I order a dozen from you, to be executed

at your convenience.  To help you, I pay you in advance."

Roderick pushed off his hat and wiped his forehead, still gazing

at his companion.  "You believe in me!" he cried at last.

"Allow me to explain," said Rowland.  "I believe in you,

if you are prepared to work and to wait, and to struggle,

and to exercise a great many virtues.  And then, I 'm afraid

to say it, lest I should disturb you more than I should help you.

You must decide for yourself.  I simply offer you an opportunity."

Hudson stood for some time, profoundly meditative.

"You have not seen my other things," he said suddenly.

"Come and look at them."

"Now?"

"Yes, we 'll walk home.  We 'll settle the question."

He passed his hand through Rowland's arm and they retraced their steps.

They reached the town and made their way along a broad

country street, dusky with the shade of magnificent elms.

Rowland felt his companion's arm trembling in his own.

They stopped at a large white house, flanked with melancholy hemlocks,

and passed through a little front garden, paved with moss-coated

bricks and ornamented with parterres bordered with high box hedges.

The mansion had an air of antiquated dignity, but it had seen

its best days, and evidently sheltered a shrunken household.

Mrs. Hudson, Rowland was sure, might be seen in the garden

of a morning, in a white apron and a pair of old gloves,

engaged in frugal horticulture.  Roderick's studio was behind,

in the basement; a large, empty room, with the paper peeling off

the walls.  This represented, in the fashion of fifty years ago,

a series of small fantastic landscapes of a hideous pattern,

and the young sculptor had presumably torn it away in great scraps,

in moments of aesthetic exasperation.  On a board in a corner

was a heap of clay, and on the floor, against the wall, stood some

dozen medallions, busts, and figures, in various stages of completion.

To exhibit them Roderick had to place them one by one on

the end of a long packing-box, which served as a pedestal.

He did so silently, making no explanations, and looking

at them himself with a strange air of quickened curiosity.

Most of the things were portraits; and the three at which he looked

longest were finished busts.  One was a colossal head of a negro,

tossed back, defiant, with distended nostrils; one was the portrait

of a young man whom Rowland immediately perceived, by the resemblance,

to be his deceased brother; the last represented a gentleman with

a pointed nose, a long, shaved upper lip, and a tuft on the end

of his chin.  This was a face peculiarly unadapted to sculpture;

but as a piece of modeling it was the best, and it was admirable.

It reminded Rowland in its homely veracity, its artless artfulness,

of the works of the early Italian Renaissance.  On the pedestal

was cut the name--Barnaby Striker, Esq. Rowland remembered that this

was the appellation of the legal luminary from whom his companion

had undertaken to borrow a reflected ray, and although in the bust

there was naught flagrantly set down in malice, it betrayed,

comically to one who could relish the secret, that the features

of the original had often been scanned with an irritated eye.

Besides these there were several rough studies of the nude,

and two or three figures of a fanciful kind.  The most noticeable

(and it had singular beauty) was a small modeled design for

a sepulchral monument; that, evidently, of Stephen Hudson.

The young soldier lay sleeping eternally, with his hand on his sword,

like an old crusader in a Gothic cathedral.

Rowland made no haste to pronounce; too much depended on his judgment.

"Upon my word," cried Hudson at last, "they seem to me very good."

And in truth, as Rowland looked, he saw they were good.

They were youthful, awkward, and ignorant; the effort,

often, was more apparent than the success.  But the effort

was signally powerful and intelligent; it seemed to Rowland

that it needed only to let itself go to compass great things.

Here and there, too, success, when grasped, had something masterly.

Rowland turned to his companion, who stood with his hands in his

pockets and his hair very much crumpled, looking at him askance.

The light of admiration was in Rowland's eyes, and it speedily

kindled a wonderful illumination on Hudson's handsome brow.

Rowland said at last, gravely, "You have only to work!"

"I think I know what that means," Roderick answered.

He turned away, threw himself on a rickety chair, and sat for some

moments with his elbows on his knees and his head in his hands.

"Work--work?" he said at last, looking up, "ah, if I could only begin!"

He glanced round the room a moment and his eye encountered on

the mantel-shelf the vivid physiognomy of Mr. Barnaby Striker.

His smile vanished, and he stared at it with an air of concentrated enmity.

"I want to begin," he cried, "and I can't make a better beginning than this!

Good-by, Mr. Striker!"  He strode across the room, seized a mallet

that lay at hand, and before Rowland could interfere, in the interest

of art if not of morals, dealt a merciless blow upon Mr. Striker's skull.

The bust cracked into a dozen pieces, which toppled with a great crash

upon the floor.  Rowland relished neither the destruction of the image

nor his companion's look in working it, but as he was about to express

his displeasure the door opened and gave passage to a young girl.

She came in with a rapid step and startled face, as if she had

been summoned by the noise.  Seeing the heap of shattered clay

and the mallet in Roderick's hand, she gave a cry of horror.

Her voice died away when she perceived that Rowland was a stranger,

but she murmured reproachfully, "Why, Roderick, what have you done?"

Roderick gave a joyous kick to the shapeless fragments.

"I 've driven the money-changers out of the temple!" he cried.

The traces retained shape enough to be recognized, and she gave a little

moan of pity.  She seemed not to understand the young man's allegory,

but yet to feel that it pointed to some great purpose, which must

be an evil one, from being expressed in such a lawless fashion,

and to perceive that Rowland was in some way accountable for it.

She looked at him with a sharp, frank mistrust, and turned away through

the open door.  Rowland looked after her with extraordinary interest.

CHAPTER II.  Roderick

Early on the morrow Rowland received a visit from his new friend.

Roderick was in a state of extreme exhilaration, tempered, however, by a

certain amount of righteous wrath.  He had had a domestic struggle,

but he had remained master of the situation.  He had shaken the dust

of Mr. Striker's office from his feet.

"I had it out last night with my mother," he said.

"I dreaded the scene, for she takes things terribly hard.

She does n't scold nor storm, and she does n't argue nor insist.

She sits with her eyes full of tears that never fall, and looks at me,

when I displease her, as if I were a perfect monster of depravity.

And the trouble is that I was born to displease her.

She does n't trust me; she never has and she never will.

I don't know what I have done to set her against me, but ever

since I can remember I have been looked at with tears.

The trouble is," he went on, giving a twist to his moustache,

"I 've been too absurdly docile.  I 've been sprawling all my

days by the maternal fireside, and my dear mother has grown used

to bullying me.  I 've made myself cheap!  If I 'm not in my bed

by eleven o'clock, the girl is sent out to explore with a lantern.

When I think of it, I fairly despise my amiability.  It 's rather

a hard fate, to live like a saint and to pass for a sinner!

I should like for six months to lead Mrs. Hudson the life

some fellows lead their mothers!"

"Allow me to believe," said Rowland, "that you would like nothing of

the sort.  If you have been a good boy, don't spoil it by pretending you don't

like it.  You have been very happy, I suspect, in spite of your virtues,

and there are worse fates in the world than being loved too well.

I have not had the pleasure of seeing your mother, but I would lay you

a wager that that is the trouble.  She is passionately fond of you,

and her hopes, like all intense hopes, keep trembling into fears."

Rowland, as he spoke, had an instinctive vision of how such a beautiful

young fellow must be loved by his female relatives.

Roderick frowned, and with an impatient gesture, "I do her justice,"

he cried.  "May she never do me less!"  Then after a moment's

hesitation, "I 'll tell you the perfect truth," he went on.

"I have to fill a double place.  I have to be my brother as well

as myself.  It 's a good deal to ask of a man, especially when

he has so little talent as I for being what he is not.

When we were both young together I was the curled darling.

I had the silver mug and the biggest piece of pudding,

and I stayed in-doors to be kissed by the ladies while he made

mud-pies in the garden and was never missed, of course.

Really, he was worth fifty of me!  When he was brought

home from Vicksburg with a piece of shell in his skull,

my poor mother began to think she had n't loved him enough.

I remember, as she hung round my neck sobbing, before his coffin,

she told me that I must be to her everything that he would have been.

I swore in tears and in perfect good faith that I would, but naturally

I have not kept my promise.  I have been utterly different.

I have been idle, restless, egotistical, discontented.

I have done no harm, I believe, but I have done no good.

My brother, if he had lived, would have made fifty

thousand dollars and put gas and water into the house.

My mother, brooding night and day on her bereavement,

has come to fix her ideal in offices of that sort.

Judged by that standard I 'm nowhere!"

Rowland was at loss how to receive this account of his friend's

domestic circumstances; it was plaintive, and yet the manner

seemed to him over-trenchant. "You must lose no time in making

a masterpiece," he answered; "then with the proceeds you can

give her gas from golden burners."

"So I have told her; but she only half believes either in masterpiece

or in proceeds.  She can see no good in my making statues;

they seem to her a snare of the enemy.  She would fain see me

all my life tethered to the law, like a browsing goat to a stake.

In that way I 'm in sight.  'It 's a more regular occupation!'

that 's all I can get out of her.  A more regular damnation!

Is it a fact that artists, in general, are such wicked men?

I never had the pleasure of knowing one, so I could n't

confute her with an example.  She had the advantage of me,

because she formerly knew a portrait-painter at Richmond,

who did her miniature in black lace mittens (you may see it on

the parlor table), who used to drink raw brandy and beat his wife.

I promised her that, whatever I might do to my wife, I would never beat

my mother, and that as for brandy, raw or diluted, I detested it.

She sat silently crying for an hour, during which I expended

treasures of eloquence.  It 's a good thing to have to reckon

up one's intentions, and I assure you, as I pleaded my cause,

I was most agreeably impressed with the elevated character of my own.

I kissed her solemnly at last, and told her that I had said

everything and that she must make the best of it.  This morning she

has dried her eyes, but I warrant you it is n't a cheerful house.

I long to be out of it!"

"I 'm extremely sorry," said Rowland, "to have been the prime

cause of so much suffering.  I owe your mother some amends;

will it be possible for me to see her?"

"If you 'll see her, it will smooth matters vastly;

though to tell the truth she 'll need all her courage to face you,

for she considers you an agent of the foul fiend.  She does

n't see why you should have come here and set me by the ears:

you are made to ruin ingenuous youths and desolate doting mothers.

I leave it to you, personally, to answer these charges.

You see, what she can't forgive--what she 'll not

really ever forgive--is your taking me off to Rome.

Rome is an evil word, in my mother's vocabulary, to be said

in a whisper, as you 'd say 'damnation.'  Northampton is in

the centre of the earth and Rome far away in outlying dusk,

into which it can do no Christian any good to penetrate.

And there was I but yesterday a doomed habitue of that repository

of every virtue, Mr. Striker's office!"

"And does Mr. Striker know of your decision?" asked Rowland.

"To a certainty!  Mr. Striker, you must know, is not

simply a good-natured attorney, who lets me dog's-ear his

law-books. He's a particular friend and general adviser.

He looks after my mother's property and kindly consents

to regard me as part of it.  Our opinions have always been

painfully divergent, but I freely forgive him his zealous attempts

to unscrew my head-piece and set it on hind part before.

He never understood me, and it was useless to try to make him.

We speak a different language--we 're made of a different clay.

I had a fit of rage yesterday when I smashed his bust,

at the thought of all the bad blood he had stirred up in me;

it did me good, and it 's all over now.  I don't hate him any more;

I 'm rather sorry for him.  See how you 've improved me!

I must have seemed to him wilfully, wickedly stupid, and I 'm sure

he only tolerated me on account of his great regard for my mother.

This morning I grasped the bull by the horns.  I took an armful

of law-books that have been gathering the dust in my room for

the last year and a half, and presented myself at the office.

'Allow me to put these back in their places,' I said.

'I shall never have need for them more--never more, never more,

never more!'  'So you 've learned everything they contain?'

asked Striker, leering over his spectacles.  'Better late

than never.'  'I 've learned nothing that you can teach me,'

I cried.  'But I shall tax your patience no longer.

I 'm going to be a sculptor.  I 'm going to Rome.

I won't bid you good-by just yet; I shall see you again.

But I bid good-by here, with rapture, to these four detested walls--

to this living tomb!  I did n't know till now how I hated it!

My compliments to Mr. Spooner, and my thanks for all you

have not made of me!' "

"I 'm glad to know you are to see Mr. Striker again,"

Rowland answered, correcting a primary inclination to smile.

"You certainly owe him a respectful farewell, even if he has

not understood you.  I confess you rather puzzle me.

There is another person," he presently added, "whose opinion

as to your new career I should like to know.  What does

Miss Garland think?"

Hudson looked at him keenly, with a slight blush.

Then, with a conscious smile, "What makes you suppose she

thinks anything?" he asked.

"Because, though I saw her but for a moment yesterday,

she struck me as a very intelligent person, and I am sure

she has opinions."

The smile on Roderick's mobile face passed rapidly into a frown.

"Oh, she thinks what I think!" he answered.

Before the two young men separated Rowland attempted to give

as harmonious a shape as possible to his companion's scheme.

"I have launched you, as I may say," he said, "and I feel as if I ought

to see you into port.  I am older than you and know the world better,

and it seems well that we should voyage a while together.

It 's on my conscience that I ought to take you to Rome, walk you

through the Vatican, and then lock you up with a heap of clay.

I sail on the fifth of September; can you make your preparations

to start with me?"

Roderick assented to all this with an air of candid confidence

in his friend's wisdom that outshone the virtue of pledges.

"I have no preparations to make," he said with a smile,

raising his arms and letting them fall, as if to indicate his

unencumbered condition.  "What I am to take with me I carry here!"

and he tapped his forehead.

"Happy man!" murmured Rowland with a sigh, thinking of the light stowage,

in his own organism, in the region indicated by Roderick, and of the heavy

one in deposit at his banker's, of bags and boxes.

When his companion had left him he went in search of Cecilia.

She was sitting at work at a shady window, and welcomed him to a low

chintz-covered chair.  He sat some time, thoughtfully snipping tape with

her scissors; he expected criticism and he was preparing a rejoinder.

At last he told her of Roderick's decision and of his own influence in it.

Cecilia, besides an extreme surprise, exhibited a certain fine displeasure

at his not having asked her advice.

"What would you have said, if I had?" he demanded.

"I would have said in the first place, 'Oh for pity's sake don't

carry off the person in all Northampton who amuses me most!'

I would have said in the second place, 'Nonsense! the boy is doing

very well.  Let well alone!' "

"That in the first five minutes.  What would you have said later?"

"That for a man who is generally averse to meddling, you were

suddenly rather officious."

Rowland's countenance fell.  He frowned in silence.

Cecilia looked at him askance; gradually the spark of irritation

faded from her eye.

"Excuse my sharpness," she resumed at last.

"But I am literally in despair at losing Roderick Hudson.

His visits in the evening, for the past year, have kept me alive.

They have given a silver tip to leaden days.  I don't say

he is of a more useful metal than other people, but he is

of a different one.  Of course, however, that I shall miss him

sadly is not a reason for his not going to seek his fortune.

Men must work and women must weep!"

"Decidedly not!" said Rowland, with a good deal of emphasis.

He had suspected from the first hour of his stay that Cecilia had

treated herself to a private social luxury; he had then discovered

that she found it in Hudson's lounging visits and boyish chatter,

and he had felt himself wondering at last whether, judiciously viewed,

her gain in the matter was not the young man's loss.

It was evident that Cecilia was not judicious, and that her good sense,

habitually rigid under the demands of domestic economy, indulged itself

with a certain agreeable laxity on this particular point.

She liked her young friend just as he was; she humored him, flattered him,

laughed at him, caressed him--did everything but advise him.

It was a flirtation without the benefits of a flirtation.

She was too old to let him fall in love with her, which might

have done him good; and her inclination was to keep him young,

so that the nonsense he talked might never transgress a certain line.

It was quite conceivable that poor Cecilia should relish a pastime;

but if one had philanthropically embraced the idea that something

considerable might be made of Roderick, it was impossible not

to see that her friendship was not what might be called tonic.

So Rowland reflected, in the glow of his new-born sympathy.

There was a later time when he would have been grateful if Hudson's

susceptibility to the relaxing influence of lovely women might

have been limited to such inexpensive tribute as he rendered

the excellent Cecilia.

"I only desire to remind you," she pursued, "that you are likely

to have your hands full."

"I 've thought of that, and I rather like the idea; liking, as I do, the man.

I told you the other day, you know, that I longed to have something on

my hands.  When it first occurred to me that I might start our young friend

on the path of glory, I felt as if I had an unimpeachable inspiration.

Then I remembered there were dangers and difficulties, and asked myself

whether I had a right to step in between him and his obscurity.

My sense of his really having the divine flame answered the question.

He is made to do the things that humanity is the happier for!

I can't do such things myself, but when I see a young man of genius

standing helpless and hopeless for want of capital, I feel--and it 's

no affectation of humility, I assure you--as if it would give at least

a reflected usefulness to my own life to offer him his opportunity."

"In the name of humanity, I suppose, I ought to thank you.

But I want, first of all, to be happy myself.  You guarantee

us at any rate, I hope, the masterpieces."

"A masterpiece a year," said Rowland smiling, "for the next quarter

of a century."

"It seems to me that we have a right to ask more:  to demand

that you guarantee us not only the development of the artist,

but the security of the man."

Rowland became grave again.  "His security?"

"His moral, his sentimental security.  Here, you see,

it 's perfect.  We are all under a tacit compact to preserve it.

Perhaps you believe in the necessary turbulence of genius,

and you intend to enjoin upon your protege the importance

of cultivating his passions."

"On the contrary, I believe that a man of genius owes as much deference

to his passions as any other man, but not a particle more, and I confess I

have a strong conviction that the artist is better for leading a quiet life.

That is what I shall preach to my protege, as you call him, by example

as well as by precept.  You evidently believe," he added in a moment,

"that he will lead me a dance."

"Nay, I prophesy nothing.  I only think that circumstances,

with our young man, have a great influence; as is proved

by the fact that although he has been fuming and fretting here

for the last five years, he has nevertheless managed to make

the best of it, and found it easy, on the whole, to vegetate.

Transplanted to Rome, I fancy he 'll put forth a denser leafage.

I should like vastly to see the change.  You must write me

about it, from stage to stage.  I hope with all my heart

that the fruit will be proportionate to the foliage.

Don't think me a bird of ill omen; only remember that you

will be held to a strict account."

"A man should make the most of himself, and be helped if he needs help,"

Rowland answered, after a long pause.  "Of course when a body

begins to expand, there comes in the possibility of bursting;

but I nevertheless approve of a certain tension of one's being.

It 's what a man is meant for.  And then I believe in the essential

salubrity of genius--true genius."

"Very good," said Cecilia, with an air of resignation which

made Rowland, for the moment, seem to himself culpably eager.

"We 'll drink then to-day at dinner to the health of our friend."

* * *

Having it much at heart to convince Mrs. Hudson of the purity of

his intentions, Rowland waited upon her that evening.  He was ushered into

a large parlor, which, by the light of a couple of candles, he perceived

to be very meagrely furnished and very tenderly and sparingly used.

The windows were open to the air of the summer night, and a circle

of three persons was temporarily awed into silence by his appearance.

One of these was Mrs. Hudson, who was sitting at one of the windows,

empty-handed save for the pocket-handkerchief in her lap,

which was held with an air of familiarity with its sadder uses.

Near her, on the sofa, half sitting, half lounging, in the attitude

of a visitor outstaying ceremony, with one long leg flung over the other

and a large foot in a clumsy boot swinging to and fro continually,

was a lean, sandy-haired gentleman whom Rowland recognized as the original

of the portrait of Mr. Barnaby Striker.  At the table, near the candles,

busy with a substantial piece of needle-work, sat the young girl

of whom he had had a moment's quickened glimpse in Roderick's studio,

and whom he had learned to be Miss Garland, his companion's kinswoman.

This young lady's limpid, penetrating gaze was the most effective

greeting he received.  Mrs. Hudson rose with a soft, vague sound

of distress, and stood looking at him shrinkingly and waveringly,

as if she were sorely tempted to retreat through the open window.

Mr. Striker swung his long leg a trifle defiantly.  No one, evidently,

was used to offering hollow welcomes or telling polite fibs.

Rowland introduced himself; he had come, he might say, upon business.

"Yes," said Mrs. Hudson tremulously; "I know--my son has told me.

I suppose it is better I should see you.  Perhaps you will take a seat."

With this invitation Rowland prepared to comply, and, turning,

grasped the first chair that offered itself.

"Not that one," said a full, grave voice; whereupon he perceived

that a quantity of sewing-silk had been suspended and entangled

over the back, preparatory to being wound on reels.

He felt the least bit irritated at the curtness of the warning,

coming as it did from a young woman whose countenance he had

mentally pronounced interesting, and with regard to whom

he was conscious of the germ of the inevitable desire to produce

a responsive interest.  And then he thought it would break

the ice to say something playfully urbane.

"Oh, you should let me take the chair," he answered, "and have the pleasure

of holding the skeins myself!"

For all reply to this sally he received a stare of

undisguised amazement from Miss Garland, who then looked

across at Mrs. Hudson with a glance which plainly said:

"You see he 's quite the insidious personage we feared."

The elder lady, however, sat with her eyes fixed on the ground

and her two hands tightly clasped.  But touching her Rowland

felt much more compassion than resentment; her attitude

was not coldness, it was a kind of dread, almost a terror.

She was a small, eager woman, with a pale, troubled face,

which added to her apparent age.  After looking at her for some

minutes Rowland saw that she was still young, and that she must

have been a very girlish bride.  She had been a pretty one, too,

though she probably had looked terribly frightened at the altar.

She was very delicately made, and Roderick had come honestly

by his physical slimness and elegance.  She wore no cap,

and her flaxen hair, which was of extraordinary fineness,

was smoothed and confined with Puritanic precision.

She was excessively shy, and evidently very humble-minded;

it was singular to see a woman to whom the experience

of life had conveyed so little reassurance as to her own

resources or the chances of things turning out well.

Rowland began immediately to like her, and to feel impatient

to persuade her that there was no harm in him, and that,

twenty to one, her son would make her a well-pleased woman yet.

He foresaw that she would be easy to persuade, and that a benevolent

conversational tone would probably make her pass, fluttering,

from distrust into an oppressive extreme of confidence.

But he had an indefinable sense that the person who was testing

that strong young eyesight of hers in the dim candle-light was less

readily beguiled from her mysterious feminine preconceptions.

Miss Garland, according to Cecilia's judgment, as Rowland remembered,

had not a countenance to inspire a sculptor; but it seemed

to Rowland that her countenance might fairly inspire a man who

was far from being a sculptor.  She was not pretty, as the eye

of habit judges prettiness, but when you made the observation

you somehow failed to set it down against her, for you had

already passed from measuring contours to tracing meanings.

In Mary Garland's face there were many possible ones,

and they gave you the more to think about that it was not--

like Roderick Hudson's, for instance--a quick and mobile face,

over which expression flickered like a candle in a wind.

They followed each other slowly, distinctly, gravely, sincerely,

and you might almost have fancied that, as they came and went,

they gave her a sort of pain.  She was tall and slender,

and had an air of maidenly strength and decision.

She had a broad forehead and dark eyebrows, a trifle thicker than

those of classic beauties; her gray eye was clear but not brilliant,

and her features were perfectly irregular.  Her mouth was large,

fortunately for the principal grace of her physiognomy was

her smile, which displayed itself with magnificent amplitude.

Rowland, indeed, had not yet seen her smile, but something

assured him that her rigid gravity had a radiant counterpart.

She wore a scanty white dress, and had a nameless rustic air

which would have led one to speak of her less as a young lady

than as a young woman.  She was evidently a girl of a great

personal force, but she lacked pliancy.  She was hemming

a kitchen towel with the aid of a large steel thimble.

She bent her serious eyes at last on her work again, and let

Rowland explain himself.

"I have become suddenly so very intimate with your son,"

he said at last, addressing himself to Mrs. Hudson, "that it

seems just I should make your acquaintance."

"Very just," murmured the poor lady, and after a moment's hesitation was

on the point of adding something more; but Mr. Striker here interposed,

after a prefatory clearance of the throat.

"I should like to take the liberty," he said, "of addressing you

a simple question.  For how long a period of time have you been

acquainted with our young friend?"  He continued to kick the air,

but his head was thrown back and his eyes fixed on the opposite wall,

as if in aversion to the spectacle of Rowland's inevitable confusion.

"A very short time, I confess.  Hardly three days."

"And yet you call yourself intimate, eh?  I have been seeing Mr. Roderick

daily these three years, and yet it was only this morning that I felt

as if I had at last the right to say that I knew him.  We had a few moments'

conversation in my office which supplied the missing links in the evidence.

So that now I do venture to say I 'm acquainted with Mr. Roderick!

But wait three years, sir, like me!" and Mr. Striker laughed, with a closed

mouth and a noiseless shake of all his long person.

Mrs. Hudson smiled confusedly, at hazard; Miss Garland kept her eyes on

her stitches.  But it seemed to Rowland that the latter colored a little.

"Oh, in three years, of course," he said, "we shall know each other better.

Before many years are over, madam," he pursued, "I expect the world

to know him.  I expect him to be a great man!"

Mrs. Hudson looked at first as if this could be but an insidious

device for increasing her distress by the assistance of irony.

Then reassured, little by little, by Rowland's benevolent visage,

she gave him an appealing glance and a timorous "Really?"

But before Rowland could respond, Mr. Striker again intervened.

"Do I fully apprehend your expression?" he asked.

"Our young friend is to become a great man?"

"A great artist, I hope," said Rowland.

"This is a new and interesting view," said Mr. Striker, with an assumption

of judicial calmness.  "We have had hopes for Mr. Roderick, but I confess,

if I have rightly understood them, they stopped short of greatness.

We should n't have taken the responsibility of claiming it for him.

What do you say, ladies?  We all feel about him here--his mother,

Miss Garland, and myself--as if his merits were rather in the line

of the"--and Mr. Striker waved his hand with a series of fantastic

flourishes in the air--"of the light ornamental!"  Mr. Striker bore

his recalcitrant pupil a grudge, but he was evidently trying both

to be fair and to respect the susceptibilities of his companions.

But he was unversed in the mysterious processes of feminine emotion.

Ten minutes before, there had been a general harmony of sombre views;

but on hearing Roderick's limitations thus distinctly formulated to

a stranger, the two ladies mutely protested.  Mrs. Hudson uttered a short,

faint sigh, and Miss Garland raised her eyes toward their advocate

and visited him with a short, cold glance.

"I 'm afraid, Mrs. Hudson," Rowland pursued, evading the discussion of

Roderick's possible greatness, "that you don't at all thank me for stirring

up your son's ambition on a line which leads him so far from home.

I suspect I have made you my enemy."

Mrs. Hudson covered her mouth with her finger-tips and looked

painfully perplexed between the desire to confess the truth

and the fear of being impolite.  "My cousin is no one's enemy,"

Miss Garland hereupon declared, gently, but with that same fine

deliberateness with which she had made Rowland relax his grasp

of the chair.

"Does she leave that to you?"  Rowland ventured to ask,

with a smile.

"We are inspired with none but Christian sentiments,"

said Mr. Striker; "Miss Garland perhaps most of all.  Miss Garland,"

and Mr. Striker waved his hand again as if to perform an introduction

which had been regrettably omitted, "is the daughter of a minister,

the granddaughter of a minister, the sister of a minister."

Rowland bowed deferentially, and the young girl went on with her sewing,

with nothing, apparently, either of embarrassment or elation

at the promulgation of these facts.  Mr. Striker continued:

"Mrs. Hudson, I see, is too deeply agitated to converse with

you freely.  She will allow me to address you a few questions.

Would you kindly inform her, as exactly as possible, just what you

propose to do with her son?"

The poor lady fixed her eyes appealingly on Rowland's face

and seemed to say that Mr. Striker had spoken her desire,

though she herself would have expressed it less defiantly.

But Rowland saw in Mr. Striker's many-wrinkled light blue eye,

shrewd at once and good-natured, that he had no intention of defiance,

and that he was simply pompous and conceited and sarcastically

compassionate of any view of things in which Roderick Hudson

was regarded in a serious light.

"Do, my dear madam?" demanded Rowland.  "I don't propose to do anything.

He must do for himself.  I simply offer him the chance.  He 's to study,

to work--hard, I hope."

"Not too hard, please," murmured Mrs. Hudson, pleadingly,

wheeling about from recent visions of dangerous leisure.

"He 's not very strong, and I 'm afraid the climate of Europe

is very relaxing."

"Ah, study?" repeated Mr. Striker.  "To what line of study is he to direct

his attention?"  Then suddenly, with an impulse of disinterested curiosity

on his own account, "How do you study sculpture, anyhow?"

"By looking at models and imitating them."

"At models, eh?  To what kind of models do you refer?"

"To the antique, in the first place."

"Ah, the antique," repeated Mr. Striker, with a jocose intonation.

"Do you hear, madam?  Roderick is going off to Europe to learn

to imitate the antique."

"I suppose it 's all right," said Mrs. Hudson, twisting herself

in a sort of delicate anguish.

"An antique, as I understand it," the lawyer continued,

"is an image of a pagan deity, with considerable dirt

sticking to it, and no arms, no nose, and no clothing.

A precious model, certainly!"

"That 's a very good description of many," said Rowland,

with a laugh.

"Mercy!  Truly?" asked Mrs. Hudson, borrowing courage from his urbanity.

"But a sculptor's studies, you intimate, are not confined to the antique,"

Mr. Striker resumed.  "After he has been looking three or four years

at the objects I describe"--

"He studies the living model," said Rowland.

"Does it take three or four years?" asked Mrs. Hudson, imploringly.

"That depends upon the artist's aptitude.  After twenty years

a real artist is still studying."

"Oh, my poor boy!" moaned Mrs. Hudson, finding the prospect,

under every light, still terrible.

"Now this study of the living model," Mr. Striker pursued.

"Inform Mrs. Hudson about that."

"Oh dear, no!" cried Mrs. Hudson, shrinkingly.

"That too," said Rowland, "is one of the reasons for studying in Rome.

It 's a handsome race, you know, and you find very well-made people."

"I suppose they 're no better made than a good tough Yankee,"

objected Mr. Striker, transposing his interminable legs.

"The same God made us."

"Surely," sighed Mrs. Hudson, but with a questioning glance at her

visitor which showed that she had already begun to concede much

weight to his opinion.  Rowland hastened to express his assent

to Mr. Striker's proposition.

Miss Garland looked up, and, after a moment's hesitation:

"Are the Roman women very beautiful?" she asked.

Rowland too, in answering, hesitated; he was looking straight

at the young girl.  "On the whole, I prefer ours," he said.

She had dropped her work in her lap; her hands were crossed

upon it, her head thrown a little back.  She had evidently

expected a more impersonal answer, and she was dissatisfied.

For an instant she seemed inclined to make a rejoinder,

but she slowly picked up her work in silence and drew

her stitches again.

Rowland had for the second time the feeling that she judged him

to be a person of a disagreeably sophisticated tone.  He noticed

too that the kitchen towel she was hemming was terribly coarse.

And yet his answer had a resonant inward echo, and he repeated

to himself, "Yes, on the whole, I prefer ours."

"Well, these models," began Mr. Striker.  "You put them into

an attitude, I suppose."

"An attitude, exactly."

"And then you sit down and look at them."

"You must not sit too long.  You must go at your clay and try

to build up something that looks like them."

"Well, there you are with your model in an attitude on

one side, yourself, in an attitude too, I suppose, on the other,

and your pile of clay in the middle, building up, as you say.

So you pass the morning.  After that I hope you go out and take

a walk, and rest from your exertions."

"Unquestionably.  But to a sculptor who loves his work there is no time lost.

Everything he looks at teaches or suggests something."

"That 's a tempting doctrine to young men with a taste for sitting

by the hour with the page unturned, watching the flies buzz,

or the frost melt on the window-pane. Our young friend, in this way,

must have laid up stores of information which I never suspected!"

"Very likely," said Rowland, with an unresentful smile, "he will prove

some day the completer artist for some of those lazy reveries."

This theory was apparently very grateful to Mrs. Hudson, who had

never had the case put for her son with such ingenious hopefulness,

and found herself disrelishing the singular situation of seeming

to side against her own flesh and blood with a lawyer whose

conversational tone betrayed the habit of cross-questioning.

"My son, then," she ventured to ask, "my son has great--

what you would call great powers?"

"To my sense, very great powers."

Poor Mrs. Hudson actually smiled, broadly, gleefully, and glanced

at Miss Garland, as if to invite her to do likewise.

But the young girl's face remained serious, like the eastern

sky when the opposite sunset is too feeble to make it glow.

"Do you really know?" she asked, looking at Rowland.

"One cannot know in such a matter save after proof, and proof takes time.

But one can believe."

"And you believe?"

"I believe."

But even then Miss Garland vouchsafed no smile.

Her face became graver than ever.

"Well, well," said Mrs. Hudson, "we must hope that it is all for the best."

Mr. Striker eyed his old friend for a moment with a look of

some displeasure; he saw that this was but a cunning feminine

imitation of resignation, and that, through some untraceable process

of transition, she was now taking more comfort in the opinions

of this insinuating stranger than in his own tough dogmas.

He rose to his feet, without pulling down his waistcoat,

but with a wrinkled grin at the inconsistency of women.

"Well, sir, Mr. Roderick's powers are nothing to me," he said,

"nor no use he makes of them.  Good or bad, he 's no son of mine.

But, in a friendly way, I 'm glad to hear so fine an account of him.

I 'm glad, madam, you 're so satisfied with the prospect.

Affection, sir, you see, must have its guarantees!"

He paused a moment, stroking his beard, with his head

inclined and one eye half-closed, looking at Rowland.

The look was grotesque, but it was significant, and it

puzzled Rowland more than it amused him.  "I suppose you 're

a very brilliant young man," he went on, "very enlightened,

very cultivated, quite up to the mark in the fine arts

and all that sort of thing.  I 'm a plain, practical old boy,

content to follow an honorable profession in a free country.

I did n't go off to the Old World to learn my business;

no one took me by the hand; I had to grease my wheels myself,

and, such as I am, I 'm a self-made man, every inch of me!

Well, if our young friend is booked for fame and fortune,

I don't suppose his going to Rome will stop him.

But, mind you, it won't help him such a long way, either.

If you have undertaken to put him through, there 's a thing

or two you 'd better remember.  The crop we gather depends upon

the seed we sow.  He may be the biggest genius of the age:

his potatoes won't come up without his hoeing them.

If he takes things so almighty easy as--well, as one or two

young fellows of genius I 've had under my eye--his produce

will never gain the prize.  Take the word for it of a man who has

made his way inch by inch, and does n't believe that we 'll

wake up to find our work done because we 've lain all night

a-dreaming of it; anything worth doing is devilish hard to do!

If your young protajay finds things easy and has a good time

and says he likes the life, it 's a sign that--as I may say--

you had better step round to the office and look at the books.

That 's all I desire to remark.  No offense intended.

I hope you 'll have a first-rate time."

Rowland could honestly reply that this seemed pregnant sense,

and he offered Mr. Striker a friendly hand-shake as the latter withdrew.

But Mr. Striker's rather grim view of matters cast a momentary shadow

on his companions, and Mrs. Hudson seemed to feel that it necessitated

between them some little friendly agreement not to be overawed.

Rowland sat for some time longer, partly because he wished to please

the two women and partly because he was strangely pleased himself.

There was something touching in their unworldly fears and diffident hopes,

something almost terrible in the way poor little Mrs. Hudson

seemed to flutter and quiver with intense maternal passion.

She put forth one timid conversational venture after another,

and asked Rowland a number of questions about himself, his age,

his family, his occupations, his tastes, his religious opinions.

Rowland had an odd feeling at last that she had begun to consider him

very exemplary, and that she might make, later, some perturbing discovery.

He tried, therefore, to invent something that would prepare

her to find him fallible.  But he could think of nothing.

It only seemed to him that Miss Garland secretly mistrusted him,

and that he must leave her to render him the service, after he

had gone, of making him the object of a little firm derogation.

Mrs. Hudson talked with low-voiced eagerness about her son.

"He 's very lovable, sir, I assure you.  When you come to know him

you 'll find him very lovable.  He 's a little spoiled, of course;

he has always done with me as he pleased; but he 's a good boy,

I 'm sure he 's a good boy.  And every one thinks him very attractive:

I 'm sure he 'd be noticed, anywhere.  Don't you think

he 's very handsome, sir?  He features his poor father.

I had another--perhaps you 've been told.  He was killed."

And the poor little lady bravely smiled, for fear of doing worse.

"He was a very fine boy, but very different from Roderick.

Roderick is a little strange; he has never been an easy boy.

Sometimes I feel like the goose--was n't it a goose, dear?"

and startled by the audacity of her comparison she appealed to Miss

Garland--"the goose, or the hen, who hatched a swan's egg.

I have never been able to give him what he needs.  I have always

thought that in more--in more brilliant circumstances he might

find his place and be happy.  But at the same time I was afraid

of the world for him; it was so large and dangerous and dreadful.

No doubt I know very little about it.  I never suspected, I confess,

that it contained persons of such liberality as yours."

Rowland replied that, evidently, she had done the world but scanty justice.

"No," objected Miss Garland, after a pause, "it is like something

in a fairy tale."

"What, pray?"

"Your coming here all unknown, so rich and so polite, and carrying

off my cousin in a golden cloud."

If this was badinage Miss Garland had the best of it, for Rowland almost

fell a-musing silently over the question whether there was a possibility

of irony in that transparent gaze.  Before he withdrew, Mrs. Hudson

made him tell her again that Roderick's powers were extraordinary.

He had inspired her with a clinging, caressing faith in his wisdom.

"He will really do great things," she asked, "the very greatest?"

"I see no reason in his talent itself why he should not."

"Well, we 'll think of that as we sit here alone," she rejoined.

"Mary and I will sit here and talk about it.  So I give him up,"

she went on, as he was going.  "I 'm sure you 'll be the best

of friends to him, but if you should ever forget him, or grow

tired of him, or lose your interest in him, and he should come

to any harm or any trouble, please, sir, remember"--And she paused,

with a tremulous voice.

"Remember, my dear madam?"

"That he is all I have--that he is everything--and that it would

be very terrible."

"In so far as I can help him, he shall succeed," was all Rowland could say.

He turned to Miss Garland, to bid her good night, and she rose and put

out her hand.  She was very straightforward, but he could see that if

she was too modest to be bold, she was much too simple to be shy.

"Have you no charge to lay upon me?" he asked--to ask her something.

She looked at him a moment and then, although she was not shy, she blushed.

"Make him do his best," she said.

Rowland noted the soft intensity with which the words were uttered.

"Do you take a great interest in him?" he demanded.

"Certainly."

"Then, if he will not do his best for you, he will not do it for me."

She turned away with another blush, and Rowland took his leave.

He walked homeward, thinking of many things.  The great Northampton

elms interarched far above in the darkness, but the moon had

risen and through scattered apertures was hanging the dusky

vault with silver lamps.  There seemed to Rowland something

intensely serious in the scene in which he had just taken part.

He had laughed and talked and braved it out in self-defense;

but when he reflected that he was really meddling with

the simple stillness of this little New England home,

and that he had ventured to disturb so much living security

in the interest of a far-away, fantastic hypothesis, he paused,

amazed at his temerity.  It was true, as Cecilia had said,

that for an unofficious man it was a singular position.

There stirred in his mind an odd feeling of annoyance with

Roderick for having thus peremptorily enlisted his sympathies.

As he looked up and down the long vista, and saw the clear

white houses glancing here and there in the broken moonshine,

he could almost have believed that the happiest lot for any man

was to make the most of life in some such tranquil spot as that.

Here were kindness, comfort, safety, the warning voice of duty,

the perfect hush of temptation.  And as Rowland looked along

the arch of silvered shadow and out into the lucid air of the

American night, which seemed so doubly vast, somehow, and strange

and nocturnal, he felt like declaring that here was beauty too--

beauty sufficient for an artist not to starve upon it.

As he stood, lost in the darkness, he presently heard a rapid tread

on the other side of the road, accompanied by a loud, jubilant whistle,

and in a moment a figure emerged into an open gap of moonshine.

He had no difficulty in recognizing Hudson, who was presumably

returning from a visit to Cecilia.  Roderick stopped suddenly

and stared up at the moon, with his face vividly illumined.

He broke out into a snatch of song:--

"The splendor falls on castle walls

And snowy summits old in story!"

And with a great, musical roll of his voice he went swinging off

into the darkness again, as if his thoughts had lent him wings.

He was dreaming of the inspiration of foreign lands,--of castled crags

and historic landscapes.  What a pity, after all, thought Rowland,

as he went his own way, that he should n't have a taste of it!

It had been a very just remark of Cecilia's that Roderick would change

with a change in his circumstances.  Rowland had telegraphed to New York

for another berth on his steamer, and from the hour the answer came Hudson's

spirits rose to incalculable heights.  He was radiant with good-humor,

and his kindly jollity seemed the pledge of a brilliant future.

He had forgiven his old enemies and forgotten his old grievances,

and seemed every way reconciled to a world in which he was going to count

as an active force.  He was inexhaustibly loquacious and fantastic,

and as Cecilia said, he had suddenly become so good that it was only

to be feared he was going to start not for Europe but for heaven.

He took long walks with Rowland, who felt more and more the fascination

of what he would have called his giftedness.  Rowland returned several

times to Mrs. Hudson's, and found the two ladies doing their best

to be happy in their companion's happiness.  Miss Garland, he thought,

was succeeding better than her demeanor on his first visit had promised.

He tried to have some especial talk with her, but her extreme reserve

forced him to content himself with such response to his rather urgent

overtures as might be extracted from a keenly attentive smile.

It must be confessed, however, that if the response was vague,

the satisfaction was great, and that Rowland, after his second visit,

kept seeing a lurking reflection of this smile in the most unexpected places.

It seemed strange that she should please him so well at so slender

a cost, but please him she did, prodigiously, and his pleasure

had a quality altogether new to him.  It made him restless, and a

trifle melancholy; he walked about absently, wondering and wishing.

He wondered, among other things, why fate should have condemned him

to make the acquaintance of a girl whom he would make a sacrifice

to know better, just as he was leaving the country for years.

It seemed to him that he was turning his back on a chance of happiness--

happiness of a sort of which the slenderest germ should be cultivated.

He asked himself whether, feeling as he did, if he had only himself

to please, he would give up his journey and--wait.  He had Roderick

to please now, for whom disappointment would be cruel; but he said

to himself that certainly, if there were no Roderick in the case,

the ship should sail without him.  He asked Hudson several questions

about his cousin, but Roderick, confidential on most points,

seemed to have reasons of his own for being reticent on this one.

His measured answers quickened Rowland's curiosity, for Miss Garland,

with her own irritating half-suggestions, had only to be a subject

of guarded allusion in others to become intolerably interesting.

He learned from Roderick that she was the daughter of a country minister,

a far-away cousin of his mother, settled in another part of the State;

that she was one of a half-a-dozen daughters, that the family was

very poor, and that she had come a couple of months before to pay

his mother a long visit.  "It is to be a very long one now," he said,

"for it is settled that she is to remain while I am away."

The fermentation of contentment in Roderick's soul reached its climax

a few days before the young men were to make their farewells.

He had been sitting with his friends on Cecilia's veranda,

but for half an hour past he had said nothing.  Lounging back against

a vine-wreathed column and gazing idly at the stars, he kept caroling

softly to himself with that indifference to ceremony for which he always

found allowance, and which in him had a sort of pleading grace.

At last, springing up:  "I want to strike out, hard!" he exclaimed.

"I want to do something violent, to let off steam!"

"I 'll tell you what to do, this lovely weather," said Cecilia.

"Give a picnic.  It can be as violent as you please, and it will

have the merit of leading off our emotion into a safe channel,

as well as yours."

Roderick laughed uproariously at Cecilia's very practical

remedy for his sentimental need, but a couple of days later,

nevertheless, the picnic was given.  It was to be a family party,

but Roderick, in his magnanimous geniality, insisted on inviting

Mr. Striker, a decision which Rowland mentally applauded.

"And we 'll have Mrs. Striker, too," he said, "if she 'll come,

to keep my mother in countenance; and at any rate we 'll have

Miss Striker--the divine Petronilla!"  The young lady thus

denominated formed, with Mrs. Hudson, Miss Garland, and Cecilia,

the feminine half of the company.  Mr. Striker presented himself,

sacrificing a morning's work, with a magnanimity greater

even than Roderick's, and foreign support was further secured

in the person of Mr. Whitefoot, the young Orthodox minister.

Roderick had chosen the feasting-place; he knew it well and had

passed many a summer afternoon there, lying at his length on

the grass and gazing at the blue undulations of the horizon.

It was a meadow on the edge of a wood, with mossy rocks protruding

through the grass and a little lake on the other side.

It was a cloudless August day; Rowland always remembered it,

and the scene, and everything that was said and done,

with extraordinary distinctness.  Roderick surpassed himself

in friendly jollity, and at one moment, when exhilaration

was at the highest, was seen in Mr. Striker's high white hat,

drinking champagne from a broken tea-cup to Mr. Striker's health.

Miss Striker had her father's pale blue eye; she was dressed as if

she were going to sit for her photograph, and remained for a long

time with Roderick on a little promontory overhanging the lake.

Mrs. Hudson sat all day with a little meek, apprehensive smile.

She was afraid of an "accident," though unless Miss Striker

(who indeed was a little of a romp) should push Roderick

into the lake, it was hard to see what accident could occur.

Mrs. Hudson was as neat and crisp and uncrumpled at the end

of the festival as at the beginning.  Mr. Whitefoot,

who but a twelvemonth later became a convert to episcopacy

and was already cultivating a certain conversational sonority,

devoted himself to Cecilia.  He had a little book in his pocket,

out of which he read to her at intervals, lying stretched at her feet,

and it was a lasting joke with Cecilia, afterwards, that she

would never tell what Mr. Whitefoot's little book had been.

Rowland had placed himself near Miss Garland, while the feasting

went forward on the grass.  She wore a so-called gypsy hat--

a little straw hat, tied down over her ears, so as to cast

her eyes into shadow, by a ribbon passing outside of it.

When the company dispersed, after lunch, he proposed to her

to take a stroll in the wood.  She hesitated a moment and looked

toward Mrs. Hudson, as if for permission to leave her.

But Mrs. Hudson was listening to Mr. Striker, who sat gossiping

to her with relaxed magniloquence, his waistcoat unbuttoned

and his hat on his nose.

"You can give your cousin your society at any time," said Rowland.

"But me, perhaps, you 'll never see again."

"Why then should we wish to be friends, if nothing is to come of it?"

she asked, with homely logic.  But by this time she had consented,

and they were treading the fallen pine-needles.

"Oh, one must take all one can get," said Rowland.

"If we can be friends for half an hour, it 's so much gained."

"Do you expect never to come back to Northampton again?"

" 'Never' is a good deal to say.  But I go to Europe for a long stay."

"Do you prefer it so much to your own country?"

"I will not say that.  But I have the misfortune to be a rather idle man,

and in Europe the burden of idleness is less heavy than here."

She was silent for a few minutes; then at last,

"In that, then, we are better than Europe," she said.

To a certain point Rowland agreed with her, but he demurred,

to make her say more.

"Would n't it be better," she asked, "to work to get reconciled to America,

than to go to Europe to get reconciled to idleness?"

"Doubtless; but you know work is hard to find."

"I come from a little place where every one has plenty,"

said Miss Garland.  "We all work; every one I know works.

And really," she added presently, "I look at you with curiosity;

you are the first unoccupied man I ever saw."

"Don't look at me too hard," said Rowland, smiling.  "I shall sink

into the earth.  What is the name of your little place?"

"West Nazareth," said Miss Garland, with her usual sobriety.

"It is not so very little, though it 's smaller than Northampton."

"I wonder whether I could find any work at West Nazareth," Rowland said.

"You would not like it," Miss Garland declared reflectively.

"Though there are far finer woods there than this.

We have miles and miles of woods."

"I might chop down trees," said Rowland.  "That is, if you allow it."

"Allow it?  Why, where should we get our firewood?"

Then, noticing that he had spoken jestingly, she glanced at

him askance, though with no visible diminution of her gravity.

"Don't you know how to do anything?  Have you no profession?"

Rowland shook his head.  "Absolutely none."

"What do you do all day?"

"Nothing worth relating.  That 's why I am going to Europe.

There, at least, if I do nothing, I shall see a great deal;

and if I 'm not a producer, I shall at any rate be an observer."

"Can't we observe everywhere?"

"Certainly; and I really think that in that way I make the most of

my opportunities.  Though I confess," he continued, "that I often remember

there are things to be seen here to which I probably have n't done justice.

I should like, for instance, to see West Nazareth."

She looked round at him, open-eyed; not, apparently, that she

exactly supposed he was jesting, for the expression

of such a desire was not necessarily facetious;

but as if he must have spoken with an ulterior motive.

In fact, he had spoken from the simplest of motives.

The girl beside him pleased him unspeakably, and, suspecting that

her charm was essentially her own and not reflected from

social circumstance, he wished to give himself the satisfaction

of contrasting her with the meagre influences of her education.

Miss Garland's second movement was to take him at his word.

"Since you are free to do as you please, why don't you go there?"

"I am not free to do as I please now.  I have offered your cousin

to bear him company to Europe, he has accepted with enthusiasm,

and I cannot retract."

"Are you going to Europe simply for his sake?"

Rowland hesitated a moment.  "I think I may almost say so."

Miss Garland walked along in silence.  "Do you mean to do a great deal

for him?" she asked at last.

"What I can.  But my power of helping him is very small beside

his power of helping himself."

For a moment she was silent again.  "You are very generous,"

she said, almost solemnly.

"No, I am simply very shrewd.  Roderick will repay me.

It 's an investment.  At first, I think," he added shortly

afterwards, "you would not have paid me that compliment.

You distrusted me."

She made no attempt to deny it.  "I did n't see why you should wish to make

Roderick discontented.  I thought you were rather frivolous."

"You did me injustice.  I don't think I 'm that."

"It was because you are unlike other men--those, at least,

whom I have seen."

"In what way?"

"Why, as you describe yourself.  You have no duties, no profession, no home.

You live for your pleasure."

"That 's all very true.  And yet I maintain I 'm not frivolous."

"I hope not," said Miss Garland, simply.  They had reached a point

where the wood-path forked and put forth two divergent tracks

which lost themselves in a verdurous tangle.  Miss Garland seemed

to think that the difficulty of choice between them was a reason

for giving them up and turning back.  Rowland thought otherwise,

and detected agreeable grounds for preference in the left-hand path.

As a compromise, they sat down on a fallen log.  Looking about him,

Rowland espied a curious wild shrub, with a spotted crimson leaf;

he went and plucked a spray of it and brought it to Miss Garland.

He had never observed it before, but she immediately called it

by its name.  She expressed surprise at his not knowing it;

it was extremely common.  He presently brought her a specimen

of another delicate plant, with a little blue-streaked flower.

"I suppose that 's common, too," he said, "but I have never seen it--

or noticed it, at least."  She answered that this one was rare,

and meditated a moment before she could remember its name.

At last she recalled it, and expressed surprise at his having found

the plant in the woods; she supposed it grew only in open marshes.

Rowland complimented her on her fund of useful information.

"It 's not especially useful," she answered; "but I like to

know the names of plants as I do those of my acquaintances.

When we walk in the woods at home--which we do so much--

it seems as unnatural not to know what to call the flowers

as it would be to see some one in the town with whom we were

not on speaking terms."

"Apropos of frivolity," Rowland said, "I 'm sure you have very little of it,

unless at West Nazareth it is considered frivolous to walk in the woods

and nod to the nodding flowers.  Do kindly tell me a little about yourself."

And to compel her to begin, "I know you come of a race of theologians,"

he went on.

"No," she replied, deliberating; "they are not theologians, though they

are ministers.  We don't take a very firm stand upon doctrine;

we are practical, rather.  We write sermons and preach them,

but we do a great deal of hard work beside."

"And of this hard work what has your share been?"

"The hardest part:  doing nothing."

"What do you call nothing?"

"I taught school a while:  I must make the most of that.

But I confess I did n't like it.  Otherwise, I have only done

little things at home, as they turned up."

"What kind of things?"

"Oh, every kind.  If you had seen my home, you would understand."

Rowland would have liked to make her specify; but he felt a more

urgent need to respect her simplicity than he had ever felt to defer

to the complex circumstance of certain other women.  "To be happy,

I imagine," he contented himself with saying, "you need to be occupied.

You need to have something to expend yourself upon."

"That is not so true as it once was; now that I am older, I am sure

I am less impatient of leisure.  Certainly, these two months that I

have been with Mrs. Hudson, I have had a terrible amount of it.

And yet I have liked it!  And now that I am probably to be with her

all the while that her son is away, I look forward to more with a

resignation that I don't quite know what to make of."

"It is settled, then, that you are to remain with your cousin?"

"It depends upon their writing from home that I may stay.

But that is probable.  Only I must not forget," she said, rising,

"that the ground for my doing so is that she be not left alone."

"I am glad to know," said Rowland, "that I shall probably often

hear about you.  I assure you I shall often think about you!"

These words were half impulsive, half deliberate.

They were the simple truth, and he had asked himself why he should

not tell her the truth.  And yet they were not all of it;

her hearing the rest would depend upon the way she received this.

She received it not only, as Rowland foresaw, without a shadow

of coquetry, of any apparent thought of listening to it gracefully,

but with a slight movement of nervous deprecation,

which seemed to betray itself in the quickening of her step.

Evidently, if Rowland was to take pleasure in hearing about her,

it would have to be a highly disinterested pleasure.

She answered nothing, and Rowland too, as he walked beside her,

was silent; but as he looked along the shadow-woven wood-path, what

he was really facing was a level three years of disinterestedness.

He ushered them in by talking composed civility until he had

brought Miss Garland back to her companions.

He saw her but once again.  He was obliged to be in New York a couple

of days before sailing, and it was arranged that Roderick should

overtake him at the last moment.  The evening before he left Northampton

he went to say farewell to Mrs. Hudson.  The ceremony was brief.

Rowland soon perceived that the poor little lady was in the melting

mood, and, as he dreaded her tears, he compressed a multitude

of solemn promises into a silent hand-shake and took his leave.

Miss Garland, she had told him, was in the back-garden with Roderick:

he might go out to them.  He did so, and as he drew near he heard

Roderick's high-pitched voice ringing behind the shrubbery.

In a moment, emerging, he found Miss Garland leaning against

a tree, with her cousin before her talking with great emphasis.

He asked pardon for interrupting them, and said he wished only to bid

her good-by. She gave him her hand and he made her his bow in silence.

"Don't forget," he said to Roderick, as he turned away.

"And don't, in this company, repent of your bargain."

"I shall not let him," said Miss Garland, with something very

like gayety.  "I shall see that he is punctual.  He must go!

I owe you an apology for having doubted that he ought to."

And in spite of the dusk Rowland could see that she had an even

finer smile than he had supposed.

Roderick was punctual, eagerly punctual, and they went.

Rowland for several days was occupied with material cares,

and lost sight of his sentimental perplexities.

But they only slumbered, and they were sharply awakened.

The weather was fine, and the two young men always sat together

upon deck late into the evening.  One night, toward the last,

they were at the stern of the great ship, watching her grind

the solid blackness of the ocean into phosphorescent foam.

They talked on these occasions of everything conceivable,

and had the air of having no secrets from each other.

But it was on Roderick's conscience that this air belied him,

and he was too frank by nature, moreover, for permanent

reticence on any point.

"I must tell you something," he said at last.  "I should like you to know it,

and you will be so glad to know it.  Besides, it 's only a question

of time; three months hence, probably, you would have guessed it.

I am engaged to Mary Garland."

Rowland sat staring; though the sea was calm, it seemed to him

that the ship gave a great dizzying lurch.  But in a moment

he contrived to answer coherently:  "Engaged to Miss Garland!

I never supposed--I never imagined"--

"That I was in love with her?"  Roderick interrupted.

"Neither did I, until this last fortnight.  But you came and put

me into such ridiculous good-humor that I felt an extraordinary

desire to tell some woman that I adored her.  Miss Garland is

a magnificent girl; you know her too little to do her justice.

I have been quietly learning to know her, these past three months,

and have been falling in love with her without being conscious of it.

It appeared, when I spoke to her, that she had a kindness for me.

So the thing was settled.  I must of course make some money

before we can marry.  It 's rather droll, certainly, to engage

one's self to a girl whom one is going to leave the next day,

for years.  We shall be condemned, for some time to come,

to do a terrible deal of abstract thinking about each other.

But I wanted her blessing on my career and I could not help

asking for it.  Unless a man is unnaturally selfish he needs

to work for some one else than himself, and I am sure I shall

run a smoother and swifter course for knowing that that fine

creature is waiting, at Northampton, for news of my greatness.

If ever I am a dull companion and over-addicted to moping,

remember in justice to me that I am in love and that my sweetheart

is five thousand miles away."

Rowland listened to all this with a sort of feeling

that fortune had played him an elaborately-devised trick.

It had lured him out into mid-ocean and smoothed the sea and

stilled the winds and given him a singularly sympathetic comrade,

and then it had turned and delivered him a thumping blow

in mid-chest. "Yes," he said, after an attempt at the usual

formal congratulation, "you certainly ought to do better--

with Miss Garland waiting for you at Northampton."

Roderick, now that he had broken ground, was eloquent and rung

a hundred changes on the assurance that he was a very happy man.

Then at last, suddenly, his climax was a yawn, and he declared that

he must go to bed.  Rowland let him go alone, and sat there late,

between sea and sky.

CHAPTER III.  Rome

One warm, still day, late in the Roman autumn, our two young men were

sitting beneath one of the high-stemmed pines of the Villa Ludovisi.

They had been spending an hour in the mouldy little garden-house, where

the colossal mask of the famous Juno looks out with blank eyes from that

dusky corner which must seem to her the last possible stage of a lapse

from Olympus.  Then they had wandered out into the gardens, and were

lounging away the morning under the spell of their magical picturesqueness.

Roderick declared that he would go nowhere else; that, after the Juno,

it was a profanation to look at anything but sky and trees.

There was a fresco of Guercino, to which Rowland, though he had seen

it on his former visit to Rome, went dutifully to pay his respects.

But Roderick, though he had never seen it, declared that it could n't

be worth a fig, and that he did n't care to look at ugly things.

He remained stretched on his overcoat, which he had spread on the grass,

while Rowland went off envying the intellectual comfort of genius,

which can arrive at serene conclusions without disagreeable processes.

When the latter came back, his friend was sitting with his elbows on his

knees and his head in his hands.  Rowland, in the geniality of a mood

attuned to the mellow charm of a Roman villa, found a good word to say

for the Guercino; but he chiefly talked of the view from the little

belvedere on the roof of the casino, and how it looked like the prospect

from a castle turret in a fairy tale.

"Very likely," said Roderick, throwing himself back with a yawn.

"But I must let it pass.  I have seen enough for the present;

I have reached the top of the hill.  I have an indigestion

of impressions; I must work them off before I go in for any more.

I don't want to look at any more of other people's works, for a month--

not even at Nature's own.  I want to look at Roderick Hudson's.

The result of it all is that I 'm not afraid.  I can but try,

as well as the rest of them!  The fellow who did that gazing goddess

yonder only made an experiment.  The other day, when I was looking

at Michael Angelo's Moses, I was seized with a kind of defiance--

a reaction against all this mere passive enjoyment of grandeur.

It was a rousing great success, certainly, that rose there before me,

but somehow it was not an inscrutable mystery, and it seemed to me,

not perhaps that I should some day do as well, but that at

least I might!"

"As you say, you can but try," said Rowland.  "Success is

only passionate effort."

"Well, the passion is blazing; we have been piling on fuel handsomely.

It came over me just now that it is exactly three months to a day since I

left Northampton.  I can't believe it!"

"It certainly seems more."

"It seems like ten years.  What an exquisite ass I was!"

"Do you feel so wise now?"

"Verily!  Don't I look so?  Surely I have n't the same face.

Have n't I a different eye, a different expression,

a different voice?"

"I can hardly say, because I have seen the transition.

But it 's very likely.  You are, in the literal sense of the word,

more civilized.  I dare say," added Rowland, "that Miss Garland

would think so."

"That 's not what she would call it; she would say I was corrupted."

Rowland asked few questions about Miss Garland, but he always

listened narrowly to his companion's voluntary observations.

"Are you very sure?" he replied.

"Why, she 's a stern moralist, and she would infer from

my appearance that I had become a cynical sybarite."

Roderick had, in fact, a Venetian watch-chain round his

neck and a magnificent Roman intaglio on the third finger

of his left hand.

"Will you think I take a liberty," asked Rowland, "if I say you

judge her superficially?"

"For heaven's sake," cried Roderick, laughing, "don't tell me

she 's not a moralist!  It was for that I fell in love with her,

and with rigid virtue in her person."

"She is a moralist, but not, as you imply, a narrow one.

That 's more than a difference in degree; it 's a difference in kind.

I don't know whether I ever mentioned it, but I admire her extremely.

There is nothing narrow about her but her experience; everything else

is large.  My impression of her is of a person of great capacity,

as yet wholly unmeasured and untested.  Some day or other, I 'm sure,

she will judge fairly and wisely of everything."

"Stay a bit!" cried Roderick; "you 're a better Catholic than the Pope.

I shall be content if she judges fairly of me--of my merits, that is.

The rest she must not judge at all.  She 's a grimly devoted little creature;

may she always remain so!  Changed as I am, I adore her none the less.

What becomes of all our emotions, our impressions," he went on,

after a long pause, "all the material of thought that life pours

into us at such a rate during such a memorable three months as these?

There are twenty moments a week--a day, for that matter, some days--

that seem supreme, twenty impressions that seem ultimate,

that appear to form an intellectual era.  But others come treading

on their heels and sweeping them along, and they all melt like water

into water and settle the question of precedence among themselves.

The curious thing is that the more the mind takes in, the more it has

space for, and that all one's ideas are like the Irish people at home

who live in the different corners of a room, and take boarders."

"I fancy it is our peculiar good luck that we don't see the limits

of our minds," said Rowland.  "We are young, compared with what we may

one day be.  That belongs to youth; it is perhaps the best part of it.

They say that old people do find themselves at last face to face

with a solid blank wall, and stand thumping against it in vain.

It resounds, it seems to have something beyond it, but it won't move!

That 's only a reason for living with open doors as long as we can!"

"Open doors?" murmured Roderick.  "Yes, let us close no doors

that open upon Rome.  For this, for the mind, is eternal summer!

But though my doors may stand open to-day," he presently added,

"I shall see no visitors.  I want to pause and breathe; I want

to dream of a statue.  I have been working hard for three months;

I have earned a right to a reverie."

Rowland, on his side, was not without provision for reflection,

and they lingered on in broken, desultory talk.  Rowland felt

the need for intellectual rest, for a truce to present care

for churches, statues, and pictures, on even better grounds than

his companion, inasmuch as he had really been living Roderick's

intellectual life the past three months, as well as his own.

As he looked back on these full-flavored weeks, he drew a long

breath of satisfaction, almost of relief.  Roderick, thus far,

had justified his confidence and flattered his perspicacity;

he was rapidly unfolding into an ideal brilliancy.

He was changed even more than he himself suspected;

he had stepped, without faltering, into his birthright,

and was spending money, intellectually, as lavishly

as a young heir who has just won an obstructive lawsuit.

Roderick's glance and voice were the same, doubtless,

as when they enlivened the summer dusk on Cecilia's veranda,

but in his person, generally, there was an indefinable

expression of experience rapidly and easily assimilated.

Rowland had been struck at the outset with the instinctive

quickness of his observation and his free appropriation of

whatever might serve his purpose.  He had not been, for instance,

half an hour on English soil before he perceived that he was

dressed like a rustic, and he had immediately reformed his

toilet with the most unerring tact.  His appetite for novelty

was insatiable, and for everything characteristically foreign,

as it presented itself, he had an extravagant greeting;

but in half an hour the novelty had faded, he had guessed

the secret, he had plucked out the heart of the mystery and

was clamoring for a keener sensation.  At the end of a month,

he presented, mentally, a puzzling spectacle to his companion.

He had caught, instinctively, the key-note of the old world.

He observed and enjoyed, he criticised and rhapsodized,

but though all things interested him and many delighted him,

none surprised him; he had divined their logic and measured

their proportions, and referred them infallibly to their categories.

Witnessing the rate at which he did intellectual execution

on the general spectacle of European life, Rowland at moments

felt vaguely uneasy for the future; the boy was living

too fast, he would have said, and giving alarming pledges

to ennui in his later years.  But we must live as our pulses

are timed, and Roderick's struck the hour very often.

He was, by imagination, though he never became in manner,

a natural man of the world; he had intuitively, as an artist,

what one may call the historic consciousness.  He had a relish

for social subtleties and mysteries, and, in perception,

when occasion offered him an inch he never failed to take an ell.

A single glimpse of a social situation of the elder type enabled

him to construct the whole, with all its complex chiaroscuro,

and Rowland more than once assured him that he made him

believe in the metempsychosis, and that he must have lived in

European society, in the last century, as a gentleman in a cocked

hat and brocaded waistcoat.  Hudson asked Rowland questions

which poor Rowland was quite unable to answer, and of which he was

equally unable to conceive where he had picked up the data.

Roderick ended by answering them himself, tolerably to

his satisfaction, and in a short time he had almost turned

the tables and become in their walks and talks the accredited

source of information.  Rowland told him that when he turned

sculptor a capital novelist was spoiled, and that to match his

eye for social detail one would have to go to Honore de Balzac.

In all this Rowland took a generous pleasure; he felt an especial

kindness for his comrade's radiant youthfulness of temperament.

He was so much younger than he himself had ever been!

And surely youth and genius, hand in hand, were the most

beautiful sight in the world.  Roderick added to this

the charm of his more immediately personal qualities.

The vivacity of his perceptions, the audacity of his imagination,

the picturesqueness of his phrase when he was pleased,--

and even more when he was displeased,--his abounding good-humor,

his candor, his unclouded frankness, his unfailing impulse

to share every emotion and impression with his friend;

all this made comradeship a pure felicity, and interfused

with a deeper amenity their long evening talks at cafe doors

in Italian towns.

They had gone almost immediately to Paris, and had spent

their days at the Louvre and their evenings at the theatre.

Roderick was divided in mind as to whether Titian or Mademoiselle

Delaporte was the greater artist.  They had come down through

France to Genoa and Milan, had spent a fortnight in Venice

and another in Florence, and had now been a month in Rome.

Roderick had said that he meant to spend three months in simply

looking, absorbing, and reflecting, without putting pencil to paper.

He looked indefatigably, and certainly saw great things--

things greater, doubtless, at times, than the intentions of

the artist.  And yet he made few false steps and wasted little

time in theories of what he ought to like and to dislike.

He judged instinctively and passionately, but never vulgarly.

At Venice, for a couple of days, he had half a fit of

melancholy over the pretended discovery that he had missed

his way, and that the only proper vestment of plastic

conceptions was the coloring of Titian and Paul Veronese.

Then one morning the two young men had themselves rowed out

to Torcello, and Roderick lay back for a couple of hours watching

a brown-breasted gondolier making superb muscular movements,

in high relief, against the sky of the Adriatic, and at the end

jerked himself up with a violence that nearly swamped the gondola,

and declared that the only thing worth living for was to make

a colossal bronze and set it aloft in the light of a public square.

In Rome his first care was for the Vatican; he went there again

and again.  But the old imperial and papal city altogether

delighted him; only there he really found what he had been looking

for from the first--the complete antipodes of Northampton.

And indeed Rome is the natural home of those spirits with which we

just now claimed fellowship for Roderick--the spirits with a deep

relish for the artificial element in life and the infinite

superpositions of history.  It is the immemorial city of convention.

The stagnant Roman air is charged with convention;

it colors the yellow light and deepens the chilly shadows.

And in that still recent day the most impressive convention

in all history was visible to men's eyes, in the Roman streets,

erect in a gilded coach drawn by four black horses.

Roderick's first fortnight was a high aesthetic revel.

He declared that Rome made him feel and understand more things

than he could express:  he was sure that life must have there,

for all one's senses, an incomparable fineness; that more

interesting things must happen to one than anywhere else.

And he gave Rowland to understand that he meant to live freely

and largely, and be as interested as occasion demanded.

Rowland saw no reason to regard this as a menace of dissipation,

because, in the first place, there was in all dissipation,

refine it as one might, a grossness which would disqualify

it for Roderick's favor, and because, in the second,

the young sculptor was a man to regard all things in the light

of his art, to hand over his passions to his genius to be

dealt with, and to find that he could live largely enough

without exceeding the circle of wholesome curiosity.

Rowland took immense satisfaction in his companion's deep

impatience to make something of all his impressions.

Some of these indeed found their way into a channel which did

not lead to statues, but it was none the less a safe one.

He wrote frequent long letters to Miss Garland;

when Rowland went with him to post them he thought wistfully

of the fortune of the great loosely-written missives,

which cost Roderick unconscionable sums in postage.

He received punctual answers of a more frugal form,

written in a clear, minute hand, on paper vexatiously thin.

If Rowland was present when they came, he turned away and

thought of other things--or tried to.  These were the only

moments when his sympathy halted, and they were brief.

For the rest he let the days go by unprotestingly, and enjoyed

Roderick's serene efflorescence as he would have done a beautiful

summer sunrise.  Rome, for the past month, had been delicious.

The annual descent of the Goths had not yet begun, and sunny

leisure seemed to brood over the city.

Roderick had taken out a note-book and was roughly sketching a memento

of the great Juno.  Suddenly there was a noise on the gravel,

and the young men, looking up, saw three persons advancing.

One was a woman of middle age, with a rather grand air

and a great many furbelows.  She looked very hard at our

friends as she passed, and glanced back over her shoulder,

as if to hasten the step of a young girl who slowly followed her.

She had such an expansive majesty of mien that Rowland supposed

she must have some proprietary right in the villa and was not

just then in a hospitable mood.  Beside her walked a little

elderly man, tightly buttoned in a shabby black coat, but with

a flower in his lappet, and a pair of soiled light gloves.

He was a grotesque-looking personage, and might have passed

for a gentleman of the old school, reduced by adversity to playing

cicerone to foreigners of distinction.  He had a little black

eye which glittered like a diamond and rolled about like a ball

of quicksilver, and a white moustache, cut short and stiff,

like a worn-out brush.  He was smiling with extreme urbanity,

and talking in a low, mellifluous voice to the lady, who evidently

was not listening to him.  At a considerable distance behind

this couple strolled a young girl, apparently of about twenty.

She was tall and slender, and dressed with extreme elegance;

she led by a cord a large poodle of the most fantastic aspect.

He was combed and decked like a ram for sacrifice;

his trunk and haunches were of the most transparent pink,

his fleecy head and shoulders as white as jeweler's cotton,

and his tail and ears ornamented with long blue ribbons.

He stepped along stiffly and solemnly beside his mistress,

with an air of conscious elegance.  There was something at first

slightly ridiculous in the sight of a young lady gravely appended

to an animal of these incongruous attributes, and Roderick, with his

customary frankness, greeted the spectacle with a confident smile.

The young girl perceived it and turned her face full upon him,

with a gaze intended apparently to enforce greater deference.

It was not deference, however, her face provoked, but startled,

submissive admiration; Roderick's smile fell dead, and he sat

eagerly staring.  A pair of extraordinary dark blue eyes, a mass

of dusky hair over a low forehead, a blooming oval of perfect purity,

a flexible lip, just touched with disdain, the step and carriage

of a tired princess--these were the general features of his vision.

The young lady was walking slowly and letting her long dress

rustle over the gravel; the young men had time to see her

distinctly before she averted her face and went her way.

She left a vague, sweet perfume behind her as she passed.

"Immortal powers!" cried Roderick, "what a vision!  In the name

of transcendent perfection, who is she?"  He sprang up and stood

looking after her until she rounded a turn in the avenue.

"What a movement, what a manner, what a poise of the head!

I wonder if she would sit to me."

"You had better go and ask her," said Rowland, laughing.

"She is certainly most beautiful."

"Beautiful?  She 's beauty itself--she 's a revelation.

I don't believe she is living--she 's a phantasm,

a vapor, an illusion!"

"The poodle," said Rowland, "is certainly alive."

"Nay, he too may be a grotesque phantom, like the black dog in Faust."

"I hope at least that the young lady has nothing in common

with Mephistopheles.  She looked dangerous."

"If beauty is immoral, as people think at Northampton,"

said Roderick, "she is the incarnation of evil.  The mamma and

the queer old gentleman, moreover, are a pledge of her reality.

Who are they all?"

"The Prince and Princess Ludovisi and the principessina," suggested Rowland.

"There are no such people," said Roderick.  "Besides, the little

old man is not the papa."  Rowland smiled, wondering how he had

ascertained these facts, and the young sculptor went on.

"The old man is a Roman, a hanger-on of the mamma,

a useful personage who now and then gets asked to dinner.

The ladies are foreigners, from some Northern country;

I won't say which."

"Perhaps from the State of Maine," said Rowland.

"No, she 's not an American, I 'll lay a wager on that.

She 's a daughter of this elder world.  We shall see her again,

I pray my stars; but if we don't, I shall have done something I

never expected to--I shall have had a glimpse of ideal beauty."

He sat down again and went on with his sketch of the Juno, scrawled away

for ten minutes, and then handed the result in silence to Rowland.

Rowland uttered an exclamation of surprise and applause.

The drawing represented the Juno as to the position of the head,

the brow, and the broad fillet across the hair; but the eyes,

the mouth, the physiognomy were a vivid portrait of the young girl

with the poodle.  "I have been wanting a subject," said Roderick:

"there 's one made to my hand!  And now for work!"

They saw no more of the young girl, though Roderick looked hopefully,

for some days, into the carriages on the Pincian.  She had evidently been

but passing through Rome; Naples or Florence now happily possessed her,

and she was guiding her fleecy companion through the Villa Reale

or the Boboli Gardens with the same superb defiance of irony.

Roderick went to work and spent a month shut up in his studio;

he had an idea, and he was not to rest till he had embodied it.

He had established himself in the basement of a huge, dusky,

dilapidated old house, in that long, tortuous, and preeminently Roman

street which leads from the Corso to the Bridge of St. Angelo.

The black archway which admitted you might have served as the portal

of the Augean stables, but you emerged presently upon a mouldy

little court, of which the fourth side was formed by a narrow terrace,

overhanging the Tiber.  Here, along the parapet, were stationed half

a dozen shapeless fragments of sculpture, with a couple of meagre

orange-trees in terra-cotta tubs, and an oleander that never flowered.

The unclean, historic river swept beneath; behind were dusky, reeking walls,

spotted here and there with hanging rags and flower-pots in windows;

opposite, at a distance, were the bare brown banks of the stream,

the huge rotunda of St. Angelo, tipped with its seraphic statue,

the dome of St. Peter's, and the broad-topped pines of the Villa Doria.

The place was crumbling and shabby and melancholy, but the river

was delightful, the rent was a trifle, and everything was picturesque.

Roderick was in the best humor with his quarters from the first,

and was certain that the working mood there would be intenser in an hour

than in twenty years of Northampton.  His studio was a huge, empty room

with a vaulted ceiling, covered with vague, dark traces of an old fresco,

which Rowland, when he spent an hour with his friend, used to stare at vainly

for some surviving coherence of floating draperies and clasping arms.

Roderick had lodged himself economically in the same quarter.

He occupied a fifth floor on the Ripetta, but he was only at home to sleep,

for when he was not at work he was either lounging in Rowland's more

luxurious rooms or strolling through streets and churches and gardens.

Rowland had found a convenient corner in a stately old palace

not far from the Fountain of Trevi, and made himself a home

to which books and pictures and prints and odds and ends

of curious furniture gave an air of leisurely permanence.

He had the tastes of a collector; he spent half his afternoons

ransacking the dusty magazines of the curiosity-mongers,

and often made his way, in quest of a prize, into the heart

of impecunious Roman households, which had been prevailed upon

to listen--with closed doors and an impenetrably wary smile--

to proposals for an hereditary "antique."  In the evening,

often, under the lamp, amid dropped curtains and the scattered

gleam of firelight upon polished carvings and mellow paintings,

the two friends sat with their heads together, criticising intaglios

and etchings, water-color drawings and illuminated missals.

Roderick's quick appreciation of every form of artistic

beauty reminded his companion of the flexible temperament

of those Italian artists of the sixteenth century who were

indifferently painters and sculptors, sonneteers and engravers.

At times when he saw how the young sculptor's day passed

in a single sustained pulsation, while his own was broken

into a dozen conscious devices for disposing of the hours,

and intermingled with sighs, half suppressed, some of them,

for conscience' sake, over what he failed of in action and missed

in possession--he felt a pang of something akin to envy.

But Rowland had two substantial aids for giving patience

the air of contentment:  he was an inquisitive reader and a

passionate rider.  He plunged into bulky German octavos on

Italian history, and he spent long afternoons in the saddle,

ranging over the grassy desolation of the Campagna.

As the season went on and the social groups began to

constitute themselves, he found that he knew a great many

people and that he had easy opportunity for knowing others.

He enjoyed a quiet corner of a drawing-room beside an agreeable woman,

and although the machinery of what calls itself society seemed

to him to have many superfluous wheels, he accepted invitations

and made visits punctiliously, from the conviction that the only

way not to be overcome by the ridiculous side of most of

such observances is to take them with exaggerated gravity.

He introduced Roderick right and left, and suffered him to make

his way himself--an enterprise for which Roderick very soon

displayed an all-sufficient capacity.  Wherever he went he made,

not exactly what is called a favorable impression, but what,

from a practical point of view, is better--a puzzling one.

He took to evening parties as a duck to water, and before the winter

was half over was the most freely and frequently discussed young

man in the heterogeneous foreign colony.  Rowland's theory

of his own duty was to let him run his course and play his cards,

only holding himself ready to point out shoals and pitfalls,

and administer a friendly propulsion through tight places.

Roderick's manners on the precincts of the Pincian were

quite the same as his manners on Cecilia's veranda:

that is, they were no manners at all.  But it remained

as true as before that it would have been impossible,

on the whole, to violate ceremony with less of lasting offense.

He interrupted, he contradicted, he spoke to people

he had never seen, and left his social creditors without

the smallest conversational interest on their loans;

he lounged and yawned, he talked loud when he should have

talked low, and low when he should have talked loud.

Many people, in consequence, thought him insufferably conceited,

and declared that he ought to wait till he had something to show

for his powers, before he assumed the airs of a spoiled celebrity.

But to Rowland and to most friendly observers this judgment

was quite beside the mark, and the young man's undiluted

naturalness was its own justification.  He was impulsive,

spontaneous, sincere; there were so many people at dinner-tables

and in studios who were not, that it seemed worth while to

allow this rare specimen all possible freedom of action.

If Roderick took the words out of your mouth when you were

just prepared to deliver them with the most effective accent,

he did it with a perfect good conscience and with no pretension

of a better right to being heard, but simply because he was full

to overflowing of his own momentary thought and it sprang from

his lips without asking leave.  There were persons who waited

on your periods much more deferentially, who were a hundred

times more capable than Roderick of a reflective impertinence.

Roderick received from various sources, chiefly feminine,

enough finely-adjusted advice to have established him in life

as an embodiment of the proprieties, and he received it,

as he afterwards listened to criticisms on his statues,

with unfaltering candor and good-humor. Here and there,

doubtless, as he went, he took in a reef in his sail;

but he was too adventurous a spirit to be successfully tamed,

and he remained at most points the florid, rather strident

young Virginian whose serene inflexibility had been the despair

of Mr. Striker.  All this was what friendly commentators

(still chiefly feminine) alluded to when they spoke of his

delightful freshness, and critics of harsher sensibilities

(of the other sex) when they denounced his damned impertinence.

His appearance enforced these impressions--his handsome face,

his radiant, unaverted eyes, his childish, unmodulated voice.

Afterwards, when those who loved him were in tears, there was

something in all this unspotted comeliness that seemed to lend

a mockery to the causes of their sorrow.

Certainly, among the young men of genius who, for so

many ages, have gone up to Rome to test their powers,

none ever made a fairer beginning than Roderick.

He rode his two horses at once with extraordinary good fortune;

he established the happiest modus vivendi betwixt work and play.

He wrestled all day with a mountain of clay in his studio,

and chattered half the night away in Roman drawing-rooms.

It all seemed part of a kind of divine facility.

He was passionately interested, he was feeling his powers;

now that they had thoroughly kindled in the glowing aesthetic

atmosphere of Rome, the ardent young fellow should be pardoned

for believing that he never was to see the end of them.

He enjoyed immeasurably, after the chronic obstruction of home,

the downright act of production.  He kept models in his studio

till they dropped with fatigue; he drew, on other days,

at the Capitol and the Vatican, till his own head swam

with his eagerness, and his limbs stiffened with the cold.

He had promptly set up a life-sized figure which he called

an "Adam," and was pushing it rapidly toward completion.

There were naturally a great many wiseheads who smiled

at his precipitancy, and cited him as one more example of

Yankee crudity, a capital recruit to the great army of those

who wish to dance before they can walk.  They were right,

but Roderick was right too, for the success of his statue was not

to have been foreseen; it partook, really, of the miraculous.

He never surpassed it afterwards, and a good judge here and there

has been known to pronounce it the finest piece of sculpture

of our modern era.  To Rowland it seemed to justify superbly

his highest hopes of his friend, and he said to himself

that if he had invested his happiness in fostering a genius,

he ought now to be in possession of a boundless complacency.

There was something especially confident and masterly in the

artist's negligence of all such small picturesque accessories

as might serve to label his figure to a vulgar apprehension.

If it represented the father of the human race and the primal

embodiment of human sensation, it did so in virtue

of its look of balanced physical perfection, and deeply,

eagerly sentient vitality.  Rowland, in fraternal zeal, traveled up

to Carrara and selected at the quarries the most magnificent

block of marble he could find, and when it came down to Rome,

the two young men had a "celebration."  They drove out to Albano,

breakfasted boisterously (in their respective measure) at the inn,

and lounged away the day in the sun on the top of Monte Cavo.

Roderick's head was full of ideas for other works,

which he described with infinite spirit and eloquence,

as vividly as if they were ranged on their pedestals before him.

He had an indefatigable fancy; things he saw in the streets,

in the country, things he heard and read, effects he saw just

missed or half-expressed in the works of others, acted upon his

mind as a kind of challenge, and he was terribly restless until,

in some form or other, he had taken up the glove and set his

lance in rest.

The Adam was put into marble, and all the world came to see it.

Of the criticisms passed upon it this history undertakes to offer no record;

over many of them the two young men had a daily laugh for a month,

and certain of the formulas of the connoisseurs, restrictive or indulgent,

furnished Roderick with a permanent supply of humorous catch-words.

But people enough spoke flattering good-sense to make Roderick feel

as if he were already half famous.  The statue passed formally into

Rowland's possession, and was paid for as if an illustrious name had been

chiseled on the pedestal.  Poor Roderick owed every franc of the money.

It was not for this, however, but because he was so gloriously in

the mood, that, denying himself all breathing-time, on the same day

he had given the last touch to the Adam, he began to shape the rough

contour of an Eve.  This went forward with equal rapidity and success.

Roderick lost his temper, time and again, with his models, who offered

but a gross, degenerate image of his splendid ideal; but his ideal,

as he assured Rowland, became gradually such a fixed, vivid presence,

that he had only to shut his eyes to behold a creature far more to his

purpose than the poor girl who stood posturing at forty sous an hour.

The Eve was finished in a month, and the feat was extraordinary,

as well as the statue, which represented an admirably beautiful woman.

When the spring began to muffle the rugged old city with its

clambering festoons, it seemed to him that he had done a handsome

winter's work and had fairly earned a holiday.  He took a liberal one,

and lounged away the lovely Roman May, doing nothing.  He looked

very contented; with himself, perhaps, at times, a trifle too obviously.

But who could have said without good reason?  He was "flushed

with triumph;" this classic phrase portrayed him, to Rowland's sense.

He would lose himself in long reveries, and emerge from them with a

quickened smile and a heightened color.  Rowland grudged him none

of his smiles, and took an extreme satisfaction in his two statues.

He had the Adam and the Eve transported to his own apartment, and one

warm evening in May he gave a little dinner in honor of the artist.

It was small, but Rowland had meant it should be very agreeably composed.

He thought over his friends and chose four.  They were all persons

with whom he lived in a certain intimacy.

One of them was an American sculptor of French extraction,

or remotely, perhaps, of Italian, for he rejoiced in the somewhat

fervid name of Gloriani.  He was a man of forty, he had been

living for years in Paris and in Rome, and he now drove a very

pretty trade in sculpture of the ornamental and fantastic sort.

In his youth he had had money; but he had spent it recklessly,

much of it scandalously, and at twenty-six had found himself obliged

to make capital of his talent.  This was quite inimitable, and fifteen

years of indefatigable exercise had brought it to perfection.

Rowland admitted its power, though it gave him very little pleasure;

what he relished in the man was the extraordinary vivacity

and frankness, not to call it the impudence, of his ideas.

He had a definite, practical scheme of art, and he knew at least

what he meant.  In this sense he was solid and complete.

There were so many of the aesthetic fraternity who were floundering

in unknown seas, without a notion of which way their noses were turned,

that Gloriani, conscious and compact, unlimitedly intelligent

and consummately clever, dogmatic only as to his own duties,

and at once gracefully deferential and profoundly indifferent

to those of others, had for Rowland a certain intellectual

refreshment quite independent of the character of his works.

These were considered by most people to belong to a very corrupt,

and by many to a positively indecent school.  Others thought them

tremendously knowing, and paid enormous prices for them; and indeed,

to be able to point to one of Gloriani's figures in a shady corner

of your library was tolerable proof that you were not a fool.

Corrupt things they certainly were; in the line of sculpture they

were quite the latest fruit of time.  It was the artist's opinion

that there is no essential difference between beauty and ugliness;

that they overlap and intermingle in a quite inextricable manner;

that there is no saying where one begins and the other ends;

that hideousness grimaces at you suddenly from out of the very bosom

of loveliness, and beauty blooms before your eyes in the lap of vileness;

that it is a waste of wit to nurse metaphysical distinctions,

and a sadly meagre entertainment to caress imaginary lines;

that the thing to aim at is the expressive, and the way to reach

it is by ingenuity; that for this purpose everything may serve,

and that a consummate work is a sort of hotch-potch of the pure

and the impure, the graceful and the grotesque.  Its prime duty is

to amuse, to puzzle, to fascinate, to savor of a complex imagination.

Gloriani's statues were florid and meretricious; they looked

like magnified goldsmith's work.  They were extremely elegant,

but they had no charm for Rowland.  He never bought one,

but Gloriani was such an honest fellow, and withal was so deluged

with orders, that this made no difference in their friendship.

The artist might have passed for a Frenchman.  He was a great talker,

and a very picturesque one; he was almost bald; he had a small,

bright eye, a broken nose, and a moustache with waxed ends.

When sometimes he received you at his lodging, he introduced

you to a lady with a plain face whom he called Madame Gloriani--

which she was not.

Rowland's second guest was also an artist, but of a very different type.

His friends called him Sam Singleton; he was an American, and he had

been in Rome a couple of years.  He painted small landscapes,

chiefly in water-colors: Rowland had seen one of them in a shop window,

had liked it extremely, and, ascertaining his address, had gone

to see him and found him established in a very humble studio near

the Piazza Barberini, where, apparently, fame and fortune had not

yet found him out.  Rowland took a fancy to him and bought several

of his pictures; Singleton made few speeches, but was grateful.

Rowland heard afterwards that when he first came to Rome he painted

worthless daubs and gave no promise of talent.  Improvement had come,

however, hand in hand with patient industry, and his talent,

though of a slender and delicate order, was now incontestable.

It was as yet but scantily recognized, and he had hard work to live.

Rowland hung his little water-colors on the parlor wall, and found that,

as he lived with them, he grew very fond of them.  Singleton was

a diminutive, dwarfish personage; he looked like a precocious child.

He had a high, protuberant forehead, a transparent brown eye,

a perpetual smile, an extraordinary expression of modesty and patience.

He listened much more willingly than he talked, with a little fixed,

grateful grin; he blushed when he spoke, and always offered his ideas

in a sidelong fashion, as if the presumption were against them.

His modesty set them off, and they were eminently to the point.

He was so perfect an example of the little noiseless,

laborious artist whom chance, in the person of a moneyed patron,

has never taken by the hand, that Rowland would have liked to befriend

him by stealth.  Singleton had expressed a fervent admiration

for Roderick's productions, but had not yet met the young master.

Roderick was lounging against the chimney-piece when he came in,

and Rowland presently introduced him.  The little water-colorist

stood with folded hands, blushing, smiling, and looking up at him

as if Roderick were himself a statue on a pedestal.  Singleton began

to murmur something about his pleasure, his admiration; the desire

to make his compliment smoothly gave him a kind of grotesque formalism.

Roderick looked down at him surprised, and suddenly burst into a laugh.

Singleton paused a moment and then, with an intenser smile, went on:

"Well, sir, your statues are beautiful, all the same!"

Rowland's two other guests were ladies, and one of them,

Miss Blanchard, belonged also to the artistic fraternity.

She was an American, she was young, she was pretty,

and she had made her way to Rome alone and unaided.

She lived alone, or with no other duenna than a bushy-browed

old serving-woman, though indeed she had a friendly

neighbor in the person of a certain Madame Grandoni,

who in various social emergencies lent her a protecting wing,

and had come with her to Rowland's dinner.  Miss Blanchard had

a little money, but she was not above selling her pictures.

These represented generally a bunch of dew-sprinkled roses,

with the dew-drops very highly finished, or else a wayside shrine,

and a peasant woman, with her back turned, kneeling before it.

She did backs very well, but she was a little weak in faces.

Flowers, however, were her speciality, and though her touch

was a little old-fashioned and finical, she painted them with

remarkable skill.  Her pictures were chiefly bought by the English.

Rowland had made her acquaintance early in the winter, and as she

kept a saddle horse and rode a great deal, he had asked permission

to be her cavalier.  In this way they had become almost intimate.

Miss Blanchard's name was Augusta; she was slender, pale,

and elegant looking; she had a very pretty head and brilliant

auburn hair, which she braided with classical simplicity.

She talked in a sweet, soft voice, used language at times

a trifle superfine, and made literary allusions.  These had

often a patriotic strain, and Rowland had more than once been

irritated by her quotations from Mrs. Sigourney in the cork-woods

of Monte Mario, and from Mr. Willis among the ruins of Veii.

Rowland was of a dozen different minds about her, and was

half surprised, at times, to find himself treating it

as a matter of serious moment whether he liked her or not.

He admired her, and indeed there was something admirable in her

combination of beauty and talent, of isolation and tranquil

self-support. He used sometimes to go into the little,

high-niched, ordinary room which served her as a studio, and find

her working at a panel six inches square, at an open casement,

profiled against the deep blue Roman sky.  She received him

with a meek-eyed dignity that made her seem like a painted saint

on a church window, receiving the daylight in all her being.

The breath of reproach passed her by with folded wings.

And yet Rowland wondered why he did not like her better.

If he failed, the reason was not far to seek.  There was

another woman whom he liked better, an image in his heart

which refused to yield precedence.

On that evening to which allusion has been made, when Rowland

was left alone between the starlight and the waves with the sudden

knowledge that Mary Garland was to become another man's wife,

he had made, after a while, the simple resolution to forget her.

And every day since, like a famous philosopher who wished

to abbreviate his mourning for a faithful servant, he had said

to himself in substance--"Remember to forget Mary Garland."

Sometimes it seemed as if he were succeeding; then, suddenly,

when he was least expecting it, he would find her name, inaudibly,

on his lips, and seem to see her eyes meeting his eyes.  All this

made him uncomfortable, and seemed to portend a possible discord.

Discord was not to his taste; he shrank from imperious passions,

and the idea of finding himself jealous of an unsuspecting

friend was absolutely repulsive.  More than ever, then, the path

of duty was to forget Mary Garland, and he cultivated oblivion,

as we may say, in the person of Miss Blanchard.

Her fine temper, he said to himself, was a trifle cold

and conscious, her purity prudish, perhaps, her culture pedantic.

But since he was obliged to give up hopes of Mary Garland,

Providence owed him a compensation, and he had fits of angry sadness

in which it seemed to him that to attest his right to sentimental

satisfaction he would be capable of falling in love with a woman

he absolutely detested, if she were the best that came in his way.

And what was the use, after all, of bothering about a possible

which was only, perhaps, a dream?  Even if Mary Garland had been free,

what right had he to assume that he would have pleased her?

The actual was good enough.  Miss Blanchard had beautiful hair,

and if she was a trifle old-maidish, there is nothing like matrimony

for curing old-maidishness.

Madame Grandoni, who had formed with the companion of Rowland's

rides an alliance which might have been called defensive on

the part of the former and attractive on that of Miss Blanchard,

was an excessively ugly old lady, highly esteemed in Roman society

for her homely benevolence and her shrewd and humorous good sense.

She had been the widow of a German archaeologist, who had come to Rome in

the early ages as an attache of the Prussian legation on the Capitoline.

Her good sense had been wanting on but a single occasion,

that of her second marriage.  This occasion was certainly a

momentous one, but these, by common consent, are not test cases.

A couple of years after her first husband's death, she had accepted

the hand and the name of a Neapolitan music-master, ten years

younger than herself, and with no fortune but his fiddle-bow. The

marriage was most unhappy, and the Maestro Grandoni was suspected

of using the fiddle-bow as an instrument of conjugal correction.

He had finally run off with a prima donna assoluta, who, it was to

be hoped, had given him a taste of the quality implied in her title.

He was believed to be living still, but he had shrunk to a small

black spot in Madame Grandoni's life, and for ten years she had not

mentioned his name.  She wore a light flaxen wig, which was never very

artfully adjusted, but this mattered little, as she made no secret of it.

She used to say, "I was not always so ugly as this; as a young

girl I had beautiful golden hair, very much the color of my wig."

She had worn from time immemorial an old blue satin dress,

and a white crape shawl embroidered in colors; her appearance

was ridiculous, but she had an interminable Teutonic pedigree,

and her manners, in every presence, were easy and jovial, as became

a lady whose ancestor had been cup-bearer to Frederick Barbarossa.

Thirty years' observation of Roman society had sharpened her wits

and given her an inexhaustible store of anecdotes, but she had beneath

her crumpled bodice a deep-welling fund of Teutonic sentiment,

which she communicated only to the objects of her particular favor.

Rowland had a great regard for her, and she repaid it by wishing

him to get married.  She never saw him without whispering to him

that Augusta Blanchard was just the girl.

It seemed to Rowland a sort of foreshadowing of matrimony to see Miss

Blanchard standing gracefully on his hearth-rug and blooming behind

the central bouquet at his circular dinner-table. The dinner was very

prosperous and Roderick amply filled his position as hero of the feast.

He had always an air of buoyant enjoyment in his work, but on this

occasion he manifested a good deal of harmless pleasure in his glory.

He drank freely and talked bravely; he leaned back in his chair with

his hands in his pockets, and flung open the gates of his eloquence.

Singleton sat gazing and listening open-mouthed, as if Apollo in person

were talking.  Gloriani showed a twinkle in his eye and an evident

disposition to draw Roderick out.  Rowland was rather regretful,

for he knew that theory was not his friend's strong point, and that it

was never fair to take his measure from his talk.

"As you have begun with Adam and Eve," said Gloriani,

"I suppose you are going straight through the Bible."

He was one of the persons who thought Roderick delightfully fresh.

"I may make a David," said Roderick, "but I shall not try

any more of the Old Testament people.  I don't like the Jews;

I don't like pendulous noses.  David, the boy David, is rather

an exception; you can think of him and treat him as a young Greek.

Standing forth there on the plain of battle between the contending armies,

rushing forward to let fly his stone, he looks like a beautiful runner

at the Olympic games.  After that I shall skip to the New Testament.

I mean to make a Christ."

"You 'll put nothing of the Olympic games into him, I hope," said Gloriani.

"Oh, I shall make him very different from the Christ

of tradition; more--more"--and Roderick paused a moment to think.

This was the first that Rowland had heard of his Christ.

"More rationalistic, I suppose," suggested Miss Blanchard.

"More idealistic!" cried Roderick.  "The perfection of form,

you know, to symbolize the perfection of spirit."

"For a companion piece," said Miss Blanchard, "you ought to make a Judas."

"Never!  I mean never to make anything ugly.  The Greeks never

made anything ugly, and I 'm a Hellenist; I 'm not a Hebraist!

I have been thinking lately of making a Cain, but I should never

dream of making him ugly.  He should be a very handsome fellow,

and he should lift up the murderous club with the beautiful

movement of the fighters in the Greek friezes who are chopping

at their enemies."

"There 's no use trying to be a Greek," said Gloriani.

"If Phidias were to come back, he would recommend you to give it up.

I am half Italian and half French, and, as a whole, a Yankee.

What sort of a Greek should I make?  I think the Judas is a capital

idea for a statue.  Much obliged to you, madame, for the suggestion.

What an insidious little scoundrel one might make of him,

sitting there nursing his money-bag and his treachery!

There can be a great deal of expression in a pendulous nose,

my dear sir, especially when it is cast in green bronze."

"Very likely," said Roderick.  "But it is not the sort of expression

I care for.  I care only for perfect beauty.  There it is, if you

want to know it!  That 's as good a profession of faith as another.

In future, so far as my things are not positively beautiful,

you may set them down as failures.  For me, it 's either

that or nothing.  It 's against the taste of the day, I know;

we have really lost the faculty to understand beauty in the large,

ideal way.  We stand like a race with shrunken muscles,

staring helplessly at the weights our forefathers easily lifted.

But I don't hesitate to proclaim it--I mean to lift them again!

I mean to go in for big things; that 's my notion of my art.

I mean to do things that will be simple and vast and infinite.

You 'll see if they won't be infinite!  Excuse me if I brag a little;

all those Italian fellows in the Renaissance used to brag.

There was a sensation once common, I am sure, in the human breast--

a kind of religious awe in the presence of a marble image newly

created and expressing the human type in superhuman purity.

When Phidias and Praxiteles had their statues of goddesses

unveiled in the temples of the ;aEgean, don't you suppose there

was a passionate beating of hearts, a thrill of mysterious terror?

I mean to bring it back; I mean to thrill the world again!

I mean to produce a Juno that will make you tremble, a Venus

that will make you swoon!"

"So that when we come and see you," said Madame Grandoni,

"we must be sure and bring our smelling-bottles. And pray

have a few soft sofas conveniently placed."

"Phidias and Praxiteles," Miss Blanchard remarked, "had the advantage

of believing in their goddesses.  I insist on believing, for myself,

that the pagan mythology is not a fiction, and that Venus and Juno

and Apollo and Mercury used to come down in a cloud into this very city

of Rome where we sit talking nineteenth century English."

"Nineteenth century nonsense, my dear!" cried Madame Grandoni.

"Mr. Hudson may be a new Phidias, but Venus and Juno--

that 's you and I--arrived to-day in a very dirty cab;

and were cheated by the driver, too."

"But, my dear fellow," objected Gloriani, "you don't mean to say

you are going to make over in cold blood those poor old exploded

Apollos and Hebes."

"It won't matter what you call them," said Roderick.

"They shall be simply divine forms.  They shall be Beauty;

they shall be Wisdom; they shall be Power; they shall be Genius;

they shall be Daring.  That 's all the Greek divinities were."

"That 's rather abstract, you know," said Miss Blanchard.

"My dear fellow," cried Gloriani, "you 're delightfully young."

"I hope you 'll not grow any older," said Singleton,

with a flush of sympathy across his large white forehead.

"You can do it if you try."

"Then there are all the Forces and Mysteries and Elements of Nature,"

Roderick went on.  "I mean to do the Morning; I mean to do the Night!

I mean to do the Ocean and the Mountains; the Moon and the West Wind.

I mean to make a magnificent statue of America!"

"America--the Mountains--the Moon!" said Gloriani.

"You 'll find it rather hard, I 'm afraid, to compress such

subjects into classic forms."

"Oh, there 's a way," cried Roderick, "and I shall think it out.

My figures shall make no contortions, but they shall mean

a tremendous deal."

"I 'm sure there are contortions enough in Michael Angelo,"

said Madame Grandoni.  "Perhaps you don't approve of him."

"Oh, Michael Angelo was not me!" said Roderick, with sublimity.

There was a great laugh; but after all, Roderick had done

some fine things.

Rowland had bidden one of the servants bring him a small

portfolio of prints, and had taken out a photograph of Roderick's

little statue of the youth drinking.  It pleased him to see

his friend sitting there in radiant ardor, defending idealism

against so knowing an apostle of corruption as Gloriani,

and he wished to help the elder artist to be confuted.

He silently handed him the photograph.

"Bless me!" cried Gloriani, "did he do this?"

"Ages ago," said Roderick.

Gloriani looked at the photograph a long time, with evident admiration.

"It 's deucedly pretty," he said at last.  "But, my dear young friend,

you can't keep this up."

"I shall do better," said Roderick.

"You will do worse!  You will become weak.  You will have to take

to violence, to contortions, to romanticism, in self-defense. This

sort of thing is like a man trying to lift himself up by the seat

of his trousers.  He may stand on tiptoe, but he can't do more.

Here you stand on tiptoe, very gracefully, I admit; but you can't fly;

there 's no use trying."

"My 'America' shall answer you!" said Roderick, shaking toward

him a tall glass of champagne and drinking it down.

Singleton had taken the photograph and was poring over it with a little

murmur of delight.

"Was this done in America?" he asked.

"In a square white wooden house at Northampton, Massachusetts,"

Roderick answered.

"Dear old white wooden houses!" said Miss Blanchard.

"If you could do as well as this there," said Singleton, blushing and smiling,

"one might say that really you had only to lose by coming to Rome."

"Mallet is to blame for that," said Roderick.  "But I am willing

to risk the loss."

The photograph had been passed to Madame Grandoni.

"It reminds me," she said, "of the things a young man used

to do whom I knew years ago, when I first came to Rome.

He was a German, a pupil of Overbeck and a votary of spiritual art.

He used to wear a black velvet tunic and a very low shirt collar;

he had a neck like a sickly crane, and let his hair grow

down to his shoulders.  His name was Herr Schafgans.

He never painted anything so profane as a man taking a drink,

but his figures were all of the simple and slender and angular

pattern, and nothing if not innocent--like this one of yours.

He would not have agreed with Gloriani any more than you.

He used to come and see me very often, and in those days I thought

his tunic and his long neck infallible symptoms of genius.

His talk was all of gilded aureoles and beatific visions;

he lived on weak wine and biscuits, and wore a lock

of Saint Somebody's hair in a little bag round his neck.

If he was not a Beato Angelico, it was not his own fault.

I hope with all my heart that Mr. Hudson will do the fine things

he talks about, but he must bear in mind the history of dear

Mr. Schafgans as a warning against high-flown pretensions.

One fine day this poor young man fell in love with a Roman model,

though she had never sat to him, I believe, for she was a buxom,

bold-faced, high-colored creature, and he painted none but pale,

sickly women.  He offered to marry her, and she looked at him

from head to foot, gave a shrug, and consented.  But he was ashamed

to set up his menage in Rome.  They went to Naples, and there,

a couple of years afterwards, I saw him.  The poor fellow was ruined.

His wife used to beat him, and he had taken to drinking.

He wore a ragged black coat, and he had a blotchy, red face.

Madame had turned washerwoman and used to make him go and fetch

the dirty linen.  His talent had gone heaven knows where!

He was getting his living by painting views of Vesuvius

in eruption on the little boxes they sell at Sorrento."

"Moral:  don't fall in love with a buxom Roman model," said Roderick.

"I 'm much obliged to you for your story, but I don't mean to fall

in love with any one."

Gloriani had possessed himself of the photograph again, and was

looking at it curiously.  "It 's a happy bit of youth," he said.

"But you can't keep it up--you can't keep it up!"

The two sculptors pursued their discussion after dinner,

in the drawing-room. Rowland left them to have it out in a corner,

where Roderick's Eve stood over them in the shaded lamplight,

in vague white beauty, like the guardian angel of the

young idealist.  Singleton was listening to Madame Grandoni,

and Rowland took his place on the sofa, near Miss Blanchard.

They had a good deal of familiar, desultory talk.

Every now and then Madame Grandoni looked round at them.

Miss Blanchard at last asked Rowland certain questions about Roderick:

who he was, where he came from, whether it was true,

as she had heard, that Rowland had discovered him and brought

him out at his own expense.  Rowland answered her questions;

to the last he gave a vague affirmative.  Finally, after a pause,

looking at him, "You 're very generous," Miss Blanchard said.

The declaration was made with a certain richness of tone,

but it brought to Rowland's sense neither delight nor confusion.

He had heard the words before; he suddenly remembered the grave

sincerity with which Miss Garland had uttered them as he

strolled with her in the woods the day of Roderick's picnic.

They had pleased him then; now he asked Miss Blanchard whether

she would have some tea.

When the two ladies withdrew, he attended them to their carriage.

Coming back to the drawing-room, he paused outside the open door;

he was struck by the group formed by the three men.  They were standing

before Roderick's statue of Eve, and the young sculptor had lifted up

the lamp and was showing different parts of it to his companions.

He was talking ardently, and the lamplight covered his head and face.

Rowland stood looking on, for the group struck him with its

picturesque symbolism.  Roderick, bearing the lamp and glowing

in its radiant circle, seemed the beautiful image of a genius which

combined sincerity with power.  Gloriani, with his head on one side,

pulling his long moustache and looking keenly from half-closed

eyes at the lighted marble, represented art with a worldly motive,

skill unleavened by faith, the mere base maximum of cleverness.

Poor little Singleton, on the other side, with his hands behind him,

his head thrown back, and his eyes following devoutly the course of

Roderick's elucidation, might pass for an embodiment of aspiring candor,

with feeble wings to rise on.  In all this, Roderick's was certainly

the beau role.

Gloriani turned to Rowland as he came up, and pointed back

with his thumb to the statue, with a smile half sardonic,

half good-natured. "A pretty thing--a devilish pretty thing,"

he said.  "It 's as fresh as the foam in the milk-pail. He

can do it once, he can do it twice, he can do it at a stretch

half a dozen times.  But--but"

He was returning to his former refrain, but Rowland intercepted him.

"Oh, he will keep it up," he said, smiling, "I will answer for him."

Gloriani was not encouraging, but Roderick had listened smiling.

He was floating unperturbed on the tide of his deep self-confidence. Now,

suddenly, however, he turned with a flash of irritation in his eye,

and demanded in a ringing voice, "In a word, then, you prophesy that I

am to fail?"

Gloriani answered imperturbably, patting him kindly on the shoulder.

"My dear fellow, passion burns out, inspiration runs to seed.

Some fine day every artist finds himself sitting face to face

with his lump of clay, with his empty canvas, with his sheet

of blank paper, waiting in vain for the revelation to be made,

for the Muse to descend.  He must learn to do without the Muse!

When the fickle jade forgets the way to your studio, don't waste

any time in tearing your hair and meditating on suicide.

Come round and see me, and I will show you how to console yourself."

"If I break down," said Roderick, passionately, "I shall stay down.

If the Muse deserts me, she shall at least have her infidelity

on her conscience."

"You have no business," Rowland said to Gloriani, "to talk lightly

of the Muse in this company.  Mr. Singleton, too, has received

pledges from her which place her constancy beyond suspicion."

And he pointed out on the wall, near by, two small landscapes

by the modest water-colorist.

The sculptor examined them with deference, and Singleton

himself began to laugh nervously; he was trembling

with hope that the great Gloriani would be pleased.

"Yes, these are fresh too," Gloriani said; "extraordinarily fresh!

How old are you?"

"Twenty-six, sir," said Singleton.

"For twenty-six they are famously fresh.  They must have taken

you a long time; you work slowly."

"Yes, unfortunately, I work very slowly.  One of them took me six weeks,

the other two months."

"Upon my word!  The Muse pays you long visits."  And Gloriani turned

and looked, from head to foot, at so unlikely an object of her favors.

Singleton smiled and began to wipe his forehead very hard.

"Oh, you!" said the sculptor; "you 'll keep it up!"

A week after his dinner-party, Rowland went into Roderick's

studio and found him sitting before an unfinished piece of work,

with a hanging head and a heavy eye.  He could have fancied

that the fatal hour foretold by Gloriani had struck.

Roderick rose with a sombre yawn and flung down his tools.

"It 's no use," he said, "I give it up!"

"What is it?"

"I have struck a shallow!  I have been sailing bravely, but for the last day

or two my keel has been crunching the bottom."

"A difficult place?"  Rowland asked, with a sympathetic inflection,

looking vaguely at the roughly modeled figure.

"Oh, it 's not the poor clay!"  Roderick answered.

"The difficult place is here!"  And he struck a blow on his heart.

"I don't know what 's the matter with me.  Nothing comes;

all of a sudden I hate things.  My old things look ugly;

everything looks stupid."

Rowland was perplexed.  He was in the situation of a man

who has been riding a blood horse at an even, elastic gallop,

and of a sudden feels him stumble and balk.  As yet,

he reflected, he had seen nothing but the sunshine of genius;

he had forgotten that it has its storms.  Of course it had!

And he felt a flood of comradeship rise in his heart which

would float them both safely through the worst weather.

"Why, you 're tired!" he said.  "Of course you 're tired.

You have a right to be!"

"Do you think I have a right to be?"  Roderick asked, looking at him.

"Unquestionably, after all you have done."

"Well, then, right or wrong, I am tired.  I certainly have done

a fair winter's work.  I want a change."

Rowland declared that it was certainly high time they

should be leaving Rome.  They would go north and travel.

They would go to Switzerland, to Germany, to Holland, to England.

Roderick assented, his eye brightened, and Rowland talked

of a dozen things they might do.  Roderick walked up and down;

he seemed to have something to say which he hesitated to bring out.

He hesitated so rarely that Rowland wondered, and at last

asked him what was on his mind.  Roderick stopped before him,

frowning a little.

"I have such unbounded faith in your good-will," he said,

"that I believe nothing I can say would offend you."

"Try it," said Rowland.

"Well, then, I think my journey will do me more good if I take it alone.

I need n't say I prefer your society to that of any man living.

For the last six months it has been everything to me.

But I have a perpetual feeling that you are expecting something of me,

that you are measuring my doings by a terrifically high standard.

You are watching me; I don't want to be watched.  I want to go my own way;

to work when I choose and to loaf when I choose.  It is not that I

don't know what I owe you; it is not that we are not friends.

It is simply that I want a taste of absolutely unrestricted freedom.

Therefore, I say, let us separate."

Rowland shook him by the hand.  "Willingly.  Do as you desire,

I shall miss you, and I venture to believe you 'll pass

some lonely hours.  But I have only one request to make:

that if you get into trouble of any kind whatever, you will

immediately let me know."

They began their journey, however, together, and crossed the Alps side

by side, muffled in one rug, on the top of the St. Gothard coach.

Rowland was going to England to pay some promised visits; his companion

had no plan save to ramble through Switzerland and Germany as fancy

guided him.  He had money, now, that would outlast the summer;

when it was spent he would come back to Rome and make another statue.

At a little mountain village by the way, Roderick declared that he would stop;

he would scramble about a little in the high places and doze in the shade

of the pine forests.  The coach was changing horses; the two young men

walked along the village street, picking their way between dunghills,

breathing the light, cool air, and listening to the plash of the fountain

and the tinkle of cattle-bells. The coach overtook them, and then Rowland,

as he prepared to mount, felt an almost overmastering reluctance.

"Say the word," he exclaimed, "and I will stop too."

Roderick frowned.  "Ah, you don't trust me; you don't think I 'm able

to take care of myself.  That proves that I was right in feeling

as if I were watched!"

"Watched, my dear fellow!" said Rowland.  "I hope you may never have anything

worse to complain of than being watched in the spirit in which I watch you.

But I will spare you even that.  Good-by!" Standing in his place, as the coach

rolled away, he looked back at his friend lingering by the roadside.

A great snow-mountain, behind Roderick, was beginning to turn pink

in the sunset.  The young man waved his hat, still looking grave.

Rowland settled himself in his place, reflecting after all that this was

a salubrious beginning of independence.  He was among forests and glaciers,

leaning on the pure bosom of nature.  And then--and then--was it not in itself

a guarantee against folly to be engaged to Mary Garland?

CHAPTER IV.  Experience

Rowland passed the summer in England, staying with several

old friends and two or three new ones.  On his arrival,

he felt it on his conscience to write to Mrs. Hudson and

inform her that her son had relieved him of his tutelage.

He felt that she considered him an incorruptible Mentor,

following Roderick like a shadow, and he wished to let her know

the truth.  But he made the truth very comfortable, and gave

a succinct statement of the young man's brilliant beginnings.

He owed it to himself, he said, to remind her that he had

not judged lightly, and that Roderick's present achievements

were more profitable than his inglorious drudgery at Messrs.

Striker & Spooner's. He was now taking a well-earned

holiday and proposing to see a little of the world.

He would work none the worse for this; every artist

needed to knock about and look at things for himself.

They had parted company for a couple of months, for Roderick was

now a great man and beyond the need of going about with a keeper.

But they were to meet again in Rome in the autumn,

and then he should be able to send her more good news.

Meanwhile, he was very happy in what Roderick had already done--

especially happy in the happiness it must have brought to her.

He ventured to ask to be kindly commended to Miss Garland.

His letter was promptly answered--to his surprise in Miss Garland's

own hand.  The same mail brought also an epistle from Cecilia.

The latter was voluminous, and we must content ourselves with

giving an extract.

"Your letter was filled with an echo of that brilliant

Roman world, which made me almost ill with envy.  For a week

after I got it I thought Northampton really unpardonably tame.

But I am drifting back again to my old deeps of resignation,

and I rush to the window, when any one passes, with all my old

gratitude for small favors.  So Roderick Hudson is already

a great man, and you turn out to be a great prophet?

My compliments to both of you; I never heard of anything

working so smoothly.  And he takes it all very quietly,

and does n't lose his balance nor let it turn his head?

You judged him, then, in a day better than I had done in six months,

for I really did not expect that he would settle down into such

a jog-trot of prosperity.  I believed he would do fine things,

but I was sure he would intersperse them with a good

many follies, and that his beautiful statues would spring up

out of the midst of a straggling plantation of wild oats.

But from what you tell me,

Mr. Striker may now go hang himself..... There is one thing, 

however, to say as a friend, in the way of warning.

That candid soul can keep a secret, and he may have private

designs on your equanimity which you don't begin to suspect.

What do you think of his being engaged to Miss Garland?

The two ladies had given no hint of it all winter, but a fortnight ago,

when those big photographs of his statues arrived, they first

pinned them up on the wall, and then trotted out into the town,

made a dozen calls, and announced the news.  Mrs. Hudson did,

at least; Miss Garland, I suppose, sat at home writing letters.

To me, I confess, the thing was a perfect surprise.

I had not a suspicion that all the while he was coming so regularly

to make himself agreeable on my veranda, he was quietly preferring

his cousin to any one else.  Not, indeed, that he was ever at

particular pains to make himself agreeable!  I suppose he has

picked up a few graces in Rome.  But he must not acquire too many:

if he is too polite when he comes back, Miss Garland will count

him as one of the lost.  She will be a very good wife for a man

of genius, and such a one as they are often shrewd enough to take.

She 'll darn his stockings and keep his accounts, and sit at home

and trim the lamp and keep up the fire while he studies the Beautiful

in pretty neighbors at dinner-parties. The two ladies are evidently

very happy, and, to do them justice, very humbly grateful to you.

Mrs. Hudson never speaks of you without tears in her eyes, and I am

sure she considers you a specially patented agent of Providence.

Verily, it 's a good thing for a woman to be in love:

Miss Garland has grown almost pretty.  I met her the other night

at a tea-party; she had a white rose in her hair, and sang

a sentimental ballad in a fine contralto voice."

Miss Garland's letter was so much shorter that we may give it entire:--

My dear Sir,--Mrs. Hudson, as I suppose you know, has been

for some time unable to use her eyes.  She requests me,

therefore, to answer your favor of the 22d of June.

She thanks you extremely for writing, and wishes me to say that she

considers herself in every way under great obligations to you.

Your account of her son's progress and the high estimation

in which he is held has made her very happy, and she earnestly

prays that all may continue well with him.  He sent us,

a short time ago, several large photographs of his two statues,

taken from different points of view.  We know little about

such things, but they seem to us wonderfully beautiful.

We sent them to Boston to be handsomely framed, and the man,

on returning them, wrote us that he had exhibited them for a week

in his store, and that they had attracted great attention.

The frames are magnificent, and the pictures now hang in a row

on the parlor wall.  Our only quarrel with them is that they make

the old papering and the engravings look dreadfully shabby.

Mr. Striker stood and looked at them the other day full five minutes,

and said, at last, that if Roderick's head was running on such

things it was no wonder he could not learn to draw up a deed.

We lead here so quiet and monotonous a life that I am

afraid I can tell you nothing that will interest you.

Mrs. Hudson requests me to say that the little more or less

that may happen to us is of small account, as we live

in our thoughts and our thoughts are fixed on her dear son.

She thanks Heaven he has so good a friend.  Mrs. Hudson says

that this is too short a letter, but I can say nothing more.

Yours most respectfully,

Mary Garland.

It is a question whether the reader will know why, but this

letter gave Rowland extraordinary pleasure.  He liked its very

brevity and meagreness, and there seemed to him an exquisite

modesty in its saying nothing from the young girl herself.

He delighted in the formal address and conclusion;

they pleased him as he had been pleased by an angular gesture

in some expressive girlish figure in an early painting.

The letter renewed that impression of strong feeling combined

with an almost rigid simplicity, which Roderick's betrothed had

personally given him.  And its homely stiffness seemed a vivid

reflection of a life concentrated, as the young girl had borrowed

warrant from her companion to say, in a single devoted idea.

The monotonous days of the two women seemed to Rowland's fancy

to follow each other like the tick-tick of a great time-piece,

marking off the hours which separated them from the supreme

felicity of clasping the far-away son and lover to lips sealed

with the excess of joy.  He hoped that Roderick, now that

he had shaken off the oppression of his own importunate faith,

was not losing a tolerant temper for the silent prayers

of the two women at Northampton.

He was left to vain conjectures, however, as to Roderick's actual

moods and occupations.  He knew he was no letter-writer, and that,

in the young sculptor's own phrase, he had at any time rather

build a monument than write a note.  But when a month had passed

without news of him, he began to be half anxious and half angry,

and wrote him three lines, in the care of a Continental banker,

begging him at least to give some sign of whether he was alive or dead.

A week afterwards came an answer--brief, and dated Baden-Baden. "I

know I have been a great brute," Roderick wrote, "not to have sent

you a word before; but really I don't know what has got into me.

I have lately learned terribly well how to be idle.  I am afraid

to think how long it is since I wrote to my mother or to Mary.

Heaven help them--poor, patient, trustful creatures!

I don't know how to tell you what I am doing.  It seems all amusing

enough while I do it, but it would make a poor show in a narrative

intended for your formidable eyes.  I found Baxter in Switzerland,

or rather he found me, and he grabbed me by the arm and brought me here.

I was walking twenty miles a day in the Alps, drinking milk

in lonely chalets, sleeping as you sleep, and thinking it

was all very good fun; but Baxter told me it would never do,

that the Alps were 'd----d rot,' that Baden-Baden was the place,

and that if I knew what was good for me I would come along with him.

It is a wonderful place, certainly, though, thank the Lord,

Baxter departed last week, blaspheming horribly at trente et quarante.

But you know all about it and what one does--what one is liable to do.

I have succumbed, in a measure, to the liabilities, and I wish

I had some one here to give me a thundering good blowing up.

Not you, dear friend; you would draw it too mild; you have too

much of the milk of human kindness.  I have fits of horrible

homesickness for my studio, and I shall be devoutly grateful

when the summer is over and I can go back and swing a chisel.

I feel as if nothing but the chisel would satisfy me;

as if I could rush in a rage at a block of unshaped marble.

There are a lot of the Roman people here, English and American;

I live in the midst of them and talk nonsense from morning till night.

There is also some one else; and to her I don't talk sense, nor,

thank heaven, mean what I say.  I confess, I need a month's work

to recover my self-respect."

These lines brought Rowland no small perturbation;

the more, that what they seemed to point to surprised him.

During the nine months of their companionship Roderick had shown

so little taste for dissipation that Rowland had come to think

of it as a canceled danger, and it greatly perplexed him to learn

that his friend had apparently proved so pliant to opportunity.

But Roderick's allusions were ambiguous, and it was possible they

might simply mean that he was out of patience with a frivolous

way of life and fretting wholesomely over his absent work.

It was a very good thing, certainly, that idleness should prove,

on experiment, to sit heavily on his conscience.  Nevertheless, the letter

needed, to Rowland's mind, a key:  the key arrived a week later.

"In common charity," Roderick wrote, "lend me a hundred pounds!

I have gambled away my last franc--I have made a mountain of debts.

Send me the money first; lecture me afterwards!"  Rowland sent

the money by return of mail; then he proceeded, not to lecture,

but to think.  He hung his head; he was acutely disappointed.

He had no right to be, he assured himself; but so it was.

Roderick was young, impulsive, unpracticed in stoicism; it was a

hundred to one that he was to pay the usual vulgar tribute to folly.

But his friend had regarded it as securely gained to his own

belief in virtue that he was not as other foolish youths are,

and that he would have been capable of looking at folly in the face

and passing on his way.  Rowland for a while felt a sore sense of wrath.

What right had a man who was engaged to that fine girl in Northampton

to behave as if his consciousness were a common blank, to be overlaid

with coarse sensations?  Yes, distinctly, he was disappointed.

He had accompanied his missive with an urgent recommendation to leave

Baden-Baden immediately, and an offer to meet Roderick at any point

he would name.  The answer came promptly; it ran as follows:

"Send me another fifty pounds!  I have been back to the tables.

I will leave as soon as the money comes, and meet you at Geneva.

There I will tell you everything."

There is an ancient terrace at Geneva, planted with trees and studded

with benches, overlooked by gravely aristocratic old dwellings

and overlooking the distant Alps.  A great many generations have made

it a lounging-place, a great many friends and lovers strolled there,

a great many confidential talks and momentous interviews gone forward.

Here, one morning, sitting on one of the battered green benches,

Roderick, as he had promised, told his friend everything.

He had arrived late the night before; he looked tired, and yet flushed

and excited.  He made no professions of penitence, but he practiced

an unmitigated frankness, and his self-reprobation might be taken

for granted.  He implied in every phrase that he had done with it all,

and that he was counting the hours till he could get back to work.

We shall not rehearse his confession in detail; its main outline

will be sufficient.  He had fallen in with some very idle people,

and had discovered that a little example and a little practice were capable

of producing on his own part a considerable relish for their diversions.

What could he do?  He never read, and he had no studio; in one way

or another he had to pass the time.  He passed it in dangling about

several very pretty women in wonderful Paris toilets, and reflected

that it was always something gained for a sculptor to sit under a tree,

looking at his leisure into a charming face and saying things that made

it smile and play its muscles and part its lips and show its teeth.

Attached to these ladies were certain gentlemen who walked about in clouds

of perfume, rose at midday, and supped at midnight.  Roderick had

found himself in the mood for thinking them very amusing fellows.

He was surprised at his own taste, but he let it take its course.

It led him to the discovery that to live with ladies who expect you

to present them with expensive bouquets, to ride with them in the Black

Forest on well-looking horses, to come into their opera-boxes on nights

when Patti sang and prices were consequent, to propose little light

suppers at the Conversation House after the opera or drives by moonlight

to the Castle, to be always arrayed and anointed, trinketed and gloved,--

that to move in such society, we say, though it might be a privilege,

was a privilege with a penalty attached.  But the tables made such

things easy; half the Baden world lived by the tables.  Roderick tried

them and found that at first they smoothed his path delightfully.

This simplification of matters, however, was only momentary,

for he soon perceived that to seem to have money, and to have it

in fact, exposed a good-looking young man to peculiar liabilities.

At this point of his friend's narrative, Rowland was reminded of

Madame de Cruchecassee in The Newcomes, and though he had listened

in tranquil silence to the rest of it, he found it hard not to say

that all this had been, under the circumstances, a very bad business.

Roderick admitted it with bitterness, and then told how much--

measured simply financially--it had cost him.  His luck had changed;

the tables had ceased to back him, and he had found himself up

to his knees in debt.  Every penny had gone of the solid sum which

had seemed a large equivalent of those shining statues in Rome.

He had been an ass, but it was not irreparable; he could make another

statue in a couple of months.

Rowland frowned.  "For heaven's sake," he said, "don't play such

dangerous games with your facility.  If you have got facility,

revere it, respect it, adore it, treasure it--don't speculate on it."

And he wondered what his companion, up to his knees in debt, would have done

if there had been no good-natured Rowland Mallet to lend a helping hand.

But he did not formulate his curiosity audibly, and the contingency

seemed not to have presented itself to Roderick's imagination.

The young sculptor reverted to his late adventures again in the evening,

and this time talked of them more objectively, as the phrase is;

more as if they had been the adventures of another person.

He related half a dozen droll things that had happened to him,

and, as if his responsibility had been disengaged by all this

free discussion, he laughed extravagantly at the memory of them.

Rowland sat perfectly grave, on principle.  Then Roderick began

to talk of half a dozen statues that he had in his head, and set forth

his design, with his usual vividness.  Suddenly, as it was relevant,

he declared that his Baden doings had not been altogether fruitless,

for that the lady who had reminded Rowland of Madame de Cruchecassee

was tremendously statuesque.  Rowland at last said that it

all might pass if he felt that he was really the wiser for it.

"By the wiser," he added, "I mean the stronger in purpose, in will."

"Oh, don't talk about will!"  Roderick answered, throwing back his head

and looking at the stars.  This conversation also took place in the open air,

on the little island in the shooting Rhone where Jean-Jacques has

a monument.  "The will, I believe, is the mystery of mysteries.

Who can answer for his will? who can say beforehand that it 's strong?

There are all kinds of indefinable currents moving to and fro between

one's will and one's inclinations.  People talk as if the two things

were essentially distinct; on different sides of one's organism,

like the heart and the liver.  Mine, I know, are much nearer together.

It all depends upon circumstances.  I believe there is a certain group

of circumstances possible for every man, in which his will is destined

to snap like a dry twig."

"My dear boy," said Rowland, "don't talk about the will being 'destined.'

The will is destiny itself.  That 's the way to look at it."

"Look at it, my dear Rowland," Roderick answered, "as you

find most comfortable.  One conviction I have gathered from

my summer's experience," he went on--"it 's as well to look

it frankly in the face--is that I possess an almost unlimited

susceptibility to the influence of a beautiful woman."

Rowland stared, then strolled away, softly whistling to himself.

He was unwilling to admit even to himself that this speech

had really the sinister meaning it seemed to have.

In a few days the two young men made their way back to Italy,

and lingered a while in Florence before going on to Rome.

In Florence Roderick seemed to have won back his old innocence

and his preference for the pleasures of study over any others.

Rowland began to think of the Baden episode as a bad dream,

or at the worst as a mere sporadic piece of disorder,

without roots in his companion's character.

They passed a fortnight looking at pictures and exploring

for out the way bits of fresco and carving, and Roderick

recovered all his earlier fervor of appreciation and comment.

In Rome he went eagerly to work again, and finished in a month

two or three small things he had left standing on his departure.

He talked the most joyous nonsense about finding himself back

in his old quarters.  On the first Sunday afternoon following

their return, on their going together to Saint Peter's, he delivered

himself of a lyrical greeting to the great church and to the city

in general, in a tone of voice so irrepressibly elevated

that it rang through the nave in rather a scandalous fashion,

and almost arrested a procession of canons who were marching

across to the choir.  He began to model a new statue--

a female figure, of which he had said nothing to Rowland.

It represented a woman, leaning lazily back in her chair,

with her head drooping as if she were listening, a vague smile

on her lips, and a pair of remarkably beautiful arms folded

in her lap.  With rather less softness of contour, it would

have resembled the noble statue of Agrippina in the Capitol.

Rowland looked at it and was not sure he liked it.

"Who is it? what does it mean?" he asked.

"Anything you please!" said Roderick, with a certain petulance.

"I call it A Reminiscence."

Rowland then remembered that one of the Baden ladies had been

"statuesque," and asked no more questions.  This, after all,

was a way of profiting by experience.  A few days later he took

his first ride of the season on the Campagna, and as, on his

homeward way, he was passing across the long shadow of a ruined tower,

he perceived a small figure at a short distance, bent over a

sketch-book. As he drew near, he recognized his friend Singleton.

The honest little painter's face was scorched to flame-color

by the light of southern suns, and borrowed an even deeper crimson

from his gleeful greeting of his most appreciative patron.

He was making a careful and charming little sketch.

On Rowland's asking him how he had spent his summer, he gave

an account of his wanderings which made poor Mallet sigh with a

sense of more contrasts than one.  He had not been out of Italy,

but he had been delving deep into the picturesque heart of

the lovely land, and gathering a wonderful store of subjects.

He had rambled about among the unvisited villages of the Apennines,

pencil in hand and knapsack on back, sleeping on straw and eating black

bread and beans, but feasting on local color, rioting, as it were,

on chiaroscuro, and laying up a treasure of pictorial observations.

He took a devout satisfaction in his hard-earned wisdom and his

happy frugality.  Rowland went the next day, by appointment,

to look at his sketches, and spent a whole morning turning them over.

Singleton talked more than he had ever done before, explained them all,

and told some quaintly humorous anecdote about the production of each.

"Dear me, how I have chattered!" he said at last.  "I am afraid

you had rather have looked at the things in peace and quiet.

I did n't know I could talk so much.  But somehow, I feel very happy;

I feel as if I had improved."

"That you have," said Rowland.  "I doubt whether an artist

ever passed a more profitable three months.  You must feel

much more sure of yourself."

Singleton looked for a long time with great intentness at a knot in

the floor.  "Yes," he said at last, in a fluttered tone, "I feel much

more sure of myself.  I have got more facility!"  And he lowered his voice

as if he were communicating a secret which it took some courage to impart.

"I hardly like to say it, for fear I should after all be mistaken.

But since it strikes you, perhaps it 's true.  It 's a great happiness;

I would not exchange it for a great deal of money."

"Yes, I suppose it 's a great happiness," said Rowland.

"I shall really think of you as living here in a state of

scandalous bliss.  I don't believe it 's good for an artist

to be in such brutally high spirits."

Singleton stared for a moment, as if he thought Rowland was in earnest;

then suddenly fathoming the kindly jest, he walked about the room,

scratching his head and laughing intensely to himself.  "And Mr. Hudson?"

he said, as Rowland was going; "I hope he is well and happy."

"He is very well," said Rowland.  "He is back at work again."

"Ah, there 's a man," cried Singleton, "who has taken his start once for all,

and does n't need to stop and ask himself in fear and trembling every month

or two whether he is advancing or not.  When he stops, it 's to rest!

And where did he spend his summer?"

"The greater part of it at Baden-Baden."

"Ah, that 's in the Black Forest," cried Singleton, with profound simplicity.

"They say you can make capital studies of trees there."

"No doubt," said Rowland, with a smile, laying an almost

paternal hand on the little painter's yellow head.

"Unfortunately trees are not Roderick's line.  Nevertheless, he tells

me that at Baden he made some studies.  Come when you can,

by the way," he added after a moment, "to his studio,

and tell me what you think of something he has lately begun."

Singleton declared that he would come delightedly, and Rowland

left him to his work.

He met a number of his last winter's friends again, and called upon

Madame Grandoni, upon Miss Blanchard, and upon Gloriani, shortly after

their return.  The ladies gave an excellent account of themselves.

Madame Grandoni had been taking sea-baths at Rimini, and Miss Blanchard

painting wild flowers in the Tyrol.  Her complexion was somewhat browned,

which was very becoming, and her flowers were uncommonly pretty.

Gloriani had been in Paris and had come away in high good-humor,

finding no one there, in the artist-world, cleverer than himself.

He came in a few days to Roderick's studio, one afternoon when Rowland

was present.  He examined the new statue with great deference, said it was

very promising, and abstained, considerately, from irritating prophecies.

But Rowland fancied he observed certain signs of inward jubilation

on the clever sculptor's part, and walked away with him to learn

his private opinion.

"Certainly; I liked it as well as I said," Gloriani declared in answer

to Rowland's anxious query; "or rather I liked it a great deal better.

I did n't say how much, for fear of making your friend angry.

But one can leave him alone now, for he 's coming round.  I told you he could

n't keep up the transcendental style, and he has already broken down.

Don't you see it yourself, man?"

"I don't particularly like this new statue," said Rowland.

"That 's because you 're a purist.  It 's deuced clever, it 's deuced knowing,

it 's deuced pretty, but it is n't the topping high art of three months ago.

He has taken his turn sooner than I supposed.  What has happened to him?

Has he been disappointed in love?  But that 's none of my business.

I congratulate him on having become a practical man."

Roderick, however, was less to be congratulated than Gloriani had taken

it into his head to believe.  He was discontented with his work,

he applied himself to it by fits and starts, he declared that he did

n't know what was coming over him; he was turning into a man of moods.

"Is this of necessity what a fellow must come to"--he asked of Rowland,

with a sort of peremptory flash in his eye, which seemed to imply

that his companion had undertaken to insure him against perplexities

and was not fulfilling his contract--"this damnable uncertainty

when he goes to bed at night as to whether he is going to wake up

in a working humor or in a swearing humor?  Have we only a season,

over before we know it, in which we can call our faculties our own?

Six months ago I could stand up to my work like a man, day after day,

and never dream of asking myself whether I felt like it.

But now, some mornings, it 's the very devil to get going.

My statue looks so bad when I come into the studio that I have twenty

minds to smash it on the spot, and I lose three or four hours

in sitting there, moping and getting used to it."

Rowland said that he supposed that this sort of thing was the lot of

every artist and that the only remedy was plenty of courage and faith.

And he reminded him of Gloriani's having forewarned him against these

sterile moods the year before.

"Gloriani 's an ass!" said Roderick, almost fiercely.

He hired a horse and began to ride with Rowland on the Campagna.

This delicious amusement restored him in a measure to cheerfulness,

but seemed to Rowland on the whole not to stimulate his industry.

Their rides were always very long, and Roderick insisted on making

them longer by dismounting in picturesque spots and stretching

himself in the sun among a heap of overtangled stones.

He let the scorching Roman luminary beat down upon him

with an equanimity which Rowland found it hard to emulate.

But in this situation Roderick talked so much amusing nonsense that,

for the sake of his company, Rowland consented to be uncomfortable,

and often forgot that, though in these diversions the days

passed quickly, they brought forth neither high art nor low.

And yet it was perhaps by their help, after all, that Roderick

secured several mornings of ardent work on his new figure,

and brought it to rapid completion.  One afternoon, when it

was finished, Rowland went to look at it, and Roderick asked

him for his opinion.

"What do you think yourself?"  Rowland demanded, not from pusillanimity,

but from real uncertainty.

"I think it is curiously bad," Roderick answered.

"It was bad from the first; it has fundamental vices.

I have shuffled them in a measure out of sight, but I have not

corrected them.  I can't--I can't--I can't!" he cried passionately.

"They stare me in the face--they are all I see!"

Rowland offered several criticisms of detail, and suggested certain

practicable changes.  But Roderick differed with him on each of these points;

the thing had faults enough, but they were not those faults.

Rowland, unruffled, concluded by saying that whatever its faults might be,

he had an idea people in general would like it.

"I wish to heaven some person in particular would buy it,

and take it off my hands and out of my sight!"  Roderick cried.

"What am I to do now?" he went on.  "I have n't an idea.

I think of subjects, but they remain mere lifeless names.

They are mere words--they are not images.  What am I to do?"

Rowland was a trifle annoyed.  "Be a man," he was on the point of saying,

"and don't, for heaven's sake, talk in that confoundedly querulous voice."

But before he had uttered the words, there rang through the studio a loud,

peremptory ring at the outer door.

Roderick broke into a laugh.  "Talk of the devil,"

he said, "and you see his horns!  If that 's not a customer,

it ought to be."

The door of the studio was promptly flung open, and a lady

advanced to the threshold--an imposing, voluminous person,

who quite filled up the doorway.  Rowland immediately felt

that he had seen her before, but he recognized her only when she

moved forward and disclosed an attendant in the person of a little

bright-eyed, elderly gentleman, with a bristling white moustache.

Then he remembered that just a year before he and his companion

had seen in the Ludovisi gardens a wonderfully beautiful girl,

strolling in the train of this conspicuous couple.

He looked for her now, and in a moment she appeared, following her

companions with the same nonchalant step as before, and leading

her great snow-white poodle, decorated with motley ribbons.

The elder lady offered the two young men a sufficiently gracious salute;

the little old gentleman bowed and smiled with extreme alertness.

The young girl, without casting a glance either at Roderick

or at Rowland, looked about for a chair, and, on perceiving one,

sank into it listlessly, pulled her poodle towards her,

and began to rearrange his top-knot. Rowland saw that,

even with her eyes dropped, her beauty was still dazzling.

"I trust we are at liberty to enter," said the elder lady, with majesty.

"We were told that Mr. Hudson had no fixed day, and that we might come

at any time.  Let us not disturb you."

Roderick, as one of the lesser lights of the Roman art-world, had

not hitherto been subject to incursions from inquisitive tourists,

and, having no regular reception day, was not versed in the usual

formulas of welcome.  He said nothing, and Rowland, looking at him,

saw that he was looking amazedly at the young girl and was apparently

unconscious of everything else.  "By Jove!" he cried precipitately,

"it 's that goddess of the Villa Ludovisi!"  Rowland in some confusion,

did the honors as he could, but the little old gentleman begged him

with the most obsequious of smiles to give himself no trouble.

"I have been in many a studio!" he said, with his finger on his nose

and a strong Italian accent.

"We are going about everywhere," said his companion.

"I am passionately fond of art!"

Rowland smiled sympathetically, and let them turn to Roderick's statue.

He glanced again at the young sculptor, to invite him to bestir himself,

but Roderick was still gazing wide-eyed at the beautiful young

mistress of the poodle, who by this time had looked up and was

gazing straight at him.  There was nothing bold in her look;

it expressed a kind of languid, imperturbable indifference.

Her beauty was extraordinary; it grew and grew as the young

man observed her.  In such a face the maidenly custom of

averted eyes and ready blushes would have seemed an anomaly;

nature had produced it for man's delight and meant that it

should surrender itself freely and coldly to admiration.

It was not immediately apparent, however, that the young lady

found an answering entertainment in the physiognomy of her host;

she turned her head after a moment and looked idly round the room,

and at last let her eyes rest on the statue of the woman seated.

It being left to Rowland to stimulate conversation, he began

by complimenting her on the beauty of her dog.

"Yes, he 's very handsome," she murmured.  "He 's a Florentine.

The dogs in Florence are handsomer than the people."

And on Rowland's caressing him:  "His name is Stenterello,"

she added.  "Stenterello, give your hand to the gentleman."

This order was given in Italian.  "Say buon giorno a lei."

Stenterello thrust out his paw and gave four short, shrill barks;

upon which the elder lady turned round and raised her forefinger.

"My dear, my dear, remember where you are!  Excuse my foolish child,"

she added, turning to Roderick with an agreeable smile.

"She can think of nothing but her poodle."

"I am teaching him to talk for me," the young girl went on,

without heeding her mother; "to say little things in society.

It will save me a great deal of trouble.  Stenterello, love,

give a pretty smile and say tanti complimenti!"

The poodle wagged his white pate--it looked like one of those

little pads in swan's-down, for applying powder to the face--

and repeated the barking process.

"He is a wonderful beast," said Rowland.

"He is not a beast," said the young girl.  "A beast is something

black and dirty--something you can't touch."

"He is a very valuable dog," the elder lady explained.

"He was presented to my daughter by a Florentine nobleman."

"It is not for that I care about him.  It is for himself.

He is better than the prince."

"My dear, my dear!" repeated the mother in deprecating accents,

but with a significant glance at Rowland which seemed to bespeak

his attention to the glory of possessing a daughter who could

deal in that fashion with the aristocracy.

Rowland remembered that when their unknown visitors had passed

before them, a year previous, in the Villa Ludovisi, Roderick and he had

exchanged conjectures as to their nationality and social quality.

Roderick had declared that they were old-world people; but Rowland

now needed no telling to feel that he might claim the elder lady as a

fellow-countrywoman. She was a person of what is called a great deal

of presence, with the faded traces, artfully revived here and there,

of once brilliant beauty.  Her daughter had come lawfully by her loveliness,

but Rowland mentally made the distinction that the mother was silly

and that the daughter was not.  The mother had a very silly mouth--

a mouth, Rowland suspected, capable of expressing an inordinate

degree of unreason.  The young girl, in spite of her childish

satisfaction in her poodle, was not a person of feeble understanding.

Rowland received an impression that, for reasons of her own,

she was playing a part.  What was the part and what were her reasons?

She was interesting; Rowland wondered what were her domestic secrets.

If her mother was a daughter of the great Republic, it was to be

supposed that the young girl was a flower of the American soil;

but her beauty had a robustness and tone uncommon in the somewhat

facile loveliness of our western maidenhood.  She spoke with a vague

foreign accent, as if she had spent her life in strange countries.

The little Italian apparently divined Rowland's mute imaginings,

for he presently stepped forward, with a bow like a master of ceremonies.

"I have not done my duty," he said, "in not announcing these ladies.

Mrs. Light, Miss Light!"

Rowland was not materially the wiser for this information, but Roderick

was aroused by it to the exercise of some slight hospitality.

He altered the light, pulled forward two or three figures,

and made an apology for not having more to show.  "I don't pretend

to have anything of an exhibition--I am only a novice."

"Indeed?--a novice!  For a novice this is very well," Mrs. Light declared.

"Cavaliere, we have seen nothing better than this."

The Cavaliere smiled rapturously.  "It is stupendous!" he murmured.

"And we have been to all the studios."

"Not to all--heaven forbid!" cried Mrs. Light.  "But to a number that I

have had pointed out by artistic friends.  I delight in studios:

they are the temples of the beautiful here below.  And if you are

a novice, Mr. Hudson," she went on, "you have already great admirers.

Half a dozen people have told us that yours were among the things to see."

This gracious speech went unanswered; Roderick had already wandered across

to the other side of the studio and was revolving about Miss Light.

"Ah, he 's gone to look at my beautiful daughter; he is not the first

that has had his head turned," Mrs. Light resumed, lowering her

voice to a confidential undertone; a favor which, considering the

shortness of their acquaintance, Rowland was bound to appreciate.

"The artists are all crazy about her.  When she goes into a studio

she is fatal to the pictures.  And when she goes into a ball-room

what do the other women say?  Eh, Cavaliere?"

"She is very beautiful," Rowland said, gravely.

Mrs. Light, who through her long, gold-cased glass was looking a little

at everything, and at nothing as if she saw it, interrupted her random

murmurs and exclamations, and surveyed Rowland from head to foot.

She looked at him all over; apparently he had not been mentioned

to her as a feature of Roderick's establishment.  It was the gaze,

Rowland felt, which the vigilant and ambitious mamma of a beautiful

daughter has always at her command for well-dressed young men of

candid physiognomy.  Her inspection in this case seemed satisfactory.

"Are you also an artist?" she inquired with an almost caressing inflection.

It was clear that what she meant was something of this kind:

"Be so good as to assure me without delay that you are really the young

man of substance and amiability that you appear."

But Rowland answered simply the formal question--not the latent one.

"Dear me, no; I am only a friend of Mr. Hudson."

Mrs. Light, with a sigh, returned to the statues, and after mistaking

the Adam for a gladiator, and the Eve for a Pocahontas, declared that she

could not judge of such things unless she saw them in the marble.

Rowland hesitated a moment, and then speaking in the interest of

Roderick's renown, said that he was the happy possessor of several

of his friend's works and that she was welcome to come and see them

at his rooms.  She bade the Cavaliere make a note of his address.

"Ah, you 're a patron of the arts," she said.  "That 's what I should

like to be if I had a little money.  I delight in beauty in every form.

But all these people ask such monstrous prices.  One must be a millionaire,

to think of such things, eh?  Twenty years ago my husband had my portrait

painted, here in Rome, by Papucci, who was the great man in those days.

I was in a ball dress, with all my jewels, my neck and arms, and all that.

The man got six hundred francs, and thought he was very well treated.

Those were the days when a family could live like princes in Italy for five

thousand scudi a year.  The Cavaliere once upon a time was a great dandy--

don't blush, Cavaliere; any one can see that, just as any one can see that I

was once a pretty woman!  Get him to tell you what he made a figure upon.

The railroads have brought in the vulgarians.  That 's what I call it now--

the invasion of the vulgarians!  What are poor we to do?"

Rowland had begun to murmur some remedial proposition,

when he was interrupted by the voice of Miss Light calling

across the room, "Mamma!"

"My own love?"

"This gentleman wishes to model my bust.  Please speak to him."

The Cavaliere gave a little chuckle.  "Already?" he cried.

Rowland looked round, equally surprised at the promptitude of the proposal.

Roderick stood planted before the young girl with his arms folded,

looking at her as he would have done at the Medicean Venus.

He never paid compliments, and Rowland, though he had not heard him speak,

could imagine the startling distinctness with which he made his request.

"He saw me a year ago," the young girl went on, "and he has

been thinking of me ever since."  Her tone, in speaking,

was peculiar; it had a kind of studied inexpressiveness,

which was yet not the vulgar device of a drawl.

"I must make your daughter's bust--that 's all, madame!"

cried Roderick, with warmth.

"I had rather you made the poodle's," said the young girl.

"Is it very tiresome?  I have spent half my life sitting for my photograph,

in every conceivable attitude and with every conceivable coiffure.

I think I have posed enough."

"My dear child," said Mrs. Light, "it may be one's duty to pose.

But as to my daughter's sitting to you, sir--to a young sculptor

whom we don't know--it is a matter that needs reflection.

It is not a favor that 's to be had for the mere asking."

"If I don't make her from life," said Roderick, with energy,

"I will make her from memory, and if the thing 's to be done,

you had better have it done as well as possible."

"Mamma hesitates," said Miss Light, "because she does n't

know whether you mean she shall pay you for the bust.

I can assure you that she will not pay you a sou."

"My darling, you forget yourself," said Mrs. Light, with an attempt

at majestic severity.  "Of course," she added, in a moment,

with a change of note, "the bust would be my own property."

"Of course!" cried Roderick, impatiently.

"Dearest mother," interposed the young girl, "how can

you carry a marble bust about the world with you?

Is it not enough to drag the poor original?"

"My dear, you 're nonsensical!" cried Mrs. Light, almost angrily.

"You can always sell it," said the young girl, with the

same artful artlessness.

Mrs. Light turned to Rowland, who pitied her, flushed and irritated.

"She is very wicked to-day!"

The Cavaliere grinned in silence and walked away on tiptoe,

with his hat to his lips, as if to leave the field clear for action.

Rowland, on the contrary, wished to avert the coming storm.

"You had better not refuse," he said to Miss Light,

"until you have seen Mr. Hudson's things in the marble.

Your mother is to come and look at some that I possess."

"Thank you; I have no doubt you will see us.  I dare say

Mr. Hudson is very clever; but I don't care for modern sculpture.

I can't look at it!"

"You shall care for my bust, I promise you!" cried Roderick,

with a laugh.

"To satisfy Miss Light," said the Cavaliere, "one of the old

Greeks ought to come to life."

"It would be worth his while," said Roderick, paying, to Rowland's knowledge,

his first compliment.

"I might sit to Phidias, if he would promise to be very amusing and make

me laugh.  What do you say, Stenterello? would you sit to Phidias?"

"We must talk of this some other time," said Mrs. Light.  "We are

in Rome for the winter.  Many thanks.  Cavaliere, call the carriage."

The Cavaliere led the way out, backing like a silver-stick, and

Miss Light, following her mother, nodded, without looking at them,

to each of the young men.

"Immortal powers, what a head!" cried Roderick, when they had gone.

"There 's my fortune!"

"She is certainly very beautiful," said Rowland.

"But I 'm sorry you have undertaken her bust."

"And why, pray?"

"I suspect it will bring trouble with it."

"What kind of trouble?"

"I hardly know.  They are queer people.  The mamma, I suspect, is the least

bit of an adventuress.  Heaven knows what the daughter is."

"She 's a goddess!" cried Roderick.

"Just so.  She is all the more dangerous."

"Dangerous?  What will she do to me?  She does n't bite, I imagine."

"It remains to be seen.  There are two kinds of women--

you ought to know it by this time--the safe and the unsafe.

Miss Light, if I am not mistaken, is one of the unsafe.

A word to the wise!"

"Much obliged!" said Roderick, and he began to whistle a triumphant air,

in honor, apparently, of the advent of his beautiful model.

In calling this young lady and her mamma "queer people,"

Rowland but roughly expressed his sentiment.  They were so marked

a variation from the monotonous troop of his fellow-country people

that he felt much curiosity as to the sources of the change,

especially since he doubted greatly whether, on the whole,

it elevated the type.  For a week he saw the two ladies driving

daily in a well-appointed landau, with the Cavaliere and the poodle

in the front seat.  From Mrs. Light he received a gracious salute,

tempered by her native majesty; but the young girl, looking straight

before her, seemed profoundly indifferent to observers.

Her extraordinary beauty, however, had already made observers

numerous and given the habitues of the Pincian plenty to talk about.

The echoes of their commentary reached Rowland's ears; but he had little

taste for random gossip, and desired a distinctly veracious informant.

He had found one in the person of Madame Grandoni, for whom

Mrs. Light and her beautiful daughter were a pair of old friends.

"I have known the mamma for twenty years," said this judicious critic,

"and if you ask any of the people who have been living

here as long as I, you will find they remember her well.

I have held the beautiful Christina on my knee when she was a

little wizened baby with a very red face and no promise of beauty

but those magnificent eyes.  Ten years ago Mrs. Light disappeared,

and has not since been seen in Rome, except for a few days

last winter, when she passed through on her way to Naples.

Then it was you met the trio in the Ludovisi gardens.

When I first knew her she was the unmarried but very marriageable

daughter of an old American painter of very bad landscapes,

which people used to buy from charity and use for fire-boards.

His name was Savage; it used to make every one laugh,

he was such a mild, melancholy, pitiful old gentleman.

He had married a horrible wife, an Englishwoman who had been

on the stage.  It was said she used to beat poor Savage

with his mahl-stick and when the domestic finances were low

to lock him up in his studio and tell him he should n't

come out until he had painted half a dozen of his daubs.

She had a good deal of showy beauty.  She would then go forth, and,

her beauty helping, she would make certain people take the pictures.

It helped her at last to make an English lord run away with her.

At the time I speak of she had quite disappeared.

Mrs. Light was then a very handsome girl, though by no means

so handsome as her daughter has now become.  Mr. Light was an

American consul, newly appointed at one of the Adriatic ports.

He was a mild, fair-whiskered young man, with some little property,

and my impression is that he had got into bad company at home,

and that his family procured him his place to keep him

out of harm's way.  He came up to Rome on a holiday,

fell in love with Miss Savage, and married her on the spot.

He had not been married three years when he was drowned

in the Adriatic, no one ever knew how.  The young widow came

back to Rome, to her father, and here shortly afterwards,

in the shadow of Saint Peter's, her little girl was born.

It might have been supposed that Mrs. Light would marry again,

and I know she had opportunities.  But she overreached herself.

She would take nothing less than a title and a fortune,

and they were not forthcoming.  She was admired and very

fond of admiration; very vain, very worldly, very silly.

She remained a pretty widow, with a surprising variety

of bonnets and a dozen men always in her train.

Giacosa dates from this period.  He calls himself a Roman,

but I have an impression he came up from Ancona with her.

He was l'ami de la maison.  He used to hold her bouquets,

clean her gloves (I was told), run her errands, get her

opera-boxes, and fight her battles with the shopkeepers.

For this he needed courage, for she was smothered in debt.

She at last left Rome to escape her creditors.  Many of them must

remember her still, but she seems now to have money to satisfy them.

She left her poor old father here alone--helpless, infirm and

unable to work.  A subscription was shortly afterwards taken

up among the foreigners, and he was sent back to America,

where, as I afterwards heard, he died in some sort of asylum.

From time to time, for several years, I heard vaguely of Mrs. Light

as a wandering beauty at French and German watering-places.

Once came a rumor that she was going to make a grand marriage

in England; then we heard that the gentleman had thought

better of it and left her to keep afloat as she could.

She was a terribly scatter-brained creature.  She pretends

to be a great lady, but I consider that old Filomena,

my washer-woman, is in essentials a greater one.

But certainly, after all, she has been fortunate.

She embarked at last on a lawsuit about some property,

with her husband's family, and went to America to attend to it.

She came back triumphant, with a long purse.  She reappeared

in Italy, and established herself for a while in Venice.

Then she came to Florence, where she spent a couple of years

and where I saw her.  Last year she passed down to Naples,

which I should have said was just the place for her, and this

winter she has laid siege to Rome.  She seems very prosperous.

She has taken a floor in the Palazzo F----, she keeps her carriage,

and Christina and she, between them, must have a pretty

milliner's bill.  Giacosa has turned up again, looking as if

he had been kept on ice at Ancona, for her return."

"What sort of education," Rowland asked, "do you imagine the mother's

adventures to have been for the daughter?"

"A strange school!  But Mrs. Light told me, in Florence, that she

had given her child the education of a princess.  In other words,

I suppose, she speaks three or four languages, and has read several

hundred French novels.  Christina, I suspect, is very clever.

When I saw her, I was amazed at her beauty, and, certainly, if there

is any truth in faces, she ought to have the soul of an angel.

Perhaps she has.  I don't judge her; she 's an extraordinary young person.

She has been told twenty times a day by her mother, since she was

five years old, that she is a beauty of beauties, that her face is

her fortune, and that, if she plays her cards, she may marry a duke.

If she has not been fatally corrupted, she is a very superior girl.

My own impression is that she is a mixture of good and bad, of ambition

and indifference.  Mrs. Light, having failed to make her own fortune

in matrimony, has transferred her hopes to her daughter, and nursed

them till they have become a kind of monomania.  She has a hobby,

which she rides in secret; but some day she will let you see it.

I 'm sure that if you go in some evening unannounced, you will find

her scanning the tea-leaves in her cup, or telling her daughter's

fortune with a greasy pack of cards, preserved for the purpose.

She promises her a prince--a reigning prince.  But if Mrs. Light

is silly, she is shrewd, too, and, lest considerations of state

should deny her prince the luxury of a love-match, she keeps on

hand a few common mortals.  At the worst she would take a duke,

an English lord, or even a young American with a proper number

of millions.  The poor woman must be rather uncomfortable.

She is always building castles and knocking them down again--

always casting her nets and pulling them in.  If her daughter were

less of a beauty, her transparent ambition would be very ridiculous;

but there is something in the girl, as one looks at her, that seems

to make it very possible she is marked out for one of those wonderful

romantic fortunes that history now and then relates.  'Who, after all,

was the Empress of the French?'  Mrs. Light is forever saying.

'And beside Christina the Empress is a dowdy!' "

"And what does Christina say?"

"She makes no scruple, as you know, of saying that her

mother is a fool.  What she thinks, heaven knows.

I suspect that, practically, she does not commit herself.

She is excessively proud, and thinks herself good enough

to occupy the highest station in the world; but she knows

that her mother talks nonsense, and that even a beautiful

girl may look awkward in making unsuccessful advances.

So she remains superbly indifferent, and lets her mother take

the risks.  If the prince is secured, so much the better;

if he is not, she need never confess to herself that even

a prince has slighted her."

"Your report is as solid," Rowland said to Madame Grandoni,

thanking her, "as if it had been prepared for the Academy of Sciences;

" and he congratulated himself on having listened to it when, a couple

of days later, Mrs. Light and her daughter, attended by the Cavaliere

and the poodle, came to his rooms to look at Roderick's statues.

It was more comfortable to know just with whom he was dealing.

Mrs. Light was prodigiously gracious, and showered down compliments not

only on the statues, but on all his possessions.  "Upon my word," she said,

"you men know how to make yourselves comfortable.  If one of us poor women

had half as many easy-chairs and knick-knacks, we should be famously abused.

It 's really selfish to be living all alone in such a place as this.

Cavaliere, how should you like this suite of rooms and a fortune to fill them

with pictures and statues?  Christina, love, look at that mosaic table.

Mr. Mallet, I could almost beg it from you.  Yes, that Eve is certainly

very fine.  We need n't be ashamed of such a great-grandmother as that.

If she was really such a beautiful woman, it accounts for the good looks

of some of us.  Where is Mr. What 's-his-name, the young sculptor?

Why is n't he here to be complimented?"

Christina had remained but for a moment in the chair which Rowland

had placed for her, had given but a cursory glance at the statues,

and then, leaving her place, had begun to wander round the room--

looking at herself in the mirror, touching the ornaments and curiosities,

glancing at the books and prints.  Rowland's sitting-room was

encumbered with bric-a-brac, and she found plenty of occupation.

Rowland presently joined her, and pointed out some of the objects

he most valued.

"It 's an odd jumble," she said frankly.  "Some things are very pretty--

some are very ugly.  But I like ugly things, when they have a

certain look.  Prettiness is terribly vulgar nowadays, and it is

not every one that knows just the sort of ugliness that has chic.

But chic is getting dreadfully common too.  There 's a hint of it

even in Madame Baldi's bonnets.  I like looking at people's things,"

she added in a moment, turning to Rowland and resting her eyes on him.

"It helps you to find out their characters."

"Am I to suppose," asked Rowland, smiling, "that you have arrived

at any conclusions as to mine?"

"I am rather muddled; you have too many things; one seems

to contradict another.  You are very artistic and yet you

are very prosaic; you have what is called a 'catholic' taste

and yet you are full of obstinate little prejudices and habits

of thought, which, if I knew you, I should find very tiresome.

I don't think I like you."

"You make a great mistake," laughed Rowland; "I assure you I

am very amiable."

"Yes, I am probably wrong, and if I knew you, I should find out I

was wrong, and that would irritate me and make me dislike you more.

So you see we are necessary enemies."

"No, I don't dislike you."

"Worse and worse; for you certainly will not like me."

"You are very discouraging."

"I am fond of facing the truth, though some day you will deny that.

Where is that queer friend of yours?"

"You mean Mr. Hudson.  He is represented by these beautiful works."

Miss Light looked for some moments at Roderick's statues.

"Yes," she said, "they are not so silly as most of the things we have seen.

They have no chic, and yet they are beautiful."

"You describe them perfectly," said Rowland.  "They are beautiful,

and yet they have no chic.  That 's it!"

"If he will promise to put none into my bust, I have a mind to let him

make it.  A request made in those terms deserves to be granted."

"In what terms?"

"Did n't you hear him?  'Mademoiselle, you almost satisfy

my conception of the beautiful.  I must model your bust.'

That almost should be rewarded.  He is like me; he likes

to face the truth.  I think we should get on together."

The Cavaliere approached Rowland, to express the pleasure

he had derived from his beautiful "collection."  His smile was

exquisitely bland, his accent appealing, caressing, insinuating.

But he gave Rowland an odd sense of looking at a little waxen image,

adjusted to perform certain gestures and emit certain sounds.

It had once contained a soul, but the soul had leaked out.

Nevertheless, Rowland reflected, there are more profitless

things than mere sound and gesture, in a consummate Italian.

And the Cavaliere, too, had soul enough left to desire to speak a few

words on his own account, and call Rowland's attention to the fact

that he was not, after all, a hired cicerone, but an ancient

Roman gentleman.  Rowland felt sorry for him; he hardly knew why.

He assured him in a friendly fashion that he must come again;

that his house was always at his service.  The Cavaliere bowed

down to the ground.  "You do me too much honor," he murmured.

"If you will allow me--it is not impossible!"

Mrs. Light, meanwhile, had prepared to depart.  "If you are

not afraid to come and see two quiet little women, we shall

be most happy!" she said.  "We have no statues nor pictures--

we have nothing but each other.  Eh, darling?"

"I beg your pardon," said Christina.

"Oh, and the Cavaliere," added her mother.

"The poodle, please!" cried the young girl.

Rowland glanced at the Cavaliere; he was smiling more blandly than ever.

A few days later Rowland presented himself, as civility demanded,

at Mrs. Light's door.  He found her living in one of the stately

houses of the Via dell' Angelo Custode, and, rather to his surprise,

was told she was at home.  He passed through half a dozen rooms

and was ushered into an immense saloon, at one end of which sat

the mistress of the establishment, with a piece of embroidery.

She received him very graciously, and then, pointing mysteriously

to a large screen which was unfolded across the embrasure

of one of the deep windows, "I am keeping guard!" she said.

Rowland looked interrogative; whereupon she beckoned him forward

and motioned him to look behind the screen.  He obeyed, and for some

moments stood gazing.  Roderick, with his back turned, stood before

an extemporized pedestal, ardently shaping a formless mass of clay.

Before him sat Christina Light, in a white dress, with her

shoulders bare, her magnificent hair twisted into a classic coil,

and her head admirably poised.  Meeting Rowland's gaze,

she smiled a little, only with her deep gray eyes, without moving.

She looked divinely beautiful.

CHAPTER V. Christina

The brilliant Roman winter came round again, and Rowland enjoyed it,

in a certain way, more deeply than before.  He grew at last to feel

that sense of equal possession, of intellectual nearness, which it

belongs to the peculiar magic of the ancient city to infuse into minds

of a cast that she never would have produced.  He became passionately,

unreasoningly fond of all Roman sights and sensations, and to breathe

the Roman atmosphere began to seem a needful condition of being.

He could not have defined and explained the nature of his great love,

nor have made up the sum of it by the addition of his calculable pleasures.

It was a large, vague, idle, half-profitless emotion, of which perhaps

the most pertinent thing that may be said is that it enforced a sort

of oppressive reconciliation to the present, the actual, the sensuous--

to life on the terms that there offered themselves.  It was perhaps

for this very reason that, in spite of the charm which Rome flings

over one's mood, there ran through Rowland's meditations an undertone

of melancholy, natural enough in a mind which finds its horizon

insidiously limited to the finite, even in very picturesque forms.

Whether it is one that tacitly concedes to the Roman Church the monopoly

of a guarantee of immortality, so that if one is indisposed to bargain

with her for the precious gift, one must do without it altogether;

or whether in an atmosphere so heavily weighted with echoes and memories

one grows to believe that there is nothing in one's consciousness that

is not foredoomed to moulder and crumble and become dust for the feet,

and possible malaria for the lungs, of future generations--the fact

at least remains that one parts half-willingly with one's hopes in Rome,

and misses them only under some very exceptional stress of circumstance.

For this reason one may perhaps say that there is no other place

in which one's daily temper has such a mellow serenity, and none,

at the same time, in which acute attacks of depression are more intolerable.

Rowland found, in fact, a perfect response to his prevision that to

live in Rome was an education to one's senses and one's imagination,

but he sometimes wondered whether this was not a questionable

gain in case of one's not being prepared to live wholly by one's

imagination and one's senses.  The tranquil profundity of his daily

satisfaction seemed sometimes to turn, by a mysterious inward impulse,

and face itself with questioning, admonishing, threatening eyes.

"But afterwards.... ?" it seemed to ask, with a long reverberation;

and he could give no answer but a shy affirmation that there was no

such thing as afterwards, and a hope, divided against itself, that his

actual way of life would last forever.  He often felt heavy-hearted;

he was sombre without knowing why; there were no visible clouds in

his heaven, but there were cloud-shadows on his mood.  Shadows projected,

they often were, without his knowing it, by an undue apprehension

that things after all might not go so ideally well with Roderick.

When he understood his anxiety it vexed him, and he rebuked himself for

taking things unmanfully hard.  If Roderick chose to follow a crooked path,

it was no fault of his; he had given him, he would continue to give him,

all that he had offered him--friendship, sympathy, advice.  He had

not undertaken to provide him with unflagging strength of purpose,

nor to stand bondsman for unqualified success.

If Rowland felt his roots striking and spreading in the Roman soil,

Roderick also surrendered himself with renewed abandon to the

local influence.  More than once he declared to his companion

that he meant to live and die within the shadow of Saint Peter's,

and that he cared little if he never again drew breath in American air.

"For a man of my temperament, Rome is the only possible place,"

he said; "it 's better to recognize the fact early than late.

So I shall never go home unless I am absolutely forced."

"What is your idea of 'force'?" asked Rowland, smiling.

"It seems to me you have an excellent reason for going home

some day or other."

"Ah, you mean my engagement?"  Roderick answered with unaverted eyes.

"Yes, I am distinctly engaged, in Northampton, and impatiently waited for!"

And he gave a little sympathetic sigh.  "To reconcile Northampton

and Rome is rather a problem.  Mary had better come out here.

Even at the worst I have no intention of giving up Rome within six or

eight years, and an engagement of that duration would be rather absurd."

"Miss Garland could hardly leave your mother," Rowland observed.

"Oh, of course my mother should come.  I think I will suggest it

in my next letter.  It will take her a year or two to make up

her mind to it, but if she consents it will brighten her up.

It 's too small a life, over there, even for a timid old lady.

It is hard to imagine," he added, "any change in Mary being

a change for the better; but I should like her to take a look

at the world and have her notions stretched a little.

One is never so good, I suppose, but that one can improve a little."

"If you wish your mother and Miss Garland to come," Rowland suggested,

"you had better go home and bring them."

"Oh, I can't think of leaving Europe, for many a day," Roderick answered.

"At present it would quite break the charm.  I am just beginning

to profit, to get used to things and take them naturally.

I am sure the sight of Northampton Main Street would permanently

upset me.  "

It was reassuring to hear that Roderick, in his own view,

was but "just beginning" to spread his wings, and Rowland,

if he had had any forebodings, might have suffered them to be

modified by this declaration.  This was the first time since their

meeting at Geneva that Roderick had mentioned Miss Garland's name,

but the ice being broken, he indulged for some time afterward

in frequent allusions to his betrothed, which always had

an accent of scrupulous, of almost studied, consideration.

An uninitiated observer, hearing him, would have imagined her to be

a person of a certain age--possibly an affectionate maiden aunt--

who had once done him a kindness which he highly appreciated:

perhaps presented him with a check for a thousand dollars.

Rowland noted the difference between his present frankness

and his reticence during the first six months of his engagement,

and sometimes wondered whether it was not rather an anomaly

that he should expatiate more largely as the happy event receded.

He had wondered over the whole matter, first and last,

in a great many different ways, and looked at it in all

possible lights.  There was something terribly hard to explain

in the fact of his having fallen in love with his cousin.

She was not, as Rowland conceived her, the sort of girl he would

have been likely to fancy, and the operation of sentiment,

in all cases so mysterious, was particularly so in this one.

Just why it was that Roderick should not logically have fancied

Miss Garland, his companion would have been at loss to say,

but I think the conviction had its roots in an unformulated

comparison between himself and the accepted suitor.

Roderick and he were as different as two men could be,

and yet Roderick had taken it into his head to fall

in love with a woman for whom he himself had been keeping

in reserve, for years, a profoundly characteristic passion.

That if he chose to conceive a great notion of the merits

of Roderick's mistress, the irregularity here was hardly

Roderick's, was a view of the case to which poor Rowland

did scanty justice.  There were women, he said to himself,

whom it was every one's business to fall in love with a little--

women beautiful, brilliant, artful, easily fascinating.

Miss Light, for instance, was one of these; every man who

spoke to her did so, if not in the language, at least with

something of the agitation, the divine tremor, of a lover.

There were other women--they might have great beauty, they might

have small; perhaps they were generally to be classified as plain--

whose triumphs in this line were rare, but immutably permanent.

Such a one pre; aueminently, was Mary Garland.

Upon the doctrine of probabilities, it was unlikely that

she had had an equal charm for each of them, and was it

not possible, therefore, that the charm for Roderick had

been simply the charm imagined, unquestioningly accepted:

the general charm of youth, sympathy, kindness--of the

present feminine, in short--enhanced indeed by several fine

facial traits?  The charm in this case for Rowland was--

the charm!--the mysterious, individual, essential woman.

There was an element in the charm, as his companion saw it,

which Rowland was obliged to recognize, but which he forbore

to ponder; the rather important attraction, namely, of reciprocity.

As to Miss Garland being in love with Roderick and becoming

charming thereby, this was a point with which his imagination

ventured to take no liberties; partly because it would have

been indelicate, and partly because it would have been vain.

He contented himself with feeling that the young girl was

still as vivid an image in his memory as she had been five

days after he left her, and with drifting nearer and nearer

to the impression that at just that crisis any other girl

would have answered Roderick's sentimental needs as well.

Any other girl indeed would do so still!  Roderick had confessed

as much to him at Geneva, in saying that he had been taking

at Baden the measure of his susceptibility to female beauty.

His extraordinary success in modeling the bust of the beautiful

Miss Light was pertinent evidence of this amiable quality.

She sat to him, repeatedly, for a fortnight, and the work was

rapidly finished.  On one of the last days Roderick asked Rowland

to come and give his opinion as to what was still wanting;

for the sittings had continued to take place in Mrs. Light's apartment,

the studio being pronounced too damp for the fair model.

When Rowland presented himself, Christina, still in her white dress,

with her shoulders bare, was standing before a mirror,

readjusting her hair, the arrangement of which, on this occasion,

had apparently not met the young sculptor's approval.

He stood beside her, directing the operation with a peremptoriness

of tone which seemed to Rowland to denote a considerable advance

in intimacy.  As Rowland entered, Christina was losing patience.

"Do it yourself, then!" she cried, and with a rapid movement

unloosed the great coil of her tresses and let them fall

over her shoulders.

They were magnificent, and with her perfect face dividing their

rippling flow she looked like some immaculate saint of legend

being led to martyrdom.  Rowland's eyes presumably betrayed

his admiration, but her own manifested no consciousness of it.

If Christina was a coquette, as the remarkable timeliness of this

incident might have suggested, she was not a superficial one.

"Hudson 's a sculptor," said Rowland, with warmth.

"But if I were only a painter!"

"Thank Heaven you are not!" said Christina.  "I am having quite

enough of this minute inspection of my charms."

"My dear young man, hands off!" cried Mrs. Light, coming forward and seizing

her daughter's hair.  "Christina, love, I am surprised."

"Is it indelicate?"  Christina asked.  "I beg Mr. Mallet's pardon."

Mrs. Light gathered up the dusky locks and let them fall through

her fingers, glancing at her visitor with a significant smile.

Rowland had never been in the East, but if he had attempted

to make a sketch of an old slave-merchant, calling attention

to the "points" of a Circassian beauty, he would have depicted

such a smile as Mrs. Light's. "Mamma 's not really shocked,"

added Christina in a moment, as if she had guessed her mother's

by-play. "She is only afraid that Mr. Hudson might have injured

my hair, and that, per consequenza, I should sell for less."

"You unnatural child!" cried mamma.  "You deserve that I should make

a fright of you!"  And with half a dozen skillful passes she twisted

the tresses into a single picturesque braid, placed high on the head,

as a kind of coronal.

"What does your mother do when she wants to do you justice?"

Rowland asked, observing the admirable line of the young girl's neck.

"I do her justice when I say she says very improper things.

What is one to do with such a thorn in the flesh?"

Mrs. Light demanded.

"Think of it at your leisure, Mr. Mallet," said Christina,

"and when you 've discovered something, let us hear.

But I must tell you that I shall not willingly believe in any

remedy of yours, for you have something in your physiognomy

that particularly provokes me to make the remarks that my mother

so sincerely deplores.  I noticed it the first time I saw you.

I think it 's because your face is so broad.  For some reason or other,

broad faces exasperate me; they fill me with a kind of rabbia.

Last summer, at Carlsbad, there was an Austrian count,

with enormous estates and some great office at court.

He was very attentive--seriously so; he was really very far gone.

Cela ne tenait qu' a moi!  But I could n't; he was impossible!

He must have measured, from ear to ear, at least a yard and a half.

And he was blond, too, which made it worse--as blond as Stenterello;

pure fleece!  So I said to him frankly, 'Many thanks, Herr Graf;

your uniform is magnificent, but your face is too fat.'  "

"I am afraid that mine also," said Rowland, with a smile,

"seems just now to have assumed an unpardonable latitude."

"Oh, I take it you know very well that we are looking for a husband,

and that none but tremendous swells need apply.  Surely, before

these gentlemen, mamma, I may speak freely; they are disinterested.

Mr. Mallet won't do, because, though he 's rich, he 's not rich enough.

Mamma made that discovery the day after we went to see you, moved to it

by the promising look of your furniture.  I hope she was right, eh?

Unless you have millions, you know, you have no chance."

"I feel like a beggar," said Rowland.

"Oh, some better girl than I will decide some day, after mature reflection,

that on the whole you have enough.  Mr. Hudson, of course, is nowhere;

he has nothing but his genius and his beaux yeux."

Roderick had stood looking at Christina intently while she delivered herself,

softly and slowly, of this surprising nonsense.  When she had finished,

she turned and looked at him; their eyes met, and he blushed a little.

"Let me model you, and he who can may marry you!" he said, abruptly.

Mrs. Light, while her daughter talked, had been adding a few touches

to her coiffure.  "She is not so silly as you might suppose,"

she said to Rowland, with dignity.  "If you will give me your arm,

we will go and look at the bust."

"Does that represent a silly girl?"  Christina demanded,

when they stood before it.

Rowland transferred his glance several times from the portrait

to the original.  "It represents a young lady," he said,

"whom I should not pretend to judge off-hand."

"She may be a fool, but you are not sure.  Many thanks!

You have seen me half a dozen times.  You are either very slow

or I am very deep."

"I am certainly slow," said Rowland.  "I don't expect to make

up my mind about you within six months."

"I give you six months if you will promise then a perfectly frank opinion.

Mind, I shall not forget; I shall insist upon it."

"Well, though I am slow, I am tolerably brave," said Rowland.

"We shall see."

Christina looked at the bust with a sigh.  "I am afraid, after all,"

she said, "that there 's very little wisdom in it save what the artist

has put there.  Mr. Hudson looked particularly wise while he was working;

he scowled and growled, but he never opened his mouth.  It is very kind

of him not to have represented me gaping."

"If I had talked a lot of stuff to you," said Roderick, roundly, "the thing

would not have been a tenth so good."

"Is it good, after all?  Mr. Mallet is a famous connoisseur;

has he not come here to pronounce?"

The bust was in fact a very happy performance, and Roderick had risen

to the level of his subject.  It was thoroughly a portrait, and not a vague

fantasy executed on a graceful theme, as the busts of pretty women,

in modern sculpture, are apt to be.  The resemblance was deep and vivid;

there was extreme fidelity of detail and yet a noble simplicity.

One could say of the head that, without idealization, it was a

representation of ideal beauty.  Rowland, however, as we know, was not

fond of exploding into superlatives, and, after examining the piece,

contented himself with suggesting two or three alterations of detail.

"Nay, how can you be so cruel?" demanded Mrs. Light,

with soft reproachfulness.  "It is surely a wonderful thing!"

"Rowland knows it 's a wonderful thing," said Roderick, smiling.

"I can tell that by his face.  The other day I finished something

he thought bad, and he looked very differently from this."

"How did Mr. Mallet look?" asked Christina.

"My dear Rowland," said Roderick, "I am speaking of my seated woman.

You looked as if you had on a pair of tight boots."

"Ah, my child, you 'll not understand that!" cried Mrs. Light.

"You never yet had a pair that were small enough."

"It 's a pity, Mr. Hudson," said Christina, gravely,

"that you could not have introduced my feet into the bust.

But we can hang a pair of slippers round the neck!"

"I nevertheless like your statues, Roderick," Rowland rejoined,

"better than your jokes.  This is admirable.  Miss Light,

you may be proud!"

"Thank you, Mr. Mallet, for the permission," rejoined the young girl.

"I am dying to see it in the marble, with a red velvet screen behind it,"

said Mrs. Light.

"Placed there under the Sassoferrato!"  Christina went on.

"I hope you keep well in mind, Mr. Hudson, that you have not

a grain of property in your work, and that if mamma chooses,

she may have it photographed and the copies sold in the Piazza

di Spagna, at five francs apiece, without your having a sou

of the profits."

"Amen!" said Roderick.  "It was so nominated in the bond.

My profits are here!" and he tapped his forehead.

"It would be prettier if you said here!"  And Christina touched her heart.

"My precious child, how you do run on!" murmured Mrs. Light.

"It is Mr. Mallet," the young girl answered.

"I can't talk a word of sense so long as he is in the room.

I don't say that to make you go," she added, "I say it simply

to justify myself."

Rowland bowed in silence.  Roderick declared that he must get at work

and requested Christina to take her usual position, and Mrs. Light

proposed to her visitor that they should adjourn to her boudoir.

This was a small room, hardly more spacious than an alcove,

opening out of the drawing-room and having no other issue.

Here, as they entered, on a divan near the door, Rowland perceived

the Cavaliere Giacosa, with his arms folded, his head dropped upon

his breast, and his eyes closed.

"Sleeping at his post!" said Rowland with a kindly laugh.

"That 's a punishable offense," rejoined Mrs. Light, sharply.

She was on the point of calling him, in the same tone,

when he suddenly opened his eyes, stared a moment, and then

rose with a smile and a bow.

"Excuse me, dear lady," he said, "I was overcome by the--

the great heat."

"Nonsense, Cavaliere!" cried the lady, "you know we are perishing

here with the cold!  You had better go and cool yourself in one

of the other rooms."

"I obey, dear lady," said the Cavaliere; and with another smile

and bow to Rowland he departed, walking very discreetly on his toes.

Rowland out-stayed him but a short time, for he was not fond of

Mrs. Light, and he found nothing very inspiring in her frank intimation

that if he chose, he might become a favorite.  He was disgusted

with himself for pleasing her; he confounded his fatal urbanity.

In the court-yard of the palace he overtook the Cavaliere, who had

stopped at the porter's lodge to say a word to his little girl.

She was a young lady of very tender years and she wore a very dirty pinafore.

He had taken her up in his arms and was singing an infantine rhyme

to her, and she was staring at him with big, soft Roman eyes.

On seeing Rowland he put her down with a kiss, and stepped forward

with a conscious grin, an unresentful admission that he was sensitive

both to chubbiness and ridicule.  Rowland began to pity him again;

he had taken his dismissal from the drawing-room so meekly.

"You don't keep your promise," said Rowland, "to come and see me.

Don't forget it.  I want you to tell me about Rome thirty years ago."

"Thirty years ago?  Ah, dear sir, Rome is Rome still; a place

where strange things happen!  But happy things too, since I

have your renewed permission to call.  You do me too much honor.

Is it in the morning or in the evening that I should least intrude?"

"Take your own time, Cavaliere; only come, sometime.

I depend upon you," said Rowland.

The Cavaliere thanked him with an humble obeisance.

To the Cavaliere, too, he felt that he was, in Roman phrase,

sympathetic, but the idea of pleasing this extremely reduced

gentleman was not disagreeable to him.

Miss Light's bust stood for a while on exhibition in

Roderick's studio, and half the foreign colony came to see it.

With the completion of his work, however, Roderick's visits

at the Palazzo F---- by no means came to an end.

He spent half his time in Mrs. Light's drawing-room,

and began to be talked about as "attentive" to Christina.

The success of the bust restored his equanimity, and in

the garrulity of his good-humor he suffered Rowland to see

that she was just now the object uppermost in his thoughts.

Rowland, when they talked of her, was rather listener than speaker;

partly because Roderick's own tone was so resonant and exultant,

and partly because, when his companion laughed at him for having

called her unsafe, he was too perplexed to defend himself.

The impression remained that she was unsafe; that she was

a complex, willful, passionate creature, who might easily engulf

a too confiding spirit in the eddies of her capricious temper.

And yet he strongly felt her charm; the eddies had a

strange fascination!  Roderick, in the glow of that renewed

admiration provoked by the fixed attention of portrayal,

was never weary of descanting on the extraordinary perfection

of her beauty.

"I had no idea of it," he said, "till I began to look at her

with an eye to reproducing line for line and curve for curve.

Her face is the most exquisite piece of modeling that ever came

from creative hands.  Not a line without meaning, not a hair's

breadth that is not admirably finished.  And then her mouth!

It 's as if a pair of lips had been shaped to utter pure truth without

doing it dishonor!"  Later, after he had been working for a week,

he declared if Miss Light were inordinately plain, she would still

be the most fascinating of women.  "I 've quite forgotten her beauty,"

he said, "or rather I have ceased to perceive it as something

distinct and defined, something independent of the rest of her.

She is all one, and all consummately interesting!"

"What does she do--what does she say, that is so remarkable?"

Rowland had asked.

"Say?  Sometimes nothing--sometimes everything.  She is never the same.

Sometimes she walks in and takes her place without a word,

without a smile, gravely, stiffly, as if it were an awful bore.

She hardly looks at me, and she walks away without even glancing at my work.

On other days she laughs and chatters and asks endless questions,

and pours out the most irresistible nonsense.  She is a creature of moods;

you can't count upon her; she keeps observation on the stretch.

And then, bless you, she has seen such a lot!  Her talk is full

of the oddest allusions!"

"It is altogether a very singular type of young lady,"

said Rowland, after the visit which I have related at length.

"It may be a charm, but it is certainly not the orthodox charm

of marriageable maidenhood, the charm of shrinking innocence

and soft docility.  Our American girls are accused of being more

knowing than any others, and Miss Light is nominally an American.

But it has taken twenty years of Europe to make her what she is.

The first time we saw her, I remember you called her a product

of the old world, and certainly you were not far wrong."

"Ah, she has an atmosphere," said Roderick, in the tone of high appreciation.

"Young unmarried women," Rowland answered, "should be careful

not to have too much!"

"Ah, you don't forgive her," cried his companion, "for hitting you so hard!

A man ought to be flattered at such a girl as that taking so much

notice of him."

"A man is never flattered at a woman's not liking him."

"Are you sure she does n't like you?  That 's to the credit of your humility.

A fellow of more vanity might, on the evidence, persuade himself that

he was in favor."

"He would have also," said Rowland, laughing, "to be a fellow

of remarkable ingenuity!"  He asked himself privately how the deuce

Roderick reconciled it to his conscience to think so much more

of the girl he was not engaged to than of the girl he was.

But it amounted almost to arrogance, you may say, in poor Rowland

to pretend to know how often Roderick thought of Miss Garland.

He wondered gloomily, at any rate, whether for men of his

companion's large, easy power, there was not a larger moral law

than for narrow mediocrities like himself, who, yielding Nature

a meagre interest on her investment (such as it was), had no reason

to expect from her this affectionate laxity as to their accounts.

Was it not a part of the eternal fitness of things that Roderick,

while rhapsodizing about Miss Light, should have it at his command

to look at you with eyes of the most guileless and unclouded blue,

and to shake off your musty imputations by a toss of his picturesque

brown locks?  Or had he, in fact, no conscience to speak of?

Happy fellow, either way!

Our friend Gloriani came, among others, to congratulate Roderick

on his model and what he had made of her.  "Devilish pretty,

through and through!" he said as he looked at the bust.

"Capital handling of the neck and throat; lovely work

on the nose.  You 're a detestably lucky fellow, my boy!

But you ought not to have squandered such material on a

simple bust; you should have made a great imaginative figure.

If I could only have got hold of her, I would have put her

into a statue in spite of herself.  What a pity she is not

a ragged Trasteverine, whom we might have for a franc an hour!

I have been carrying about in my head for years a delicious

design for a fantastic figure, but it has always stayed there

for want of a tolerable model.  I have seen intimations

of the type, but Miss Light is the perfection of it.

As soon as I saw her I said to myself, 'By Jove, there 's

my statue in the flesh!' "

"What is your subject?" asked Roderick.

"Don't take it ill," said Gloriani.  "You know I 'm the very deuce

for observation.  She would make a magnificent Herodias!"

If Roderick had taken it ill (which was unlikely, for we know

he thought Gloriani an ass, and expected little of his wisdom),

he might have been soothed by the candid incense of Sam Singleton,

who came and sat for an hour in a sort of mental prostration before

both bust and artist.  But Roderick's attitude before his patient

little devotee was one of undisguised though friendly amusement;

and, indeed, judged from a strictly plastic point of view,

the poor fellow's diminutive stature, his enormous mouth,

his pimples and his yellow hair were sufficiently ridiculous.

"Nay, don't envy our friend," Rowland said to Singleton afterwards,

on his expressing, with a little groan of depreciation of his own

paltry performances, his sense of the brilliancy of Roderick's talent.

"You sail nearer the shore, but you sail in smoother waters.

Be contented with what you are and paint me another picture."

"Oh, I don't envy Hudson anything he possesses," Singleton said,

"because to take anything away would spoil his beautiful completeness.

'Complete,' that 's what he is; while we little clevernesses

are like half-ripened plums, only good eating on the side

that has had a glimpse of the sun.  Nature has made him so,

and fortune confesses to it!  He is the handsomest fellow in Rome,

he has the most genius, and, as a matter of course, the most

beautiful girl in the world comes and offers to be his model.

If that is not completeness, where shall we find it?"

One morning, going into Roderick's studio, Rowland found the young

sculptor entertaining Miss Blanchard--if this is not too flattering

a description of his gracefully passive tolerance of her presence.

He had never liked her and never climbed into her sky-studio to

observe her wonderful manipulation of petals.  He had once quoted

Tennyson against her:--

"And is there any moral shut

Within the bosom of the rose?"

"In all Miss Blanchard's roses you may be sure there is a moral,"

he had said.  "You can see it sticking out its head, and,

if you go to smell the flower, it scratches your nose."

But on this occasion she had come with a propitiatory gift--

introducing her friend Mr. Leavenworth.  Mr. Leavenworth

was a tall, expansive, bland gentleman, with a carefully

brushed whisker and a spacious, fair, well-favored face,

which seemed, somehow, to have more room in it than was occupied

by a smile of superior benevolence, so that (with his smooth,

white forehead) it bore a certain resemblance to a large parlor

with a very florid carpet, but no pictures on the walls.

He held his head high, talked sonorously, and told Roderick,

within five minutes, that he was a widower, traveling to

distract his mind, and that he had lately retired from

the proprietorship of large mines of borax in Pennsylvania.

Roderick supposed at first that, in his character

of depressed widower, he had come to order a tombstone;

but observing then the extreme blandness of his address

to Miss Blanchard, he credited him with a judicious prevision

that by the time the tombstone was completed, a monument

of his inconsolability might have become an anachronism.

But Mr. Leavenworth was disposed to order something.

"You will find me eager to patronize our indigenous talent,"

he said.  "I am putting up a little shanty in my native town,

and I propose to make a rather nice thing of it.

It has been the will of Heaven to plunge me into mourning;

but art has consolations!  In a tasteful home, surrounded by the

memorials of my wanderings, I hope to take more cheerful views.

I ordered in Paris the complete appurtenances of a dining-room.

Do you think you could do something for my library?

It is to be filled with well-selected authors, and I think a pure

white image in this style,"--pointing to one of Roderick's

statues,--"standing out against the morocco and gilt, would have

a noble effect.  The subject I have already fixed upon.

I desire an allegorical representation of Culture.

Do you think, now," asked Mr. Leavenworth, encouragingly,

"you could rise to the conception?"

"A most interesting subject for a truly serious mind,"

remarked Miss Blanchard.

Roderick looked at her a moment, and then--"The simplest thing I could do,"

he said, "would be to make a full-length portrait of Miss Blanchard.

I could give her a scroll in her hand, and that would do for the allegory."

Miss Blanchard colored; the compliment might be ironical;

and there was ever afterwards a reflection of her uncertainty

in her opinion of Roderick's genius.  Mr. Leavenworth

responded that with all deference to Miss Blanchard's beauty,

he desired something colder, more monumental, more impersonal.

"If I were to be the happy possessor of a likeness of Miss Blanchard,"

he added, "I should prefer to have it in no factitious disguise!"

Roderick consented to entertain the proposal, and while they were

discussing it, Rowland had a little talk with the fair artist.

"Who is your friend?" he asked.

"A very worthy man.  The architect of his own fortune--which is magnificent.

One of nature's gentlemen!"

This was a trifle sententious, and Rowland turned to the bust

of Miss Light.  Like every one else in Rome, by this time,

Miss Blanchard had an opinion on the young girl's beauty,

and, in her own fashion, she expressed it epigrammatically.

"She looks half like a Madonna and half like a ballerina," she said.

Mr. Leavenworth and Roderick came to an understanding, and the young sculptor

good-naturedly promised to do his best to rise to his patron's conception.

"His conception be hanged!"  Roderick exclaimed, after he had departed.

"His conception is sitting on a globe with a pen in her ear and a photographic

album in her hand.  I shall have to conceive, myself.  For the money,

I ought to be able to!"

Mrs. Light, meanwhile, had fairly established herself in Roman society.

"Heaven knows how!"  Madame Grandoni said to Rowland, who had

mentioned to her several evidences of the lady's prosperity.

"In such a case there is nothing like audacity.  A month ago

she knew no one but her washerwoman, and now I am told that

the cards of Roman princesses are to be seen on her table.

She is evidently determined to play a great part, and she has

the wit to perceive that, to make remunerative acquaintances,

you must seem yourself to be worth knowing.  You must have

striking rooms and a confusing variety of dresses, and give

good dinners, and so forth.  She is spending a lot of money,

and you 'll see that in two or three weeks she will take upon

herself to open the season by giving a magnificent ball.

Of course it is Christina's beauty that floats her.

People go to see her because they are curious."

"And they go again because they are charmed," said Rowland.

"Miss Christina is a very remarkable young lady."

"Oh, I know it well; I had occasion to say so to myself the other day.

She came to see me, of her own free will, and for an hour she was

deeply interesting.  I think she 's an actress, but she believes in her part

while she is playing it.  She took it into her head the other day to believe

that she was very unhappy, and she sat there, where you are sitting,

and told me a tale of her miseries which brought tears into my eyes.

She cried, herself, profusely, and as naturally as possible.

She said she was weary of life and that she knew no one but me she

could speak frankly to.  She must speak, or she would go mad.

She sobbed as if her heart would break.  I assure you it 's well

for you susceptible young men that you don't see her when she sobs.

She said, in so many words, that her mother was an immoral woman.

Heaven knows what she meant.  She meant, I suppose, that she makes debts

that she knows she can't pay.  She said the life they led was horrible;

that it was monstrous a poor girl should be dragged about the world

to be sold to the highest bidder.  She was meant for better things;

she could be perfectly happy in poverty.  It was not money she wanted.

I might not believe her, but she really cared for serious things.

Sometimes she thought of taking poison!"

"What did you say to that?"

"I recommended her," said Madame Grandoni, "to come and see me instead.

I would help her about as much, and I was, on the whole, less unpleasant.

Of course I could help her only by letting her talk herself out and kissing

her and patting her beautiful hands and telling her to be patient and she

would be happy yet.  About once in two months I expect her to reappear,

on the same errand, and meanwhile to quite forget my existence.

I believe I melted down to the point of telling her that I would find

some good, quiet, affectionate husband for her; but she declared,

almost with fury, that she was sick unto death of husbands, and begged I

would never again mention the word.  And, in fact, it was a rash offer;

for I am sure that there is not a man of the kind that might really

make a woman happy but would be afraid to marry mademoiselle.

Looked at in that way she is certainly very much to be pitied,

and indeed, altogether, though I don't think she either means

all she says or, by a great deal, says all that she means.

I feel very sorry for her."

Rowland met the two ladies, about this time, at several entertainments,

and looked at Christina with a kind of distant attendrissement.

He imagined more than once that there had been a passionate

scene between them about coming out, and wondered what arguments

Mrs. Light had found effective.  But Christina's face told no tales,

and she moved about, beautiful and silent, looking absently over

people's heads, barely heeding the men who pressed about her,

and suggesting somehow that the soul of a world-wearied mortal

had found its way into the blooming body of a goddess.

"Where in the world has Miss Light been before she is twenty,"

observers asked, "to have left all her illusions behind?"

And the general verdict was, that though she was incomparably beautiful,

she was intolerably proud.  Young ladies to whom the former

distinction was not conceded were free to reflect that she was

"not at all liked."

It would have been difficult to guess, however, how they reconciled

this conviction with a variety of conflicting evidence, and,

in especial, with the spectacle of Roderick's inveterate devotion.

All Rome might behold that he, at least, "liked" Christina Light.

Wherever she appeared he was either awaiting her or immediately

followed her.  He was perpetually at her side, trying, apparently,

to preserve the thread of a disconnected talk, the fate of which was,

to judge by her face, profoundly immaterial to the young lady.

People in general smiled at the radiant good faith of the handsome

young sculptor, and asked each other whether he really supposed

that beauties of that quality were meant to wed with poor artists.

But although Christina's deportment, as I have said, was one of

superb inexpressiveness, Rowland had derived from Roderick no suspicion

that he suffered from snubbing, and he was therefore surprised

at an incident which befell one evening at a large musical party.

Roderick, as usual, was in the field, and, on the ladies taking the chairs

which had been arranged for them, he immediately placed himself

beside Christina.  As most of the gentlemen were standing, his position

made him as conspicuous as Hamlet at Ophelia's feet, at the play.

Rowland was leaning, somewhat apart, against the chimney-piece. There

was a long, solemn pause before the music began, and in the midst

of it Christina rose, left her place, came the whole length of the

immense room, with every one looking at her, and stopped before him.

She was neither pale nor flushed; she had a soft smile.

"Will you do me a favor?" she asked.

"A thousand!"

"Not now, but at your earliest convenience.  Please remind Mr. Hudson

that he is not in a New England village--that it is not the custom

in Rome to address one's conversation exclusively, night after night,

to the same poor girl, and that"....

The music broke out with a great blare and covered her voice.

She made a gesture of impatience, and Rowland offered her his arm

and led her back to her seat.

The next day he repeated her words to Roderick, who burst into

joyous laughter.  "She 's a delightfully strange girl!" he cried.

"She must do everything that comes into her head!"

"Had she never asked you before not to talk to her so much?"

"On the contrary, she has often said to me, 'Mind you now, I forbid

you to leave me.  Here comes that tiresome So-and-so.' She cares

as little about the custom as I do.  What could be a better proof

than her walking up to you, with five hundred people looking at her?

Is that the custom for young girls in Rome?"

"Why, then, should she take such a step?"

"Because, as she sat there, it came into her head.  That 's reason

enough for her.  I have imagined she wishes me well, as they say here--

though she has never distinguished me in such a way as that!"

Madame Grandoni had foretold the truth; Mrs. Light, a couple

of weeks later, convoked all Roman society to a brilliant ball.

Rowland went late, and found the staircase so encumbered with

flower-pots and servants that he was a long time making his way

into the presence of the hostess.  At last he approached her, as she

stood making courtesies at the door, with her daughter by her side.

Some of Mrs. Light's courtesies were very low, for she had the happiness

of receiving a number of the social potentates of the Roman world.

She was rosy with triumph, to say nothing of a less metaphysical cause,

and was evidently vastly contented with herself, with her company,

and with the general promise of destiny.  Her daughter was less

overtly jubilant, and distributed her greetings with impartial frigidity.

She had never been so beautiful.  Dressed simply in vaporous white,

relieved with half a dozen white roses, the perfection of her

features and of her person and the mysterious depth of her

expression seemed to glow with the white light of a splendid pearl.

She recognized no one individually, and made her courtesy slowly,

gravely, with her eyes on the ground.  Rowland fancied that,

as he stood before her, her obeisance was slightly exaggerated,

as with an intention of irony; but he smiled philosophically to himself,

and reflected, as he passed into the room, that, if she disliked him,

he had nothing to reproach himself with.  He walked about,

had a few words with Miss Blanchard, who, with a fillet of cameos

in her hair, was leaning on the arm of Mr. Leavenworth, and at last

came upon the Cavaliere Giacosa, modestly stationed in a corner.

The little gentleman's coat-lappet was decorated with an enormous

bouquet and his neck encased in a voluminous white handkerchief

of the fashion of thirty years ago.  His arms were folded,

and he was surveying the scene with contracted eyelids, through which

you saw the glitter of his intensely dark, vivacious pupil.

He immediately embarked on an elaborate apology for not having

yet manifested, as he felt it, his sense of the honor Rowland

had done him.

"I am always on service with these ladies, you see," he explained,

"and that is a duty to which one would not willingly be faithless

for an instant."

"Evidently," said Rowland, "you are a very devoted friend.

Mrs. Light, in her situation, is very happy in having you."

"We are old friends," said the Cavaliere, gravely.  "Old friends.

I knew the signora many years ago, when she was the prettiest

woman in Rome--or rather in Ancona, which is even better.

The beautiful Christina, now, is perhaps the most beautiful

young girl in Europe!"

"Very likely," said Rowland.

"Very well, sir, I taught her to read; I guided her little

hands to touch the piano keys."  And at these faded memories,

the Cavaliere's eyes glittered more brightly.  Rowland half expected

him to proceed, with a little flash of long-repressed passion,

"And now--and now, sir, they treat me as you observed the other day!"

But the Cavaliere only looked out at him keenly from among his wrinkles,

and seemed to say, with all the vividness of the Italian glance,

"Oh, I say nothing more.  I am not so shallow as to complain!"

Evidently the Cavaliere was not shallow, and Rowland repeated respectfully,

"You are a devoted friend."

"That 's very true.  I am a devoted friend.  A man may do himself justice,

after twenty years!"

Rowland, after a pause, made some remark about the beauty of the ball.

It was very brilliant.

"Stupendous!" said the Cavaliere, solemnly.  "It is a great day.

We have four Roman princes, to say nothing of others."  And he counted

them over on his fingers and held up his hand triumphantly.

"And there she stands, the girl to whom I--I, Giuseppe Giacosa--

taught her alphabet and her piano-scales; there she stands in her

incomparable beauty, and Roman princes come and bow to her.

Here, in his corner, her old master permits himself to be proud."

"It is very friendly of him," said Rowland, smiling.

The Cavaliere contracted his lids a little more and gave another

keen glance.  "It is very natural, signore.  The Christina is

a good girl; she remembers my little services.  But here comes,"

he added in a moment, "the young Prince of the Fine Arts.

I am sure he has bowed lowest of all."

Rowland looked round and saw Roderick moving slowly across the room

and casting about him his usual luminous, unshrinking looks.

He presently joined them, nodded familiarly to the Cavaliere,

and immediately demanded of Rowland, "Have you seen her?"

"I have seen Miss Light," said Rowland.  "She 's magnificent."

"I 'm half crazy!" cried Roderick; so loud that several persons turned round.

Rowland saw that he was flushed, and laid his hand on his arm.

Roderick was trembling.  "If you will go away," Rowland said instantly,

"I will go with you."

"Go away?" cried Roderick, almost angrily.  "I intend to dance with her!"

The Cavaliere had been watching him attentively; he gently laid his

hand on his other arm.  "Softly, softly, dear young man," he said.

"Let me speak to you as a friend."

"Oh, speak even as an enemy and I shall not mind it,"

Roderick answered, frowning.

"Be very reasonable, then, and go away."

"Why the deuce should I go away?"

"Because you are in love," said the Cavaliere.

"I might as well be in love here as in the streets."

"Carry your love as far as possible from Christina.

She will not listen to you--she can't."

"She 'can't'?" demanded Roderick.  "She is not a person of whom you

may say that.  She can if she will; she does as she chooses."

"Up to a certain point.  It would take too long to explain; I only beg you

to believe that if you continue to love Miss Light you will be very unhappy.

Have you a princely title? have you a princely fortune?  Otherwise you can

never have her."

And the Cavaliere folded his arms again, like a man who has done his duty.

Roderick wiped his forehead and looked askance at Rowland; he seemed

to be guessing his thoughts and they made him blush a little.

But he smiled blandly, and addressing the Cavaliere, "I 'm much obliged

to you for the information," he said.  "Now that I have obtained it,

let me tell you that I am no more in love with Miss Light than you are.

Mr. Mallet knows that.  I admire her--yes, profoundly.  But that 's no one's

business but my own, and though I have, as you say, neither a princely

title nor a princely fortune, I mean to suffer neither those advantages

nor those who possess them to diminish my right."

"If you are not in love, my dear young man," said the Cavaliere,

with his hand on his heart and an apologetic smile, "so much the better.

But let me entreat you, as an affectionate friend, to keep a watch on

your emotions.  You are young, you are handsome, you have a brilliant

genius and a generous heart, but--I may say it almost with authority--

Christina is not for you!"

Whether Roderick was in love or not, he was nettled by what apparently

seemed to him an obtrusive negation of an inspiring possibility.

"You speak as if she had made her choice!" he cried.

"Without pretending to confidential information on the subject,

I am sure she has not."

"No, but she must make it soon," said the Cavaliere.

And raising his forefinger, he laid it against his under lip.

"She must choose a name and a fortune--and she will!"

"She will do exactly as her inclination prompts!

She will marry the man who pleases her, if he has n't a dollar!

I know her better than you.  "

The Cavaliere turned a little paler than usual, and smiled more urbanely.

"No, no, my dear young man, you do not know her better than I. You have

not watched her, day by day, for twenty years.  I too have admired her.

She is a good girl; she has never said an unkind word to me; the blessed

Virgin be thanked!  But she must have a brilliant destiny; it has been

marked out for her, and she will submit.  You had better believe me;

it may save you much suffering."

"We shall see!" said Roderick, with an excited laugh.

"Certainly we shall see.  But I retire from the discussion,"

the Cavaliere added.  "I have no wish to provoke you to attempt

to prove to me that I am wrong.  You are already excited."

"No more than is natural to a man who in an hour or so is to dance

the cotillon with Miss Light."

"The cotillon? has she promised?"

Roderick patted the air with a grand confidence.  "You 'll see!"

His gesture might almost have been taken to mean that the state

of his relations with Miss Light was such that they quite dispensed

with vain formalities.

The Cavaliere gave an exaggerated shrug.  "You make a great many mourners!"

"He has made one already!"  Rowland murmured to himself.

This was evidently not the first time that reference had been made

between Roderick and the Cavaliere to the young man's possible passion,

and Roderick had failed to consider it the simplest and most natural

course to say in three words to the vigilant little gentleman

that there was no cause for alarm--his affections were preoccupied.

Rowland hoped, silently, with some dryness, that his motives

were of a finer kind than they seemed to be.  He turned away;

it was irritating to look at Roderick's radiant, unscrupulous eagerness.

The tide was setting toward the supper-room and he drifted with it

to the door.  The crowd at this point was dense, and he was

obliged to wait for some minutes before he could advance.

At last he felt his neighbors dividing behind him,

and turning he saw Christina pressing her way forward alone.

She was looking at no one, and, save for the fact of her being alone,

you would not have supposed she was in her mother's house.

As she recognized Rowland she beckoned to him, took his arm,

and motioned him to lead her into the supper-room. She said nothing

until he had forced a passage and they stood somewhat isolated.

"Take me into the most out-of-the-way corner you can find,"

she then said, "and then go and get me a piece of bread."

"Nothing more?  There seems to be everything conceivable."

"A simple roll.  Nothing more, on your peril.  Only bring

something for yourself."

It seemed to Rowland that the embrasure of a window

(embrasures in Roman palaces are deep) was a retreat

sufficiently obscure for Miss Light to execute whatever

design she might have contrived against his equanimity.

A roll, after he had found her a seat, was easily procured.

As he presented it, he remarked that, frankly speaking,

he was at loss to understand why she should have selected

for the honor of a tete-a-tete an individual for whom she

had so little taste.

"Ah yes, I dislike you," said Christina.  "To tell the truth,

I had forgotten it.  There are so many people here whom I dislike more,

that when I espied you just now, you seemed like an intimate friend.

But I have not come into this corner to talk nonsense," she went on.

"You must not think I always do, eh?"

"I have never heard you do anything else," said Rowland, deliberately,

having decided that he owed her no compliments.

"Very good.  I like your frankness.  It 's quite true.  You see,

I am a strange girl.  To begin with, I am frightfully egotistical.

Don't flatter yourself you have said anything very clever

if you ever take it into your head to tell me so.

I know it much better than you.  So it is, I can't help it.

I am tired to death of myself; I would give all I possess to get

out of myself; but somehow, at the end, I find myself so vastly

more interesting than nine tenths of the people I meet.

If a person wished to do me a favor I would say to him,

'I beg you, with tears in my eyes, to interest me.  Be strong,

be positive, be imperious, if you will; only be something,--

something that, in looking at, I can forget my detestable self!'

Perhaps that is nonsense too.  If it is, I can't help it.

I can only apologize for the nonsense I know to be such

and that I talk--oh, for more reasons than I can tell you!

I wonder whether, if I were to try, you would understand me."

"I am afraid I should never understand," said Rowland,

"why a person should willingly talk nonsense."

"That proves how little you know about women.  But I like your frankness.

When I told you the other day that you displeased me, I had an idea you

were more formal,--how do you say it?--more guinde.  I am very capricious.

To-night I like you better."

"Oh, I am not guinde," said Rowland, gravely.

"I beg your pardon, then, for thinking so.  Now I have an idea

that you would make a useful friend--an intimate friend--

a friend to whom one could tell everything.  For such a friend,

what would n't I give!"

Rowland looked at her in some perplexity.  Was this touching sincerity,

or unfathomable coquetry?  Her beautiful eyes looked divinely candid;

but then, if candor was beautiful, beauty was apt to be subtle.

"I hesitate to recommend myself out and out for the office," he said,

"but I believe that if you were to depend upon me for anything

that a friend may do, I should not be found wanting."

"Very good.  One of the first things one asks of a friend is

to judge one not by isolated acts, but by one's whole conduct.

I care for your opinion--I don't know why."

"Nor do I, I confess," said Rowland with a laugh.

"What do you think of this affair?" she continued, without heeding his laugh.

"Of your ball?  Why, it 's a very grand affair."

"It 's horrible--that 's what it is!  It 's a mere rabble!

There are people here whom I never saw before, people who were never asked.

Mamma went about inviting every one, asking other people to invite any

one they knew, doing anything to have a crowd.  I hope she is satisfied!

It is not my doing.  I feel weary, I feel angry, I feel like crying.

I have twenty minds to escape into my room and lock the door and let

mamma go through with it as she can.  By the way," she added in a moment,

without a visible reason for the transition, "can you tell me

something to read?"

Rowland stared, at the disconnectedness of the question.

"Can you recommend me some books?" she repeated.

"I know you are a great reader.  I have no one else to ask.

We can buy no books.  We can make debts for jewelry and bonnets

and five-button gloves, but we can't spend a sou for ideas.

And yet, though you may not believe it, I like ideas

quite as well."

"I shall be most happy to lend you some books," Rowland said.

"I will pick some out to-morrow and send them to you."

"No novels, please!  I am tired of novels.  I can imagine

better stories for myself than any I read.  Some good poetry,

if there is such a thing nowadays, and some memoirs and histories

and books of facts."

"You shall be served.  Your taste agrees with my own."

She was silent a moment, looking at him.  Then suddenly--"Tell me something

about Mr. Hudson," she demanded.  "You are great friends!"

"Oh yes," said Rowland; "we are great friends."

"Tell me about him.  Come, begin!"

"Where shall I begin?  You know him for yourself."

"No, I don't know him; I don't find him so easy to know.

Since he has finished my bust and begun to come here disinterestedly,

he has become a great talker.  He says very fine things;

but does he mean all he says?"

"Few of us do that."

"You do, I imagine.  You ought to know, for he tells me you

discovered him."  Rowland was silent, and Christina continued,

"Do you consider him very clever?"

"Unquestionably."

"His talent is really something out of the common way?"

"So it seems to me."

"In short, he 's a man of genius?"

"Yes, call it genius."

"And you found him vegetating in a little village and took him

by the hand and set him on his feet in Rome?"

"Is that the popular legend?" asked Rowland.

"Oh, you need n't be modest.  There was no great merit in it;

there would have been none at least on my part in the same circumstances.

Real geniuses are not so common, and if I had discovered one in

the wilderness, I would have brought him out into the market-place

to see how he would behave.  It would be excessively amusing.

You must find it so to watch Mr. Hudson, eh?  Tell me this:

do you think he is going to be a great man--become famous,

have his life written, and all that?"

"I don't prophesy, but I have good hopes."

Christina was silent.  She stretched out her bare arm

and looked at it a moment absently, turning it so as to see--

or almost to see--the dimple in her elbow.  This was apparently

a frequent gesture with her; Rowland had already observed it.

It was as coolly and naturally done as if she had been in her

room alone.  "So he 's a man of genius," she suddenly resumed.

"Don't you think I ought to be extremely flattered to have

a man of genius perpetually hanging about?  He is the first I

ever saw, but I should have known he was not a common mortal.

There is something strange about him.  To begin with, he has

no manners.  You may say that it 's not for me to blame him,

for I have none myself.  That 's very true, but the difference

is that I can have them when I wish to (and very charming ones too;

I 'll show you some day); whereas Mr. Hudson will never

have them.  And yet, somehow, one sees he 's a gentleman.

He seems to have something urging, driving, pushing him,

making him restless and defiant.  You see it in his eyes.

They are the finest, by the way, I ever saw.  When a person

has such eyes as that you can forgive him his bad manners.

I suppose that is what they call the sacred fire."

Rowland made no answer except to ask her in a moment if she would

have another roll.  She merely shook her head and went on:--

"Tell me how you found him.  Where was he--how was he?"

"He was in a place called Northampton.  Did you ever hear of it?

He was studying law--but not learning it."

"It appears it was something horrible, eh?"

"Something horrible?"

"This little village.  No society, no pleasures, no beauty, no life."

"You have received a false impression.  Northampton is not as gay as Rome,

but Roderick had some charming friends."

"Tell me about them.  Who were they?"

"Well, there was my cousin, through whom I made his acquaintance:

a delightful woman."

"Young--pretty?"

"Yes, a good deal of both.  And very clever."

"Did he make love to her?"

"Not in the least."

"Well, who else?"

"He lived with his mother.  She is the best of women."

"Ah yes, I know all that one's mother is.  But she does not count as society.

And who else?"

Rowland hesitated.  He wondered whether Christina's

insistance was the result of a general interest in Roderick's

antecedents or of a particular suspicion.  He looked at her;

she was looking at him a little askance, waiting for his answer.

As Roderick had said nothing about his engagement to the Cavaliere,

it was probable that with this beautiful girl he had not

been more explicit.  And yet the thing was announced,

it was public; that other girl was happy in it, proud of it.

Rowland felt a kind of dumb anger rising in his heart.

He deliberated a moment intently.

"What are you frowning at?"  Christina asked.

"There was another person," he answered, "the most important of all:

the young girl to whom he is engaged."

Christina stared a moment, raising her eyebrows.

"Ah, Mr. Hudson is engaged?" she said, very simply.

"Is she pretty?"

"She is not called a beauty," said Rowland.  He meant to practice

great brevity, but in a moment he added, "I have seen beauties,

however, who pleased me less."

"Ah, she pleases you, too?  Why don't they marry?"

"Roderick is waiting till he can afford to marry."

Christina slowly put out her arm again and looked at the dimple

in her elbow.  "Ah, he 's engaged?" she repeated in the same tone.

"He never told me."

Rowland perceived at this moment that the people about them

were beginning to return to the dancing-room, and immediately

afterwards he saw Roderick making his way toward themselves.

Roderick presented himself before Miss Light.

"I don't claim that you have promised me the cotillon," he said,

"but I consider that you have given me hopes which warrant

the confidence that you will dance with me."

Christina looked at him a moment.  "Certainly I have made no promises,"

she said.  "It seemed to me that, as the daughter of the house,

I should keep myself free and let it depend on circumstances."

"I beseech you to dance with me!" said Roderick, with vehemence.

Christina rose and began to laugh.  "You say that very well,

but the Italians do it better."

This assertion seemed likely to be put to the proof.

Mrs. Light hastily approached, leading, rather than led by,

a tall, slim young man, of an unmistakably Southern physiognomy.

"My precious love," she cried, "what a place to hide in!

We have been looking for you for twenty minutes; I have chosen

a cavalier for you, and chosen well!"

The young man disengaged himself, made a ceremonious bow,

joined his two hands, and murmured with an ecstatic smile,

"May I venture to hope, dear signorina, for the honor

of your hand?"

"Of course you may!" said Mrs. Light.  "The honor is for us."

Christina hesitated but for a moment, then swept the young man a courtesy

as profound as his own bow.  "You are very kind, but you are too late.

I have just accepted!"

"Ah, my own darling!" murmured--almost moaned--Mrs. Light.

Christina and Roderick exchanged a single glance--a glance

brilliant on both sides.  She passed her hand into his arm;

he tossed his clustering locks and led her away.

A short time afterwards Rowland saw the young man whom she

had rejected leaning against a doorway.  He was ugly, but what

is called distinguished-looking. He had a heavy black eye,

a sallow complexion, a long, thin neck; his hair was cropped

en brosse.  He looked very young, yet extremely bored.

He was staring at the ceiling and stroking an imperceptible moustache.

Rowland espied the Cavaliere Giacosa hard by, and, having joined him,

asked him the young man's name.

"Oh," said the Cavaliere, "he 's a pezzo grosso!

A Neapolitan.  Prince Casamassima."

CHAPTER VI.  Frascati

One day, on entering Roderick's lodging (not the modest rooms on

the Ripetta which he had first occupied, but a much more sumptuous

apartment on the Corso), Rowland found a letter on the table

addressed to himself.  It was from Roderick, and consisted

of but three lines:  "I am gone to Frascati--for meditation.

If I am not at home on Friday, you had better join me."

On Friday he was still absent, and Rowland went out to Frascati.

Here he found his friend living at the inn and spending

his days, according to his own account, lying under the trees

of the Villa Mondragone, reading Ariosto.  He was in a

sombre mood; "meditation" seemed not to have been fruitful.

Nothing especially pertinent to our narrative had passed

between the two young men since Mrs. Light's ball, save a

few words bearing on an incident of that entertainment.

Rowland informed Roderick, the next day, that he had told

Miss Light of his engagement.  "I don't know whether you 'll

thank me," he had said, "but it 's my duty to let you know it.

Miss Light perhaps has already done so."

Roderick looked at him a moment, intently, with his color slowly rising.

"Why should n't I thank you?" he asked.  "I am not ashamed of my engagement."

"As you had not spoken of it yourself, I thought you might have a reason

for not having it known."

"A man does n't gossip about such a matter with strangers,"

Roderick rejoined, with the ring of irritation in his voice.

"With strangers--no!" said Rowland, smiling.

Roderick continued his work; but after a moment, turning round with a frown:

"If you supposed I had a reason for being silent, pray why should

you have spoken?"

"I did not speak idly, my dear Roderick.  I weighed the matter before I spoke,

and promised myself to let you know immediately afterwards.  It seemed to me

that Miss Light had better know that your affections are pledged."

"The Cavaliere has put it into your head, then, that I am making

love to her?"

"No; in that case I would not have spoken to her first."

"Do you mean, then, that she is making love to me?"

"This is what I mean," said Rowland, after a pause.

"That girl finds you interesting, and is pleased, even though

she may play indifference, at your finding her so.

I said to myself that it might save her some sentimental

disappointment to know without delay that you are not at liberty

to become indefinitely interested in other women."

"You seem to have taken the measure of my liberty with

extraordinary minuteness!" cried Roderick.

"You must do me justice.  I am the cause of your separation

from Miss Garland, the cause of your being exposed to temptations

which she hardly even suspects.  How could I ever face her,"

Rowland demanded, with much warmth of tone, "if at the end of it

all she should be unhappy?"

"I had no idea that Miss Garland had made such an impression on you.

You are too zealous; I take it she did n't charge you to look

after her interests."

"If anything happens to you, I am accountable.  You must understand that."

"That 's a view of the situation I can't accept; in your own interest,

no less than in mine.  It can only make us both very uncomfortable.

I know all I owe you; I feel it; you know that!  But I am not a small boy nor

an outer barbarian any longer, and, whatever I do, I do with my eyes open.

When I do well, the merit 's mine; if I do ill, the fault 's mine!

The idea that I make you nervous is detestable.  Dedicate your nerves

to some better cause, and believe that if Miss Garland and I have a quarrel,

we shall settle it between ourselves."

Rowland had found himself wondering, shortly before, whether

possibly his brilliant young friend was without a conscience;

now it dimly occurred to him that he was without a heart.

Rowland, as we have already intimated, was a man with a

moral passion, and no small part of it had gone forth into

his relations with Roderick.  There had been, from the first,

no protestations of friendship on either side, but Rowland

had implicitly offered everything that belongs to friendship,

and Roderick had, apparently, as deliberately accepted it.

Rowland, indeed, had taken an exquisite satisfaction in his

companion's deep, inexpressive assent to his interest in him.

"Here is an uncommonly fine thing," he said to himself:

"a nature unconsciously grateful, a man in whom friendship

does the thing that love alone generally has the credit of--

knocks the bottom out of pride!"  His reflective judgment

of Roderick, as time went on, had indulged in a great many

irrepressible vagaries; but his affection, his sense of something

in his companion's whole personality that overmastered his heart

and beguiled his imagination, had never for an instant faltered.

He listened to Roderick's last words, and then he smiled

as he rarely smiled--with bitterness.

"I don't at all like your telling me I am too zealous," he said.

"If I had not been zealous, I should never have cared a fig for you."

Roderick flushed deeply, and thrust his modeling tool

up to the handle into the clay.  "Say it outright!

You have been a great fool to believe in me."

"I desire to say nothing of the kind, and you don't honestly believe I do!"

said Rowland.  "It seems to me I am really very good-natured even to reply

to such nonsense."

Roderick sat down, crossed his arms, and fixed his eyes on the floor.

Rowland looked at him for some moments; it seemed to him that he had

never so clearly read his companion's strangely commingled character--

his strength and his weakness, his picturesque personal attractiveness

and his urgent egoism, his exalted ardor and his puerile petulance.

It would have made him almost sick, however, to think that, on the whole,

Roderick was not a generous fellow, and he was so far from having ceased

to believe in him that he felt just now, more than ever, that all this

was but the painful complexity of genius.  Rowland, who had not a grain

of genius either to make one say he was an interested reasoner,

or to enable one to feel that he could afford a dangerous theory or two,

adhered to his conviction of the essential salubrity of genius.

Suddenly he felt an irresistible compassion for his companion; it seemed

to him that his beautiful faculty of production was a double-edged instrument,

susceptible of being dealt in back-handed blows at its possessor.

Genius was priceless, inspired, divine; but it was also, at its hours,

capricious, sinister, cruel; and men of genius, accordingly, were alternately

very enviable and very helpless.  It was not the first time he had had

a sense of Roderick's standing helpless in the grasp of his temperament.

It had shaken him, as yet, but with a half good-humored wantonness;

but, henceforth, possibly, it meant to handle him more roughly.

These were not times, therefore, for a friend to have a short patience.

"When you err, you say, the fault 's your own," he said at last.

"It is because your faults are your own that I care about them."

Rowland's voice, when he spoke with feeling, had an extraordinary amenity.

Roderick sat staring a moment longer at the floor, then he sprang

up and laid his hand affectionately on his friend's shoulder.

"You are the best man in the world," he said, "and I am a vile brute.

Only," he added in a moment, "you don't understand me!"  And he looked

at him with eyes of such radiant lucidity that one might have said

(and Rowland did almost say so, himself) that it was the fault of one's

own grossness if one failed to read to the bottom of that beautiful soul.

Rowland smiled sadly.  "What is it now?  Explain."

"Oh, I can't explain!" cried Roderick impatiently, returning to his work.

"I have only one way of expressing my deepest feelings--it 's this!"

And he swung his tool.  He stood looking at the half-wrought clay

for a moment, and then flung the instrument down.  "And even this half

the time plays me false!"

Rowland felt that his irritation had not subsided,

and he himself had no taste for saying disagreeable things.

Nevertheless he saw no sufficient reason to forbear uttering

the words he had had on his conscience from the beginning.

"We must do what we can and be thankful," he said.

"And let me assure you of this--that it won't help you to become

entangled with Miss Light."

Roderick pressed his hand to his forehead with vehemence and then shook

it in the air, despairingly; a gesture that had become frequent with him

since he had been in Italy.  "No, no, it 's no use; you don't understand me!

But I don't blame you.  You can't!"

"You think it will help you, then?" said Rowland, wondering.

"I think that when you expect a man to produce beautiful and wonderful

works of art, you ought to allow him a certain freedom of action,

you ought to give him a long rope, you ought to let him follow his

fancy and look for his material wherever he thinks he may find it!

A mother can't nurse her child unless she follows a certain diet; an artist

can't bring his visions to maturity unless he has a certain experience.

You demand of us to be imaginative, and you deny us that which feeds

the imagination.  In labor we must be as passionate as the inspired sibyl;

in life we must be mere machines.  It won't do.  When you have got an

artist to deal with, you must take him as he is, good and bad together.

I don't say they are pleasant fellows to know or easy fellows to live with;

I don't say they satisfy themselves any better than other people.

I only say that if you want them to produce, you must let them conceive.

If you want a bird to sing, you must not cover up its cage.

Shoot them, the poor devils, drown them, exterminate them, if you will,

in the interest of public morality; it may be morality would gain--

I dare say it would!  But if you suffer them to live, let them live

on their own terms and according to their own inexorable needs!"

Rowland burst out laughing.  "I have no wish whatever either

to shoot you or to drown you!" he said.  "Why launch such a

tirade against a warning offered you altogether in the interest

of your freest development?  Do you really mean that you have

an inexorable need of embarking on a flirtation with Miss Light?--

a flirtation as to the felicity of which there may be differences

of opinion, but which cannot at best, under the circumstances,

be called innocent.  Your last summer's adventures were more so!

As for the terms on which you are to live, I had an idea you

had arranged them otherwise!"

"I have arranged nothing--thank God!  I don't pretend to arrange.

I am young and ardent and inquisitive, and I admire Miss Light.

That 's enough.  I shall go as far as admiration leads me.

I am not afraid.  Your genuine artist may be sometimes half a madman,

but he 's not a coward!"

"Suppose that in your speculation you should come to grief,

not only sentimentally but artistically?"

"Come what come will!  If I 'm to fizzle out, the sooner

I know it the better.  Sometimes I half suspect it.

But let me at least go out and reconnoitre for the enemy,

and not sit here waiting for him, cudgeling my brains for ideas

that won't come!"

Do what he would, Rowland could not think of Roderick's theory

of unlimited experimentation, especially as applied in the case

under discussion, as anything but a pernicious illusion.

But he saw it was vain to combat longer, for inclination

was powerfully on Roderick's side.  He laid his hand on

Roderick's shoulder, looked at him a moment with troubled eyes,

then shook his head mournfully and turned away.

"I can't work any more," said Roderick.  "You have upset me!

I 'll go and stroll on the Pincian."  And he tossed aside

his working-jacket and prepared himself for the street.

As he was arranging his cravat before the glass,

something occurred to him which made him thoughtful.

He stopped a few moments afterward, as they were going out,

with his hand on the door-knob. "You did, from your own point

of view, an indiscreet thing," he said, "to tell Miss Light

of my engagement."

Rowland looked at him with a glance which was partly an interrogation,

but partly, also, an admission.

"If she 's the coquette you say," Roderick added, "you have given

her a reason the more."

"And that 's the girl you propose to devote yourself to?" cried Rowland.

"Oh, I don't say it, mind!  I only say that she 's the most interesting

creature in the world!  The next time you mean to render me a service,

pray give me notice beforehand!"

It was perfectly characteristic of Roderick that, a fortnight later, he should

have let his friend know that he depended upon him for society at Frascati,

as freely as if no irritating topic had ever been discussed between them.

Rowland thought him generous, and he had at any rate a liberal faculty

of forgetting that he had given you any reason to be displeased with him.

It was equally characteristic of Rowland that he complied with his friend's

summons without a moment's hesitation.  His cousin Cecilia had once told him

that he was the dupe of his intense benevolence.  She put the case with too

little favor, or too much, as the reader chooses; it is certain, at least,

that he had a constitutional tendency towards magnanimous interpretations.

Nothing happened, however, to suggest to him that he was deluded in thinking

that Roderick's secondary impulses were wiser than his primary ones,

and that the rounded total of his nature had a harmony perfectly attuned

to the most amiable of its brilliant parts.  Roderick's humor, for the time,

was pitched in a minor key; he was lazy, listless, and melancholy,

but he had never been more friendly and kindly and appealingly submissive.

Winter had begun, by the calendar, but the weather was divinely mild,

and the two young men took long slow strolls on the hills and lounged away

the mornings in the villas.  The villas at Frascati are delicious places,

and replete with romantic suggestiveness.  Roderick, as he had said,

was meditating, and if a masterpiece was to come of his meditations,

Rowland was perfectly willing to bear him company and coax along the process.

But Roderick let him know from the first that he was in a miserably

sterile mood, and, cudgel his brains as he would, could think of nothing

that would serve for the statue he was to make for Mr. Leavenworth.

"It is worse out here than in Rome," he said, "for here

I am face to face with the dead blank of my mind!

There I could n't think of anything either, but there

I found things to make me forget that I needed to."

This was as frank an allusion to Christina Light as could have been

expected under the circumstances; it seemed, indeed, to Rowland

surprisingly frank, and a pregnant example of his companion's

often strangely irresponsible way of looking at harmful facts.

Roderick was silent sometimes for hours, with a puzzled look on his

face and a constant fold between his even eyebrows; at other times

he talked unceasingly, with a slow, idle, half-nonsensical drawl.

Rowland was half a dozen times on the point of asking him what

was the matter with him; he was afraid he was going to be ill.

Roderick had taken a great fancy to the Villa Mondragone,

and used to declaim fantastic compliments to it as they

strolled in the winter sunshine on the great terrace which

looks toward Tivoli and the iridescent Sabine mountains.

He carried his volume of Ariosto in his pocket, and took

it out every now and then and spouted half a dozen stanzas

to his companion.  He was, as a general thing, very little

of a reader; but at intervals he would take a fancy to one of

the classics and peruse it for a month in disjointed scraps.

He had picked up Italian without study, and had a wonderfully

sympathetic accent, though in reading aloud he ruined

the sense of half the lines he rolled off so sonorously.

Rowland, who pronounced badly but understood everything,

once said to him that Ariosto was not the poet for a man

of his craft; a sculptor should make a companion of Dante.

So he lent him the Inferno, which he had brought with him,

and advised him to look into it.  Roderick took it

with some eagerness; perhaps it would brighten his wits.

He returned it the next day with disgust; he had found

it intolerably depressing.

"A sculptor should model as Dante writes--you 're right there," he said.

"But when his genius is in eclipse, Dante is a dreadfully smoky lamp.

By what perversity of fate," he went on, "has it come about that I am

a sculptor at all?  A sculptor is such a confoundedly special genius;

there are so few subjects he can treat, so few things in life that bear

upon his work, so few moods in which he himself is inclined to it."

(It may be noted that Rowland had heard him a dozen times affirm

the flat reverse of all this.) "If I had only been a painter--

a little quiet, docile, matter-of-fact painter, like our friend Singleton--

I should only have to open my Ariosto here to find a subject, to find color

and attitudes, stuffs and composition; I should only have to look up from

the page at that mouldy old fountain against the blue sky, at that cypress

alley wandering away like a procession of priests in couples, at the crags

and hollows of the Sabine hills, to find myself grasping my brush.

Best of all would be to be Ariosto himself, or one of his brotherhood.

Then everything in nature would give you a hint, and every form

of beauty be part of your stock.  You would n't have to look at

things only to say,--with tears of rage half the time,--'Oh, yes,

it 's wonderfully pretty, but what the deuce can I do with it?'

But a sculptor, now!  That 's a pretty trade for a fellow who has got

his living to make and yet is so damnably constituted that he can't work

to order, and considers that, aesthetically, clock ornaments don't pay!

You can't model the serge-coated cypresses, nor those mouldering old

Tritons and all the sunny sadness of that dried-up fountain; you can't

put the light into marble--the lovely, caressing, consenting Italian

light that you get so much of for nothing.  Say that a dozen times in his

life a man has a complete sculpturesque vision--a vision in which the

imagination recognizes a subject and the subject kindles the imagination.

It is a remunerative rate of work, and the intervals are comfortable!"

One morning, as the two young men were lounging on the sun-warmed

grass at the foot of one of the slanting pines of the Villa

Mondragone, Roderick delivered himself of a tissue of lugubrious

speculations as to the possible mischances of one's genius.

"What if the watch should run down," he asked, "and you

should lose the key?  What if you should wake up some morning

and find it stopped, inexorably, appallingly stopped?

Such things have been, and the poor devils to whom they happened have

had to grin and bear it.  The whole matter of genius is a mystery.

It bloweth where it listeth and we know nothing of its mechanism.

If it gets out of order we can't mend it; if it breaks down

altogether we can't set it going again.  We must let it choose

its own pace, and hold our breath lest it should lose its balance.

It 's dealt out in different doses, in big cups and little,

and when you have consumed your portion it 's as naif to ask

for more as it was for Oliver Twist to ask for more porridge.

Lucky for you if you 've got one of the big cups; we drink

them down in the dark, and we can't tell their size until

we tip them up and hear the last gurgle.  Those of some men

last for life; those of others for a couple of years.

Nay, what are you smiling at so damnably?" he went on.

"Nothing is more common than for an artist who has set out

on his journey on a high-stepping horse to find himself all

of a sudden dismounted and invited to go his way on foot.

You can number them by the thousand--the people of two or

three successes; the poor fellows whose candle burnt out in a night.

Some of them groped their way along without it, some of them

gave themselves up for blind and sat down by the wayside

to beg.  Who shall say that I 'm not one of these?

Who shall assure me that my credit is for an unlimited sum?

Nothing proves it, and I never claimed it; or if I did, I did

so in the mere boyish joy of shaking off the dust of Northampton.

If you believed so, my dear fellow, you did so at your own risk!

What am I, what are the best of us, but an experiment?  Do I succeed--

do I fail?  It does n't depend on me.  I 'm prepared for failure.

It won't be a disappointment, simply because I shan't survive it.

The end of my work shall be the end of my life.  When I have

played my last card, I shall cease to care for the game.

I 'm not making vulgar threats of suicide; for destiny, I trust,

won't add insult to injury by putting me to that abominable trouble.

But I have a conviction that if the hour strikes here,"

and he tapped his forehead, "I shall disappear, dissolve, be carried

off in a cloud!  For the past ten days I have had the vision

of some such fate perpetually swimming before my eyes.

My mind is like a dead calm in the tropics, and my imagination

as motionless as the phantom ship in the Ancient Mariner!"

Rowland listened to this outbreak, as he often had occasion to listen

to Roderick's heated monologues, with a number of mental restrictions.

Both in gravity and in gayety he said more than he meant, and you

did him simple justice if you privately concluded that neither

the glow of purpose nor the chill of despair was of so intense

a character as his florid diction implied.  The moods of an artist,

his exaltations and depressions, Rowland had often said to himself,

were like the pen-flourishes a writing-master makes in the air

when he begins to set his copy.  He may bespatter you with ink,

he may hit you in the eye, but he writes a magnificent hand.

It was nevertheless true that at present poor Roderick gave

unprecedented tokens of moral stagnation, and as for genius being

held by the precarious tenure he had sketched, Rowland was at a loss

to see whence he could borrow the authority to contradict him.

He sighed to himself, and wished that his companion had a

trifle more of little Sam Singleton's evenness of impulse.

But then, was Singleton a man of genius?  He answered that such

reflections seemed to him unprofitable, not to say morbid;

that the proof of the pudding was in the eating; that he did n't

know about bringing a genius that had palpably spent its last

breath back to life again, but that he was satisfied that vigorous

effort was a cure for a great many ills that seemed far gone.

"Don't heed your mood," he said, "and don't believe there is any

calm so dead that your own lungs can't ruffle it with a breeze.

If you have work to do, don't wait to feel like it; set to work

and you will feel like it."

"Set to work and produce abortions!" cried Roderick with ire.

"Preach that to others.  Production with me must be either

pleasure or nothing.  As I said just now, I must either stay

in the saddle or not go at all.  I won't do second-rate work;

I can't if I would.  I have no cleverness, apart from inspiration.

I am not a Gloriani!  You are right," he added after a while;

"this is unprofitable talk, and it makes my head ache.

I shall take a nap and see if I can dream of a bright idea or two."

He turned his face upward to the parasol of the great pine,

closed his eyes, and in a short time forgot his sombre fancies.

January though it was, the mild stillness seemed to vibrate with faint

midsummer sounds.  Rowland sat listening to them and wishing that,

for the sake of his own felicity, Roderick's temper were graced

with a certain absent ductility.  He was brilliant, but was he,

like many brilliant things, brittle?  Suddenly, to his musing sense,

the soft atmospheric hum was overscored with distincter sounds.

He heard voices beyond a mass of shrubbery, at the turn of a

neighboring path.  In a moment one of them began to seem familiar,

and an instant later a large white poodle emerged into view.

He was slowly followed by his mistress.  Miss Light paused a moment

on seeing Rowland and his companion; but, though the former perceived

that he was recognized, she made no bow.  Presently she walked

directly toward him.  He rose and was on the point of waking Roderick,

but she laid her finger on her lips and motioned him to forbear.

She stood a moment looking at Roderick's handsome slumber.

"What delicious oblivion!" she said.  "Happy man!  Stenterello"--and she

pointed to his face--"wake him up!"

The poodle extended a long pink tongue and began to lick Roderick's cheek.

"Why," asked Rowland, "if he is happy?"

"Oh, I want companions in misery!  Besides, I want to show off my dog."

Roderick roused himself, sat up, and stared.  By this time Mrs. Light

had approached, walking with a gentleman on each side of her.

One of these was the Cavaliere Giacosa; the other was Prince Casamassima.

"I should have liked to lie down on the grass and go to sleep,"

Christina added.  "But it would have been unheard of."

"Oh, not quite," said the Prince, in English, with a tone of great precision.

"There was already a Sleeping Beauty in the Wood!"

"Charming!" cried Mrs. Light.  "Do you hear that, my dear?"

"When the prince says a brilliant thing, it would be a pity

to lose it," said the young girl.  "Your servant, sir!"

And she smiled at him with a grace that might have reassured him,

if he had thought her compliment ambiguous.

Roderick meanwhile had risen to his feet, and Mrs. Light began to exclaim

on the oddity of their meeting and to explain that the day was so lovely

that she had been charmed with the idea of spending it in the country.

And who would ever have thought of finding Mr. Mallet and Mr. Hudson

sleeping under a tree!

"Oh, I beg your pardon; I was not sleeping," said Rowland.

"Don't you know that Mr. Mallet is Mr. Hudson's sheep-dog?" asked Christina.

"He was mounting guard to keep away the wolves."

"To indifferent purpose, madame!" said Rowland, indicating the young girl.

"Is that the way you spend your time?"  Christina demanded of Roderick.

"I never yet happened to learn what men were doing when they supposed women

were not watching them but it was something vastly below their reputation."

"When, pray," said Roderick, smoothing his ruffled locks,

"are women not watching them?"

"We shall give you something better to do, at any rate.

How long have you been here?  It 's an age since I have seen you.

We consider you domiciled here, and expect you to play host

and entertain us."

Roderick said that he could offer them nothing but to show them

the great terrace, with its view; and ten minutes later the group

was assembled there.  Mrs. Light was extravagant in her satisfaction;

Christina looked away at the Sabine mountains, in silence.

The prince stood by, frowning at the rapture of the elder lady.

"This is nothing," he said at last.  "My word of honor.

Have you seen the terrace at San Gaetano?"

"Ah, that terrace," murmured Mrs. Light, amorously.  "I suppose

it is magnificent!"

"It is four hundred feet long, and paved with marble.

And the view is a thousand times more beautiful than this.

You see, far away, the blue, blue sea and the little

smoke of Vesuvio!"

"Christina, love," cried Mrs. Light forthwith, "the prince has

a terrace four hundred feet long, all paved with marble!"

The Cavaliere gave a little cough and began to wipe his eye-glass.

"Stupendous!" said Christina.  "To go from one end to

the other, the prince must have out his golden carriage."

This was apparently an allusion to one of the other items

of the young man's grandeur.

"You always laugh at me," said the prince.  "I know no more what to say!"

She looked at him with a sad smile and shook her head.

"No, no, dear prince, I don't laugh at you.  Heaven forbid!

You are much too serious an affair.  I assure you I feel your importance.

What did you inform us was the value of the hereditary diamonds

of the Princess Casamassima?"

"Ah, you are laughing at me yet!" said the poor young man,

standing rigid and pale.

"It does n't matter," Christina went on.  "We have a note of it;

mamma writes all those things down in a little book!"

"If you are laughed at, dear prince, at least it 's in company,"

said Mrs. Light, caressingly; and she took his arm, as if to resist

his possible displacement under the shock of her daughter's sarcasm.

But the prince looked heavy-eyed toward Rowland and Roderick,

to whom the young girl was turning, as if he had much rather his lot

were cast with theirs.

"Is the villa inhabited?"  Christina asked, pointing to the vast

melancholy structure which rises above the terrace.

"Not privately," said Roderick.  "It is occupied by a Jesuits'

college, for little boys."

"Can women go in?"

"I am afraid not."  And Roderick began to laugh.

"Fancy the poor little devils looking up from their Latin

declensions and seeing Miss Light standing there!"

"I should like to see the poor little devils, with their rosy

cheeks and their long black gowns, and when they were pretty,

I should n't scruple to kiss them.  But if I can't have that

amusement I must have some other.  We must not stand planted on this

enchanting terrace as if we were stakes driven into the earth.

We must dance, we must feast, we must do something picturesque.

Mamma has arranged, I believe, that we are to go back

to Frascati to lunch at the inn.  I decree that we lunch

here and send the Cavaliere to the inn to get the provisions!

He can take the carriage, which is waiting below."

Miss Light carried out this undertaking with unfaltering ardor.

The Cavaliere was summoned, and he stook to receive her commands

hat in hand, with his eyes cast down, as if she had been

a princess addressing her major-domo. She, however, laid her hand

with friendly grace upon his button-hole, and called him a dear,

good old Cavaliere, for being always so willing.  Her spirits had

risen with the occasion, and she talked irresistible nonsense.

"Bring the best they have," she said, "no matter if it ruins us!

And if the best is very bad, it will be all the more amusing.

I shall enjoy seeing Mr. Mallet try to swallow it for propriety's sake!

Mr. Hudson will say out like a man that it 's horrible stuff,

and that he 'll be choked first!  Be sure you bring a dish of maccaroni;

the prince must have the diet of the Neapolitan nobility.

But I leave all that to you, my poor, dear Cavaliere; you know

what 's good!  Only be sure, above all, you bring a guitar.

Mr. Mallet will play us a tune, I 'll dance with Mr. Hudson,

and mamma will pair off with the prince, of whom she is so fond!"

And as she concluded her recommendations, she patted

her bland old servitor caressingly on the shoulder.

He looked askance at Rowland; his little black eye glittered;

it seemed to say, "Did n't I tell you she was a good girl!"

The Cavaliere returned with zealous speed, accompanied by one

of the servants of the inn, laden with a basket containing

the materials of a rustic luncheon.  The porter of the villa

was easily induced to furnish a table and half a dozen chairs,

and the repast, when set forth, was pronounced a perfect success;

not so good as to fail of the proper picturesqueness,

nor yet so bad as to defeat the proper function of repasts.

Christina continued to display the most charming animation,

and compelled Rowland to reflect privately that,

think what one might of her, the harmonious gayety of a

beautiful girl was the most beautiful sight in nature.

Her good-humor was contagious.  Roderick, who an hour before had

been descanting on madness and suicide, commingled his laughter

with hers in ardent devotion; Prince Casamassima stroked his

young moustache and found a fine, cool smile for everything;

his neighbor, Mrs. Light, who had Rowland on the other side,

made the friendliest confidences to each of the young men,

and the Cavaliere contributed to the general hilarity by

the solemnity of his attention to his plate.  As for Rowland,

the spirit of kindly mirth prompted him to propose the health of this

useful old gentleman, as the effective author of their pleasure.

A moment later he wished he had held his tongue, for although

the toast was drunk with demonstrative good-will, the Cavaliere

received it with various small signs of eager self-effacement

which suggested to Rowland that his diminished gentility

but half relished honors which had a flavor of patronage.

To perform punctiliously his mysterious duties toward

the two ladies, and to elude or to baffle observation on his

own merits--this seemed the Cavaliere's modest programme.

Rowland perceived that Mrs. Light, who was not always remarkable

for tact, seemed to have divined his humor on this point.

She touched her glass to her lips, but offered him no compliment

and immediately gave another direction to the conversation.

He had brought no guitar, so that when the feast was over there

was nothing to hold the little group together.  Christina wandered

away with Roderick to another part of the terrace; the prince,

whose smile had vanished, sat gnawing the head of his cane,

near Mrs. Light, and Rowland strolled apart with the Cavaliere,

to whom he wished to address a friendly word in compensation

for the discomfort he had inflicted on his modesty.

The Cavaliere was a mine of information upon all Roman places

and people; he told Rowland a number of curious anecdotes

about the old Villa Mondragone.  "If history could always be

taught in this fashion!" thought Rowland.  "It 's the ideal--

strolling up and down on the very spot commemorated,

hearing sympathetic anecdotes from deeply indigenous lips."

At last, as they passed, Rowland observed the mournful

physiognomy of Prince Casamassima, and, glancing toward

the other end of the terrace, saw that Roderick and Christina

had disappeared from view.  The young man was sitting upright,

in an attitude, apparently habitual, of ceremonious rigidity;

but his lower jaw had fallen and was propped up with his cane,

and his dull dark eye was fixed upon the angle of the villa

which had just eclipsed Miss Light and her companion.

His features were grotesque and his expression vacuous;

but there was a lurking delicacy in his face which seemed

to tell you that nature had been making Casamassimas for a great

many centuries, and, though she adapted her mould to circumstances,

had learned to mix her material to an extraordinary fineness

and to perform the whole operation with extreme smoothness.

The prince was stupid, Rowland suspected, but he imagined

he was amiable, and he saw that at any rate he had the great

quality of regarding himself in a thoroughly serious light.

Rowland touched his companion's arm and pointed to

the melancholy nobleman.

"Why in the world does he not go after her and insist on

being noticed!" he asked.

"Oh, he 's very proud!" said the Cavaliere.

"That 's all very well, but a gentleman who cultivates a passion

for that young lady must be prepared to make sacrifices."

"He thinks he has already made a great many.  He comes

of a very great family--a race of princes who for six hundred

years have married none but the daughters of princes.

But he is seriously in love, and he would marry her to-morrow."

"And she will not have him?"

"Ah, she is very proud, too!"  The Cavaliere was silent

a moment, as if he were measuring the propriety of frankness.

He seemed to have formed a high opinion of Rowland's discretion,

for he presently continued:  "It would be a great match, for she

brings him neither a name nor a fortune--nothing but her beauty.

But the signorina will receive no favors; I know her well!

She would rather have her beauty blasted than seem to care

about the marriage, and if she ever accepts the prince it

will be only after he has implored her on his knees!"

"But she does care about it," said Rowland, "and to bring him

to his knees she is working upon his jealousy by pretending

to be interested in my friend Hudson.  If you said more,

you would say that, eh?"

The Cavaliere's shrewdness exchanged a glance with Rowland's. "By no means.

Miss Light is a singular girl; she has many romantic ideas.  She would be

quite capable of interesting herself seriously in an interesting young man,

like your friend, and doing her utmost to discourage a splendid suitor,

like the prince.  She would act sincerely and she would go very far.

But it would be unfortunate for the young man," he added, after a pause,

"for at the last she would retreat!"

"A singular girl, indeed!"

"She would accept the more brilliant parti.  I can answer for it."

"And what would be her motive?"

"She would be forced.  There would be circumstances.... I can't

tell you more."

"But this implies that the rejected suitor would also come back.

He might grow tired of waiting."

"Oh, this one is good!  Look at him now."  Rowland looked,

and saw that the prince had left his place by Mrs. Light and was

marching restlessly to and fro between the villa and the parapet

of the terrace.  Every now and then he looked at his watch.

"In this country, you know," said the Cavaliere, "a young

lady never goes walking alone with a handsome young man.

It seems to him very strange."

"It must seem to him monstrous, and if he overlooks it he must

be very much in love."

"Oh, he will overlook it.  He is far gone."

"Who is this exemplary lover, then; what is he?"

"A Neapolitan; one of the oldest houses in Italy.  He is a prince

in your English sense of the word, for he has a princely fortune.

He is very young; he is only just of age; he saw the signorina

last winter in Naples.  He fell in love with her from the first,

but his family interfered, and an old uncle, an ecclesiastic,

Monsignor B----, hurried up to Naples, seized him, and locked him up.

Meantime he has passed his majority, and he can dispose of himself.

His relations are moving heaven and earth to prevent his

marrying Miss Light, and they have sent us word that he forfeits

his property if he takes his wife out of a certain line.

I have investigated the question minutely, and I find this is but a

fiction to frighten us.  He is perfectly free; but the estates are

such that it is no wonder they wish to keep them in their own hands.

For Italy, it is an extraordinary case of unincumbered property.

The prince has been an orphan from his third year; he has therefore

had a long minority and made no inroads upon his fortune.

Besides, he is very prudent and orderly; I am only afraid that some day

he will pull the purse-strings too tight.  All these years his affairs

have been in the hands of Monsignor B----, who has managed them

to perfection--paid off mortagages, planted forests, opened up mines.

It is now a magnificent fortune; such a fortune as, with his name,

would justify the young man in pretending to any alliance whatsoever.

And he lays it all at the feet of that young girl who is wandering

in yonder boschetto with a penniless artist."

"He is certainly a phoenix of princes!  The signora must

be in a state of bliss."

The Cavaliere looked imperturbably grave.  "The signora has a high

esteem for his character."

"His character, by the way," rejoined Rowland, with a smile;

"what sort of a character is it?"

"Eh, Prince Casamassima is a veritable prince!

He is a very good young man.  He is not brilliant,

nor witty, but he 'll not let himself be made a fool of.

He 's very grave and very devout--though he does propose to marry

a Protestant.  He will handle that point after marriage.

He 's as you see him there:  a young man without many ideas,

but with a very firm grasp of a single one--the conviction that

Prince Casamassima is a very great person, that he greatly honors

any young lady by asking for her hand, and that things are going

very strangely when the young lady turns her back upon him.

The poor young man, I am sure, is profoundly perplexed.

But I whisper to him every day, 'Pazienza, Signor Principe!' "

"So you firmly believe," said Rowland, in conclusion, "that Miss

Light will accept him just in time not to lose him!"

"I count upon it.  She would make too perfect a princess

to miss her destiny."

"And you hold that nevertheless, in the mean while,

in listening to, say, my friend Hudson, she will have been

acting in good faith?"

The Cavaliere lifted his shoulders a trifle, and gave an inscrutable smile.

"Eh, dear signore, the Christina is very romantic!"

"So much so, you intimate, that she will eventually retract, in consequence

not of a change of sentiment, but of a mysterious outward pressure?"

"If everything else fails, there is that resource.

But it is mysterious, as you say, and you need n't try to guess it.

You will never know."

"The poor signorina, then, will suffer!"

"Not too much, I hope."

"And the poor young man!  You maintain that there is nothing

but disappointment in store for the infatuated youth who loses

his heart to her!"

The Cavaliere hesitated.  "He had better," he said in a moment,

"go and pursue his studies in Florence.  There are very fine

antiques in the Uffizi!"

Rowland presently joined Mrs. Light, to whom her restless

protege had not yet returned.  "That 's right," she said;

"sit down here; I have something serious to say to you.

I am going to talk to you as a friend.  I want your assistance.

In fact, I demand it; it 's your duty to render it.

Look at that unhappy young man."

"Yes," said Rowland, "he seems unhappy."

"He is just come of age, he bears one of the greatest names in Italy

and owns one of the greatest properties, and he is pining away with love

for my daughter."

"So the Cavaliere tells me."

"The Cavaliere should n't gossip," said Mrs. Light dryly.

"Such information should come from me.  The prince

is pining, as I say; he 's consumed, he 's devoured.

It 's a real Italian passion; I know what that means!"

And the lady gave a speaking glance, which seemed to coquet

for a moment with retrospect.  "Meanwhile, if you please,

my daughter is hiding in the woods with your dear friend Mr. Hudson.

I could cry with rage."

"If things are so bad as that," said Rowland, "it seems to me that you

ought to find nothing easier than to dispatch the Cavaliere to bring

the guilty couple back."

"Never in the world!  My hands are tied.  Do you know what Christina

would do?  She would tell the Cavaliere to go about his business--

Heaven forgive her!--and send me word that, if she had a mind to,

she would walk in the woods till midnight.  Fancy the Cavaliere

coming back and delivering such a message as that before the prince!

Think of a girl wantonly making light of such a chance as hers!

He would marry her to-morrow, at six o'clock in the morning!"

"It is certainly very sad," said Rowland.

"That costs you little to say.  If you had left your precious young

meddler to vegetate in his native village you would have saved me

a world of distress!"

"Nay, you marched into the jaws of danger," said Rowland.

"You came and disinterred poor Hudson in his own secluded studio."

"In an evil hour!  I wish to Heaven you would talk with him."

"I have done my best."

"I wish, then, you would take him away.  You have plenty of money.

Do me a favor.  Take him to travel.  Go to the East--go to Timbuctoo.

Then, when Christina is Princess Casamassima," Mrs. Light added in a moment,

"he may come back if he chooses."

"Does she really care for him?"  Rowland asked, abruptly.

"She thinks she does, possibly.  She is a living riddle.

She must needs follow out every idea that comes into her head.

Fortunately, most of them don't last long; but this one may last long

enough to give the prince a chill.  If that were to happen, I don't

know what I should do!  I should be the most miserable of women.

It would be too cruel, after all I 've suffered to make her

what she is, to see the labor of years blighted by a caprice.

For I can assure you, sir," Mrs. Light went on, "that if my daughter

is the greatest beauty in the world, some of the credit is mine."

Rowland promptly remarked that this was obvious.

He saw that the lady's irritated nerves demanded comfort from

flattering reminiscence, and he assumed designedly the attitude

of a zealous auditor.  She began to retail her efforts,

her hopes, her dreams, her presentiments, her disappointments,

in the cause of her daughter's matrimonial fortunes.

It was a long story, and while it was being unfolded, the prince

continued to pass to and fro, stiffly and solemnly, like a pendulum

marking the time allowed for the young lady to come to her senses.

Mrs. Light evidently, at an early period, had gathered her

maternal hopes into a sacred sheaf, which she said her prayers

and burnt incense to, and treated like a sort of fetish.

They had been her religion; she had none other, and she performed

her devotions bravely and cheerily, in the light of day.

The poor old fetish had been so caressed and manipulated,

so thrust in and out of its niche, so passed from hand to hand,

so dressed and undressed, so mumbled and fumbled over,

that it had lost by this time much of its early freshness,

and seemed a rather battered and disfeatured divinity.

But it was still brought forth in moments of trouble to have its

tinseled petticoat twisted about and be set up on its altar.

Rowland observed that Mrs. Light had a genuine maternal conscience;

she considered that she had been performing a sacred duty in bringing

up Christina to set her cap for a prince, and when the future

looked dark, she found consolation in thinking that destiny could

never have the heart to deal a blow at so deserving a person.

This conscience upside down presented to Rowland's fancy a real

physical image; he was on the point, half a dozen times,

of bursting out laughing.

"I don't know whether you believe in presentiments," said Mrs. Light,

"and I don't care!  I have had one for the last fifteen years.

People have laughed at it, but they have n't laughed me out of it.

It has been everything to me.  I could n't have lived without it.

One must believe in something!  It came to me in a flash,

when Christina was five years old.  I remember the day and

the place, as if it were yesterday.  She was a very ugly baby;

for the first two years I could hardly bear to look at her,

and I used to spoil my own looks with crying about her.

She had an Italian nurse who was very fond of her and insisted

that she would grow up pretty.  I could n't believe her;

I used to contradict her, and we were forever squabbling.

I was just a little silly in those days--surely I may say it now--

and I was very fond of being amused.  If my daughter was ugly,

it was not that she resembled her mamma; I had no lack of amusement.

People accused me, I believe, of neglecting my little girl;

if it was so, I 've made up for it since.  One day I went to drive

on the Pincio in very low spirits.  A trusted friend had greatly

disappointed me.  While I was there he passed me in a carriage,

driving with a horrible woman who had made trouble between us.

I got out of my carriage to walk about, and at last sat

down on a bench.  I can show you the spot at this hour.

While I sat there a child came wandering along the path--

a little girl of four or five, very fantastically dressed

in crimson and orange.  She stopped in front of me and stared

at me, and I stared at her queer little dress, which was

a cheap imitation of the costume of one of these contadine.

At last I looked up at her face, and said to myself, 'Bless me,

what a beautiful child! what a splendid pair of eyes,

what a magnificent head of hair!  If my poor Christina were

only like that!'  The child turned away slowly, but looking

back with its eyes fixed on me.  All of a sudden I gave a cry,

pounced on it, pressed it in my arms, and covered it with kisses.

It was Christina, my own precious child, so disguised

by the ridiculous dress which the nurse had amused herself

in making for her, that her own mother had not recognized her.

She knew me, but she said afterwards that she had not spoken

to me because I looked so angry.  Of course my face was sad.

I rushed with my child to the carriage, drove home post-haste,

pulled off her rags, and, as I may say, wrapped her in cotton.

I had been blind, I had been insane; she was a creature

in ten millions, she was to be a beauty of beauties,

a priceless treasure!  Every day, after that, the certainty grew.

From that time I lived only for my daughter.  I watched her,

I caressed her from morning till night, I worshipped her.

I went to see doctors about her, I took every sort of advice.

I was determined she should be perfection.  The things that

have been done for that girl, sir--you would n't believe them;

they would make you smile!  Nothing was spared; if I had been

told that she must have a bath every morning of molten pearls,

I would have found means to give it to her.  She never raised

a finger for herself, she breathed nothing but perfumes,

she walked upon velvet.  She never was out of my sight,

and from that day to this I have never said a sharp word to her.

By the time she was ten years old she was beautiful as an angel,

and so noticed wherever we went that I had to make her wear a veil,

like a woman of twenty.  Her hair reached down to her feet;

her hands were the hands of a princess.  Then I saw that she

was as clever as she was beautiful, and that she had only

to play her cards.  She had masters, professors, every

educational advantage.  They told me she was a little prodigy.

She speaks French, Italian, German, better than most natives.

She has a wonderful genius for music, and might make her

fortune as a pianist, if it was not made for her otherwise!

I traveled all over Europe; every one told me she was a marvel.

The director of the opera in Paris saw her dance at a child's

party at Spa, and offered me an enormous sum if I would give

her up to him and let him have her educated for the ballet.

I said, 'No, I thank you, sir; she is meant to be something

finer than a princesse de theatre.'  I had a passionate

belief that she might marry absolutely whom she chose,

that she might be a princess out and out.  It has never left

me till this hour, and I can assure you that it has sustained

me in many embarrassments.  Financial, some of them; I don't

mind confessing it!  I have raised money on that girl's face!

I 've taken her to the Jews and bade her put up her veil,

and asked if the mother of that young lady was not safe!

She, of course, was too young to understand me.  And yet,

as a child, you would have said she knew what was in store for her;

before she could read, she had the manners, the tastes, the instincts

of a little princess.  She would have nothing to do with shabby

things or shabby people; if she stained one of her frocks,

she was seized with a kind of frenzy and tore it to pieces.

At Nice, at Baden, at Brighton, wherever we stayed, she used to be

sent for by all the great people to play with their children.

She has played at kissing-games with people who now stand

on the steps of thrones!  I have gone so far as to think

at times that those childish kisses were a sign--a symbol--

a portent.  You may laugh at me if you like, but have n't

such things happened again and again without half as good

a cause, and does n't history notoriously repeat itself?

There was a little Spanish girl at a second-rate English

boarding-school thirty years ago!.... The Empress certainly

is a pretty woman; but what is my Christina, pray?

I 've dreamt of it, sometimes every night for a month.

I won't tell you I have been to consult those old women who

advertise in the newspapers; you 'll call me an old imbecile.

Imbecile if you please!  I have refused magnificent offers

because I believed that somehow or other--if wars and revolutions

were needed to bring it about--we should have nothing less

than that.  There might be another coup d'etat somewhere,

and another brilliant young sovereign looking out for a wife!

At last, however," Mrs. Light proceeded with incomparable gravity,

"since the overturning of the poor king of Naples and that

charming queen, and the expulsion of all those dear little

old-fashioned Italian grand-dukes, and the dreadful radical

talk that is going on all over the world, it has come to seem

to me that with Christina in such a position I should be

really very nervous.  Even in such a position she would hold

her head very high, and if anything should happen to her,

she would make no concessions to the popular fury.

The best thing, if one is prudent, seems to be a nobleman of

the highest possible rank, short of belonging to a reigning stock.

There you see one striding up and down, looking at his watch,

and counting the minutes till my daughter reappears!"

Rowland listened to all this with a huge compassion

for the heroine of the tale.  What an education,

what a history, what a school of character and of morals!

He looked at the prince and wondered whether he too had

heard Mrs. Light's story.  If he had he was a brave man.

"I certainly hope you 'll keep him," he said to Mrs. Light.

"You have played a dangerous game with your daughter;

it would be a pity not to win.  But there is hope for you yet;

here she comes at last!"

Christina reappeared as he spoke these words, strolling beside her

companion with the same indifferent tread with which she had departed.

Rowland imagined that there was a faint pink flush in her cheek

which she had not carried away with her, and there was certainly

a light in Roderick's eyes which he had not seen there for a week.

"Bless my soul, how they are all looking at us!" she cried,

as they advanced.  "One would think we were prisoners of

the Inquisition!"  And she paused and glanced from the prince

to her mother, and from Rowland to the Cavaliere, and then

threw back her head and burst into far-ringing laughter.

"What is it, pray?  Have I been very improper?  Am I ruined forever?

Dear prince, you are looking at me as if I had committed

the unpardonable sin!"

"I myself," said the prince, "would never have ventured to ask

you to walk with me alone in the country for an hour!"

"The more fool you, dear prince, as the vulgar say!

Our walk has been charming.  I hope you, on your side,

have enjoyed each other's society."

"My dear daughter," said Mrs. Light, taking the arm of her predestined

son-in-law, "I shall have something serious to say to you when we reach home.

We will go back to the carriage."

"Something serious!  Decidedly, it is the Inquisition.

Mr. Hudson, stand firm, and let us agree to make no

confessions without conferring previously with each other!

They may put us on the rack first.  Mr. Mallet, I see also,"

Christina added, "has something serious to say to me!"

Rowland had been looking at her with the shadow of his

lately-stirred pity in his eyes.  "Possibly," he said.

"But it must be for some other time."

"I am at your service.  I see our good-humor is gone.

And I only wanted to be amiable!  It is very discouraging.

Cavaliere, you, only, look as if you had a little of the milk

of human kindness left; from your venerable visage, at least;

there is no telling what you think.  Give me your arm and

take me away!"

The party took its course back to the carriage, which was waiting in the

grounds of the villa, and Rowland and Roderick bade their friends farewell.

Christina threw herself back in her seat and closed her eyes;

a manoeuvre for which Rowland imagined the prince was grateful,

as it enabled him to look at her without seeming to depart from his

attitude of distinguished disapproval.Rowland found himself aroused

from sleep early the next morning, to see Roderick standing before him,

dressed for departure, with his bag in his hand.  "I am off," he said.

"I am back to work.  I have an idea.  I must strike while the iron

's hot!  Farewell!"  And he departed by the first train.

Rowland went alone by the next.

CHAPTER VII.  Saint Cecilia's

Rowland went often to the Coliseum; he never wearied of it.

One morning, about a month after his return from Frascati,

as he was strolling across the vast arena, he observed a young

woman seated on one of the fragments of stone which are ranged

along the line of the ancient parapet.  It seemed to him that

he had seen her before, but he was unable to localize her face.

Passing her again, he perceived that one of the little

red-legged French soldiers at that time on guard there had

approached her and was gallantly making himself agreeable.

She smiled brilliantly, and Rowland recognized the smile

(it had always pleased him) of a certain comely Assunta,

who sometimes opened the door for Mrs. Light's visitors.

He wondered what she was doing alone in the Coliseum, and conjectured

that Assunta had admirers as well as her young mistress, but that,

being without the same domiciliary conveniencies, she was using

this massive heritage of her Latin ancestors as a boudoir.

In other words, she had an appointment with her lover,

who had better, from present appearances, be punctual.

It was a long time since Rowland had ascended to the ruinous

upper tiers of the great circus, and, as the day was radiant

and the distant views promised to be particularly clear,

he determined to give himself the pleasure.  The custodian

unlocked the great wooden wicket, and he climbed through

the winding shafts, where the eager Roman crowds had billowed

and trampled, not pausing till he reached the highest accessible

point of the ruin.  The views were as fine as he had supposed;

the lights on the Sabine Mountains had never been more lovely.

He gazed to his satisfaction and retraced his steps.

In a moment he paused again on an abutment somewhat lower,

from which the glance dropped dizzily into the interior.

There are chance anfractuosities of ruin in the upper portions

of the Coliseum which offer a very fair imitation of the rugged

face of an Alpine cliff.  In those days a multitude of delicate

flowers and sprays of wild herbage had found a friendly soil

in the hoary crevices, and they bloomed and nodded amid the antique

masonry as freely as they would have done in the virgin rock.

Rowland was turning away, when he heard a sound of voices

rising up from below.  He had but to step slightly

forward to find himself overlooking two persons who had

seated themselves on a narrow ledge, in a sunny corner.

They had apparently had an eye to extreme privacy, but they

had not observed that their position was commanded by Rowland's

stand-point. One of these airy adventurers was a lady,

thickly veiled, so that, even if he had not been standing

directly above her, Rowland could not have seen her face.

The other was a young man, whose face was also invisible,

but who, as Rowland stood there, gave a toss of his clustering

locks which was equivalent to the signature--Roderick Hudson.

A moment's reflection, hereupon, satisfied him of the identity

of the lady.  He had been unjust to poor Assunta, sitting patient

in the gloomy arena; she had not come on her own errand.

Rowland's discoveries made him hesitate.  Should he retire

as noiselessly as possible, or should he call out a friendly

good morning?  While he was debating the question, he found

himself distinctly hearing his friends' words.  They were

of such a nature as to make him unwilling to retreat, and yet

to make it awkward to be discovered in a position where it

would be apparent that he had heard them.

"If what you say is true," said Christina, with her usual

soft deliberateness--it made her words rise with peculiar

distinctness to Rowland's ear--"you are simply weak.  I am sorry!

I hoped--I really believed--you were not."

"No, I am not weak," answered Roderick, with vehemence; "I maintain

that I am not weak!  I am incomplete, perhaps; but I can't help that.

Weakness is a man's own fault!"

"Incomplete, then!" said Christina, with a laugh.  "It 's

the same thing, so long as it keeps you from splendid achievement.

Is it written, then, that I shall really never know what I

have so often dreamed of?"

"What have you dreamed of?"

"A man whom I can perfectly respect!" cried the young girl, with a

sudden flame.  "A man, at least, whom I can unrestrictedly admire.

I meet one, as I have met more than one before, whom I fondly believe

to be cast in a larger mould than most of the vile human breed,

to be large in character, great in talent, strong in will!

In such a man as that, I say, one's weary imagination at

last may rest; or it may wander if it will, yet never need

to wander far from the deeps where one's heart is anchored.

When I first knew you, I gave no sign, but you had struck me.

I observed you, as women observe, and I fancied you had

the sacred fire."

"Before heaven, I believe I have!" cried Roderick.

"Ah, but so little!  It flickers and trembles and sputters;

it goes out, you tell me, for whole weeks together.

From your own account, it 's ten to one that in the long run

you 're a failure."

"I say those things sometimes myself, but when I hear you say them

they make me feel as if I could work twenty years at a sitting,

on purpose to refute you!"

"Ah, the man who is strong with what I call strength,"

Christina replied, "would neither rise nor fall by anything I could say!

I am a poor, weak woman; I have no strength myself, and I can

give no strength.  I am a miserable medley of vanity and folly.

I am silly, I am ignorant, I am affected, I am false.

I am the fruit of a horrible education, sown on a worthless soil.

I am all that, and yet I believe I have one merit!  I should know

a great character when I saw it, and I should delight in it with a

generosity which would do something toward the remission of my sins.

For a man who should really give me a certain feeling--

which I have never had, but which I should know when it came--

I would send Prince Casamassima and his millions to perdition.

I don't know what you think of me for saying all this; I suppose

we have not climbed up here under the skies to play propriety.

Why have you been at such pains to assure me, after all, that you

are a little man and not a great one, a weak one and not a strong?

I innocently imagined that your eyes declared you were strong.

But your voice condemns you; I always wondered at it; it 's not

the voice of a conqueror!"

"Give me something to conquer," cried Roderick, "and when I say

that I thank you from my soul, my voice, whatever you think of it,

shall speak the truth!"

Christina for a moment said nothing.  Rowland was too interested

to think of moving.  "You pretend to such devotion," she went on,

"and yet I am sure you have never really chosen between me

and that person in America."

"Do me the favor not to speak of her," said Roderick, imploringly.

"Why not?  I say no ill of her, and I think all kinds of good.

I am certain she is a far better girl than I, and far more likely

to make you happy."

"This is happiness, this present, palpable moment," said Roderick;

"though you have such a genius for saying the things that torture me!"

"It 's greater happiness than you deserve, then!  You have never chosen,

I say; you have been afraid to choose.  You have never really faced

the fact that you are false, that you have broken your faith.

You have never looked at it and seen that it was hideous, and yet said,

'No matter, I 'll brave the penalty, I 'll bear the shame!'

You have closed your eyes; you have tried to stifle remembrance,

to persuade yourself that you were not behaving as badly as you

seemed to be, and there would be some way, after all, of compassing

bliss and yet escaping trouble.  You have faltered and drifted,

you have gone on from accident to accident, and I am sure that at

this present moment you can't tell what it is you really desire!"

Roderick was sitting with his knees drawn up and bent, and his hands clapsed

around his legs.  He bent his head and rested his forehead on his knees.

Christina went on with a sort of infernal calmness:

"I believe that, really, you don't greatly care for your friend

in America any more than you do for me.  You are one of the men who

care only for themselves and for what they can make of themselves.

That 's very well when they can make something great,

and I could interest myself in a man of extraordinary power

who should wish to turn all his passions to account.

But if the power should turn out to be, after all, rather ordinary?

Fancy feeling one's self ground in the mill of a third-rate talent!

If you have doubts about yourself, I can't reassure you;

I have too many doubts myself, about everything in this weary world.

You have gone up like a rocket, in your profession, they tell me;

are you going to come down like the stick?  I don't pretend to know;

I repeat frankly what I have said before--that all modern

sculpture seems to me weak, and that the only things I care

for are some of the most battered of the antiques of the Vatican.

No, no, I can't reassure you; and when you tell me--with a confidence

in my discretion of which, certainly, I am duly sensible--

that at times you feel terribly small, why, I can only answer,

'Ah, then, my poor friend, I am afraid you are small.'

The language I should like to hear, from a certain person,

would be the language of absolute decision."

Roderick raised his head, but he said nothing; he seemed

to be exchanging a long glance with his companion.

The result of it was to make him fling himself back with an

inarticulate murmur.  Rowland, admonished by the silence,

was on the point of turning away, but he was arrested by a gesture

of the young girl.  She pointed for a moment into the blue air.

Roderick followed the direction of her gesture.

"Is that little flower we see outlined against that dark niche,"

she asked, "as intensely blue as it looks through my veil?"

She spoke apparently with the amiable design of directing

the conversation into a less painful channel.

Rowland, from where he stood, could see the flower she meant--

a delicate plant of radiant hue, which sprouted from the top of an

immense fragment of wall some twenty feet from Christina's place.

Roderick turned his head and looked at it without answering.

At last, glancing round, "Put up your veil!" he said.

Christina complied.  "Does it look as blue now?" he asked.

"Ah, what a lovely color!" she murmured, leaning her head on one side.

"Would you like to have it?"

She stared a moment and then broke into a light laugh.

"Would you like to have it?" he repeated in a ringing voice.

"Don't look as if you would eat me up," she answered.

"It 's harmless if I say yes!"

Roderick rose to his feet and stood looking at the little flower.

It was separated from the ledge on which he stood by a rugged surface

of vertical wall, which dropped straight into the dusky vaults behind

the arena.  Suddenly he took off his hat and flung it behind him.

Christina then sprang to her feet.

"I will bring it you," he said.

She seized his arm.  "Are you crazy?  Do you mean to kill yourself?"

"I shall not kill myself.  Sit down!"

"Excuse me.  Not till you do!"  And she grasped his arm with both hands.

Roderick shook her off and pointed with a violent gesture

to her former place.  "Go there!" he cried fiercely.

"You can never, never!" she murmured beseechingly, clasping her hands.

"I implore you!"

Roderick turned and looked at her, and then in a voice which Rowland

had never heard him use, a voice almost thunderous, a voice which

awakened the echoes of the mighty ruin, he repeated, "Sit down!"

She hesitated a moment and then she dropped on the ground and buried

her face in her hands.

Rowland had seen all this, and he saw more.  He saw Roderick

clasp in his left arm the jagged corner of the vertical

partition along which he proposed to pursue his crazy journey,

stretch out his leg, and feel for a resting-place for his foot.

Rowland had measured with a glance the possibility of his

sustaining himself, and pronounced it absolutely nil.

The wall was garnished with a series of narrow projections,

the remains apparently of a brick cornice supporting

the arch of a vault which had long since collapsed.

It was by lodging his toes on these loose brackets and

grasping with his hands at certain mouldering protuberances

on a level with his head, that Roderick intended to proceed.

The relics of the cornice were utterly worthless as a support.

Rowland had observed this, and yet, for a moment, he had hesitated.

If the thing were possible, he felt a sudden admiring glee at

the thought of Roderick's doing it.  It would be finely done,

it would be gallant, it would have a sort of masculine

eloquence as an answer to Christina's sinister persiflage.

But it was not possible!  Rowland left his place with a bound,

and scrambled down some neighboring steps, and the next

moment a stronger pair of hands than Christina's were laid

upon Roderick's shoulder.

He turned, staring, pale and angry.  Christina rose,

pale and staring, too, but beautiful in her wonder and alarm.

"My dear Roderick," said Rowland, "I am only preventing you

from doing a very foolish thing.  That 's an exploit for spiders,

not for young sculptors of promise."

Roderick wiped his forehead, looked back at the wall, and then

closed his eyes, as if with a spasm, of retarded dizziness.

"I won't resist you," he said.  "But I have made you obey,"

he added, turning to Christina.  "Am I weak now?"

She had recovered her composure; she looked straight past him

and addressed Rowland:  "Be so good as to show me the way

out of this horrible place!"

He helped her back into the corridor; Roderick followed after

a short interval.  Of course, as they were descending the steps,

came questions for Rowland to answer, and more or less surprise.

Where had he come from? how happened he to have appeared at just that moment?

Rowland answered that he had been rambling overhead, and that,

looking out of an aperture, he had seen a gentleman preparing to undertake

a preposterous gymnastic feat, and a lady swooning away in consequence.

Interference seemed justifiable, and he had made it as prompt as possible.

Roderick was far from hanging his head, like a man who has been caught

in the perpetration of an extravagant folly; but if he held it more

erect than usual Rowland believed that this was much less because

he had made a show of personal daring than because he had triumphantly

proved to Christina that, like a certain person she had dreamed of,

he too could speak the language of decision.  Christina descended

to the arena in silence, apparently occupied with her own thoughts.

She betrayed no sense of the privacy of her interview with Roderick

needing an explanation.  Rowland had seen stranger things in New York!

The only evidence of her recent agitation was that, on being joined

by her maid, she declared that she was unable to walk home; she must

have a carriage.  A fiacre was found resting in the shadow of the Arch

of Constantine, and Rowland suspected that after she had got into it

she disburdened herself, under her veil, of a few natural tears.

Rowland had played eavesdropper to so good a purpose that he might

justly have omitted the ceremony of denouncing himself to Roderick.

He preferred, however, to let him know that he had overheard a portion

of his talk with Christina.

"Of course it seems to you," Roderick said, "a proof that I

am utterly infatuated."

"Miss Light seemed to me to know very well how far she could go,"

Rowland answered.  "She was twisting you round her finger.

I don't think she exactly meant to defy you; but your crazy

pursuit of that flower was a proof that she could go all lengths

in the way of making a fool of you."

"Yes," said Roderick, meditatively; "she is making a fool of me."

"And what do you expect to come of it?"

"Nothing good!"  And Roderick put his hands into his pockets and looked

as if he had announced the most colorless fact in the world.

"And in the light of your late interview, what do you make

of your young lady?"

"If I could tell you that, it would be plain sailing.

But she 'll not tell me again I am weak!"

"Are you very sure you are not weak?"

"I may be, but she shall never know it."

Rowland said no more until they reached the Corso, when he asked

his companion whether he was going to his studio.

Roderick started out of a reverie and passed his hands over his eyes.

"Oh no, I can't settle down to work after such a scene as that.

I was not afraid of breaking my neck then, but I feel all in a tremor now.

I will go--I will go and sit in the sun on the Pincio!"

"Promise me this, first," said Rowland, very solemnly:

"that the next time you meet Miss Light, it shall be on the earth

and not in the air."

Since his return from Frascati, Roderick had been working

doggedly at the statue ordered by Mr. Leavenworth.

To Rowland's eye he had made a very fair beginning,

but he had himself insisted, from the first, that he liked

neither his subject nor his patron, and that it was impossible

to feel any warmth of interest in a work which was to be

incorporated into the ponderous personality of Mr. Leavenworth.

It was all against the grain; he wrought without love.

Nevertheless after a fashion he wrought, and the figure grew

beneath his hands.  Miss Blanchard's friend was ordering works

of art on every side, and his purveyors were in many cases

persons whom Roderick declared it was infamy to be paired with.

There had been grand tailors, he said, who declined to make

you a coat unless you got the hat you were to wear with it

from an artist of their own choosing.  It seemed to him

that he had an equal right to exact that his statue should

not form part of the same system of ornament as the "Pearl

of Perugia," a picture by an American confrere who had,

in Mr. Leavenworth's opinion, a prodigious eye for color.

As a customer, Mr. Leavenworth used to drop into Roderick's studio,

to see how things were getting on, and give a friendly hint or so.

He would seat himself squarely, plant his gold-topped cane

between his legs, which he held very much apart, rest his

large white hands on the head, and enunciate the principles

of spiritual art, as he hoisted them one by one, as you

might say, out of the depths of his moral consciousness.

His benignant and imperturbable pomposity gave Roderick the sense

of suffocating beneath a large fluffy bolster, and the worst

of the matter was that the good gentleman's placid vanity had

an integument whose toughness no sarcastic shaft could pierce.

Roderick admitted that in thinking over the tribulations

of struggling genius, the danger of dying of over-patronage

had never occurred to him.

The deterring effect of the episode of the Coliseum was

apparently of long continuance; if Roderick's nerves had been

shaken his hand needed time to recover its steadiness.

He cultivated composure upon principles of his own; by frequenting

entertainments from which he returned at four o'clock in the morning,

and lapsing into habits which might fairly be called irregular.

He had hitherto made few friends among the artistic fraternity;

chiefly because he had taken no trouble about it, and there was in his

demeanor an elastic independence of the favor of his fellow-mortals

which made social advances on his own part peculiarly necessary.

Rowland had told him more than once that he ought to fraternize

a trifle more with the other artists, and he had always answered

that he had not the smallest objection to fraternizing:

let them come!  But they came on rare occasions, and Roderick

was not punctilious about returning their visits.  He declared

there was not one of them whose works gave him the smallest

desire to make acquaintance with the insides of their heads.

For Gloriani he professed a superb contempt, and, having been

once to look at his wares, never crossed his threshold again.

The only one of the fraternity for whom by his own admission

he cared a straw was little Singleton; but he expressed his regard

only in a kind of sublime hilarity whenever he encountered this

humble genius, and quite forgot his existence in the intervals.

He had never been to see him, but Singleton edged his way, from time

to time, timidly, into Roderick's studio, and agreed with characteristic

modesty that brilliant fellows like the sculptor might consent

to receive homage, but could hardly be expected to render it.

Roderick never exactly accepted homage, and apparently did not quite

observe whether poor Singleton spoke in admiration or in blame.

Roderick's taste as to companions was singularly capricious.

There were very good fellows, who were disposed to cultivate him,

who bored him to death; and there were others, in whom even Rowland's

good-nature was unable to discover a pretext for tolerance,

in whom he appeared to find the highest social qualities.

He used to give the most fantastic reasons for his likes and dislikes.

He would declare he could n't speak a civil word to a man

who brushed his hair in a certain fashion, and he would explain

his unaccountable fancy for an individual of imperceptible merit

by telling you that he had an ancestor who in the thirteenth

century had walled up his wife alive.  "I like to talk to a man

whose ancestor has walled up his wife alive," he would say.

"You may not see the fun of it, and think poor P---- is a very

dull fellow.  It 's very possible; I don't ask you to admire him.

But, for reasons of my own, I like to have him about.

The old fellow left her for three days with her face uncovered,

and placed a long mirror opposite to her, so that she could see,

as he said, if her gown was a fit!"

His relish for an odd flavor in his friends had led him to make

the acquaintance of a number of people outside of Rowland's

well-ordered circle, and he made no secret of their being very queer fish.

He formed an intimacy, among others, with a crazy fellow who had come

to Rome as an emissary of one of the Central American republics,

to drive some ecclesiastical bargain with the papal government.

The Pope had given him the cold shoulder, but since he had not

prospered as a diplomatist, he had sought compensation as a man

of the world, and his great flamboyant curricle and negro lackeys

were for several weeks one of the striking ornaments of the Pincian.

He spoke a queer jargon of Italian, Spanish, French, and English,

humorously relieved with scraps of ecclesiastical Latin,

and to those who inquired of Roderick what he found to interest

him in such a fantastic jackanapes, the latter would reply,

looking at his interlocutor with his lucid blue eyes, that it

was worth any sacrifice to hear him talk nonsense!  The two had

gone together one night to a ball given by a lady of some renown

in the Spanish colony, and very late, on his way home, Roderick came

up to Rowland's rooms, in whose windows he had seen a light.

Rowland was going to bed, but Roderick flung himself into an armchair

and chattered for an hour.  The friends of the Costa Rican envoy

were as amusing as himself, and in very much the same line.

The mistress of the house had worn a yellow satin dress, and gold

heels to her slippers, and at the close of the entertainment had

sent for a pair of castanets, tucked up her petticoats, and danced

a fandango, while the gentlemen sat cross-legged on the floor.

"It was awfully low," Roderick said; "all of a sudden I perceived it,

and bolted.  Nothing of that kind ever amuses me to the end:

before it 's half over it bores me to death; it makes me sick.

Hang it, why can't a poor fellow enjoy things in peace?

My illusions are all broken-winded; they won't carry me twenty paces!

I can't laugh and forget; my laugh dies away before it begins.

Your friend Stendhal writes on his book-covers (I never got farther)

that he has seen too early in life la beaute parfaite.

I don't know how early he saw it; I saw it before I was born--

in another state of being!  I can't describe it positively;

I can only say I don't find it anywhere now.  Not at the bottom of

champagne glasses; not, strange as it may seem, in that extra half-yard

or so of shoulder that some women have their ball-dresses cut to expose.

I don't find it at merry supper-tables, where half a dozen ugly men

with pomatumed heads are rapidly growing uglier still with heat and wine;

not when I come away and walk through these squalid black streets,

and go out into the Forum and see a few old battered stone

posts standing there like gnawed bones stuck into the earth.

Everything is mean and dusky and shabby, and the men and women who make up

this so-called brilliant society are the meanest and shabbiest of all.

They have no real spontaneity; they are all cowards and popinjays.

They have no more dignity than so many grasshoppers.  Nothing is good

but one!"  And he jumped up and stood looking at one of his statues,

which shone vaguely across the room in the dim lamplight.

"Yes, do tell us," said Rowland, "what to hold on by!"

"Those things of mine were tolerably good," he answered.

"But my idea was better--and that 's what I mean!"

Rowland said nothing.  He was willing to wait for Roderick to complete

the circle of his metamorphoses, but he had no desire to officiate

as chorus to the play.  If Roderick chose to fish in troubled waters,

he must land his prizes himself.

"You think I 'm an impudent humbug," the latter said at last,

"coming up to moralize at this hour of the night.  You think I

want to throw dust into your eyes, to put you off the scent.

That 's your eminently rational view of the case."

"Excuse me from taking any view at all," said Rowland.

"You have given me up, then?"

"No, I have merely suspended judgment.  I am waiting."

"You have ceased then positively to believe in me?"

Rowland made an angry gesture.  "Oh, cruel boy!  When you

have hit your mark and made people care for you, you should

n't twist your weapon about at that rate in their vitals.

Allow me to say I am sleepy.  Good night!"

Some days afterward it happened that Rowland, on a long afternoon ramble,

took his way through one of the quiet corners of the Trastevere.

He was particularly fond of this part of Rome, though he could

hardly have expressed the charm he found in it.  As you pass

away from the dusky, swarming purlieus of the Ghetto, you emerge

into a region of empty, soundless, grass-grown lanes and alleys,

where the shabby houses seem mouldering away in disuse, and yet your

footstep brings figures of startling Roman type to the doorways.

There are few monuments here, but no part of Rome seemed

more historic, in the sense of being weighted with a crushing past,

blighted with the melancholy of things that had had their day.

When the yellow afternoon sunshine slept on the sallow, battered walls,

and lengthened the shadows in the grassy courtyards of small

closed churches, the place acquired a strange fascination.

The church of Saint Cecilia has one of these sunny,

waste-looking courts; the edifice seems abandoned to silence

and the charity of chance devotion.  Rowland never passed it

without going in, and he was generally the only visitor.

He entered it now, but found that two persons had preceded him.

Both were women.  One was at her prayers at one of the side altars;

the other was seated against a column at the upper end of the nave.

Rowland walked to the altar, and paid, in a momentary glance at

the clever statue of the saint in death, in the niche beneath it,

the usual tribute to the charm of polished ingenuity.  As he turned

away he looked at the person seated and recognized Christina Light.

Seeing that she perceived him, he advanced to speak to her.

She was sitting in a listless attitude, with her hands in her lap;

she seemed to be tired.  She was dressed simply, as if for walking

and escaping observation.  When he had greeted her he glanced back

at her companion, and recognized the faithful Assunta.

Christina smiled.  "Are you looking for Mr. Hudson?

He is not here, I am happy to say."

"But you?" he asked.  "This is a strange place to find you."

"Not at all!  People call me a strange girl, and I might as well

have the comfort of it.  I came to take a walk; that, by the way,

is part of my strangeness.  I can't loll all the morning on a sofa,

and all the afternoon in a carriage.  I get horribly restless.

I must move; I must do something and see something.  Mamma suggests

a cup of tea.  Meanwhile I put on an old dress and half a dozen veils,

I take Assunta under my arm, and we start on a pedestrian tour.

It 's a bore that I can't take the poodle, but he attracts attention.

We trudge about everywhere; there is nothing I like so much.

I hope you will congratulate me on the simplicity of my tastes."

"I congratulate you on your wisdom.  To live in Rome and not to walk would,

I think, be poor pleasure.  But you are terribly far from home, and I am

afraid you are tired."

"A little--enough to sit here a while."

"Might I offer you my company while you rest?"

"If you will promise to amuse me.  I am in dismal spirits."

Rowland said he would do what he could, and brought a chair and placed

it near her.  He was not in love with her; he disapproved of her;

he mistrusted her; and yet he felt it a kind of privilege to

watch her, and he found a peculiar excitement in talking to her.

The background of her nature, as he would have called it, was large

and mysterious, and it emitted strange, fantastic gleams and flashes.

Watching for these rather quickened one's pulses.  Moreover, it was

not a disadvantage to talk to a girl who made one keep guard on

one's composure; it diminished one's chronic liability to utter

something less than revised wisdom.

Assunta had risen from her prayers, and, as he took his place,

was coming back to her mistress.  But Christina motioned her away.

"No, no; while you are about it, say a few dozen more!" she said.

"Pray for me," she added in English.  "Pray, I say nothing silly.

She has been at it half an hour; I envy her capacity!"

"Have you never felt in any degree," Rowland asked,

"the fascination of Catholicism?"

"Yes, I have been through that, too!  There was a time when I

wanted immensely to be a nun; it was not a laughing matter.

It was when I was about sixteen years old.  I read the Imitation

and the Life of Saint Catherine.  I fully believed in the miracles

of the saints, and I was dying to have one of my own.

The least little accident that could have been twisted into a miracle

would have carried me straight into the bosom of the church.

I had the real religious passion.  It has passed away, and, as I

sat here just now, I was wondering what had become of it!"

Rowland had already been sensible of something in this young lady's tone

which he would have called a want of veracity, and this epitome of her

religious experience failed to strike him as an absolute statement of fact.

But the trait was not disagreeable, for she herself was evidently

the foremost dupe of her inventions.  She had a fictitious history in

which she believed much more fondly than in her real one, and an infinite

capacity for extemporized reminiscence adapted to the mood of the hour.

She liked to idealize herself, to take interesting and picturesque

attitudes to her own imagination; and the vivacity and spontaneity

of her character gave her, really, a starting-point in experience;

so that the many-colored flowers of fiction which blossomed in her talk

were not so much perversions, as sympathetic exaggerations, of fact.

And Rowland felt that whatever she said of herself might have been,

under the imagined circumstances; impulse was there, audacity, the restless,

questioning temperament.  "I am afraid I am sadly prosaic," he said,

"for in these many months now that I have been in Rome, I have never

ceased for a moment to look at Catholicism simply from the outside.

I don't see an opening as big as your finger-nail where I could

creep into it!"

"What do you believe?" asked Christina, looking at him.

"Are you religious?"

"I believe in God."

Christina let her beautiful eyes wander a while, and then gave a little sigh.

"You are much to be envied!"

"You, I imagine, in that line have nothing to envy me."

"Yes, I have.  Rest!"

"You are too young to say that."

"I am not young; I have never been young!  My mother took care of that.

I was a little wrinkled old woman at ten."

"I am afraid," said Rowland, in a moment, "that you are fond

of painting yourself in dark colors."

She looked at him a while in silence.  "Do you wish,"

she demanded at last, "to win my eternal gratitude?

Prove to me that I am better than I suppose."

"I should have first to know what you really suppose."

She shook her head.  "It would n't do.  You would be horrified

to learn even the things I imagine about myself, and shocked

at the knowledge of evil displayed in my very mistakes."

"Well, then," said Rowland, "I will ask no questions.  But, at a venture,

I promise you to catch you some day in the act of doing something very good."

"Can it be, can it be," she asked, "that you too are trying

to flatter me?  I thought you and I had fallen, from the first,

into rather a truth-speaking vein."

"Oh, I have not abandoned it!" said Rowland; and he determined,

since he had the credit of homely directness, to push

his advantage farther.  The opportunity seemed excellent.

But while he was hesitating as to just how to begin, the young

girl said, bending forward and clasping her hands in her lap,

"Please tell me about your religion."

"Tell you about it?  I can't!" said Rowland, with a good deal of emphasis.

She flushed a little.  "Is it such a mighty mystery it cannot

be put into words, nor communicated to my base ears?"

"It is simply a sentiment that makes part of my life, and I can't

detach myself from it sufficiently to talk about it."

"Religion, it seems to me, should be eloquent and aggressive.

It should wish to make converts, to persuade and illumine,

to sway all hearts!"

"One's religion takes the color of one's general disposition.

I am not aggressive, and certainly I am not eloquent."

"Beware, then, of finding yourself confronted with doubt and despair!

I am sure that doubt, at times, and the bitterness that comes of it,

can be terribly eloquent.  To tell the truth, my lonely musings,

before you came in, were eloquent enough, in their way.  What do you

know of anything but this strange, terrible world that surrounds you?

How do you know that your faith is not a mere crazy castle in the air;

one of those castles that we are called fools for building when we

lodge them in this life?"

"I don't know it, any more than any one knows the contrary.

But one's religion is extremely ingenious in doing without knowledge."

"In such a world as this it certainly needs to be!"

Rowland smiled.  "What is your particular quarrel with this world?"

"It 's a general quarrel.  Nothing is true, or fixed, or permanent.

We all seem to be playing with shadows more or less grotesque.

It all comes over me here so dismally!  The very atmosphere of this cold,

deserted church seems to mock at one's longing to believe in something.

Who cares for it now? who comes to it? who takes it seriously?

Poor stupid Assunta there gives in her adhesion in a jargon she does

n't understand, and you and I, proper, passionless tourists, come lounging

in to rest from a walk.  And yet the Catholic church was once the proudest

institution in the world, and had quite its own way with men's souls.

When such a mighty structure as that turns out to have a flaw,

what faith is one to put in one's poor little views and philosophies?

What is right and what is wrong?  What is one really to care for?

What is the proper rule of life?  I am tired of trying to discover,

and I suspect it 's not worth the trouble.  Live as most amuses you!"

"Your perplexities are so terribly comprehensive," said Rowland,

smiling, "that one hardly knows where to meet them first."

"I don't care much for anything you can say, because it 's sure

to be half-hearted. You are not in the least contented, yourself."

"How do you know that?"

"Oh, I am an observer!"

"No one is absolutely contented, I suppose, but I assure you

I complain of nothing."

"So much the worse for your honesty.  To begin with, you are in love."

"You would not have me complain of that!"

"And it does n't go well.  There are grievous obstacles.

So much I know!  You need n't protest; I ask no questions.

You will tell no one--me least of all.  Why does one never see you?"

"Why, if I came to see you," said Rowland, deliberating, "it would

n't be, it could n't be, for a trivial reason--because I had not

been in a month, because I was passing, because I admire you.

It would be because I should have something very particular to say.

I have not come, because I have been slow in making up my mind

to say it."

"You are simply cruel.  Something particular, in this ocean of inanities?

In common charity, speak!"

"I doubt whether you will like it."

"Oh, I hope to heaven it 's not a compliment!"

"It may be called a compliment to your reasonableness.

You perhaps remember that I gave you a hint of it the other

day at Frascati."

"Has it been hanging fire all this time?  Explode!  I promise

not to stop my ears."

"It relates to my friend Hudson."  And Rowland paused.

She was looking at him expectantly; her face gave no sign.

"I am rather disturbed in mind about him.  He seems to me

at times to be in an unpromising way."  He paused again,

but Christina said nothing.  "The case is simply this,"

he went on.  "It was by my advice he renounced his career at

home and embraced his present one.  I made him burn his ships.

I brought him to Rome, I launched him in the world, and I

stand surety, in a measure, to--to his mother, for his prosperity.

It is not such smooth sailing as it might be, and I am inclined

to put up prayers for fair winds.  If he is to succeed,

he must work--quietly, devotedly.  It is not news to you,

I imagine, that Hudson is a great admirer of yours."

Christina remained silent; she turned away her eyes

with an air, not of confusion, but of deep deliberation.

Surprising frankness had, as a general thing, struck Rowland

as the key-note of her character, but she had more than once

given him a suggestion of an unfathomable power of calculation,

and her silence now had something which it is hardly extravagant

to call portentous.  He had of course asked himself how far

it was questionable taste to inform an unprotected girl,

for the needs of a cause, that another man admired her;

the thing, superficially, had an uncomfortable analogy with the

shrewdness that uses a cat's paw and lets it risk being singed.

But he decided that even rigid discretion is not bound to take

a young lady at more than her own valuation, and Christina

presently reassured him as to the limits of her susceptibility.

"Mr. Hudson is in love with me!" she said.

Rowland flinched a trifle.  Then--"Am I," he asked, "from this

point of view of mine, to be glad or sorry?"

"I don't understand you."

"Why, is Hudson to be happy, or unhappy?"

She hesitated a moment.  "You wish him to be great in his profession?

And for that you consider that he must be happy in his life?"

"Decidedly.  I don't say it 's a general rule, but I think it

is a rule for him."

"So that if he were very happy, he would become very great?"

"He would at least do himself justice."

"And by that you mean a great deal?"

"A great deal."

Christina sank back in her chair and rested her eyes

on the cracked and polished slabs of the pavement.

At last, looking up, "You have not forgotten, I suppose,

that you told me he was engaged?"

"By no means."

"He is still engaged, then?"

"To the best of my belief."

"And yet you desire that, as you say, he should be made happy

by something I can do for him?"

"What I desire is this.  That your great influence with him should be exerted

for his good, that it should help him and not retard him.  Understand me.

You probably know that your lovers have rather a restless time of it.

I can answer for two of them.  You don't know your own mind very well,

I imagine, and you like being admired, rather at the expense of the admirer.

Since we are really being frank, I wonder whether I might not say

the great word."

"You need n't; I know it.  I am a horrible coquette."

"No, not a horrible one, since I am making an appeal to your generosity.

I am pretty sure you cannot imagine yourself marrying my friend."

"There 's nothing I cannot imagine!  That is my trouble."

Rowland's brow contracted impatiently.  "I cannot imagine

it, then!" he affirmed.

Christina flushed faintly; then, very gently, "I am not so bad

as you think," she said.

"It is not a question of badness; it is a question of whether circumstances

don't make the thing an extreme improbability."

"Worse and worse.  I can be bullied, then, or bribed!"

"You are not so candid," said Rowland, "as you pretend to be.

My feeling is this.  Hudson, as I understand him, does not need,

as an artist, the stimulus of strong emotion, of passion.

He's better without it; he's emotional and passionate enough

when he 's left to himself.  The sooner passion is at rest,

therefore, the sooner he will settle down to work, and the fewer

emotions he has that are mere emotions and nothing more,

the better for him.  If you cared for him enough to marry him,

I should have nothing to say; I would never venture to interfere.

But I strongly suspect you don't, and therefore I would suggest,

most respectfully, that you should let him alone."

"And if I let him alone, as you say, all will be well with him

for ever more?"

"Not immediately and not absolutely, but things will be easier.

He will be better able to concentrate himself."

"What is he doing now?  Wherein does he dissatisfy you?"

"I can hardly say.  He 's like a watch that 's running down.

He is moody, desultory, idle, irregular, fantastic."

"Heavens, what a list!  And it 's all poor me?"

"No, not all.  But you are a part of it, and I turn to you because you

are a more tangible, sensible, responsible cause than the others."

Christina raised her hand to her eyes, and bent her head thoughtfully.

Rowland was puzzled to measure the effect of his venture; she rather surprised

him by her gentleness.  At last, without moving, "If I were to marry him,"

she asked, "what would have become of his fianc; aaee?"

"I am bound to suppose that she would be extremely unhappy."

Christina said nothing more, and Rowland, to let her make

her reflections, left his place and strolled away.

Poor Assunta, sitting patiently on a stone bench, and unprovided,

on this occasion, with military consolation, gave him a bright,

frank smile, which might have been construed as an expression

of regret for herself, and of sympathy for her mistress.

Rowland presently seated himself again near Christina.

"What do you think," she asked, looking at him, "of your friend's infidelity?"

"I don't like it."

"Was he very much in love with her?"

"He asked her to marry him.  You may judge."

"Is she rich?"

"No, she is poor."

"Is she very much in love with him?"

"I know her too little to say."

She paused again, and then resumed:  "You have settled in

your mind, then, that I will never seriously listen to him?"

"I think it unlikely, until the contrary is proved."

"How shall it be proved?  How do you know what passes between us?"

"I can judge, of course, but from appearance; but, like you, I am

an observer.  Hudson has not at all the air of a prosperous suitor."

"If he is depressed, there is a reason.  He has a bad conscience.

One must hope so, at least.  On the other hand, simply as a friend,"

she continued gently, "you think I can do him no good?"

The humility of her tone, combined with her beauty, as she

made this remark, was inexpressibly touching, and Rowland

had an uncomfortable sense of being put at a disadvantage.

"There are doubtless many good things you might do, if you had

proper opportunity," he said.  "But you seem to be sailing with a

current which leaves you little leisure for quiet benevolence.

You live in the whirl and hurry of a world into which a poor

artist can hardly find it to his advantage to follow you."

"In plain English, I am hopelessly frivolous.  You put it very generously."

"I won't hesitate to say all my thought," said Rowland.

"For better or worse, you seem to me to belong, both by

character and by circumstance, to what is called the world,

the great world.  You are made to ornament it magnificently.

You are not made to be an artist's wife."

"I see.  But even from your point of view, that would depend upon the artist.

Extraordinary talent might make him a member of the great world!"

Rowland smiled.  "That is very true."

"If, as it is," Christina continued in a moment, "you take a low view

of me--no, you need n't protest--I wonder what you would think if you

knew certain things."

"What things do you mean?"

"Well, for example, how I was brought up.  I have had a horrible education.

There must be some good in me, since I have perceived it, since I have turned

and judged my circumstances."

"My dear Miss Light!"  Rowland murmured.

She gave a little, quick laugh.  "You don't want to hear? you

don't want to have to think about that?"

"Have I a right to?  You need n't justify yourself."

She turned upon him a moment the quickened light of her beautiful eyes,

then fell to musing again.  "Is there not some novel or some play,"

she asked at last, "in which some beautiful, wicked woman who has ensnared

a young man sees his father come to her and beg her to let him go?"

"Very likely," said Rowland.  "I hope she consents."

"I forget.  But tell me," she continued, "shall you consider--

admitting your proposition--that in ceasing to flirt with Mr. Hudson,

so that he may go about his business, I do something magnanimous,

heroic, sublime--something with a fine name like that?"

Rowland, elated with the prospect of gaining his point, was about

to reply that she would deserve the finest name in the world;

but he instantly suspected that this tone would not please her,

and, besides, it would not express his meaning.

"You do something I shall greatly respect," he contented himself with saying.

She made no answer, and in a moment she beckoned to her maid.

"What have I to do to-day?" she asked.

Assunta meditated.  "Eh, it 's a very busy day!  Fortunately I have

a better memory than the signorina," she said, turning to Rowland.

She began to count on her fingers.  "We have to go to the Pie di Marmo to see

about those laces that were sent to be washed.  You said also that you

wished to say three sharp words to the Buonvicini about your pink dress.

You want some moss-rosebuds for to-night, and you won't get them for nothing!

You dine at the Austrian Embassy, and that Frenchman is to powder your hair.

You 're to come home in time to receive, for the signora gives a dance.

And so away, away till morning!"

"Ah, yes, the moss-roses!" Christina murmured, caressingly.

"I must have a quantity--at least a hundred.  Nothing but buds, eh?

You must sew them in a kind of immense apron, down the front of my dress.

Packed tight together, eh?  It will be delightfully barbarous.

And then twenty more or so for my hair.  They go very well

with powder; don't you think so?"  And she turned to Rowland.

"I am going en Pompadour."

"Going where?"

"To the Spanish Embassy, or whatever it is."

"All down the front, signorina?  Dio buono!  You must give me time!"

Assunta cried.

"Yes, we'll go!"  And she left her place.  She walked

slowly to the door of the church, looking at the pavement,

and Rowland could not guess whether she was thinking of her apron

of moss-rosebuds or of her opportunity for moral sublimity.

Before reaching the door she turned away and stood gazing at

an old picture, indistinguishable with blackness, over an altar.

At last they passed out into the court.  Glancing at her in

the open air, Rowland was startled; he imagined he saw the traces

of hastily suppressed tears.  They had lost time, she said,

and they must hurry; she sent Assunta to look for a fiacre.

She remained silent a while, scratching the ground with

the point of her parasol, and then at last, looking up,

she thanked Rowland for his confidence in her "reasonableness."

"It 's really very comfortable to be asked, to be expected,

to do something good, after all the horrid things one has

been used to doing--instructed, commanded, forced to do!

I 'll think over what you have said to me."  In that deserted

quarter fiacres are rare, and there was some delay in

Assunta's procuring one.  Christina talked of the church,

of the picturesque old court, of that strange, decaying corner

of Rome.  Rowland was perplexed; he was ill at ease.

At last the fiacre arrived, but she waited a moment longer.

"So, decidedly," she suddenly asked, "I can only harm him?"

"You make me feel very brutal," said Rowland.

"And he is such a fine fellow that it would be really a great pity, eh?"

"I shall praise him no more," Rowland said.

She turned away quickly, but she lingered still.

"Do you remember promising me, soon after we first met,

that at the end of six months you would tell me definitely

what you thought of me?"

"It was a foolish promise."

"You gave it.  Bear it in mind.  I will think of what you have said

to me.  Farewell."  She stepped into the carriage, and it rolled away.

Rowland stood for some minutes, looking after it, and then

went his way with a sigh.  If this expressed general mistrust,

he ought, three days afterward, to have been reassured.

He received by the post a note containing these words:--

         "I have done it. Begin and respect me!

                                              --C. L."

To be perfectly satisfactory, indeed, the note required a commentary.

He called that evening upon Roderick, and found one in the information

offered him at the door, by the old serving-woman--the startling

information that the signorino had gone to Naples.

CHAPTER VIII.  Provocation

About a month later, Rowland addressed to his cousin Cecilia

a letter of which the following is a portion:--

...."So much for myself; yet I tell you but a tithe of my own

story unless I let you know how matters stand with poor Hudson,

for he gives me more to think about just now than anything else

in the world.  I need a good deal of courage to begin this chapter.

You warned me, you know, and I made rather light of your warning.

I have had all kinds of hopes and fears, but hitherto,

in writing to you, I have resolutely put the hopes foremost.

Now, however, my pride has forsaken me, and I should like hugely

to give expression to a little comfortable despair.  I should

like to say, 'My dear wise woman, you were right and I was wrong;

you were a shrewd observer and I was a meddlesome donkey!'

When I think of a little talk we had about the 'salubrity of genius,'

I feel my ears tingle.  If this is salubrity, give me raging disease!

I 'm pestered to death; I go about with a chronic heartache;

there are moments when I could shed salt tears.  There 's

a pretty portrait of the most placid of men!  I wish I could

make you understand; or rather, I wish you could make me!

I don't understand a jot; it 's a hideous, mocking mystery;

I give it up!  I don't in the least give it up, you know;

I 'm incapable of giving it up.  I sit holding my head by the hour,

racking my brain, wondering what under heaven is to be done.

You told me at Northampton that I took the thing too easily;

you would tell me now, perhaps, that I take it too hard.

I do, altogether; but it can't be helped.  Without flattering myself,

I may say I 'm sympathetic.  Many another man before this

would have cast his perplexities to the winds and declared

that Mr. Hudson must lie on his bed as he had made it.

Some men, perhaps, would even say that I am making a mighty

ado about nothing; that I have only to give him rope,

and he will tire himself out.  But he tugs at his rope

altogether too hard for me to hold it comfortably.

I certainly never pretended the thing was anything else than

an experiment; I promised nothing, I answered for nothing;

I only said the case was hopeful, and that it would be a shame

to neglect it.  I have done my best, and if the machine is

running down I have a right to stand aside and let it scuttle.

Amen, amen!  No, I can write that, but I can't feel it.

I can't be just; I can only be generous.  I love the poor

fellow and I can't give him up.  As for understanding him,

that 's another matter; nowadays I don't believe even you would.

One's wits are sadly pestered over here, I assure you,

and I 'm in the way of seeing more than one puzzling specimen

of human nature.  Roderick and Miss Light, between them!....

Have n't I already told you about Miss Light?  Last winter

everything was perfection.  Roderick struck out bravely,

did really great things, and proved himself, as I supposed,

thoroughly solid.  He was strong, he was first-rate;

I felt perfectly secure and sang private paeans of joy.

We had passed at a bound into the open sea, and left danger behind.

But in the summer I began to be puzzled, though I succeeded

in not being alarmed.  When we came back to Rome, however, I saw

that the tide had turned and that we were close upon the rocks.

It is, in fact, another case of Ulysses alongside of the Sirens;

only Roderick refuses to be tied to the mast.  He is the most

extraordinary being, the strangest mixture of qualities.

I don't understand so much force going with so much weakness--

such a brilliant gift being subject to such lapses.

The poor fellow is incomplete, and it is really not his

own fault; Nature has given him the faculty out of hand

and bidden him be hanged with it.  I never knew a man harder

to advise or assist, if he is not in the mood for listening.

I suppose there is some key or other to his character,

but I try in vain to find it; and yet I can't believe

that Providence is so cruel as to have turned the lock and

thrown the key away.  He perplexes me, as I say, to death,

and though he tires out my patience, he still fascinates me.

Sometimes I think he has n't a grain of conscience,

and sometimes I think that, in a way, he has an excess.

He takes things at once too easily and too hard; he is both

too lax and too tense, too reckless and too ambitious,

too cold and too passionate.  He has developed faster even

than you prophesied, and for good and evil alike he takes

up a formidable space.  There 's too much of him for me,

at any rate.  Yes, he is hard; there is no mistake about that.

He 's inflexible, he 's brittle; and though he has plenty

of spirit, plenty of soul, he has n't what I call a heart.

He has something that Miss Garland took for one, and I 'm pretty

sure she 's a judge.  But she judged on scanty evidence.

He has something that Christina Light, here, makes believe

at times that she takes for one, but she is no judge at all!

I think it is established that, in the long run, egotism makes

a failure in conduct:  is it also true that it makes a failure

in the arts?.... Roderick's standard is immensely high;

I must do him that justice.  He will do nothing beneath it,

and while he is waiting for inspiration, his imagination,

his nerves, his senses must have something to amuse them.

This is a highly philosophical way of saying that he has taken

to dissipation, and that he has just been spending a month

at Naples--a city where 'pleasure' is actively cultivated--

in very bad company.  Are they all like that, all the men of genius?

There are a great many artists here who hammer away at their trade

with exemplary industry; in fact I am surprised at their success

in reducing the matter to a steady, daily grind:  but I really

don't think that one of them has his exquisite quality of talent.

It is in the matter of quantity that he has broken down.

The bottle won't pour; he turns it upside down; it 's no use!

Sometimes he declares it 's empty--that he has done all he was made

to do.  This I consider great nonsense; but I would nevertheless

take him on his own terms if it was only I that was concerned.

But I keep thinking of those two praying, trusting neighbors

of yours, and I feel wretchedly like a swindler.  If his working

mood came but once in five years I would willingly wait for it

and maintain him in leisure, if need be, in the intervals;

but that would be a sorry account to present to them.

Five years of this sort of thing, moreover, would effectually

settle the question.  I wish he were less of a genius and more

of a charlatan!  He 's too confoundedly all of one piece;

he won't throw overboard a grain of the cargo to save the rest.

Fancy him thus with all his brilliant personal charm,

his handsome head, his careless step, his look as of a nervous

nineteenth-century Apollo, and you will understand that there

is mighty little comfort in seeing him in a bad way.

He was tolerably foolish last summer at Baden Baden,

but he got on his feet, and for a while he was steady.

Then he began to waver again, and at last toppled over.

Now, literally, he 's lying prone.  He came into my room

last night, miserably tipsy.  I assure you, it did n't

amuse me..... About Miss Light it 's a long story. She is one of 

the great beauties of all time, and worth coming barefoot to Rome,

like the pilgrims of old, to see.  Her complexion, her glance, her step,

her dusky tresses, may have been seen before in a goddess, but never

in a woman.  And you may take this for truth, because I 'm not in love

with her.  On the contrary!  Her education has been simply infernal.

She is corrupt, perverse, as proud as the queen of Sheba, and an

appalling coquette; but she is generous, and with patience and skill you

may enlist her imagination in a good cause as well as in a bad one.

The other day I tried to manipulate it a little.  Chance offered me

an interview to which it was possible to give a serious turn, and I boldly

broke ground and begged her to suffer my poor friend to go in peace.

After a good deal of finessing she consented, and the next day, with a

single word, packed him off to Naples to drown his sorrow in debauchery.

I have come to the conclusion that she is more dangerous in her virtuous

moods than in her vicious ones, and that she probably has a way

of turning her back which is the most provoking thing in the world.

She 's an actress, she could n't forego doing the thing dramatically,

and it was the dramatic touch that made it fatal.  I wished her,

of course, to let him down easily; but she desired to have the curtain

drop on an attitude, and her attitudes deprive

inflammable young artists of their reason..... Roderick made an 

admirable bust of her at the beginning of the winter, and a dozen women

came rushing to him to be done, mutatis mutandis, in the same style.

They were all great ladies and ready to take him by the hand,

but he told them all their faces did n't interest him, and sent them

away vowing his destruction."

At this point of his long effusion, Rowland had paused and put

by his letter.  He kept it three days and then read it over.

He was disposed at first to destroy it, but he decided

finally to keep it, in the hope that it might strike a spark

of useful suggestion from the flint of Cecilia's good sense.

We know he had a talent for taking advice.  And then it

might be, he reflected, that his cousin's answer would throw

some light on Mary Garland's present vision of things.

In his altered mood he added these few lines:--

"I unburdened myself the other day of this monstrous load

of perplexity; I think it did me good, and I let it stand.

I was in a melancholy muddle, and I was trying to work myself free.

You know I like discussion, in a quiet way, and there

is no one with whom I can have it as quietly as with you,

most sagacious of cousins!  There is an excellent old lady

with whom I often chat, and who talks very much to the point.

But Madame Grandoni has disliked Roderick from the first,

and if I were to take her advice I would wash my hands of him.

You will laugh at me for my long face, but you would do

that in any circumstances.  I am half ashamed of my letter,

for I have a faith in my friend that is deeper than my doubts.

He was here last evening, talking about the Naples Museum,

the Aristides, the bronzes, the Pompeian frescoes,

with such a beautiful intelligence that doubt of the ultimate

future seemed blasphemy.  I walked back to his lodging

with him, and he was as mild as midsummer moonlight.

He has the ineffable something that charms and convinces;

my last word about him shall not be a harsh one."

Shortly after sending his letter, going one day into

his friend's studio, he found Roderick suffering from

the grave infliction of a visit from Mr. Leavenworth.

Roderick submitted with extreme ill grace to being bored,

and he was now evidently in a state of high exasperation.

He had lately begun a representation of a lazzarone lounging

in the sun; an image of serene, irresponsible, sensuous life.

The real lazzarone, he had admitted, was a vile fellow;

but the ideal lazzarone--and his own had been subtly idealized--

was a precursor of the millennium.

Mr. Leavenworth had apparently just transferred his unhurrying

gaze to the figure.

"Something in the style of the Dying Gladiator?" he sympathetically observed.

"Oh no," said Roderick seriously, "he 's not dying, he 's only drunk!"

"Ah, but intoxication, you know," Mr. Leavenworth rejoined,

"is not a proper subject for sculpture.  Sculpture should not

deal with transitory attitudes."

"Lying dead drunk is not a transitory attitude!  Nothing is more permanent,

more sculpturesque, more monumental!"

"An entertaining paradox," said Mr. Leavenworth, "if we had time

to exercise our wits upon it.  I remember at Florence an intoxicated

figure by Michael Angelo which seemed to me a deplorable aberration

of a great mind.  I myself touch liquor in no shape whatever.

I have traveled through Europe on cold water.  The most varied and

attractive lists of wines are offered me, but I brush them aside.

No cork has ever been drawn at my command!"

"The movement of drawing a cork calls into play a very pretty set of muscles,"

said Roderick.  "I think I will make a figure in that position."

"A Bacchus, realistically treated!  My dear young friend, never trifle with

your lofty mission.  Spotless marble should represent virtue, not vice!"

And Mr. Leavenworth placidly waved his hand, as if to exorcise the spirit

of levity, while his glance journeyed with leisurely benignity

to another object--a marble replica of the bust of Miss Light.

"An ideal head, I presume," he went on; "a fanciful representation

of one of the pagan goddesses--a Diana, a Flora, a naiad or dryad?

I often regret that our American artists should not boldly cast off

that extinct nomenclature."

"She is neither a naiad nor a dryad," said Roderick, "and her name

is as good as yours or mine."

"You call her"--Mr. Leavenworth blandly inquired.

"Miss Light," Rowland interposed, in charity.

"Ah, our great American beauty!  Not a pagan goddess--

an American, Christian lady!  Yes, I have had the pleasure

of conversing with Miss Light.  Her conversational powers

are not remarkable, but her beauty is of a high order.

I observed her the other evening at a large party,

where some of the proudest members of the European aristocracy

were present--duchesses, princesses, countesses, and others

distinguished by similar titles.  But for beauty, grace,

and elegance my fair countrywoman left them all nowhere.

What women can compare with a truly refined American lady?

The duchesses the other night had no attractions for my eyes;

they looked coarse and sensual!  It seemed to me that the tyranny

of class distinctions must indeed be terrible when such

countenances could inspire admiration.  You see more beautiful

girls in an hour on Broadway than in the whole tour of Europe.

Miss Light, now, on Broadway, would excite no particular remark."

"She has never been there!" cried Roderick, triumphantly.

"I 'm afraid she never will be there.  I suppose you have heard

the news about her."

"What news?"  Roderick had stood with his back turned,

fiercely poking at his lazzarone; but at Mr. Leavenworth's

last words he faced quickly about.

"It 's the news of the hour, I believe.  Miss Light is admired

by the highest people here.  They tacitly recognize her superiority.

She has had offers of marriage from various great lords.

I was extremely happy to learn this circumstance,

and to know that they all had been left sighing.  She has

not been dazzled by their titles and their gilded coronets.

She has judged them simply as men, and found them wanting.

One of them, however, a young Neapolitan prince, I believe,

has after a long probation succeeded in making himself acceptable.

Miss Light has at last said yes, and the engagement has

just been announced.  I am not generally a retailer of gossip

of this description, but the fact was alluded to an hour ago

by a lady with whom I was conversing, and here, in Europe,

these conversational trifles usurp the lion's share of

one's attention.  I therefore retained the circumstance.

Yes, I regret that Miss Light should marry one of these

used-up foreigners.  Americans should stand by each other.

If she wanted a brilliant match we could have fixed it for her.

If she wanted a fine fellow--a fine, sharp, enterprising modern man--

I would have undertaken to find him for her without going

out of the city of New York.  And if she wanted a big fortune,

I would have found her twenty that she would have had hard work

to spend:  money down--not tied up in fever-stricken lands

and worm-eaten villas!  What is the name of the young man?

Prince Castaway, or some such thing!"

It was well for Mr. Leavenworth that he was a voluminous and

imperturbable talker; for the current of his eloquence floated

him past the short, sharp, startled cry with which Roderick

greeted his "conversational trifle."  The young man stood

looking at him with parted lips and an excited eye.

"The position of woman," Mr. Leavenworth placidly resumed,

"is certainly a very degraded one in these countries.

I doubt whether a European princess can command the respect

which in our country is exhibited toward the obscurest females.

The civilization of a country should be measured by the

deference shown to the weaker sex.  Judged by that standard,

where are they, over here?"

Though Mr. Leavenworth had not observed Roderick's emotion, it was not lost

upon Rowland, who was making certain uncomfortable reflections upon it.

He saw that it had instantly become one with the acute irritation produced

by the poor gentleman's oppressive personality, and that an explosion

of some sort was imminent.  Mr. Leavenworth, with calm unconsciousness,

proceeded to fire the mine.

"And now for our Culture!" he said in the same sonorous tones,

demanding with a gesture the unveiling of the figure, which stood

somewhat apart, muffled in a great sheet.

Roderick stood looking at him for a moment with concentrated rancor,

and then strode to the statue and twitched off the cover.

Mr. Leavenworth settled himself into his chair with an air

of flattered proprietorship, and scanned the unfinished image.

"I can conscientiously express myself as gratified with the

general conception," he said.  "The figure has considerable

majesty, and the countenance wears a fine, open expression.

The forehead, however, strikes me as not sufficiently intellectual.

In a statue of Culture, you know, that should be the great point.

The eye should instinctively seek the forehead.  Could n't you

heighten it up a little?"

Roderick, for all answer, tossed the sheet back over the statue.

"Oblige me, sir," he said, "oblige me!  Never mention that thing again."

"Never mention it?  Why my dear sir"--

"Never mention it.  It 's an abomination!"

"An abomination!  My Culture!"

"Yours indeed!" cried Roderick.  "It 's none of mine.

I disown it.  "

"Disown it, if you please," said Mr. Leavenworth sternly,

"but finish it first!"

"I 'd rather smash it!" cried Roderick.

"This is folly, sir.  You must keep your engagements."

"I made no engagement.  A sculptor is n't a tailor.  Did you ever

hear of inspiration?  Mine is dead!  And it 's no laughing matter.

You yourself killed it."

"I--I-- killed your inspiration?" cried Mr. Leavenworth,

with the accent of righteous wrath.  "You 're a very ungrateful boy!

If ever I encouraged and cheered and sustained any one,

I 'm sure I have done so to you."

"I appreciate your good intentions, and I don't wish to be uncivil.

But your encouragement is--superfluous.  I can't work for you!"

"I call this ill-humor, young man!" said Mr. Leavenworth,

as if he had found the damning word.

"Oh, I 'm in an infernal humor!"  Roderick answered.

"Pray, sir, is it my infelicitous allusion to Miss Light's marriage?"

"It 's your infelicitous everything!  I don't say that to offend you;

I beg your pardon if it does.  I say it by way of making our

rupture complete, irretrievable!"

Rowland had stood by in silence, but he now interfered.

"Listen to me," he said, laying his hand on Roderick's arm.

"You are standing on the edge of a gulf.  If you suffer

anything that has passed to interrupt your work on that figure,

you take your plunge.  It 's no matter that you don't

like it; you will do the wisest thing you ever did if you

make that effort of will necessary for finishing it.

Destroy the statue then, if you like, but make the effort.

I speak the truth!"

Roderick looked at him with eyes that still inexorableness made

almost tender.  "You too!" he simply said.

Rowland felt that he might as well attempt to squeeze water from

a polished crystal as hope to move him.  He turned away and walked

into the adjoining room with a sense of sickening helplessness.

In a few moments he came back and found that Mr. Leavenworth

had departed--presumably in a manner somewhat portentous.

Roderick was sitting with his elbows on his knees and his head

in his hands.

Rowland made one more attempt.  "You decline to think of what I urge?"

"Absolutely."

"There's one more point--that you shouldn't, for a month,

go to Mrs. Light's."

"I go there this evening."

"That too is an utter folly."

"There are such things as necessary follies."

"You are not reflecting; you are speaking in passion."

"Why then do you make me speak?"

Rowland meditated a moment.  "Is it also necessary that you should lose

the best friend you have?"

Roderick looked up.  "That 's for you to settle!"

His best friend clapped on his hat and strode away; in a moment

the door closed behind him.  Rowland walked hard for nearly a couple

of hours.  He passed up the Corso, out of the Porta del Popolo

and into the Villa Borghese, of which he made a complete circuit.

The keenness of his irritation subsided, but it left him with

an intolerable weight upon his heart.  When dusk had fallen,

he found himself near the lodging of his friend Madame Grandoni.

He frequently paid her a visit during the hour which preceded dinner,

and he now ascended her unillumined staircase and rang at her

relaxed bell-rope with an especial desire for diversion.

He was told that, for the moment, she was occupied, but that if

he would come in and wait, she would presently be with him.

He had not sat musing in the firelight for ten minutes when

he heard the jingle of the door-bell and then a rustling and

murmuring in the hall.  The door of the little saloon opened,

but before the visitor appeared he had recognized her voice.

Christina Light swept forward, preceded by her poodle,

and almost filling the narrow parlor with the train of her dress.

She was colored here and there by the flicking firelight.

"They told me you were here," she said simply, as she took a seat.

"And yet you came in?  It is very brave," said Rowland.

"You are the brave one, when one thinks of it!  Where is the padrona?"

"Occupied for the moment.  But she is coming."

"How soon?"

"I have already waited ten minutes; I expect her from moment to moment."

"Meanwhile we are alone?"  And she glanced into the dusky corners

of the room.

"Unless Stenterello counts," said Rowland.

"Oh, he knows my secrets--unfortunate brute!"  She sat silent awhile,

looking into the firelight.  Then at last, glancing at Rowland,

"Come! say something pleasant!" she exclaimed.

"I have been very happy to hear of your engagement."

"No, I don't mean that.  I have heard that so often, only since breakfast,

that it has lost all sense.  I mean some of those unexpected, charming things

that you said to me a month ago at Saint Cecilia's."

"I offended you, then," said Rowland.  "I was afraid I had."

"Ah, it occurred to you?  Why have n't I seen you since?"

"Really, I don't know."  And he began to hesitate for an explanation.

"I have called, but you have never been at home."

"You were careful to choose the wrong times.  You have a way

with a poor girl!  You sit down and inform her that she is

a person with whom a respectable young man cannot associate

without contamination; your friend is a very nice fellow,

you are very careful of his morals, you wish him to know

none but nice people, and you beg me therefore to desist.

You request me to take these suggestions to heart and to act

upon them as promptly as possible.  They are not particularly

flattering to my vanity.  Vanity, however, is a sin, and I

listen submissively, with an immense desire to be just.

If I have many faults I know it, in a general way, and I

try on the whole to do my best.  'Voyons,' I say to myself,

'it is n't particularly charming to hear one's self made

out such a low person, but it is worth thinking over;

there 's probably a good deal of truth in it, and at any rate

we must be as good a girl as we can.  That 's the great point!

And then here 's a magnificent chance for humility.  If there 's

doubt in the matter, let the doubt count against one's self.

That is what Saint Catherine did, and Saint Theresa, and all

the others, and they are said to have had in consequence the most

ineffable joys.  Let us go in for a little ineffable joy!'

I tried it; I swallowed my rising sobs, I made you my courtesy,

I determined I would not be spiteful, nor passionate, nor vengeful,

nor anything that is supposed to be particularly feminine.

I was a better girl than you made out--better at least

than you thought; but I would let the difference go and do

magnificently right, lest I should not do right enough.

I thought of it a deal for six hours when I know I did n't

seem to be, and then at last I did it!  Santo Dio!"

"My dear Miss Light, my dear Miss Light!" said Rowland, pleadingly.

"Since then," the young girl went on, "I have been waiting

for the ineffable joys.  They have n't yet turned up!"

"Pray listen to me!"  Rowland urged.

"Nothing, nothing, nothing has come of it.  I have passed the dreariest

month of my life!"

"My dear Miss Light, you are a very terrible young lady!" cried Rowland.

"What do you mean by that?"

"A good many things.  We 'll talk them over.  But first,

forgive me if I have offended you!"

She looked at him a moment, hesitating, and then thrust her hands

into her muff.  "That means nothing.  Forgiveness is between equals,

and you don't regard me as your equal."

"Really, I don't understand!"

Christina rose and moved for a moment about the room.

Then turning suddenly, "You don't believe in me!" she cried;

"not a grain!  I don't know what I would not give to force

you to believe in me!"

Rowland sprang up, protesting, but before he had time to go far

one of the scanty portieres was raised, and Madame Grandoni came in,

pulling her wig straight.  "But you shall believe in me yet,"

murmured Christina, as she passed toward her hostess.

Madame Grandoni turned tenderly to Christina.  "I must give you

a very solemn kiss, my dear; you are the heroine of the hour.

You have really accepted him, eh?"

"So they say!"

"But you ought to know best."

"I don't know--I don't care!"  She stood with her hand in Madame

Grandoni's, but looking askance at Rowland.

"That 's a pretty state of mind," said the old lady, "for a young

person who is going to become a princess."

Christina shrugged her shoulders.  "Every one expects me to go into ecstacies

over that!  Could anything be more vulgar?  They may chuckle by themselves!

Will you let me stay to dinner?"

"If you can dine on a risotto.  But I imagine you are expected

at home.  "

"You are right.  Prince Casamassima dines there, en famille.

But I 'm not in his family, yet!"

"Do you know you are very wicked?  I have half a mind not to keep you."

Christina dropped her eyes, reflectively.  "I beg you will let me stay,"

she said.  "If you wish to cure me of my wickedness you must

be very patient and kind with me.  It will be worth the trouble.

You must show confidence in me."  And she gave another glance at Rowland.

Then suddenly, in a different tone, "I don't know what I 'm saying!"

she cried.  "I am weary, I am more lonely than ever, I wish I were dead!"

The tears rose to her eyes, she struggled with them an instant,

and buried her face in her muff; but at last she burst into

uncontrollable sobs and flung her arms upon Madame Grandoni's neck.

This shrewd woman gave Rowland a significant nod, and a little shrug,

over the young girl's beautiful bowed head, and then led Christina

tenderly away into the adjoining room.  Rowland, left alone, stood there

for an instant, intolerably puzzled, face to face with Miss Light's poodle,

who had set up a sharp, unearthly cry of sympathy with his mistress.

Rowland vented his confusion in dealing a rap with his stick at

the animal's unmelodious muzzle, and then rapidly left the house.

He saw Mrs. Light's carriage waiting at the door, and heard afterwards

that Christina went home to dinner.

A couple of days later he went, for a fortnight, to Florence.

He had twenty minds to leave Italy altogether; and at Florence

he could at least more freely decide upon his future movements.

He felt profoundly, incurably disgusted.  Reflective benevolence

stood prudently aside, and for the time touched the source of his

irritation with no softening side-lights.

It was the middle of March, and by the middle of March in Florence

the spring is already warm and deep.  He had an infinite

relish for the place and the season, but as he strolled

by the Arno and paused here and there in the great galleries,

they failed to soothe his irritation.  He was sore at heart,

and as the days went by the soreness deepened rather than healed.

He felt as if he had a complaint against fortune; good-natured as

he was, his good-nature this time quite declined to let it pass.

He had tried to be wise, he had tried to be kind, he had

embarked upon an estimable enterprise; but his wisdom,

his kindness, his energy, had been thrown back in his face.

He was disappointed, and his disappointment had an angry spark in it.

The sense of wasted time, of wasted hope and faith, kept him

constant company.  There were times when the beautiful things about

him only exasperated his discontent.  He went to the Pitti Palace,

and Raphael's Madonna of the Chair seemed, in its soft serenity,

to mock him with the suggestion of unattainable repose.

He lingered on the bridges at sunset, and knew that the light

was enchanting and the mountains divine, but there seemed

to be something horribly invidious and unwelcome in the fact.

He felt, in a word, like a man who has been cruelly defrauded

and who wishes to have his revenge.  Life owed him,

he thought, a compensation, and he would be restless and

resentful until he found it.  He knew--or he seemed to know--

where he should find it; but he hardly told himself,

and thought of the thing under mental protest, as a man in want

of money may think of certain funds that he holds in trust.

In his melancholy meditations the idea of something better

than all this, something that might softly, richly interpose,

something that might reconcile him to the future, something that

might make one's tenure of life deep and zealous instead of harsh

and uneven--the idea of concrete compensation, in a word--

shaped itself sooner or later into the image of Mary Garland.

Very odd, you may say, that at this time of day Rowland should still

be brooding over a plain girl of whom he had had but the lightest

of glimpses two years before; very odd that so deep an impression

should have been made by so lightly-pressed an instrument.

We must admit the oddity and offer simply in explanation

that his sentiment apparently belonged to that species of

emotion of which, by the testimony of the poets, the very name

and essence is oddity.  One night he slept but half an hour;

he found his thoughts taking a turn which excited him portentously.

He walked up and down his room half the night.  It looked out

on the Arno; the noise of the river came in at the open window;

he felt like dressing and going down into the streets.

Toward morning he flung himself into a chair; though he was

wide awake he was less excited.  It seemed to him that he saw

his idea from the outside, that he judged it and condemned it;

yet it stood there before him, distinct, and in a certain

way imperious.  During the day he tried to banish it and forget it;

but it fascinated, haunted, at moments frightened him.

He tried to amuse himself, paid visits, resorted to several rather

violent devices for diverting his thoughts.  If on the morrow

he had committed a crime, the persons whom he had seen that day

would have testified that he had talked strangely and had not

seemed like himself.  He felt certainly very unlike himself;

long afterwards, in retrospect, he used to reflect that during

those days he had for a while been literally beside himself.

His idea persisted; it clung to him like a sturdy beggar.

The sense of the matter, roughly expressed, was this:

If Roderick was really going, as he himself had phrased it,

to "fizzle out," one might help him on the way--one might smooth

the descensus Averno.  For forty-eight hours there swam before

Rowland's eyes a vision of Roderick, graceful and beautiful

as he passed, plunging, like a diver, from an eminence into

a misty gulf.  The gulf was destruction, annihilation, death;

but if death was decreed, why should not the agony be brief?

Beyond this vision there faintly glimmered another,

as in the children's game of the "magic lantern" a picture is

superposed on the white wall before the last one has quite faded.

It represented Mary Garland standing there with eyes in which

the horror seemed slowly, slowly to expire, and hanging,

motionless hands which at last made no resistance when his own

offered to take them.  When, of old, a man was burnt at the stake

it was cruel to have to be present; but if one was present it

was kind to lend a hand to pile up the fuel and make the flames

do their work quickly and the smoke muffle up the victim.

With all deference to your kindness, this was perhaps an obligation

you would especially feel if you had a reversionary interest

in something the victim was to leave behind him.

One morning, in the midst of all this, Rowland walked

heedlessly out of one of the city gates and found himself

on the road to Fiesole.  It was a completely lovely day;

the March sun felt like May, as the English poet of Florence says;

the thick-blossomed shrubs and vines that hung over the walls

of villa and podere flung their odorous promise into the warm,

still air.  Rowland followed the winding, climbing lanes;

lingered, as he got higher, beneath the rusty cypresses,

beside the low parapets, where you look down on the charming

city and sweep the vale of the Arno; reached the little square

before the cathedral, and rested awhile in the massive,

dusky church; then climbed higher, to the Franciscan

convent which is poised on the very apex of the mountain.

He rang at the little gateway; a shabby, senile, red-faced brother

admitted him with almost maudlin friendliness.  There was

a dreary chill in the chapel and the corridors, and he passed

rapidly through them into the delightfully steep and tangled old

garden which runs wild over the forehead of the great hill.

He had been in it before, and he was very fond of it.

The garden hangs in the air, and you ramble from terrace

to terrace and wonder how it keeps from slipping down, in full

consummation of its bereaved forlornness, into the nakedly

romantic gorge beneath.  It was just noon when Rowland went in,

and after roaming about awhile he flung himself in the sun

on a mossy stone bench and pulled his hat over his eyes.

The short shadows of the brown-coated cypresses above him had grown

very long, and yet he had not passed back through the convent.

One of the monks, in his faded snuff-colored robe, came wandering

out into the garden, reading his greasy little breviary.

Suddenly he came toward the bench on which Rowland had

stretched himself, and paused a moment, attentively.

Rowland was lingering there still; he was sitting

with his head in his hands and his elbows on his knees.

He seemed not to have heard the sandaled tread of the good brother,

but as the monk remained watching him, he at last looked up.

It was not the ignoble old man who had admitted him,

but a pale, gaunt personage, of a graver and more ascetic,

and yet of a benignant, aspect.  Rowland's face bore the traces

of extreme trouble.  The frate kept his finger in his little book,

and folded his arms picturesquely across his breast.

It can hardly be determined whether his attitude, as he bent

his sympathetic Italian eye upon Rowland, was a happy accident

or the result of an exquisite spiritual discernment.

To Rowland, at any rate, under the emotion of that moment,

it seemed blessedly opportune.  He rose and approached the monk,

and laid his hand on his arm.

"My brother," he said, "did you ever see the Devil?"

The frate gazed, gravely, and crossed himself.  "Heaven forbid!"

"He was here," Rowland went on, "here in this lovely garden,

as he was once in Paradise, half an hour ago.  But have no fear;

I drove him out."  And Rowland stooped and picked up his hat,

which had rolled away into a bed of cyclamen, in vague symbolism

of an actual physical tussle.

"You have been tempted, my brother?" asked the friar, tenderly.

"Hideously!"

"And you have resisted--and conquered!"

"I believe I have conquered."

"The blessed Saint Francis be praised!  It is well done.

If you like, we will offer a mass for you."

"I am not a Catholic," said Rowland.

The frate smiled with dignity.  "That is a reason the more."

"But it 's for you, then, to choose.  Shake hands with me,"

Rowland added; "that will do as well; and suffer me, as I go out,

to stop a moment in your chapel."

They shook hands and separated.  The frate crossed himself,

opened his book, and wandered away, in relief against the western sky.

Rowland passed back into the convent, and paused long enough

in the chapel to look for the alms-box. He had had what is vulgarly

termed a great scare; he believed, very poignantly for the time,

in the Devil, and he felt an irresistible need to subscribe to any

institution which engaged to keep him at a distance.

The next day he returned to Rome, and the day afterwards

he went in search of Roderick.  He found him on the Pincian

with his back turned to the crowd, looking at the sunset.

"I went to Florence," Rowland said, "and I thought of going farther;

but I came back on purpose to give you another piece of advice.

Once more, you refuse to leave Rome?"

"Never!" said Roderick.

"The only chance that I see, then, of your reviving your sense of

responsibility to--to those various sacred things you have forgotten,

is in sending for your mother to join you here."

Roderick stared.  "For my mother?"

"For your mother--and for Miss Garland."

Roderick still stared; and then, slowly and faintly, his face flushed.

"For Mary Garland--for my mother?" he repeated.  "Send for them?"

"Tell me this; I have often wondered, but till now I have forborne to ask.

You are still engaged to Miss Garland?"

Roderick frowned darkly, but assented.

"It would give you pleasure, then, to see her?"

Roderick turned away and for some moments answered nothing.

"Pleasure!" he said at last, huskily.  "Call it pain."

"I regard you as a sick man," Rowland continued.

"In such a case Miss Garland would say that her place was

at your side."

Roderick looked at him some time askance, mistrustfully.

"Is this a deep-laid snare?" he asked slowly.

Rowland had come back with all his patience rekindled, but these words

gave it an almost fatal chill.  "Heaven forgive you!" he cried bitterly.

"My idea has been simply this.  Try, in decency, to understand it.

I have tried to befriend you, to help you, to inspire you with confidence,

and I have failed.  I took you from the hands of your mother and

your betrothed, and it seemed to me my duty to restore you to their hands.

That 's all I have to say."

He was going, but Roderick forcibly detained him.

It would have been but a rough way of expressing it to say

that one could never know how Roderick would take a thing.

It had happened more than once that when hit hard, deservedly,

he had received the blow with touching gentleness.

On the other hand, he had often resented the softest taps.

The secondary effect of Rowland's present admonition

seemed reassuring.  "I beg you to wait," he said,

"to forgive that shabby speech, and to let me reflect."

And he walked up and down awhile, reflecting.  At last he stopped,

with a look in his face that Rowland had not seen all winter.

It was a strikingly beautiful look.

"How strange it is," he said, "that the simplest devices are

the last that occur to one!"  And he broke into a light laugh.

"To see Mary Garland is just what I want.  And my mother--

my mother can't hurt me now."

"You will write, then?"

"I will telegraph.  They must come, at whatever cost.

Striker can arrange it all for them."

In a couple of days he told Rowland that he had received a telegraphic

answer to his message, informing him that the two ladies were to sail

immediately for Leghorn, in one of the small steamers which ply between

that port and New York.  They would arrive, therefore, in less than a month.

Rowland passed this month of expectation in no very serene frame of mind.

His suggestion had had its source in the deepest places of his

agitated conscience; but there was something intolerable in the thought

of the suffering to which the event was probably subjecting those

undefended women.  They had scraped together their scanty funds

and embarked, at twenty-four hours' notice, upon the dreadful sea,

to journey tremulously to shores darkened by the shadow of deeper alarms.

He could only promise himself to be their devoted friend and servant.

Preoccupied as he was, he was able to observe that expectation,

with Roderick, took a form which seemed singular even among his

characteristic singularities.  If redemption--Roderick seemed

to reason--was to arrive with his mother and his affianced bride,

these last moments of error should be doubly erratic.  He did nothing;

but inaction, with him, took on an unwonted air of gentle gayety.

He laughed and whistled and went often to Mrs. Light's; though Rowland

knew not in what fashion present circumstances had modified his relations

with Christina.  The month ebbed away and Rowland daily expected

to hear from Roderick that he had gone to Leghorn to meet the ship.

He heard nothing, and late one evening, not having seen his friend

in three or four days, he stopped at Roderick's lodging to assure

himself that he had gone at last.  A cab was standing in the street,

but as it was a couple of doors off he hardly heeded it.

The hall at the foot of the staircase was dark, like most Roman halls,

and he paused in the street-doorway on hearing the advancing footstep

of a person with whom he wished to avoid coming into collision.

While he did so he heard another footstep behind him, and turning

round found that Roderick in person had just overtaken him.

At the same moment a woman's figure advanced from within, into the light

of the street-lamp, and a face, half-startled, glanced at him out

of the darkness.  He gave a cry--it was the face of Mary Garland.

Her glance flew past him to Roderick, and in a second a startled

exclamation broke from her own lips.  It made Rowland turn again.

Roderick stood there, pale, apparently trying to speak, but saying nothing.

His lips were parted and he was wavering slightly with a strange movement--

the movement of a man who has drunk too much.  Then Rowland's eyes

met Miss Garland's again, and her own, which had rested a moment

on Roderick's, were formidable!

CHAPTER IX.  Mary Garland

How it befell that Roderick had failed to be in Leghorn

on his mother's arrival never clearly transpired;

for he undertook to give no elaborate explanation of his fault.

He never indulged in professions (touching personal conduct)

as to the future, or in remorse as to the past, and as he would

have asked no praise if he had traveled night and day to embrace

his mother as she set foot on shore, he made (in Rowland's presence,

at least) no apology for having left her to come in search of him.

It was to be said that, thanks to an unprecedentedly fine season,

the voyage of the two ladies had been surprisingly rapid,

and that, according to common probabilities, if Roderick had

left Rome on the morrow (as he declared that he had intended),

he would have had a day or two of waiting at Leghorn.

Rowland's silent inference was that Christina Light had beguiled him

into letting the time slip, and it was accompanied with a silent

inquiry whether she had done so unconsciously or maliciously.

He had told her, presumably, that his mother and his cousin

were about to arrive; and it was pertinent to remember

hereupon that she was a young lady of mysterious impulses.

Rowland heard in due time the story of the adventures of the two

ladies from Northampton.  Miss Garland's wish, at Leghorn,

on finding they were left at the mercy of circumstances,

had been to telegraph to Roderick and await an answer;

for she knew that their arrival was a trifle premature.

But Mrs. Hudson's maternal heart had taken the alarm.

Roderick's sending for them was, to her imagination, a confession

of illness, and his not being at Leghorn, a proof of it;

an hour's delay was therefore cruel both to herself and to him.

She insisted on immediate departure; and, unskilled as they

were in the mysteries of foreign (or even of domestic)

travel, they had hurried in trembling eagerness to Rome.

They had arrived late in the evening, and, knowing nothing of inns,

had got into a cab and proceeded to Roderick's lodging.

At the door, poor Mrs. Hudson's frightened anxiety had overcome her,

and she had sat quaking and crying in the vehicle, too weak to move.

Miss Garland had bravely gone in, groped her way up the dusky

staircase, reached Roderick's door, and, with the assistance

of such acquaintance with the Italian tongue as she had culled

from a phrase-book during the calmer hours of the voyage,

had learned from the old woman who had her cousin's household

economy in charge that he was in the best of health and spirits,

and had gone forth a few hours before with his hat on

his ear, per divertirsi.

These things Rowland learned during a visit he paid the two ladies

the evening after their arrival.  Mrs. Hudson spoke of them at great

length and with an air of clinging confidence in Rowland which told

him how faithfully time had served him, in her imagination.

But her fright was over, though she was still catching her breath

a little, like a person dragged ashore out of waters uncomfortably deep.

She was excessively bewildered and confused, and seemed

more than ever to demand a tender handling from her friends.

Before Miss Garland, Rowland was distinctly conscious that he trembled.

He wondered extremely what was going on in her mind; what was

her silent commentary on the incidents of the night before.

He wondered all the more, because he immediately perceived that she

was greatly changed since their parting, and that the change

was by no means for the worse.  She was older, easier, more free,

more like a young woman who went sometimes into company.

She had more beauty as well, inasmuch as her beauty before had been

the depth of her expression, and the sources from which this beauty

was fed had in these two years evidently not wasted themselves.

Rowland felt almost instantly--he could hardly have said why:

it was in her voice, in her tone, in the air--that a total change

had passed over her attitude towards himself.  She trusted him now,

absolutely; whether or no she liked him, she believed he was solid.

He felt that during the coming weeks he would need to be solid.

Mrs. Hudson was at one of the smaller hotels, and her sitting-room

was frugally lighted by a couple of candles.  Rowland made

the most of this dim illumination to try to detect the afterglow

of that frightened flash from Miss Garland's eyes the night before.

It had been but a flash, for what provoked it had instantly vanished.

Rowland had murmured a rapturous blessing on Roderick's head,

as he perceived him instantly apprehend the situation.

If he had been drinking, its gravity sobered him on the spot;

in a single moment he collected his wits.  The next moment,

with a ringing, jovial cry, he was folding the young girl

in his arms, and the next he was beside his mother's carriage,

half smothered in her sobs and caresses.  Rowland had recommended

a hotel close at hand, and had then discreetly withdrawn.

Roderick was at this time doing his part superbly, and Miss Garland's

brow was serene.  It was serene now, twenty-four hours later;

but nevertheless, her alarm had lasted an appreciable moment.

What had become of it?  It had dropped down deep into her memory,

and it was lying there for the present in the shade.  But with

another week, Rowland said to himself, it would leap erect again;

the lightest friction would strike a spark from it.  Rowland thought

he had schooled himself to face the issue of Mary Garland's advent,

casting it even in a tragical phase; but in her personal presence--

in which he found a poignant mixture of the familiar and the strange--

he seemed to face it and all that it might bring with it for

the first time.  In vulgar parlance, he stood uneasy in his shoes.

He felt like walking on tiptoe, not to arouse the sleeping shadows.

He felt, indeed, almost like saying that they might have their

own way later, if they would only allow to these first few days

the clear light of ardent contemplation.  For Rowland at last

was ardent, and all the bells within his soul were ringing

bravely in jubilee.  Roderick, he learned, had been the whole day

with his mother, and had evidently responded to her purest trust.

He appeared to her appealing eyes still unspotted by the world.

That is what it is, thought Rowland, to be "gifted," to escape not

only the superficial, but the intrinsic penalties of misconduct.

The two ladies had spent the day within doors, resting from the fatigues

of travel.  Miss Garland, Rowland suspected, was not so fatigued

as she suffered it to be assumed.  She had remained with Mrs. Hudson,

to attend to her personal wants, which the latter seemed to think,

now that she was in a foreign land, with a southern climate and a

Catholic religion, would forthwith become very complex and formidable,

though as yet they had simply resolved themselves into a desire

for a great deal of tea and for a certain extremely familiar old

black and white shawl across her feet, as she lay on the sofa.

But the sense of novelty was evidently strong upon Miss Garland,

and the light of expectation was in her eye.  She was restless

and excited; she moved about the room and went often to the window;

she was observing keenly; she watched the Italian servants intently,

as they came and went; she had already had a long colloquy with the

French chambermaid, who had expounded her views on the Roman question;

she noted the small differences in the furniture, in the food,

in the sounds that came in from the street.  Rowland felt, in all this,

that her intelligence, here, would have a great unfolding.

He wished immensely he might have a share in it; he wished he might

show her Rome.  That, of course, would be Roderick's office.

But he promised himself at least to take advantage of off-hours.

"It behooves you to appreciate your good fortune," he said to her.

"To be young and elastic, and yet old enough and wise enough to

discriminate and reflect, and to come to Italy for the first time--

that is one of the greatest pleasures that life offers us.

It is but right to remind you of it, so that you make the most

of opportunity and do not accuse yourself, later, of having wasted

the precious season."

Miss Garland looked at him, smiling intently, and went to the window again.

"I expect to enjoy it," she said.  "Don't be afraid; I am not wasteful."

"I am afraid we are not qualified, you know," said Mrs. Hudson.

"We are told that you must know so much, that you must have

read so many books.  Our taste has not been cultivated.

When I was a young lady at school, I remember I had a medal,

with a pink ribbon, for 'proficiency in Ancient History'--

the seven kings, or is it the seven hills? and Quintus

Curtius and Julius Caesar and--and that period, you know.

I believe I have my medal somewhere in a drawer, now, but I

have forgotten all about the kings.  But after Roderick

came to Italy we tried to learn something about it.

Last winter Mary used to read "Corinne" to me in the evenings,

and in the mornings she used to read another book, to herself.

What was it, Mary, that book that was so long, you know,--

in fifteen volumes?"

"It was Sismondi's Italian Republics," said Mary, simply.

Rowland could not help laughing; whereupon Mary blushed.

"Did you finish it?" he asked.

"Yes, and began another--a shorter one--Roscoe's Leo the Tenth."

"Did you find them interesting?"

"Oh yes."

"Do you like history?"

"Some of it."

"That 's a woman's answer!  And do you like art?"

She paused a moment.  "I have never seen it!"

"You have great advantages, now, my dear, with Roderick and Mr. Mallet,"

said Mrs. Hudson.  "I am sure no young lady ever had such advantages.

You come straight to the highest authorities.  Roderick, I suppose,

will show you the practice of art, and Mr. Mallet, perhaps, if he will

be so good, will show you the theory.  As an artist's wife, you ought

to know something about it."

"One learns a good deal about it, here, by simply living," said Rowland;

"by going and coming about one's daily avocations."

"Dear, dear, how wonderful that we should be here in the midst of it!"

murmured Mrs. Hudson.  "To think of art being out there in the streets!

We did n't see much of it last evening, as we drove from the depot.

But the streets were so dark and we were so frightened!

But we are very easy now; are n't we, Mary?"

"I am very happy," said Mary, gravely, and wandered back to the window again.

Roderick came in at this moment and kissed his mother, and then went

over and joined Miss Garland.  Rowland sat with Mrs. Hudson, who evidently

had a word which she deemed of some value for his private ear.

She followed Roderick with intensely earnest eyes.

"I wish to tell you, sir," she said, "how very grateful--how very thankful--

what a happy mother I am!  I feel as if I owed it all to you, sir.

To find my poor boy so handsome, so prosperous, so elegant, so famous--

and ever to have doubted of you!  What must you think of me?

You 're our guardian angel, sir.  I often say so to Mary."

Rowland wore, in response to this speech, a rather haggard brow.

He could only murmur that he was glad she found Roderick looking well.

He had of course promptly asked himself whether the best discretion

dictated that he should give her a word of warning--just turn the handle

of the door through which, later, disappointment might enter.

He had determined to say nothing, but simply to wait in silence for Roderick

to find effective inspiration in those confidently expectant eyes.

It was to be supposed that he was seeking for it now; he remained

sometime at the window with his cousin.  But at last he turned away

and came over to the fireside with a contraction of the eyebrows which

seemed to intimate that Miss Garland's influence was for the moment,

at least, not soothing.  She presently followed him, and for an instant

Rowland observed her watching him as if she thought him strange.

"Strange enough," thought Rowland, "he may seem to her, if he will!"

Roderick directed his glance to his friend with a certain peremptory

air, which--roughly interpreted--was equivalent to a request to share

the intellectual expense of entertaining the ladies.  "Good heavens!"

Rowland cried within himself; "is he already tired of them?"

"To-morrow, of course, we must begin to put you through the mill,"

Roderick said to his mother.  "And be it hereby known to Mallet

that we count upon him to turn the wheel."

"I will do as you please, my son," said Mrs. Hudson.

"So long as I have you with me I don't care where I go.

We must not take up too much of Mr. Mallet's time."

"His time is inexhaustible; he has nothing under the sun to do.

Have you, Rowland?  If you had seen the big hole I have been making in it!

Where will you go first?  You have your choice--from the Scala Santa

to the Cloaca Maxima."

"Let us take things in order," said Rowland.  "We will go first to Saint

Peter's. Miss Garland, I hope you are impatient to see Saint Peter's."

"I would like to go first to Roderick's studio," said Miss Garland.

"It 's a very nasty place," said Roderick.  "At your pleasure!"

"Yes, we must see your beautiful things before we can look contentedly

at anything else," said Mrs. Hudson.

"I have no beautiful things," said Roderick.  "You may see what there is!

What makes you look so odd?"

This inquiry was abruptly addressed to his mother, who, in response,

glanced appealingly at Mary and raised a startled hand to her smooth hair.

"No, it 's your face," said Roderick.  "What has happened to it

these two years?  It has changed its expression."

"Your mother has prayed a great deal," said Miss Garland, simply.

"I did n't suppose, of course, it was from doing anything bad!

It makes you a very good face--very interesting, very solemn.

It has very fine lines in it; something might be done with it."

And Rowland held one of the candles near the poor lady's head.

She was covered with confusion.  "My son, my son," she said with dignity,

"I don't understand you."

In a flash all his old alacrity had come to him.

"I suppose a man may admire his own mother!" he cried.

"If you please, madame, you 'll sit to me for that head.

I see it, I see it!  I will make something that a queen can't

get done for her."

Rowland respectfully urged her to assent; he saw Roderick was in the vein

and would probably do something eminently original.  She gave her promise,

at last, after many soft, inarticulate protests and a frightened petition

that she might be allowed to keep her knitting.

Rowland returned the next day, with plenty of zeal for the part

Roderick had assigned to him.  It had been arranged that they

should go to Saint Peter's. Roderick was in high good-humor, and,

in the carriage, was watching his mother with a fine mixture of filial

and professional tenderness.  Mrs. Hudson looked up mistrustfully

at the tall, shabby houses, and grasped the side of the barouche

in her hand, as if she were in a sail-boat, in dangerous waters.

Rowland sat opposite to Miss Garland.  She was totally oblivious

of her companions; from the moment the carriage left the hotel,

she sat gazing, wide-eyed and absorbed, at the objects about them.

If Rowland had felt disposed he might have made a joke of her

intense seriousness.  From time to time he told her the name

of a place or a building, and she nodded, without looking at him.

When they emerged into the great square between Bernini's colonnades,

she laid her hand on Mrs. Hudson's arm and sank back in the carriage,

staring up at the vast yellow fa;alcade of the church.

Inside the church, Roderick gave his arm to his mother,

and Rowland constituted himself the especial guide of Miss Garland.

He walked with her slowly everywhere, and made the entire circuit,

telling her all he knew of the history of the building.

This was a great deal, but she listened attentively, keeping her

eyes fixed on the dome.  To Rowland himself it had never seemed

so radiantly sublime as at these moments; he felt almost as if

he had contrived it himself and had a right to be proud of it.

He left Miss Garland a while on the steps of the choir, where she

had seated herself to rest, and went to join their companions.

Mrs. Hudson was watching a great circle of tattered contadini,

who were kneeling before the image of Saint Peter.  The fashion

of their tatters fascinated her; she stood gazing at them in a sort

of terrified pity, and could not be induced to look at anything else.

Rowland went back to Miss Garland and sat down beside her.

"Well, what do you think of Europe?" he asked, smiling.

"I think it 's horrible!" she said abruptly.

"Horrible?"

"I feel so strangely--I could almost cry."

"How is it that you feel?"

"So sorry for the poor past, that seems to have died here, in my heart,

in an hour!"

"But, surely, you 're pleased--you 're interested."

"I am overwhelmed.  Here in a single hour, everything is changed.

It is as if a wall in my mind had been knocked down at a stroke.

Before me lies an immense new world, and it makes the old one,

the poor little narrow, familiar one I have always known, seem pitiful."

"But you did n't come to Rome to keep your eyes fastened on

that narrow little world.  Forget it, turn your back on it,

and enjoy all this."

"I want to enjoy it; but as I sat here just now, looking up

at that golden mist in the dome, I seemed to see in it

the vague shapes of certain people and things at home.

To enjoy, as you say, as these things demand of one to enjoy them,

is to break with one's past.  And breaking is a pain!"

"Don't mind the pain, and it will cease to trouble you.

Enjoy, enjoy; it is your duty.  Yours especially!"

"Why mine especially?"

"Because I am very sure that you have a mind capable of doing

the most liberal justice to everything interesting and beautiful.

You are extremely intelligent."

"You don't know," said Miss Garland, simply.

"In that matter one feels.  I really think that I know better than you.

I don't want to seem patronizing, but I suspect that your mind is

susceptible of a great development.  Give it the best company, trust it,

let it go!"

She looked away from him for some moments, down the gorgeous

vista of the great church.  "But what you say," she said

at last, "means change!"

"Change for the better!" cried Rowland.

"How can one tell?  As one stands, one knows the worst.

It seems to me very frightful to develop," she added,

with her complete smile.

"One is in for it in one way or another, and one might as well do

it with a good grace as with a bad!  Since one can't escape life,

it is better to take it by the hand."

"Is this what you call life?" she asked.

"What do you mean by 'this'?"

"Saint Peter's--all this splendor, all Rome--pictures, ruins,

statues, beggars, monks."

"It is not all of it, but it is a large part of it.

All these things are impregnated with life; they are the fruits

of an old and complex civilization."

"An old and complex civilization:  I am afraid I don't like that."

"Don't conclude on that point just yet.  Wait till you have tested it.

While you wait, you will see an immense number of very

beautiful things--things that you are made to understand.

They won't leave you as they found you; then you can judge.

Don't tell me I know nothing about your understanding.

I have a right to assume it."

Miss Garland gazed awhile aloft in the dome.  "I am not sure

I understand that," she said.

"I hope, at least, that at a cursory glance it pleases you,"

said Rowland.  "You need n't be afraid to tell the truth.

What strikes some people is that it is so remarkably small."

"Oh, it's large enough; it's very wonderful.  There are things

in Rome, then," she added in a moment, turning and looking at him,

"that are very, very beautiful?"

"Lots of them."

"Some of the most beautiful things in the world?"

"Unquestionably."

"What are they? which things have most beauty?"

"That is according to taste.  I should say the statues."

"How long will it take to see them all? to know, at least,

something about them?"

"You can see them all, as far as mere seeing goes, in a fortnight.

But to know them is a thing for one's leisure.

The more time you spend among them, the more you care for them."

After a moment's hesitation he went on:  "Why should you grudge time?

It 's all in your way, since you are to be an artist's wife."

"I have thought of that," she said.  "It may be that I shall always live here,

among the most beautiful things in the world!"

"Very possibly!  I should like to see you ten years hence."

"I dare say I shall seem greatly altered.  But I am sure of one thing."

"Of what?"

"That for the most part I shall be quite the same.

I ask nothing better than to believe the fine things you say about

my understanding, but even if they are true, it won't matter.

I shall be what I was made, what I am now--a young woman from

the country!  The fruit of a civilization not old and complex,

but new and simple."

"I am delighted to hear it:  that 's an excellent foundation."

"Perhaps, if you show me anything more, you will not always think

so kindly of it.  Therefore I warn you."

"I am not frightened.  I should like vastly to say something to you:

Be what you are, be what you choose; but do, sometimes, as I tell you."

If Rowland was not frightened, neither, perhaps, was Miss Garland;

but she seemed at least slightly disturbed.  She proposed that they

should join their companions.

Mrs. Hudson spoke under her breath; she could not be accused of the want of

reverence sometimes attributed to Protestants in the great Catholic temples.

"Mary, dear," she whispered, "suppose we had to kiss that dreadful brass toe.

If I could only have kept our door-knocker, at Northampton, as bright

as that!  I think it's so heathenish; but Roderick says he thinks

it 's sublime."

Roderick had evidently grown a trifle perverse.  "It 's sublimer

than anything that your religion asks you to do!" he exclaimed.

"Surely our religion sometimes gives us very difficult duties,"

said Miss Garland.

"The duty of sitting in a whitewashed meeting-house and

listening to a nasal Puritan!  I admit that 's difficult.

But it 's not sublime.  I am speaking of ceremonies, of forms.

It is in my line, you know, to make much of forms.

I think this is a very beautiful one.  Could n't you do it?"

he demanded, looking at his cousin.

She looked back at him intently and then shook her head.

"I think not!"

"Why not?"

"I don't know; I could n't!"

During this little discussion our four friends were standing

near the venerable image of Saint Peter, and a squalid,

savage-looking peasant, a tattered ruffian of the most orthodox

Italian aspect, had been performing his devotions before it.

He turned away, crossing himself, and Mrs. Hudson gave a little

shudder of horror.

"After that," she murmured, "I suppose he thinks he is as good as any one!

And here is another.  Oh, what a beautiful person!"

A young lady had approached the sacred effigy, after having wandered

away from a group of companions.  She kissed the brazen toe,

touched it with her forehead, and turned round, facing our friends.

Rowland then recognized Christina Light.  He was stupefied:

had she suddenly embraced the Catholic faith?  It was but a few

weeks before that she had treated him to a passionate profession

of indifference.  Had she entered the church to put herself

en regle with what was expected of a Princess Casamassima?

While Rowland was mentally asking these questions she was

approaching him and his friends, on her way to the great altar.

At first she did not perceive them.

Mary Garland had been gazing at her.  "You told me," she said gently,

to Rowland, "that Rome contained some of the most beautiful things

in the world.  This surely is one of them!"

At this moment Christina's eye met Rowland's and before

giving him any sign of recognition she glanced rapidly at

his companions.  She saw Roderick, but she gave him no bow;

she looked at Mrs. Hudson, she looked at Mary Garland.

At Mary Garland she looked fixedly, piercingly, from head to foot,

as the slow pace at which she was advancing made possible.

Then suddenly, as if she had perceived Roderick for the first time,

she gave him a charming nod, a radiant smile.  In a moment

he was at her side.  She stopped, and he stood talking to her;

she continued to look at Miss Garland.

"Why, Roderick knows her!" cried Mrs. Hudson, in an awe-struck whisper.

"I supposed she was some great princess."

"She is--almost!" said Rowland.  "She is the most beautiful girl in Europe,

and Roderick has made her bust."

"Her bust?  Dear, dear!" murmured Mrs. Hudson, vaguely shocked.

"What a strange bonnet!"

"She has very strange eyes," said Mary, and turned away.

The two ladies, with Rowland, began to descend toward the door of the church.

On their way they passed Mrs. Light, the Cavaliere, and the poodle,

and Rowland informed his companions of the relation in which these personages

stood to Roderick's young lady.

"Think of it, Mary!" said Mrs. Hudson.  "What splendid people he must know!

No wonder he found Northampton dull!"

"I like the poor little old gentleman," said Mary.

"Why do you call him poor?"  Rowland asked, struck with the observation.

"He seems so!" she answered simply.

As they were reaching the door they were overtaken by Roderick,

whose interview with Miss Light had perceptibly brightened his eye.

"So you are acquainted with princesses!" said his mother softly,

as they passed into the portico.

"Miss Light is not a princess!" said Roderick, curtly.

"But Mr. Mallet says so," urged Mrs. Hudson, rather disappointed.

"I meant that she was going to be!" said Rowland.

"It 's by no means certain that she is even going to be!"

Roderick answered.

"Ah," said Rowland, "I give it up!"

Roderick almost immediately demanded that his mother should sit

to him, at his studio, for her portrait, and Rowland ventured to add

another word of urgency.  If Roderick's idea really held him,

it was an immense pity that his inspiration should be wasted;

inspiration, in these days, had become too precious a commodity.

It was arranged therefore that, for the present, during the mornings,

Mrs. Hudson should place herself at her son's service.

This involved but little sacrifice, for the good lady's appetite

for antiquities was diminutive and bird-like, the usual round

of galleries and churches fatigued her, and she was glad to

purchase immunity from sight-seeing by a regular afternoon drive.

It became natural in this way that, Miss Garland having her

mornings free, Rowland should propose to be the younger lady's

guide in whatever explorations she might be disposed to make.

She said she knew nothing about it, but she had a great curiosity,

and would be glad to see anything that he would show her.  Rowland could

not find it in his heart to accuse Roderick of neglect of the young girl;

for it was natural that the inspirations of a capricious man of genius,

when they came, should be imperious; but of course he wondered

how Miss Garland felt, as the young man's promised wife, on being

thus expeditiously handed over to another man to be entertained.

However she felt, he was certain he would know little about it.

There had been, between them, none but indirect allusions

to her engagement, and Rowland had no desire to discuss it

more largely; for he had no quarrel with matters as they stood.

They wore the same delightful aspect through the lovely month

of May, and the ineffable charm of Rome at that period seemed

but the radiant sympathy of nature with his happy opportunity.

The weather was divine; each particular morning, as he walked from his

lodging to Mrs. Hudson's modest inn, seemed to have a blessing upon it.

The elder lady had usually gone off to the studio, and he found Miss

Garland sitting alone at the open window, turning the leaves of some

book of artistic or antiquarian reference that he had given her.

She always had a smile, she was always eager, alert, responsive.

She might be grave by nature, she might be sad by circumstance,

she might have secret doubts and pangs, but she was essentially

young and strong and fresh and able to enjoy.  Her enjoyment

was not especially demonstrative, but it was curiously diligent.

Rowland felt that it was not amusement and sensation that she coveted,

but knowledge--facts that she might noiselessly lay away, piece by piece,

in the perfumed darkness of her serious mind, so that, under this

head at least, she should not be a perfectly portionless bride.

She never merely pretended to understand; she let things go, in her

modest fashion, at the moment, but she watched them on their way,

over the crest of the hill, and when her fancy seemed not likely

to be missed it went hurrying after them and ran breathless

at their side, as it were, and begged them for the secret.

Rowland took an immense satisfaction in observing that she never mistook

the second-best for the best, and that when she was in the presence

of a masterpiece, she recognized the occasion as a mighty one.

She said many things which he thought very profound--

that is, if they really had the fine intention he suspected.

This point he usually tried to ascertain; but he was obliged

to proceed cautiously, for in her mistrustful shyness it seemed

to her that cross-examination must necessarily be ironical.

She wished to know just where she was going--what she would gain or lose.

This was partly on account of a native intellectual purity, a temper

of mind that had not lived with its door ajar, as one might say,

upon the high-road of thought, for passing ideas to drop in and out

at their pleasure; but had made much of a few long visits from guests

cherished and honored--guests whose presence was a solemnity.

But it was even more because she was conscious of a sort of growing

self-respect, a sense of devoting her life not to her own ends,

but to those of another, whose life would be large and brilliant.

She had been brought up to think a great deal of "nature" and nature's

innocent laws; but now Rowland had spoken to her ardently of culture;

her strenuous fancy had responded, and she was pursuing culture

into retreats where the need for some intellectual effort gave

a noble severity to her purpose.  She wished to be very sure,

to take only the best, knowing it to be the best.  There was something

exquisite in this labor of pious self-adornment, and Rowland helped it,

though its fruits were not for him.  In spite of her lurking rigidity

and angularity, it was very evident that a nervous, impulsive sense

of beauty was constantly at play in her soul, and that her actual

experience of beautiful things moved her in some very deep places.

For all that she was not demonstrative, that her manner was simple,

and her small-talk of no very ample flow; for all that, as she had said,

she was a young woman from the country, and the country was West Nazareth,

and West Nazareth was in its way a stubborn little fact, she was

feeling the direct influence of the great amenities of the world,

and they were shaping her with a divinely intelligent touch.

"Oh exquisite virtue of circumstance!" cried Rowland to himself,

"that takes us by the hand and leads us forth out of corners where,

perforce, our attitudes are a trifle contracted, and beguiles us

into testing mistrusted faculties!"  When he said to Mary Garland

that he wished he might see her ten years hence, he was paying

mentally an equal compliment to circumstance and to the girl herself.

Capacity was there, it could be freely trusted; observation would

have but to sow its generous seed.  "A superior woman"--

the idea had harsh associations, but he watched it imaging itself

in the vagueness of the future with a kind of hopeless confidence.

They went a great deal to Saint Peter's, for which Rowland had

an exceeding affection, a large measure of which he succeeded

in infusing into his companion.  She confessed very speedily

that to climb the long, low, yellow steps, beneath the huge

florid fa;alcade, and then to push the ponderous leathern apron

of the door, to find one's self confronted with that builded,

luminous sublimity, was a sensation of which the keenness

renewed itself with surprising generosity.  In those days

the hospitality of the Vatican had not been curtailed, and it

was an easy and delightful matter to pass from the gorgeous

church to the solemn company of the antique marbles.

Here Rowland had with his companion a great deal of talk,

and found himself expounding aesthetics a perte de vue.

He discovered that she made notes of her likes and dislikes in a

new-looking little memorandum book, and he wondered to what extent

she reported his own discourse.  These were charming hours.

The galleries had been so cold all winter that Rowland had been

an exile from them; but now that the sun was already scorching

in the great square between the colonnades, where the twin

fountains flashed almost fiercely, the marble coolness of

the long, image-bordered vistas made them a delightful refuge.

The great herd of tourists had almost departed, and our two

friends often found themselves, for half an hour at a time,

in sole and tranquil possession of the beautiful Braccio Nuovo.

Here and there was an open window, where they lingered and leaned,

looking out into the warm, dead air, over the towers of

the city, at the soft-hued, historic hills, at the stately

shabby gardens of the palace, or at some sunny, empty,

grass-grown court, lost in the heart of the labyrinthine pile.

They went sometimes into the chambers painted by Raphael,

and of course paid their respects to the Sistine Chapel;

but Mary's evident preference was to linger among the statues.

Once, when they were standing before that noblest of sculptured

portraits, the so-called Demosthenes, in the Braccio Nuovo,

she made the only spontaneous allusion to her projected marriage,

direct or indirect, that had yet fallen from her lips.

"I am so glad," she said, "that Roderick is a sculptor and

not a painter."

The allusion resided chiefly in the extreme earnestness with which the words

were uttered.  Rowland immediately asked her the reason of her gladness.

"It 's not that painting is not fine," she said, "but that sculpture

is finer.  It is more manly."

Rowland tried at times to make her talk about herself, but in this she

had little skill.  She seemed to him so much older, so much more pliant

to social uses than when he had seen her at home, that he had a desire

to draw from her some categorical account of her occupation and thoughts.

He told her his desire and what suggested it.  "It appears, then," she said,

"that, after all, one can grow at home!"

"Unquestionably, if one has a motive.  Your growth, then, was unconscious?

You did not watch yourself and water your roots?"

She paid no heed to his question.  "I am willing to grant,"

she said, "that Europe is more delightful than I supposed;

and I don't think that, mentally, I had been stingy.

But you must admit that America is better than you have supposed."

"I have not a fault to find with the country which produced you!"

Rowland thought he might risk this, smiling.

"And yet you want me to change--to assimilate Europe, I suppose

you would call it."

"I have felt that desire only on general principles.  Shall I tell you

what I feel now?  America has made you thus far; let America finish you!

I should like to ship you back without delay and see what becomes of you.

That sounds unkind, and I admit there is a cold intellectual curiosity in it."

She shook her head.  "The charm is broken; the thread is snapped!

I prefer to remain here."

Invariably, when he was inclined to make of something they were talking

of a direct application to herself, she wholly failed to assist him;

she made no response.  Whereupon, once, with a spark of ardent irritation,

he told her she was very "secretive."  At this she colored a little,

and he said that in default of any larger confidence it would at least

be a satisfaction to make her confess to that charge.  But even this

satisfaction she denied him, and his only revenge was in making,

two or three times afterward, a softly ironical allusion to her slyness.

He told her that she was what is called in French a sournoise.

"Very good," she answered, almost indifferently, "and now please tell

me again--I have forgotten it--what you said an 'architrave' was."

It was on the occasion of her asking him a question of this kind

that he charged her, with a humorous emphasis in which, also, if she

had been curious in the matter, she might have detected a spark

of restless ardor, with having an insatiable avidity for facts.

"You are always snatching at information," he said; "you will never

consent to have any disinterested conversation."

She frowned a little, as she always did when he arrested

their talk upon something personal.  But this time

she assented, and said that she knew she was eager for facts.

"One must make hay while the sun shines," she added.

"I must lay up a store of learning against dark days.

Somehow, my imagination refuses to compass the idea that I

may be in Rome indefinitely."

He knew he had divined her real motives; but he felt that if he might

have said to her--what it seemed impossible to say--that fortune

possibly had in store for her a bitter disappointment, she would have

been capable of answering, immediately after the first sense of pain,

"Say then that I am laying up resources for solitude!"

But all the accusations were not his.  He had been watching, once,

during some brief argument, to see whether she would take her forefinger

out of her Murray, into which she had inserted it to keep a certain page.

It would have been hard to say why this point interested him, for he had

not the slightest real apprehension that she was dry or pedantic.

The simple human truth was, the poor fellow was jealous of science.

In preaching science to her, he had over-estimated his powers

of self-effacement. Suddenly, sinking science for the moment,

she looked at him very frankly and began to frown.  At the same time

she let the Murray slide down to the ground, and he was so charmed

with this circumstance that he made no movement to pick it up.

"You are singularly inconsistent, Mr. Mallet," she said.

"How?"

"That first day that we were in Saint Peter's you said

things that inspired me.  You bade me plunge into all this.

I was all ready; I only wanted a little push; yours was a great one;

here I am in mid-ocean! And now, as a reward for my bravery,

you have repeatedly snubbed me."

"Distinctly, then," said Rowland, "I strike you as inconsistent?"

"That is the word."

"Then I have played my part very ill."

"Your part?  What is your part supposed to have been?"

He hesitated a moment.  "That of usefulness, pure and simple."

"I don't understand you!" she said; and picking up her Murray,

she fairly buried herself in it.

That evening he said something to her which necessarily increased

her perplexity, though it was not uttered with such an intention.

"Do you remember," he asked, "my begging you, the other day, to do

occasionally as I told you?  It seemed to me you tacitly consented."

"Very tacitly."

"I have never yet really presumed on your consent.  But now I would

like you to do this:  whenever you catch me in the act of what you

call inconsistency, ask me the meaning of some architectural term.

I will know what you mean; a word to the wise!"

One morning they spent among the ruins of the Palatine,

that sunny desolation of crumbling, over-tangled fragments,

half excavated and half identified, known as the Palace

of the Caesars.  Nothing in Rome is more interesting,

and no locality has such a confusion of picturesque charms.

It is a vast, rambling garden, where you stumble at every

step on the disinterred bones of the past; where damp,

frescoed corridors, relics, possibly, of Nero's Golden House,

serve as gigantic bowers, and where, in the springtime,

you may sit on a Latin inscription, in the shade of a flowering

almond-tree, and admire the composition of the Campagna.

The day left a deep impression on Rowland's mind, partly owing

to its intrinsic sweetness, and partly because his companion,

on this occasion, let her Murray lie unopened for an hour,

and asked several questions irrelevant to the Consuls

and the Caesars.  She had begun by saying that it was coming

over her, after all, that Rome was a ponderously sad place.

The sirocco was gently blowing, the air was heavy, she was tired,

she looked a little pale.

"Everything," she said, "seems to say that all things are vanity.

If one is doing something, I suppose one feels a certain strength within

one to contradict it.  But if one is idle, surely it is depressing to live,

year after year, among the ashes of things that once were mighty.

If I were to remain here I should either become permanently 'low,'

as they say, or I would take refuge in some dogged daily work."

"What work?"

"I would open a school for those beautiful little beggars;

though I am sadly afraid I should never bring myself to scold them."

"I am idle," said Rowland, "and yet I have kept up a certain spirit."

"I don't call you idle," she answered with emphasis.

"It is very good of you.  Do you remember our talking about

that in Northampton?"

"During that picnic?  Perfectly.  Has your coming abroad succeeded,

for yourself, as well as you hoped?"

"I think I may say that it has turned out as well as I expected."

"Are you happy?"

"Don't I look so?"

"So it seems to me.  But"--and she hesitated a moment--"I imagine

you look happy whether you are so or not."

"I 'm like that ancient comic mask that we saw just now in yonder

excavated fresco:  I am made to grin."

"Shall you come back here next winter?"

"Very probably."

"Are you settled here forever?"

" 'Forever' is a long time.  I live only from year to year."

"Shall you never marry?"

Rowland gave a laugh.  " 'Forever'--'never!' You handle large ideas.

I have not taken a vow of celibacy."

"Would n't you like to marry?"

"I should like it immensely."

To this she made no rejoinder:  but presently she asked,

"Why don't you write a book?"

Rowland laughed, this time more freely.  "A book!

What book should I write?"

"A history; something about art or antiquities."

"I have neither the learning nor the talent."

She made no attempt to contradict him; she simply said

she had supposed otherwise.  "You ought, at any rate,"

she continued in a moment, "to do something for yourself."

"For myself?  I should have supposed that if ever a man seemed

to live for himself"--

"I don't know how it seems," she interrupted, "to careless observers.

But we know--we know that you have lived--a great deal--for us."

Her voice trembled slightly, and she brought out the last words

with a little jerk.

"She has had that speech on her conscience," thought Rowland;

"she has been thinking she owed it to me, and it seemed to her

that now was her time to make it and have done with it."

She went on in a way which confirmed these reflections, speaking with

due solemnity.  "You ought to be made to know very well what we all feel.

Mrs. Hudson tells me that she has told you what she feels.  Of course

Roderick has expressed himself.  I have been wanting to thank you too;

I do, from my heart."

Rowland made no answer; his face at this moment resembled the tragic

mask much more than the comic.  But Miss Garland was not looking at him;

she had taken up her Murray again.

In the afternoon she usually drove with Mrs. Hudson, but Rowland

frequently saw her again in the evening.  He was apt to spend

half an hour in the little sitting-room at the hotel-pension

on the slope of the Pincian, and Roderick, who dined regularly

with his mother, was present on these occasions.  Rowland saw

him little at other times, and for three weeks no observations

passed between them on the subject of Mrs. Hudson's advent.

To Rowland's vision, as the weeks elapsed, the benefits

to proceed from the presence of the two ladies remained

shrouded in mystery.  Roderick was peculiarly inscrutable.

He was preoccupied with his work on his mother's portrait,

which was taking a very happy turn; and often, when he sat silent,

with his hands in his pockets, his legs outstretched, his head

thrown back, and his eyes on vacancy, it was to be supposed

that his fancy was hovering about the half-shaped image in

his studio, exquisite even in its immaturity.  He said little,

but his silence did not of necessity imply disaffection,

for he evidently found it a deep personal luxury to lounge away

the hours in an atmosphere so charged with feminine tenderness.

He was not alert, he suggested nothing in the way of excursions

(Rowland was the prime mover in such as were attempted),

but he conformed passively at least to the tranquil temper of

the two women, and made no harsh comments nor sombre allusions.

Rowland wondered whether he had, after all, done his

friend injustice in denying him the sentiment of duty.

He refused invitations, to Rowland's knowledge, in order to dine

at the jejune little table-d'hote; wherever his spirit might be,

he was present in the flesh with religious constancy.

Mrs. Hudson's felicity betrayed itself in a remarkable tendency

to finish her sentences and wear her best black silk gown.

Her tremors had trembled away; she was like a child who discovers

that the shaggy monster it has so long been afraid to touch

is an inanimate terror, compounded of straw and saw-dust,

and that it is even a safe audacity to tickle its nose.

As to whether the love-knot of which Mary Garland had

the keeping still held firm, who should pronounce?

The young girl, as we know, did not wear it on her sleeve.

She always sat at the table, near the candles, with a piece

of needle-work. This was the attitude in which Rowland had

first seen her, and he thought, now that he had seen her

in several others, it was not the least becoming.

CHAPTER X. The Cavaliere

There befell at last a couple of days during which Rowland was unable

to go to the hotel.  Late in the evening of the second one Roderick

came into his room.  In a few moments he announced that he had finished

the bust of his mother.

"And it 's magnificent!" he declared.  "It 's one of the best

things I have done."

"I believe it," said Rowland.  "Never again talk to me about

your inspiration being dead."

"Why not?  This may be its last kick!  I feel very tired.

But it 's a masterpiece, though I do say it.  They tell us

we owe so much to our parents.  Well, I 've paid the filial

debt handsomely!"  He walked up and down the room a few moments,

with the purpose of his visit evidently still undischarged.

"There 's one thing more I want to say," he presently resumed.

"I feel as if I ought to tell you!"  He stopped before Rowland

with his head high and his brilliant glance unclouded.

"Your invention is a failure!"

"My invention?"  Rowland repeated.

"Bringing out my mother and Mary."

"A failure?"

"It 's no use!  They don't help me."

Rowland had fancied that Roderick had no more surprises for him;

but he was now staring at him, wide-eyed.

"They bore me!"  Roderick went on.

"Oh, oh!" cried Rowland.

"Listen, listen!" said Roderick with perfect gentleness.

"I am not complaining of them; I am simply stating a fact.

I am very sorry for them; I am greatly disappointed."

"Have you given them a fair trial?"

"Should n't you say so?  It seems to me I have behaved beautifully."

"You have done very well; I have been building great hopes on it."

"I have done too well, then.  After the first forty-eight hours

my own hopes collapsed.  But I determined to fight it out;

to stand within the temple; to let the spirit of the Lord descend!

Do you want to know the result?  Another week of it, and I shall

begin to hate them.  I shall want to poison them."

"Miserable boy!" cried Rowland.  "They are the loveliest of women!"

"Very likely!  But they mean no more to me than a Bible text

to an atheist!"

"I utterly fail," said Rowland, in a moment, "to understand your relation

to Miss Garland."

Roderick shrugged his shoulders and let his hands drop at his sides.

"She adores me!  That 's my relation."  And he smiled strangely.

"Have you broken your engagement?"

"Broken it?  You can't break a ray of moonshine."

"Have you absolutely no affection for her?"

Roderick placed his hand on his heart and held it there a moment.

"Dead--dead--dead!" he said at last.

"I wonder," Rowland asked presently, "if you begin

to comprehend the beauty of Miss Garland's character.

She is a person of the highest merit."

"Evidently--or I would not have cared for her!"

"Has that no charm for you now?"

"Oh, don't force a fellow to say rude things!"

"Well, I can only say that you don't know what you are giving up."

Roderick gave a quickened glance.  "Do you know, so well?"

"I admire her immeasurably."

Roderick smiled, we may almost say sympathetically.

"You have not wasted time."

Rowland's thoughts were crowding upon him fast.  If Roderick

was resolute, why oppose him?  If Mary was to be sacrificed,

why, in that way, try to save her?  There was another way;

it only needed a little presumption to make it possible.

Rowland tried, mentally, to summon presumption to his aid;

but whether it came or not, it found conscience there before it.

Conscience had only three words, but they were cogent.

"For her sake--for her sake," it dumbly murmured, and Rowland

resumed his argument.  "I don't know what I would n't do,"

he said, "rather than that Miss Garland should suffer."

"There is one thing to be said," Roderick answered reflectively.

"She is very strong."

"Well, then, if she 's strong, believe that with a longer chance,

a better chance, she will still regain your affection."

"Do you know what you ask?" cried Roderick.  "Make love to a girl I hate?"

"You hate?"

"As her lover, I should hate her!"

"Listen to me!" said Rowland with vehemence.

"No, listen you to me!  Do you really urge my marrying a woman who

would bore me to death?  I would let her know it in very good season,

and then where would she be?"

Rowland walked the length of the room a couple of times and then

stopped suddenly.  "Go your way, then!  Say all this to her,

not to me!"

"To her?  I am afraid of her; I want you to help me."

"My dear Roderick," said Rowland with an eloquent smile,

"I can help you no more!"

Roderick frowned, hesitated a moment, and then took his hat.

"Oh, well," he said, "I am not so afraid of her as all that!"

And he turned, as if to depart.

"Stop!" cried Rowland, as he laid his hand on the door.

Roderick paused and stood waiting, with his irritated brow.

"Come back; sit down there and listen to me.  Of anything you were to say

in your present state of mind you would live most bitterly to repent.

You don't know what you really think; you don't know what you really feel.

You don't know your own mind; you don't do justice to Miss Garland.

All this is impossible here, under these circumstances.  You 're blind,

you 're deaf, you 're under a spell.  To break it, you must leave Rome."

"Leave Rome!  Rome was never so dear to me."

"That 's not of the smallest consequence.  Leave it instantly."

"And where shall I go?"

"Go to some place where you may be alone with your mother and Miss Garland."

"Alone?  You will not come?"

"Oh, if you desire it, I will come."

Roderick inclining his head a little, looked at his friend askance.

"I don't understand you," he said; "I wish you liked Miss Garland

either a little less, or a little more."

Rowland felt himself coloring, but he paid no heed to Roderick's speech.

"You ask me to help you," he went on.  "On these present conditions I can

do nothing.  But if you will postpone all decision as to the continuance

of your engagement a couple of months longer, and meanwhile leave Rome,

leave Italy, I will do what I can to 'help you,' as you say, in the event

of your still wishing to break it."

"I must do without your help then!  Your conditions are impossible.

I will leave Rome at the time I have always intended--at the end of June.

My rooms and my mother's are taken till then; all my arrangements are

made accordingly.  Then, I will depart; not before."

"You are not frank," said Rowland.  "Your real reason for staying

has nothing to do with your rooms."

Roderick's face betrayed neither embarrassment nor resentment.

"If I 'm not frank, it 's for the first time in my life.

Since you know so much about my real reason, let me hear it!

No, stop!" he suddenly added, "I won't trouble you.

You are right, I have a motive.  On the twenty-fourth of June

Miss Light is to be married.  I take an immense interest in all

that concerns her, and I wish to be present at her wedding."

"But you said the other day at Saint Peter's that it was by no means

certain her marriage would take place."

"Apparently I was wrong:  the invitations, I am told, are going out."

Rowland felt that it would be utterly vain to remonstrate,

and that the only thing for him was to make the best terms possible.

"If I offer no further opposition to your waiting for Miss Light's marriage,"

he said, "will you promise, meanwhile and afterwards, for a certain period,

to defer to my judgment--to say nothing that may be a cause of suffering

to Miss Garland?"

"For a certain period?  What period?"  Roderick demanded.

"Ah, don't drive so close a bargain!  Don't you understand that I have

taken you away from her, that I suffer in every nerve in consequence,

and that I must do what I can to restore you?"

"Do what you can, then," said Roderick gravely, putting out his hand.

"Do what you can!"  His tone and his hand-shake seemed to constitute

a promise, and upon this they parted.

Roderick's bust of his mother, whether or no it was a discharge of what

he called the filial debt, was at least a most admirable production.

Rowland, at the time it was finished, met Gloriani one evening,

and this unscrupulous genius immediately began to ask questions about it.

"I am told our high-flying friend has come down," he said.

"He has been doing a queer little old woman."

"A queer little old woman!"  Rowland exclaimed.  "My dear sir,

she is Hudson's mother."

"All the more reason for her being queer!  It is a bust for terra-cotta, eh?"

"By no means; it is for marble."

"That 's a pity.  It was described to me as a charming piece of quaintness:

a little demure, thin-lipped old lady, with her head on one side,

and the prettiest wrinkles in the world--a sort of fairy godmother."

"Go and see it, and judge for yourself," said Rowland.

"No, I see I shall be disappointed.  It 's quite the other thing,

the sort of thing they put into the campo-santos. I wish that boy

would listen to me an hour!"

But a day or two later Rowland met him again in the street, and,

as they were near, proposed they should adjourn to Roderick's studio.

He consented, and on entering they found the young master.

Roderick's demeanor to Gloriani was never conciliatory,

and on this occasion supreme indifference was apparently all

he had to offer.  But Gloriani, like a genuine connoisseur,

cared nothing for his manners; he cared only for his skill.

In the bust of Mrs. Hudson there was something almost touching;

it was an exquisite example of a ruling sense of beauty.

The poor lady's small, neat, timorous face had certainly no

great character, but Roderick had reproduced its sweetness,

its mildness, its minuteness, its still maternal passion,

with the most unerring art.  It was perfectly unflattered,

and yet admirably tender; it was the poetry of fidelity.

Gloriani stood looking at it a long time most intently.

Roderick wandered away into the neighboring room.

"I give it up!" said the sculptor at last.  "I don't understand it."

"But you like it?" said Rowland.

"Like it?  It 's a pearl of pearls.  Tell me this," he added:

"is he very fond of his mother; is he a very good son?"

And he gave Rowland a sharp look.

"Why, she adores him," said Rowland, smiling.

"That 's not an answer!  But it 's none of my business.

Only if I, in his place, being suspected of having--

what shall I call it?--a cold heart, managed to do that piece

of work, oh, oh!  I should be called a pretty lot of names.

Charlatan, poseur, arrangeur!  But he can do as he chooses!

My dear young man, I know you don't like me," he went on,

as Roderick came back.  "It 's a pity; you are strong enough

not to care about me at all.  You are very strong."

"Not at all," said Roderick curtly.  "I am very weak!"

"I told you last year that you would n't keep it up.

I was a great ass.  You will!"

"I beg your pardon--I won't!" retorted Roderick.

"Though I 'm a great ass, all the same, eh?  Well, call me

what you will, so long as you turn out this sort of thing!

I don't suppose it makes any particular difference, but I

should like to say now I believe in you."

Roderick stood looking at him for a moment with a strange hardness

in his face.  It flushed slowly, and two glittering, angry tears

filled his eyes.  It was the first time Rowland had ever seen

them there; he saw them but once again.  Poor Gloriani, he was sure,

had never in his life spoken with less of irony; but to Roderick

there was evidently a sense of mockery in his profession of faith.

He turned away with a muttered, passionate imprecation.

Gloriani was accustomed to deal with complex problems, but this

time he was hopelessly puzzled.  "What 's the matter with him?"

he asked, simply.

Rowland gave a sad smile, and touched his forehead.

"Genius, I suppose."

Gloriani sent another parting, lingering look at the bust of Mrs. Hudson.

"Well, it 's deuced perfect, it 's deuced simple; I do believe in him!"

he said.  "But I 'm glad I 'm not a genius.  It makes," he added with a laugh,

as he looked for Roderick to wave him good-by, and saw his back still turned,

"it makes a more sociable studio."

Rowland had purchased, as he supposed, temporary tranquillity

for Mary Garland; but his own humor in these days was not

especially peaceful.  He was attempting, in a certain sense,

to lead the ideal life, and he found it, at the least, not easy.

The days passed, but brought with them no official invitation

to Miss Light's wedding.  He occasionally met her, and he

occasionally met Prince Casamassima; but always separately,

never together.  They were apparently taking their happiness

in the inexpressive manner proper to people of social eminence.

Rowland continued to see Madame Grandoni, for whom he felt

a confirmed affection.  He had always talked to her with frankness,

but now he made her a confidant of all his hidden dejection.

Roderick and Roderick's concerns had been a common theme

with him, and it was in the natural course to talk

of Mrs. Hudson's arrival and Miss Garland's fine smile.

Madame Grandoni was an intelligent listener, and she

lost no time in putting his case for him in a nutshell.

"At one moment you tell me the girl is plain," she said;

"the next you tell me she 's pretty.  I will invite them,

and I shall see for myself.  But one thing is very clear:

you are in love with her."

Rowland, for all answer, glanced round to see that no one heard her.

"More than that," she added, "you have been in love with her these two years.

There was that certain something about you!.... I knew you were a mild,

sweet fellow, but you had a touch of it more than was natural.

Why did n't you tell me at once?  You would have saved me

a great deal of trouble.  And poor Augusta Blanchard too!"

And herewith Madame Grandoni communicated a pertinent fact:

Augusta Blanchard and Mr. Leavenworth were going to make a match.

The young lady had been staying for a month at Albano, and Mr. Leavenworth

had been dancing attendance.  The event was a matter of course.

Rowland, who had been lately reproaching himself with a failure

of attention to Miss Blanchard's doings, made some such observation.

"But you did not find it so!" cried his hostess.

"It was a matter of course, perhaps, that Mr. Leavenworth,

who seems to be going about Europe with the sole view of picking

up furniture for his 'home,' as he calls it, should think Miss

Blanchard a very handsome piece; but it was not a matter of course--

or it need n't have been--that she should be willing to become

a sort of superior table-ornament. She would have accepted you

if you had tried."

"You are supposing the insupposable," said Rowland.

"She never gave me a particle of encouragement."

"What would you have had her do?  The poor girl did her best,

and I am sure that when she accepted Mr. Leavenworth she

thought of you."

"She thought of the pleasure her marriage would give me."

"Ay, pleasure indeed!  She is a thoroughly good girl,

but she has her little grain of feminine spite, like the rest.

Well, he 's richer than you, and she will have what she wants;

but before I forgive you I must wait and see this new arrival--

what do you call her?--Miss Garland.  If I like her, I will

forgive you; if I don't, I shall always bear you a grudge."

Rowland answered that he was sorry to forfeit any advantage she

might offer him, but that his exculpatory passion for Miss Garland

was a figment of her fancy.  Miss Garland was engaged to another man,

and he himself had no claims.

"Well, then," said Madame Grandoni, "if I like her,

we 'll have it that you ought to be in love with her.

If you fail in this, it will be a double misdemeanor.

The man she 's engaged to does n't care a straw for her.

Leave me alone and I 'll tell her what I think of you."

As to Christina Light's marriage, Madame Grandoni could make no

definite statement.  The young girl, of late, had made her several

flying visits, in the intervals of the usual pre-matrimonial

shopping and dress-fitting; she had spoken of the event with

a toss of her head, as a matter which, with a wise old friend

who viewed things in their essence, she need not pretend to treat

as a solemnity.  It was for Prince Casamassima to do that.

"It is what they call a marriage of reason," she once said.

"That means, you know, a marriage of madness!"

"What have you said in the way of advice?"  Rowland asked.

"Very little, but that little has favored the prince.

I know nothing of the mysteries of the young lady's heart.

It may be a gold-mine, but at any rate it 's a mine, and it 's

a long journey down into it.  But the marriage in itself is an

excellent marriage.  It 's not only brilliant, but it 's safe.

I think Christina is quite capable of making it a means of misery;

but there is no position that would be sacred to her.

Casamassima is an irreproachable young man; there is nothing

against him but that he is a prince.  It is not often, I fancy,

that a prince has been put through his paces at this rate.

No one knows the wedding-day; the cards of invitation have

been printed half a dozen times over, with a different date;

each time Christina has destroyed them.  There are people

in Rome who are furious at the delay; they want to get away;

they are in a dreadful fright about the fever, but they

are dying to see the wedding, and if the day were fixed,

they would make their arrangements to wait for it.

I think it very possible that after having kept them a month

and produced a dozen cases of malaria, Christina will be married

at midnight by an old friar, with simply the legal witnesses."

"It is true, then, that she has become a Catholic?"

"So she tells me.  One day she got up in the depths of despair;

at her wit's end, I suppose, in other words, for a new sensation.

Suddenly it occurred to her that the Catholic church might after all

hold the key, might give her what she wanted!  She sent for a priest;

he happened to be a clever man, and he contrived to interest her.

She put on a black dress and a black lace veil, and looking

handsomer than ever she rustled into the Catholic church.

The prince, who is very devout, and who had her heresy

sorely on his conscience, was thrown into an ecstasy.

May she never have a caprice that pleases him less!"

Rowland had already asked Madame Grandoni what, to her perception,

was the present state of matters between Christina and Roderick;

and he now repeated his question with some earnestness of apprehension.

"The girl is so deucedly dramatic," he said, "that I don't know what coup de

theatre she may have in store for us.  Such a stroke was her turning Catholic;

such a stroke would be her some day making her courtesy to a disappointed

world as Princess Casamassima, married at midnight, in her bonnet.

She might do--she may do--something that would make even more starers!

I 'm prepared for anything."

"You mean that she might elope with your sculptor, eh?"

"I 'm prepared for anything!"

"Do you mean that he 's ready?"

"Do you think that she is?"

"They 're a precious pair!  I think this.  You by no means

exhaust the subject when you say that Christina is dramatic.

It 's my belief that in the course of her life she will do

a certain number of things from pure disinterested passion.

She 's immeasurably proud, and if that is often a fault

in a virtuous person, it may be a merit in a vicious one.

She needs to think well of herself; she knows a fine character,

easily, when she meets one; she hates to suffer by comparison,

even though the comparison is made by herself alone;

and when the estimate she may have made of herself grows vague,

she needs to do something to give it definite, impressive form.

What she will do in such a case will be better or worse,

according to her opportunity; but I imagine it will generally

be something that will drive her mother to despair;

something of the sort usually termed 'unworldly.'  "

Rowland, as he was taking his leave, after some further

exchange of opinions, rendered Miss Light the tribute of a

deeply meditative sigh.  "She has bothered me half to death,"

he said, "but somehow I can't manage, as I ought, to hate her.

I admire her, half the time, and a good part of the rest

I pity her."

"I think I most pity her!" said Madame Grandoni.

This enlightened woman came the next day to call upon the two ladies

from Northampton.  She carried their shy affections by storm, and made

them promise to drink tea with her on the evening of the morrow.

Her visit was an era in the life of poor Mrs. Hudson, who did nothing

but make sudden desultory allusions to her, for the next thirty-six hours.

"To think of her being a foreigner!" she would exclaim, after much

intent reflection, over her knitting; "she speaks so beautifully!"

Then in a little while, "She was n't so much dressed as you might

have expected.  Did you notice how easy it was in the waist?

I wonder if that 's the fashion?"  Or, "She 's very old to wear a hat;

I should never dare to wear a hat!"  Or, "Did you notice her hands?--

very pretty hands for such a stout person.  A great many rings,

but nothing very handsome.  I suppose they are hereditary."  Or, "She 's

certainly not handsome, but she 's very sweet-looking. I wonder why

she does n't have something done to her teeth."  Rowland also received

a summons to Madame Grandoni's tea-drinking, and went betimes,

as he had been requested.  He was eagerly desirous to lend his mute

applause to Mary Garland's debut in the Roman social world.  The two

ladies had arrived, with Roderick, silent and careless, in attendance.

Miss Blanchard was also present, escorted by Mr. Leavenworth, and the party

was completed by a dozen artists of both sexes and various nationalities.

It was a friendly and easy assembly, like all Madame Grandoni's parties,

and in the course of the evening there was some excellent music.

People played and sang for Madame Grandoni, on easy terms, who, elsewhere,

were not to be heard for the asking.  She was herself a superior musician,

and singers found it a privilege to perform to her accompaniment.

Rowland talked to various persons, but for the first time in his life his

attention visibly wandered; he could not keep his eyes off Mary Garland.

Madame Grandoni had said that he sometimes spoke of her as pretty

and sometimes as plain; to-night, if he had had occasion to describe

her appearance, he would have called her beautiful.  She was dressed

more than he had ever seen her; it was becoming, and gave her a deeper

color and an ampler presence.  Two or three persons were introduced

to her who were apparently witty people, for she sat listening to them

with her brilliant natural smile.  Rowland, from an opposite corner,

reflected that he had never varied in his appreciation of Miss

Blanchard's classic contour, but that somehow, to-night, it impressed

him hardly more than an effigy stamped upon a coin of low value.

Roderick could not be accused of rancor, for he had approached

Mr. Leavenworth with unstudied familiarity, and, lounging against the wall,

with hands in pockets, was discoursing to him with candid serenity.

Now that he had done him an impertinence, he evidently found him

less intolerable.  Mr. Leavenworth stood stirring his tea and silently

opening and shutting his mouth, without looking at the young sculptor,

like a large, drowsy dog snapping at flies.  Rowland had found

it disagreeable to be told Miss Blanchard would have married him

for the asking, and he would have felt some embarrassment in going

to speak to her if his modesty had not found incredulity so easy.

The facile side of a union with Miss Blanchard had never been present

to his mind; it had struck him as a thing, in all ways, to be

compassed with a great effort.  He had half an hour's talk with her;

a farewell talk, as it seemed to him--a farewell not to a real illusion,

but to the idea that for him, in that matter, there could ever

be an acceptable pis-aller. He congratulated Miss Blanchard upon

her engagement, and she received his compliment with a touch of primness.

But she was always a trifle prim, even when she was quoting Mrs. Browning

and George Sand, and this harmless defect did not prevent her responding

on this occasion that Mr. Leavenworth had a "glorious heart."

Rowland wished to manifest an extreme regard, but toward the end

of the talk his zeal relaxed, and he fell a-thinking that a certain

natural ease in a woman was the most delightful thing in the world.

There was Christina Light, who had too much, and here was Miss Blanchard,

who had too little, and there was Mary Garland (in whom the quality

was wholly uncultivated), who had just the right amount.

He went to Madame Grandoni in an adjoining room, where she

was pouring out tea.

"I will make you an excellent cup," she said, "because I have forgiven you."

He looked at her, answering nothing; but he swallowed his

tea with great gusto, and a slight deepening of his color;

by all of which one would have known that he was gratified.

In a moment he intimated that, in so far as he had sinned,

he had forgiven himself.

"She is a lovely girl," said Madame Grandoni.  "There is a great deal there.

I have taken a great fancy to her, and she must let me make a friend of her."

"She is very plain," said Rowland, slowly, "very simple, very ignorant."

"Which, being interpreted, means, 'She is very handsome, very subtle,

and has read hundreds of volumes on winter evenings in the country.'

"

"You are a veritable sorceress," cried Rowland; "you frighten me away!"

As he was turning to leave her, there rose above the hum of voices

in the drawing-room the sharp, grotesque note of a barking dog.

Their eyes met in a glance of intelligence.

"There is the sorceress!" said Madame Grandoni.

"The sorceress and her necromantic poodle!"  And she hastened

back to the post of hospitality.

Rowland followed her, and found Christina Light standing in the middle

of the drawing-room, and looking about in perplexity.  Her poodle,

sitting on his haunches and gazing at the company, had apparently been

expressing a sympathetic displeasure at the absence of a welcome.

But in a moment Madame Grandoni had come to the young girl's relief,

and Christina had tenderly kissed her.

"I had no idea," said Christina, surveying the assembly, "that you

had such a lot of grand people, or I would not have come in.

The servant said nothing; he took me for an invitee.  I came

to spend a neighborly half-hour; you know I have n't many left!

It was too dismally dreary at home.  I hoped I should find

you alone, and I brought Stenterello to play with the cat.

I don't know that if I had known about all this I would have dared

to come in; but since I 've stumbled into the midst of it, I beg

you 'll let me stay.  I am not dressed, but am I very hideous?

I will sit in a corner and no one will notice me.

My dear, sweet lady, do let me stay.  Pray, why did n't you

ask me?  I never have been to a little party like this.

They must be very charming.  No dancing--tea and conversation?

No tea, thank you; but if you could spare a biscuit for Stenterello;

a sweet biscuit, please.  Really, why did n't you ask me?

Do you have these things often?  Madame Grandoni, it 's very unkind!"

And the young girl, who had delivered herself of the foregoing

succession of sentences in her usual low, cool, penetrating voice,

uttered these last words with a certain tremor of feeling.

"I see," she went on, "I do very well for balls and great banquets,

but when people wish to have a cosy, friendly, comfortable evening,

they leave me out, with the big flower-pots and the gilt candlesticks."

"I 'm sure you 're welcome to stay, my dear," said Madame Grandoni,

"and at the risk of displeasing you I must confess that if I

did n't invite you, it was because you 're too grand.

Your dress will do very well, with its fifty flounces,

and there is no need of your going into a corner.

Indeed, since you 're here, I propose to have the glory of it.

You must remain where my people can see you."

"They are evidently determined to do that by the way they stare.

Do they think I intend to dance a tarantella?  Who are they all;

do I know them?"  And lingering in the middle of the room, with her

arm passed into Madame Grandoni's, she let her eyes wander slowly

from group to group.  They were of course observing her.  Standing in

the little circle of lamplight, with the hood of an Eastern burnous,

shot with silver threads, falling back from her beautiful head,

one hand gathering together its voluminous, shimmering folds,

and the other playing with the silken top-knot on the uplifted

head of her poodle, she was a figure of radiant picturesqueness.

She seemed to be a sort of extemporized tableau vivant.

Rowland's position made it becoming for him to speak

to her without delay.  As she looked at him he saw that,

judging by the light of her beautiful eyes, she was in a

humor of which she had not yet treated him to a specimen.

In a simpler person he would have called it exquisite kindness;

but in this young lady's deportment the flower was one thing and

the perfume another.  "Tell me about these people," she said to him.

"I had no idea there were so many people in Rome I had not seen.

What are they all talking about?  It 's all beyond me, I suppose.

There is Miss Blanchard, sitting as usual in profile against

a dark object.  She is like a head on a postage-stamp. And

there is that nice little old lady in black, Mrs. Hudson.

What a dear little woman for a mother!  Comme elle est proprette!

And the other, the fiancee, of course she 's here.  Ah, I see!"

She paused; she was looking intently at Miss Garland.

Rowland measured the intentness of her glance, and suddenly

acquired a firm conviction.  "I should like so much to know her!"

she said, turning to Madame Grandoni.  "She has a charming face;

I am sure she 's an angel.  I wish very much you would introduce me.

No, on second thoughts, I had rather you did n't. I will speak

to her bravely myself, as a friend of her cousin."  Madame Grandoni

and Rowland exchanged glances of baffled conjecture, and Christina

flung off her burnous, crumpled it together, and, with uplifted

finger,tossing it into a corner, gave it in charge to her poodle.

He stationed himself upon it, on his haunches, with upright vigilance.

Christina crossed the room with the step and smile of a

ministering angel, and introduced herself to Mary Garland.

She had once told Rowland that she would show him, some day,

how gracious her manners could be; she was now redeeming her promise.

Rowland, watching her, saw Mary Garland rise slowly, in response

to her greeting, and look at her with serious deep-gazing eyes.

The almost dramatic opposition of these two keenly interesting girls

touched Rowland with a nameless apprehension, and after a moment

he preferred to turn away.  In doing so he noticed Roderick.

The young sculptor was standing planted on the train of a lady's dress,

gazing across at Christina's movements with undisguised earnestness.

There were several more pieces of music; Rowland sat in a corner

and listened to them.  When they were over, several people began

to take their leave, Mrs. Hudson among the number.  Rowland saw her

come up to Madame Grandoni, clinging shyly to Mary Garland's arm.

Miss Garland had a brilliant eye and a deep color in her cheek.

The two ladies looked about for Roderick, but Roderick had his

back turned.  He had approached Christina, who, with an absent air,

was sitting alone, where she had taken her place near Miss Garland,

looking at the guests pass out of the room.  Christina's eye,

like Miss Garland's, was bright, but her cheek was pale.

Hearing Roderick's voice, she looked up at him sharply;

then silently, with a single quick gesture, motioned him away.

He obeyed her, and came and joined his mother in bidding good night

to Madame Grandoni.  Christina, in a moment, met Rowland's glance,

and immediately beckoned him to come to her.  He was familiar

with her spontaneity of movement, and was scarcely surprised.

She made a place for him on the sofa beside her; he wondered

what was coming now.  He was not sure it was not a mere fancy,

but it seemed to him that he had never seen her look just as she

was looking then.  It was a humble, touching, appealing look,

and it threw into wonderful relief the nobleness of her beauty.

"How many more metamorphoses," he asked himself, "am I to be

treated to before we have done?"

"I want to tell you," said Christina.  "I have taken an immense

fancy to Miss Garland.  Are n't you glad?"

"Delighted!" exclaimed poor Rowland.

"Ah, you don't believe it," she said with soft dignity.

"Is it so hard to believe?"

"Not that people in general should admire her, but that I should.  But I want

to tell you; I want to tell some one, and I can't tell Miss Garland herself.

She thinks me already a horrid false creature, and if I were to express

to her frankly what I think of her, I should simply disgust her.

She would be quite right; she has repose, and from that point of view I

and my doings must seem monstrous.  Unfortunately, I have n't repose.

I am trembling now; if I could ask you to feel my arm, you would see!

But I want to tell you that I admire Miss Garland more than any of the people

who call themselves her friends--except of course you.  Oh, I know that!

To begin with, she is extremely handsome, and she does n't know it."

"She is not generally thought handsome," said Rowland.

"Evidently!  That 's the vulgarity of the human mind.

Her head has great character, great natural style.

If a woman is not to be a supreme beauty in the regular way,

she will choose, if she 's wise, to look like that.

She 'll not be thought pretty by people in general, and desecrated,

as she passes, by the stare of every vile wretch who chooses

to thrust his nose under her bonnet; but a certain number

of superior people will find it one of the delightful things

of life to look at her.  That lot is as good as another!

Then she has a beautiful character!"

"You found that out soon!" said Rowland, smiling.

"How long did it take you?  I found it out before I ever spoke to her.

I met her the other day in Saint Peter's; I knew it then.  I knew it--

do you want to know how long I have known it?"

"Really," said Rowland, "I did n't mean to cross-examine you."

"Do you remember mamma's ball in December?

We had some talk and you then mentioned her--not by name.

You said but three words, but I saw you admired her, and I knew

that if you admired her she must have a beautiful character.

That 's what you require!"

"Upon my word," cried Rowland, "you make three words go very far!"

"Oh, Mr. Hudson has also spoken of her."

"Ah, that 's better!" said Rowland.

"I don't know; he does n't like her."

"Did he tell you so?"  The question left Rowland's lips before he could

stay it, which he would have done on a moment's reflection.

Christina looked at him intently.  "No!" she said at last.

"That would have been dishonorable, would n't it?  But I know it

from my knowledge of him.  He does n't like perfection; he is not bent

upon being safe, in his likings; he 's willing to risk something!

Poor fellow, he risks too much!"

Rowland was silent; he did not care for the thrust;

but he was profoundly mystified.  Christina beckoned

to her poodle, and the dog marched stiffly across to her.

She gave a loving twist to his rose-colored top-knot, and bade

him go and fetch her burnous.  He obeyed, gathered it up

in his teeth, and returned with great solemnity, dragging it

along the floor.

"I do her justice.  I do her full justice," she went on,

with soft earnestness.  "I like to say that, I like to be able

to say it.  She 's full of intelligence and courage and devotion.

She does n't do me a grain of justice; but that is no harm.

There is something so fine in the aversions of a good woman!"

"If you would give Miss Garland a chance," said Rowland,

"I am sure she would be glad to be your friend."

"What do you mean by a chance?  She has only to take it.

I told her I liked her immensely, and she frowned as if I had said

something disgusting.  She looks very handsome when she frowns."

Christina rose, with these words, and began to gather her

mantle about her.  "I don't often like women," she went on.

"In fact I generally detest them.  But I should like to know

Miss Garland well.  I should like to have a friendship with her;

I have never had one; they must be very delightful.

But I shan't have one now, either--not if she can help it!

Ask her what she thinks of me; see what she will say.

I don't want to know; keep it to yourself.  It 's too sad.  So we go

through life.  It 's fatality--that 's what they call it, is n't it?

We please the people we don't care for, we displease those we do!

But I appreciate her, I do her justice; that 's the more important thing.

It 's because I have imagination.  She has none.  Never mind;

it 's her only fault.  I do her justice; I understand very well."

She kept softly murmuring and looking about for Madame Grandoni.

She saw the good lady near the door, and put out her hand to

Rowland for good night.  She held his hand an instant, fixing him

with her eyes, the living splendor of which, at this moment,

was something transcendent.  "Yes, I do her justice," she repeated.

"And you do her more; you would lay down your life for her."

With this she turned away, and before he could answer, she left him.

She went to Madame Grandoni, grasped her two hands, and held out

her forehead to be kissed.  The next moment she was gone.

"That was a happy accident!" said Madame Grandoni.  "She never looked

so beautiful, and she made my little party brilliant."

"Beautiful, verily!"  Rowland answered.  "But it was no accident."

"What was it, then?"

"It was a plan.  She wished to see Miss Garland.

She knew she was to be here."

"How so?"

"By Roderick, evidently."

"And why did she wish to see Miss Garland?"

"Heaven knows!  I give it up!"

"Ah, the wicked girl!" murmured Madame Grandoni.

"No," said Rowland; "don't say that now.  She 's too beautiful."

"Oh, you men!  The best of you!"

"Well, then," cried Rowland, "she 's too good!"

The opportunity presenting itself the next day, he failed not, as you

may imagine, to ask Mary Garland what she thought of Miss Light.

It was a Saturday afternoon, the time at which the beautiful

marbles of the Villa Borghese are thrown open to the public.

Mary had told him that Roderick had promised to take

her to see them, with his mother, and he joined the party

in the splendid Casino.  The warm weather had left so few

strangers in Rome that they had the place almost to themselves.

Mrs. Hudson had confessed to an invincible fear of treading,

even with the help of her son's arm, the polished marble floors,

and was sitting patiently on a stool, with folded hands,

looking shyly, here and there, at the undraped paganism around her.

Roderick had sauntered off alone, with an irritated brow,

which seemed to betray the conflict between the instinct

of observation and the perplexities of circumstance.

Miss Garland was wandering in another direction, and though she

was consulting her catalogue, Rowland fancied it was from habit;

she too was preoccupied.  He joined her, and she presently

sat down on a divan, rather wearily, and closed her Murray.

Then he asked her abruptly how Christina had pleased her.

She started the least bit at the question, and he felt that she

had been thinking of Christina.

"I don't like her!" she said with decision.

"What do you think of her?"

"I think she 's false."  This was said without petulance or bitterness,

but with a very positive air.

"But she wished to please you; she tried," Rowland rejoined,

in a moment.

"I think not.  She wished to please herself!"

Rowland felt himself at liberty to say no more.

No allusion to Christina had passed between them since the day

they met her at Saint Peter's, but he knew that she knew,

by that infallible sixth sense of a woman who loves,

that this strange, beautiful girl had the power to injure her.

To what extent she had the will, Mary was uncertain;

but last night's interview, apparently, had not reassured her.

It was, under these circumstances, equally unbecoming

for Rowland either to depreciate or to defend Christina,

and he had to content himself with simply having verified

the girl's own assurance that she had made a bad impression.

He tried to talk of indifferent matters--about the statues

and the frescoes; but to-day, plainly, aesthetic curiosity,

with Miss Garland, had folded its wings.  Curiosity of another sort

had taken its place.  Mary was longing, he was sure, to question

him about Christina; but she found a dozen reasons for hesitating.

Her questions would imply that Roderick had not treated her

with confidence, for information on this point should properly

have come from him.  They would imply that she was jealous,

and to betray her jealousy was intolerable to her pride.

For some minutes, as she sat scratching the brilliant pavement

with the point of her umbrella, it was to be supposed

that her pride and her anxiety held an earnest debate.

At last anxiety won.

"A propos of Miss Light," she asked, "do you know her well?"

"I can hardly say that.  But I have seen her repeatedly."

"Do you like her?"

"Yes and no.  I think I am sorry for her."

Mary had spoken with her eyes on the pavement.  At this she looked up.

"Sorry for her?  Why?"

"Well--she is unhappy."

"What are her misfortunes?"

"Well--she has a horrible mother, and she has had a most injurious education."

For a moment Miss Garland was silent.  Then, "Is n't she

very beautiful?" she asked.

"Don't you think so?"

"That 's measured by what men think!  She is extremely clever, too."

"Oh, incontestably."

"She has beautiful dresses."

"Yes, any number of them."

"And beautiful manners."

"Yes--sometimes."

"And plenty of money."

"Money enough, apparently."

"And she receives great admiration."

"Very true."

"And she is to marry a prince."

"So they say."

Miss Garland rose and turned to rejoin her companions,

commenting these admissions with a pregnant silence.

"Poor Miss Light!" she said at last, simply.  And in this it

seemed to Rowland there was a touch of bitterness.

Very late on the following evening his servant brought him

the card of a visitor.  He was surprised at a visit at such

an hour, but it may be said that when he read the inscription--

Cavaliere Giuseppe Giacosa--his surprise declined.

He had had an unformulated conviction that there was to be

a sequel to the apparition at Madame Grandoni's; the Cavaliere

had come to usher it in.

He had come, evidently, on a portentous errand.  He was as pale

as ashes and prodigiously serious; his little cold black eye

had grown ardent, and he had left his caressing smile at home.

He saluted Rowland, however, with his usual obsequious bow.

"You have more than once done me the honor to invite me to call upon you,"

he said.  "I am ashamed of my long delay, and I can only say

to you, frankly, that my time this winter has not been my own."

Rowland assented, ungrudgingly fumbled for the Italian correlative

of the adage "Better late than never," begged him to be seated,

and offered him a cigar.  The Cavaliere sniffed imperceptibly

the fragrant weed, and then declared that, if his kind host would

allow him, he would reserve it for consumption at another time.

He apparently desired to intimate that the solemnity of his errand

left him no breath for idle smoke-puffings. Rowland stayed himself,

just in time, from an enthusiastic offer of a dozen more cigars,

and, as he watched the Cavaliere stow his treasure tenderly away

in his pocket-book, reflected that only an Italian could go through

such a performance with uncompromised dignity.  "I must confess,"

the little old man resumed, "that even now I come on business

not of my own--or my own, at least, only in a secondary sense.

I have been dispatched as an ambassador, an envoy extraordinary,

I may say, by my dear friend Mrs. Light."

"If I can in any way be of service to Mrs. Light, I shall

be happy," Rowland said.

"Well then, dear sir, Casa Light is in commotion.

The signora is in trouble--in terrible trouble."

For a moment Rowland expected to hear that the signora's trouble

was of a nature that a loan of five thousand francs would assuage.

But the Cavaliere continued:  "Miss Light has committed a great crime;

she has plunged a dagger into the heart of her mother."

"A dagger!" cried Rowland.

The Cavaliere patted the air an instant with his finger-tips.

"I speak figuratively.  She has broken off her marriage."

"Broken it off?"

"Short!  She has turned the prince from the door."

And the Cavaliere, when he had made this announcement, folded his

arms and bent upon Rowland his intense, inscrutable gaze.

It seemed to Rowland that he detected in the polished depths

of it a sort of fantastic gleam of irony or of triumph;

but superficially, at least, Giacosa did nothing to discredit

his character as a presumably sympathetic representative

of Mrs. Light's affliction.

Rowland heard his news with a kind of fierce disgust; it seemed

the sinister counterpart of Christina's preternatural mildness at

Madame Grandoni's tea-party. She had been too plausible to be honest.

Without being able to trace the connection, he yet instinctively

associated her present rebellion with her meeting with Mary Garland.

If she had not seen Mary, she would have let things stand.

It was monstrous to suppose that she could have sacrificed so

brilliant a fortune to a mere movement of jealousy, to a refined

instinct of feminine deviltry, to a desire to frighten poor Mary

from her security by again appearing in the field.  Yet Rowland

remembered his first impression of her; she was "dangerous," and she

had measured in each direction the perturbing effect of her rupture.

She was smiling her sweetest smile at it!  For half an hour Rowland

simply detested her, and longed to denounce her to her face.

Of course all he could say to Giacosa was that he was extremely sorry.

"But I am not surprised," he added.

"You are not surprised?"

"With Miss Light everything is possible.  Is n't that true?"

Another ripple seemed to play for an instant in the current

of the old man's irony, but he waived response.

"It was a magnificent marriage," he said, solemnly.  "I do

not respect many people, but I respect Prince Casamassima."

"I should judge him indeed to be a very honorable young man," said Rowland.

"Eh, young as he is, he 's made of the old stuff.  And now, perhaps he 's

blowing his brains out.  He is the last of his house; it 's a great house.

But Miss Light will have put an end to it!"

"Is that the view she takes of it?"  Rowland ventured to ask.

This time, unmistakably, the Cavaliere smiled, but still in

that very out-of-the-way place.  "You have observed Miss Light

with attention," he said, "and this brings me to my errand.

Mrs. Light has a high opinion of your wisdom, of your kindness,

and she has reason to believe you have influence with her daughter."

"I--with her daughter?  Not a grain!"

"That is possibly your modesty.  Mrs. Light believes that something

may yet be done, and that Christina will listen to you.

She begs you to come and see her before it is too late."

"But all this, my dear Cavaliere, is none of my business,"

Rowland objected.  "I can't possibly, in such a matter,

take the responsibility of advising Miss Light."

The Cavaliere fixed his eyes for a moment on the floor, in brief

but intense reflection.  Then looking up, "Unfortunately," he said,

"she has no man near her whom she respects; she has no father!"

"And a fatally foolish mother!"  Rowland gave himself

the satisfaction of exclaiming.

The Cavaliere was so pale that he could not easily have turned paler;

yet it seemed for a moment that his dead complexion blanched.

"Eh, signore, such as she is, the mother appeals to you.

A very handsome woman--disheveled, in tears, in despair, in dishabille!"

Rowland reflected a moment, not on the attractions of Mrs. Light

under the circumstances thus indicated by the Cavaliere,

but on the satisfaction he would take in accusing Christina

to her face of having struck a cruel blow.

"I must add," said the Cavaliere, "that Mrs. Light desires also to speak

to you on the subject of Mr. Hudson."

"She considers Mr. Hudson, then, connected with this step of her daughter's?"

"Intimately.  He must be got out of Rome."

"Mrs. Light, then, must get an order from the Pope to remove him.

It 's not in my power."

The Cavaliere assented, deferentially.  "Mrs. Light is equally helpless.

She would leave Rome to-morrow, but Christina will not budge.

An order from the Pope would do nothing.  A bull in council

would do nothing."

"She 's a remarkable young lady," said Rowland, with bitterness.

But the Cavaliere rose and responded coldly, "She has a great spirit."

And it seemed to Rowland that her great spirit, for mysterious reasons,

gave him more pleasure than the distressing use she made of it gave

him pain.  He was on the point of charging him with his inconsistency,

when Giacosa resumed:  "But if the marriage can be saved, it must be saved.

It 's a beautiful marriage.  It will be saved."

"Notwithstanding Miss Light's great spirit to the contrary?"

"Miss Light, notwithstanding her great spirit, will call

Prince Casamassima back."

"Heaven grant it!" said Rowland.

"I don't know," said the Cavaliere, solemnly, "that heaven will have much

to do with it."

Rowland gave him a questioning look, but he laid his finger on his lips.

And with Rowland's promise to present himself on the morrow at Casa Light,

he shortly afterwards departed.  He left Rowland revolving many things:

Christina's magnanimity, Christina's perversity, Roderick's contingent

fortune, Mary Garland's certain trouble, and the Cavaliere's

own fine ambiguities.

Rowland's promise to the Cavaliere obliged him to withdraw from an

excursion which he had arranged with the two ladies from Northampton.

Before going to Casa Light he repaired in person to Mrs. Hudson's hotel,

to make his excuses.

He found Roderick's mother sitting with tearful eyes, staring at

an open note that lay in her lap.  At the window sat Miss Garland,

who turned her intense regard upon him as he came in.

Mrs. Hudson quickly rose and came to him, holding out the note.

"In pity's name," she cried, "what is the matter with my boy?

If he is ill, I entreat you to take me to him!"

"He is not ill, to my knowledge," said Rowland.

"What have you there?"

"A note--a dreadful note.  He tells us we are not to see him for a week.

If I could only go to his room!  But I am afraid, I am afraid!"

"I imagine there is no need of going to his room.

What is the occasion, may I ask, of his note?"

"He was to have gone with us on this drive to--what is the place?--

to Cervara.  You know it was arranged yesterday morning.

In the evening he was to have dined with us.  But he never came,

and this morning arrives this awful thing.  Oh dear, I 'm so excited!

Would you mind reading it?"

Rowland took the note and glanced at its half-dozen lines.

"I cannot go to Cervara," they ran; "I have something else to do.

This will occupy me perhaps for a week, and you 'll not see me.

Don't miss me--learn not to miss me.  R. H."

"Why, it means," Rowland commented, "that he has taken up a piece

of work, and that it is all-absorbing. That 's very good news."

This explanation was not sincere; but he had not the courage

not to offer it as a stop-gap. But he found he needed all his

courage to maintain it, for Miss Garland had left her place

and approached him, formidably unsatisfied.

"He does not work in the evening," said Mrs. Hudson.  "Can't he come

for five minutes?  Why does he write such a cruel, cold note to his

poor mother--to poor Mary?  What have we done that he acts so strangely?

It 's this wicked, infectious, heathenish place!"  And the poor lady's

suppressed mistrust of the Eternal City broke out passionately.

"Oh, dear Mr. Mallet," she went on, "I am sure he has the fever

and he 's already delirious!"

"I am very sure it 's not that," said Miss Garland, with a certain dryness.

She was still looking at Rowland; his eyes met hers, and his own glance fell.

This made him angry, and to carry off his confusion he pretended to be looking

at the floor, in meditation.  After all, what had he to be ashamed of?

For a moment he was on the point of making a clean breast of it,

of crying out, "Dearest friends, I abdicate:  I can't help you!"

But he checked himself; he felt so impatient to have his three words

with Christina.  He grasped his hat.

"I will see what it is!" he cried.  And then he was glad he had

not abdicated, for as he turned away he glanced again at Mary and saw that,

though her eyes were full of trouble, they were not hard and accusing,

but charged with appealing friendship.

He went straight to Roderick's apartment, deeming this, at an

early hour, the safest place to seek him.  He found him in his

sitting-room, which had been closely darkened to keep out the heat.

The carpets and rugs had been removed, the floor of speckled

concrete was bare and lightly sprinkled with water.  Here and there,

over it, certain strongly perfumed flowers had been scattered.

Roderick was lying on his divan in a white dressing-gown, staring up

at the frescoed ceiling.  The room was deliciously cool, and filled

with the moist, sweet odor of the circumjacent roses and violets.

All this seemed highly fantastic, and yet Rowland hardly felt surprised.

"Your mother was greatly alarmed at your note," he said, "and I

came to satisfy myself that, as I believed, you are not ill."

Roderick lay motionless, except that he slightly turned

his head toward his friend.  He was smelling a large

white rose, and he continued to present it to his nose.

In the darkness of the room he looked exceedingly pale,

but his handsome eyes had an extraordinary brilliancy.

He let them rest for some time on Rowland, lying there like a

Buddhist in an intellectual swoon, whose perception should be

slowly ebbing back to temporal matters.  "Oh, I 'm not ill,"

he said at last.  "I have never been better."

"Your note, nevertheless, and your absence," Rowland said,

"have very naturally alarmed your mother.  I advise you to go

to her directly and reassure her."

"Go to her?  Going to her would be worse than staying away.

Staying away at present is a kindness."  And he inhaled

deeply his huge rose, looking up over it at Rowland.

"My presence, in fact, would be indecent."

"Indecent?  Pray explain."

"Why, you see, as regards Mary Garland.  I am divinely happy!

Does n't it strike you?  You ought to agree with me.

You wish me to spare her feelings; I spare them by staying away.

Last night I heard something"--

"I heard it, too," said Rowland with brevity.  "And it 's in honor of this

piece of news that you have taken to your bed in this fashion?"

"Extremes meet!  I can't get up for joy."

"May I inquire how you heard your joyous news?--from Miss Light herself?"

"By no means.  It was brought me by her maid, who is in my service as well."

"Casamassima's loss, then, is to a certainty your gain?"

"I don't talk about certainties.  I don't want to

be arrogant, I don't want to offend the immortal gods.

I 'm keeping very quiet, but I can't help being happy.

I shall wait a while; I shall bide my time."

"And then?"

"And then that transcendent girl will confess to me that when she

threw overboard her prince she remembered that I adored her!"

"I feel bound to tell you," was in the course of a moment Rowland's

response to this speech, "that I am now on my way to Mrs. Light's."

"I congratulate you, I envy you!"  Roderick murmured, imperturbably.

"Mrs. Light has sent for me to remonstrate with her daughter,

with whom she has taken it into her head that I have influence.

I don't know to what extent I shall remonstrate, but I give you

notice I shall not speak in your interest."

Roderick looked at him a moment with a lazy radiance in his eyes.

"Pray don't!" he simply answered.

"You deserve I should tell her you are a very shabby fellow."

"My dear Rowland, the comfort with you is that I can trust you.

You 're incapable of doing anything disloyal."

"You mean to lie here, then, smelling your roses and nursing your visions,

and leaving your mother and Miss Garland to fall ill with anxiety?"

"Can I go and flaunt my felicity in their faces?

Wait till I get used to it a trifle.  I have done them

a palpable wrong, but I can at least forbear to add insult

to injury.  I may be an arrant fool, but, for the moment,

I have taken it into my head to be prodigiously pleased.

I should n't be able to conceal it; my pleasure would offend them;

so I lock myself up as a dangerous character."

"Well, I can only say, 'May your pleasure never grow less,

or your danger greater!' "

Roderick closed his eyes again, and sniffed at his rose.

"God's will be done!"

On this Rowland left him and repaired directly to Mrs. Light's.

This afflicted lady hurried forward to meet him.

Since the Cavaliere's report of her condition she had somewhat

smoothed and trimmed the exuberance of her distress, but she

was evidently in extreme tribulation, and she clutched Rowland

by his two hands, as if, in the shipwreck of her hopes,

he were her single floating spar.  Rowland greatly pitied her,

for there is something respectable in passionate grief,

even in a very bad cause; and as pity is akin to love,

he endured her rather better than he had done hitherto.

"Speak to her, plead with her, command her!" she cried,

pressing and shaking his hands.  "She 'll not heed us,

no more than if we were a pair of clocks a-ticking. Perhaps

she will listen to you; she always liked you."

"She always disliked me," said Rowland.  "But that does n't matter now.

I have come here simply because you sent for me, not because I can help you.

I cannot advise your daughter."

"Oh, cruel, deadly man!  You must advise her; you shan't leave this

house till you have advised her!" the poor woman passionately retorted.

"Look at me in my misery and refuse to help me!  Oh, you need n't

be afraid, I know I 'm a fright, I have n't an idea what I have on.

If this goes on, we may both as well turn scarecrows.

If ever a woman was desperate, frantic, heart-broken, I am that woman.

I can't begin to tell you.  To have nourished a serpent, sir, all these

years! to have lavished one's self upon a viper that turns and stings

her own poor mother!  To have toiled and prayed, to have pushed

and struggled, to have eaten the bread of bitterness, and all the rest

of it, sir--and at the end of all things to find myself at this pass.

It can't be, it 's too cruel, such things don't happen, the Lord

don't allow it.  I 'm a religious woman, sir, and the Lord knows

all about me.  With his own hand he had given me his reward!

I would have lain down in the dust and let her walk over me;

I would have given her the eyes out of my head, if she had taken a fancy

to them.  No, she 's a cruel, wicked, heartless, unnatural girl!

I speak to you, Mr. Mallet, in my dire distress, as to my only friend.

There is n't a creature here that I can look to--not one of them all

that I have faith in.  But I always admired you.  I said to Christina

the first time I saw you that there at last was a real gentleman.

Come, don't disappoint me now!  I feel so terribly alone, you see;

I feel what a nasty, hard, heartless world it is that has come

and devoured my dinners and danced to my fiddles, and yet that has

n't a word to throw to me in my agony!  Oh, the money, alone, that I

have put into this thing, would melt the heart of a Turk!"

During this frenzied outbreak Rowland had had time to look round the room,

and to see the Cavaliere sitting in a corner, like a major-domo on the divan

of an antechamber, pale, rigid, and inscrutable.

"I have it at heart to tell you," Rowland said, "that if you

consider my friend Hudson"--

Mrs. Light gave a toss of her head and hands.  "Oh, it 's not that.

She told me last night to bother her no longer with Hudson, Hudson!

She did n't care a button for Hudson.  I almost wish she did;

then perhaps one might understand it.  But she does n't care for

anything in the wide world, except to do her own hard, wicked will,

and to crush me and shame me with her cruelty."

"Ah, then," said Rowland, "I am as much at sea as you,

and my presence here is an impertinence.  I should like to say

three words to Miss Light on my own account.  But I must absolutely

and inexorably decline to urge the cause of Prince Casamassima.

This is simply impossible."

Mrs. Light burst into angry tears.  "Because the poor boy is a prince,

eh? because he 's of a great family, and has an income of millions, eh?

That 's why you grudge him and hate him.  I knew there were vulgar people

of that way of feeling, but I did n't expect it of you.  Make an effort,

Mr. Mallet; rise to the occasion; forgive the poor fellow his splendor.

Be just, be reasonable!  It 's not his fault, and it 's not mine.

He 's the best, the kindest young man in the world, and the most

correct and moral and virtuous!  If he were standing here in rags,

I would say it all the same.  The man first--the money afterwards:

that was always my motto, and always will be.  What do you take me for?

Do you suppose I would give Christina to a vicious person? do you

suppose I would sacrifice my precious child, little comfort as I have

in her, to a man against whose character one word could be breathed?

Casamassima is only too good, he 's a saint of saints, he 's stupidly good!

There is n't such another in the length and breadth of Europe.

What he has been through in this house, not a common peasant would endure.

Christina has treated him as you would n't treat a dog.

He has been insulted, outraged, persecuted!  He has been driven hither

and thither till he did n't know where he was.  He has stood there

where you stand--there, with his name and his millions and his devotion--

as white as your handkerchief, with hot tears in his eyes, and me ready

to go down on my knees to him and say, 'My own sweet prince, I could

kiss the ground you tread on, but it is n't decent that I should allow

you to enter my house and expose yourself to these horrors again.'

And he would come back, and he would come back, and go through it all again,

and take all that was given him, and only want the girl the more!

I was his confidant; I know everything.  He used to beg my forgiveness

for Christina.  What do you say to that?  I seized him once and kissed him,

I did!  To find that and to find all the rest with it, and to believe it

was a gift straight from the pitying angels of heaven, and then to see

it dashed away before your eyes and to stand here helpless--oh, it 's

a fate I hope you may ever be spared!"

"It would seem, then, that in the interest of Prince Casamassima

himself I ought to refuse to interfere," said Rowland.

Mrs. Light looked at him hard, slowly drying her eyes.

The intensity of her grief and anger gave her a kind of majesty,

and Rowland, for the moment, felt ashamed of the ironical

ring of his observation.  "Very good, sir," she said.

"I 'm sorry your heart is not so tender as your conscience.

My compliments to your conscience!  It must give you great happiness.

Heaven help me!  Since you fail us, we are indeed driven to the wall.

But I have fought my own battles before, and I have never

lost courage, and I don't see why I should break down now.

Cavaliere, come here!"

Giacosa rose at her summons and advanced with his usual deferential alacrity.

He shook hands with Rowland in silence.

"Mr. Mallet refuses to say a word," Mrs. Light went on.

"Time presses, every moment is precious.  Heaven knows what

that poor boy may be doing.  If at this moment a clever woman

should get hold of him she might be as ugly as she pleased!

It 's horrible to think of it."

The Cavaliere fixed his eyes on Rowland, and his look, which the

night before had been singular, was now most extraordinary.

There was a nameless force of anguish in it which seemed to

grapple with the young man's reluctance, to plead, to entreat,

and at the same time to be glazed over with a reflection

of strange things.

Suddenly, though most vaguely, Rowland felt the presence

of a new element in the drama that was going on before him.

He looked from the Cavaliere to Mrs. Light, whose eyes were

now quite dry, and were fixed in stony hardness on the floor.

"If you could bring yourself," the Cavaliere said, in a low, soft,

caressing voice, "to address a few words of solemn remonstrance

to Miss Light, you would, perhaps, do more for us than you know.

You would save several persons a great pain.  The dear signora,

first, and then Christina herself.  Christina in particular.

Me too, I might take the liberty to add!"

There was, to Rowland, something acutely touching in this humble petition.

He had always felt a sort of imaginative tenderness for poor little

unexplained Giacosa, and these words seemed a supreme contortion of

the mysterious obliquity of his life.  All of a sudden, as he watched

the Cavaliere, something occurred to him; it was something very odd,

and it stayed his glance suddenly from again turning to Mrs. Light.

His idea embarrassed him, and to carry off his embarrassment,

he repeated that it was folly to suppose that his words would have

any weight with Christina.

The Cavaliere stepped forward and laid two fingers on Rowland's breast.

"Do you wish to know the truth?  You are the only man whose

words she remembers."

Rowland was going from surprise to surprise.  "I will say what I can!"

he said.  By this time he had ventured to glance at Mrs. Light.

She was looking at him askance, as if, upon this, she was suddenly

mistrusting his motives.

"If you fail," she said sharply, "we have something else!

But please to lose no time."

She had hardly spoken when the sound of a short, sharp growl

caused the company to turn.  Christina's fleecy poodle stood

in the middle of the vast saloon, with his muzzle lowered,

in pompous defiance of the three conspirators against the comfort

of his mistress.  This young lady's claims for him seemed justified;

he was an animal of amazingly delicate instincts.

He had preceded Christina as a sort of van-guard of defense,

and she now slowly advanced from a neighboring room.

"You will be so good as to listen to Mr. Mallet," her mother said,

in a terrible voice, "and to reflect carefully upon what he says.

I suppose you will admit that he is disinterested.

In half an hour you shall hear from me again!"  And passing

her hand through the Cavaliere's arm, she swept rapidly out

of the room.

Christina looked hard at Rowland, but offered him no greeting.

She was very pale, and, strangely enough, it at first seemed

to Rowland that her beauty was in eclipse.  But he very soon

perceived that it had only changed its character, and that if it

was a trifle less brilliant than usual, it was admirably touching

and noble.  The clouded light of her eyes, the magnificent

gravity of her features, the conscious erectness of her head,

might have belonged to a deposed sovereign or a condemned martyr.

"Why have you come here at this time?" she asked.

"Your mother sent for me in pressing terms, and I was very glad

to have an opportunity to speak to you."

"Have you come to help me, or to persecute me?"

"I have as little power to do one as I have desire to do

the other.  I came in great part to ask you a question.

First, your decision is irrevocable?"

Christina's two hands had been hanging clasped in front of her;

she separated them and flung them apart by an admirable gesture.

"Would you have done this if you had not seen Miss Garland?"

She looked at him with quickened attention; then suddenly,

"This is interesting!" she cried.  "Let us have it out."

And she flung herself into a chair and pointed to another.

"You don't answer my question," Rowland said.

"You have no right, that I know of, to ask it.  But it 's

a very clever one; so clever that it deserves an answer.

Very likely I would not."

"Last night, when I said that to myself, I was extremely angry,"

Rowland rejoined.

"Oh, dear, and you are not angry now?"

"I am less angry."

"How very stupid!  But you can say something at least."

"If I were to say what is uppermost in my mind, I would say that,

face to face with you, it is never possible to condemn you."

"Perche?"

"You know, yourself!  But I can at least say now what I felt last night.

It seemed to me that you had consciously, cruelly dealt a blow at that

poor girl.  Do you understand?"

"Wait a moment!"  And with her eyes fixed on him, she inclined

her head on one side, meditatively.  Then a cold, brilliant smile

covered her face, and she made a gesture of negation.

"I see your train of reasoning, but it 's quite wrong.

I meant no harm to Miss Garland; I should be extremely sorry

to make her suffer.  Tell me you believe that."

This was said with ineffable candor.  Rowland heard himself answering,

"I believe it!"

"And yet, in a sense, your supposition was true,"

Christina continued.  "I conceived, as I told you, a great

admiration for Miss Garland, and I frankly confess I was

jealous of her.  What I envied her was simply her character!

I said to myself, 'She, in my place, would n't marry Casamassima.'

I could not help saying it, and I said it so often that I

found a kind of inspiration in it.  I hated the idea of being

worse than she--of doing something that she would n't do.

I might be bad by nature, but I need n't be by volition.

The end of it all was that I found it impossible not to tell

the prince that I was his very humble servant, but that I

could not marry him."

"Are you sure it was only of Miss Garland's character that you were jealous,

not of--not of"--

"Speak out, I beg you.  We are talking philosophy!"

"Not of her affection for her cousin?"

"Sure is a good deal to ask.  Still, I think I may say it!

There are two reasons; one, at least, I can tell you:

her affection has not a shadow's weight with Mr. Hudson!

Why then should one fear it?"

"And what is the other reason?"

"Excuse me; that is my own affair."

Rowland was puzzled, baffled, charmed, inspired, almost, all at once.

"I have promised your mother," he presently resumed, "to say something

in favor of Prince Casamassima."

She shook her head sadly.  "Prince Casamassima needs nothing

that you can say for him.  He is a magnificent parti.

I know it perfectly."

"You know also of the extreme affliction of your mother?"

"Her affliction is demonstrative.  She has been abusing me for

the last twenty-four hours as if I were the vilest of the vile."

To see Christina sit there in the purity of her beauty and say this,

might have made one bow one's head with a kind of awe.  "I have failed

of respect to her at other times, but I have not done so now.

Since we are talking philosophy," she pursued with a gentle smile,

"I may say it 's a simple matter!  I don't love him.

Or rather, perhaps, since we are talking philosophy, I may say

it 's not a simple matter.  I spoke just now of inspiration.

The inspiration has been great, but--I frankly confess it--

the choice has been hard.  Shall I tell you?" she demanded,

with sudden ardor; "will you understand me?  It was on the one side

the world, the splendid, beautiful, powerful, interesting world.

I know what that is; I have tasted of the cup, I know its sweetness.

Ah, if I chose, if I let myself go, if I flung everything

to the winds, the world and I would be famous friends!

I know its merits, and I think, without vanity, it would see mine.

You would see some fine things!  I should like to be a princess,

and I think I should be a very good one; I would play my part well.

I am fond of luxury, I am fond of a great society, I am fond

of being looked at.  I am corrupt, corruptible, corruption!

Ah, what a pity that could n't be, too!  Mercy of Heaven!"

There was a passionate tremor in her voice; she covered her face

with her hands and sat motionless.  Rowland saw that an intense

agitation, hitherto successfully repressed, underlay her calmness,

and he could easily believe that her battle had been fierce.

She rose quickly and turned away, walked a few paces, and stopped.

In a moment she was facing him again, with tears in her eyes

and a flush in her cheeks.  "But you need n't think I 'm afraid!"

she said.  "I have chosen, and I shall hold to it.

I have something here, here, here!" and she patted her heart.

"It 's my own.  I shan't part with it.  Is it what you call

an ideal?  I don't know; I don't care!  It is brighter than

the Casamassima diamonds!"

"You say that certain things are your own affair," Rowland presently rejoined;

"but I must nevertheless make an attempt to learn what all this means--

what it promises for my friend Hudson.  Is there any hope for him?"

"This is a point I can't discuss with you minutely.

I like him very much."

"Would you marry him if he were to ask you?"

"He has asked me."

"And if he asks again?"

"I shall marry no one just now."

"Roderick," said Rowland, "has great hopes."

"Does he know of my rupture with the prince?"

"He is making a great holiday of it."

Christina pulled her poodle towards her and began to smooth his silky fleece.

"I like him very much," she repeated; "much more than I used to.

Since you told me all that about him at Saint Cecilia's, I have felt

a great friendship for him.  There 's something very fine about him;

he 's not afraid of anything.  He is not afraid of failure; he is not

afraid of ruin or death."

"Poor fellow!" said Rowland, bitterly; "he is fatally picturesque."

"Picturesque, yes; that 's what he is.  I am very sorry for him."

"Your mother told me just now that you had said that you did

n't care a straw for him."

"Very likely!  I meant as a lover.  One does n't want a lover one pities,

and one does n't want--of all things in the world--a picturesque husband!

I should like Mr. Hudson as something else.  I wish he were my brother,

so that he could never talk to me of marriage.  Then I could adore him.

I would nurse him, I would wait on him and save him all disagreeable rubs

and shocks.  I am much stronger than he, and I would stand between him

and the world.  Indeed, with Mr. Hudson for my brother, I should be willing

to live and die an old maid!"

"Have you ever told him all this?"

"I suppose so; I 've told him five hundred things!

If it would please you, I will tell him again."

"Oh, Heaven forbid!" cried poor Rowland, with a groan.

He was lingering there, weighing his sympathy against his irritation,

and feeling it sink in the scale, when the curtain of a distant

doorway was lifted and Mrs. Light passed across the room.

She stopped half-way, and gave the young persons a flushed

and menacing look.  It found apparently little to reassure her,

and she moved away with a passionate toss of her drapery.

Rowland thought with horror of the sinister compulsion to which

the young girl was to be subjected.  In this ethereal flight

of hers there was a certain painful effort and tension of wing;

but it was none the less piteous to imagine her being rudely jerked

down to the base earth she was doing her adventurous utmost to spurn.

She would need all her magnanimity for her own trial, and it seemed

gross to make further demands upon it on Roderick's behalf.

Rowland took up his hat.  "You asked a while ago if I had come to help you,"

he said.  "If I knew how I might help you, I should be particularly glad."

She stood silent a moment, reflecting.  Then at last,

looking up, "You remember," she said, "your promising me

six months ago to tell me what you finally thought of me?

I should like you to tell me now."

He could hardly help smiling.  Madame Grandoni had insisted

on the fact that Christina was an actress, though a sincere one;

and this little speech seemed a glimpse of the cloven foot.

She had played her great scene, she had made her point, and now she

had her eye at the hole in the curtain and she was watching the house!

But she blushed as she perceived his smile, and her blush,

which was beautiful, made her fault venial.

"You are an excellent girl!" he said, in a particular tone,

and gave her his hand in farewell.

There was a great chain of rooms in Mrs. Light's apartment,

the pride and joy of the hostess on festal evenings, through which

the departing visitor passed before reaching the door.

In one of the first of these Rowland found himself waylaid

and arrested by the distracted lady herself.

"Well, well?" she cried, seizing his arm.  "Has she listened to you--

have you moved her?"

"In Heaven's name, dear madame," Rowland begged, "leave the poor girl alone!

She is behaving very well!"

"Behaving very well?  Is that all you have to tell me?

I don't believe you said a proper word to her.

You are conspiring together to kill me!"

Rowland tried to soothe her, to remonstrate, to persuade her

that it was equally cruel and unwise to try to force matters.

But she answered him only with harsh lamentations and imprecations,

and ended by telling him that her daughter was her property, not his,

and that his interference was most insolent and most scandalous.

Her disappointment seemed really to have crazed her, and his only

possible rejoinder was to take a summary departure.

A moment later he came upon the Cavaliere, who was sitting

with his elbows on his knees and his head in his hands, so buried

in thought that Rowland had to call him before he roused himself.

Giacosa looked at him a moment keenly, and then gave a shake

of the head, interrogatively.

Rowland gave a shake negative, to which the Cavaliere responded

by a long, melancholy sigh.  "But her mother is determined

to force matters," said Rowland.

"It seems that it must be!"

"Do you consider that it must be?"

"I don't differ with Mrs. Light!"

"It will be a great cruelty!"

The Cavaliere gave a tragic shrug.  "Eh! it is n't an easy world."

"You should do nothing to make it harder, then."

"What will you have?  It 's a magnificent marriage."

"You disappoint me, Cavaliere," said Rowland, solemnly.  "I imagined

you appreciated the great elevation of Miss Light's attitude.

She does n't love the prince; she has let the matter stand

or fall by that."

The old man grasped him by the hand and stood a moment with averted eyes.

At last, looking at him, he held up two fingers.

"I have two hearts," he said, "one for myself, one for the world.

This one opposes Miss Light, the other adores her!

One suffers horribly at what the other does."

"I don't understand double people, Cavaliere," Rowland said,

"and I don't pretend to understand you.  But I have guessed

that you are going to play some secret card."

"The card is Mrs. Light's, not mine," said the Cavaliere.

"It 's a menace, at any rate?"

"The sword of Damocles!  It hangs by a hair.  Christina is to be

given ten minutes to recant, under penalty of having it fall.

On the blade there is something written in strange characters.

Don't scratch your head; you will not make it out."

"I think I have guessed it," Rowland said, after a pregnant silence.

The Cavaliere looked at him blankly but intently, and Rowland added,

"Though there are some signs, indeed, I don't understand."

"Puzzle them out at your leisure," said the Cavaliere, shaking his hand.

"I hear Mrs. Light; I must go to my post.  I wish you were a Catholic;

I would beg you to step into the first church you come to, and pray for us

the next half-hour."

"For 'us'? For whom?"

"For all of us.  At any rate remember this:  I worship the Christina!"

Rowland heard the rustle of Mrs. Light's dress; he turned away,

and the Cavaliere went, as he said, to his post.

Rowland for the next couple of days pondered his riddle.

CHAPTER XI.  Mrs. Hudson

Of Roderick, meanwhile, Rowland saw nothing; but he immediately went

to Mrs. Hudson and assured her that her son was in even exceptionally

good health and spirits.  After this he called again on the two

ladies from Northampton, but, as Roderick's absence continued,

he was able neither to furnish nor to obtain much comfort.

Miss Garland's apprehensive face seemed to him an image

of his own state of mind.  He was profoundly depressed;

he felt that there was a storm in the air, and he wished it

would come, without more delay, and perform its ravages.

On the afternoon of the third day he went into Saint Peter's,

his frequent resort whenever the outer world was disagreeable.

From a heart-ache to a Roman rain there were few importunate

pains the great church did not help him to forget.

He had wandered there for half an hour, when he came upon

a short figure, lurking in the shadow of one of the great piers.

He saw it was that of an artist, hastily transferring to his

sketch-book a memento of some fleeting variation in the scenery

of the basilica; and in a moment he perceived that the artist

was little Sam Singleton.

Singleton pocketed his sketch-book with a guilty air, as if it cost his

modesty a pang to be detected in this greedy culture of opportunity.

Rowland always enjoyed meeting him; talking with him, in these days,

was as good as a wayside gush of clear, cold water, on a long, hot walk.

There was, perhaps, no drinking-vessel, and you had to apply your lips

to some simple natural conduit; but the result was always a sense

of extreme moral refreshment.  On this occasion he mentally blessed

the ingenuous little artist, and heard presently with keen regret

that he was to leave Rome on the morrow.  Singleton had come to bid

farewell to Saint Peter's, and he was gathering a few supreme memories.

He had earned a purse-full of money, and he was meaning to take

a summer's holiday; going to Switzerland, to Germany, to Paris.

In the autumn he was to return home; his family--composed, as Rowland knew,

of a father who was cashier in a bank and five unmarried sisters,

one of whom gave lyceum-lectures on woman's rights, the whole resident

at Buffalo, New York--had been writing him peremptory letters

and appealing to him as a son, brother, and fellow-citizen. He would

have been grateful for another year in Rome, but what must be must be,

and he had laid up treasure which, in Buffalo, would seem infinite.

They talked some time; Rowland hoped they might meet in Switzerland,

and take a walk or two together.  Singleton seemed to feel that Buffalo

had marked him for her own; he was afraid he should not see Rome again

for many a year.

"So you expect to live at Buffalo?"  Rowland asked sympathetically.

"Well, it will depend upon the views--upon the attitude--of my family,"

Singleton replied.  "Oh, I think I shall get on; I think it can be done.

If I find it can be done, I shall really be quite proud of it; as an artist

of course I mean, you know.  Do you know I have some nine hundred sketches?

I shall live in my portfolio.  And so long as one is not in Rome,

pray what does it matter where one is?  But how I shall envy all you Romans--

you and Mr. Gloriani, and Mr. Hudson, especially!"

"Don't envy Hudson; he has nothing to envy."

Singleton grinned at what he considered a harmless jest.

"Yes, he 's going to be the great man of our time!

And I say, Mr. Mallet, is n't it a mighty comfort that it 's

we who have turned him out?"

"Between ourselves," said Rowland, "he has disappointed me."

Singleton stared, open-mouthed. "Dear me, what did you expect?"

"Truly," said Rowland to himself, "what did I expect?"

"I confess," cried Singleton, "I can't judge him rationally.

He fascinates me; he 's the sort of man one makes one's hero of."

"Strictly speaking, he is not a hero," said Rowland.

Singleton looked intensely grave, and, with almost tearful eyes,

"Is there anything amiss--anything out of the way, about him?"

he timidly asked.  Then, as Rowland hesitated to reply,

he quickly added, "Please, if there is, don't tell me!

I want to know no evil of him, and I think I should hardly believe it.

In my memories of this Roman artist-life, he will be the central figure.

He will stand there in radiant relief, as beautiful and unspotted

as one of his own statues!"

"Amen!" said Rowland, gravely.  He remembered afresh that the sea

is inhabited by big fishes and little, and that the latter often

find their way down the throats of the former.  Singleton was going

to spend the afternoon in taking last looks at certain other places,

and Rowland offered to join him on his sentimental circuit.

But as they were preparing to leave the church, he heard himself

suddenly addressed from behind.  Turning, he beheld a young

woman whom he immediately recognized as Madame Grandoni's maid.

Her mistress was present, she said, and begged to confer with him

before he departed.

This summons obliged Rowland to separate from Singleton, to whom

he bade farewell.  He followed the messenger, and presently

found Madame Grandoni occupying a liberal area on the steps

of the tribune, behind the great altar, where, spreading a shawl

on the polished red marble, she had comfortably seated herself.

He expected that she had something especial to impart, and she

lost no time in bringing forth her treasure.

"Don't shout very loud," she said, "remember that we are in church;

there 's a limit to the noise one may make even in Saint Peter's.

Christina Light was married this morning to Prince Casamassima.  "

Rowland did not shout at all; he gave a deep, short murmur:

"Married--this morning?"

"Married this morning, at seven o'clock, le plus tranquillement du monde,

before three or four persons.  The young couple left Rome an hour afterwards."

For some moments this seemed to him really terrible; the dark little

drama of which he had caught a glimpse had played itself out.

He had believed that Christina would resist; that she had

succumbed was a proof that the pressure had been cruel.

Rowland's imagination followed her forth with an irresistible

tremor into the world toward which she was rolling away,

with her detested husband and her stifled ideal; but it must

be confessed that if the first impulse of his compassion

was for Christina, the second was for Prince Casamassima.

Madame Grandoni acknowledged an extreme curiosity as to the secret

springs of these strange doings:  Casamassima's sudden dismissal,

his still more sudden recall, the hurried private marriage.

"Listen," said Rowland, hereupon, "and I will tell you something."

And he related, in detail, his last visit to Mrs. Light and his

talk with this lady, with Christina, and with the Cavaliere.

"Good," she said; "it 's all very curious.  But it 's a riddle,

and I only half guess it."

"Well," said Rowland, "I desire to harm no one; but certain

suppositions have taken shape in my mind which serve as a solvent

to several ambiguities."

"It is very true," Madame Grandoni answered, "that the Cavaliere,

as he stands, has always needed to be explained."

"He is explained by the hypothesis that, three-and-twenty years ago,

at Ancona, Mrs. Light had a lover."

"I see.  Ancona was dull, Mrs. Light was lively, and--

three-and-twenty years ago--perhaps, the Cavaliere was fascinating.

Doubtless it would be fairer to say that he was fascinated.

Poor Giacosa!"

"He has had his compensation," Rowland said.  "He has been passionately

fond of Christina."

"Naturally.  But has Christina never wondered why?"

"If she had been near guessing, her mother's shabby treatment

of him would have put her off the scent.  Mrs. Light's conscience

has apparently told her that she could expiate an hour's too great

kindness by twenty years' contempt.  So she kept her secret.

But what is the profit of having a secret unless you can make some use

of it?  The day at last came when she could turn hers to account;

she could let the skeleton out of the closet and create a panic."

"I don't understand."

"Neither do I morally," said Rowland.  "I only conceive that there

was a horrible, fabulous scene.  The poor Cavaliere stood outside,

at the door, white as a corpse and as dumb.  The mother and

daughter had it out together.  Mrs. Light burnt her ships.

When she came out she had three lines of writing in her daughter's

hand, which the Cavaliere was dispatched with to the prince.

They overtook the young man in time, and, when he reappeared,

he was delighted to dispense with further waiting.

I don't know what he thought of the look in his bride's face;

but that is how I roughly reconstruct history."

"Christina was forced to decide, then, that she could not afford

not to be a princess?"

"She was reduced by humiliation.  She was assured that it was not for her

to make conditions, but to thank her stars that there were none made for her.

If she persisted, she might find it coming to pass that there would

be conditions, and the formal rupture--the rupture that the world would hear

of and pry into--would then proceed from the prince and not from her."

"That 's all nonsense!" said Madame Grandoni, energetically.

"To us, yes; but not to the proudest girl in the world, deeply wounded

in her pride, and not stopping to calculate probabilities,

but muffling her shame, with an almost sensuous relief,

in a splendor that stood within her grasp and asked no questions.

Is it not possible that the late Mr. Light had made an outbreak

before witnesses who are still living?"

"Certainly her marriage now," said Madame Grandoni, less analytically,

"has the advantage that it takes her away from her--parents!"

This lady's farther comments upon the event are not immediately

pertinent to our history; there were some other comments of

which Rowland had a deeply oppressive foreboding.  He called,

on the evening of the morrow upon Mrs. Hudson, and found Roderick

with the two ladies.  Their companion had apparently but lately entered,

and Rowland afterwards learned that it was his first appearance

since the writing of the note which had so distressed his mother.

He had flung himself upon a sofa, where he sat with his chin upon

his breast, staring before him with a sinister spark in his eye.

He fixed his gaze on Rowland, but gave him no greeting.

He had evidently been saying something to startle the women;

Mrs. Hudson had gone and seated herself, timidly and imploringly,

on the edge of the sofa, trying to take his hand.  Miss Garland

was applying herself to some needlework with conscious intentness.

Mrs. Hudson gave Rowland, on his entrance, a touching look

of gratitude.  "Oh, we have such blessed news!" she said.

"Roderick is ready to leave Rome."

"It 's not blessed news; it 's most damnable news!" cried Roderick.

"Oh, but we are very glad, my son, and I am sure you will be

when you get away.  You 're looking most dreadfully thin;

is n't he, Mr. Mallet?  It 's plain enough you need a change.

I 'm sure we will go wherever you like.  Where would you

like to go?"

Roderick turned his head slowly and looked at her.  He had let

her take his hand, which she pressed tenderly between her own.

He gazed at her for some time in silence.  "Poor mother!"

he said at last, in a portentous tone.

"My own dear son!" murmured Mrs. Hudson in all the innocence

of her trust.

"I don't care a straw where you go!  I don't care a straw for anything!"

"Oh, my dear boy, you must not say that before all of us here--

before Mary, before Mr. Mallet!"

"Mary--Mr. Mallet?"  Roderick repeated, almost savagely.

He released himself from the clasp of his mother's

hand and turned away, leaning his elbows on his knees

and holding his head in his hands.  There was a silence;

Rowland said nothing because he was watching Miss Garland.

"Why should I stand on ceremony with Mary and Mr. Mallet?"

Roderick presently added.  "Mary pretends to believe I 'm

a fine fellow, and if she believes it as she ought to,

nothing I can say will alter her opinion.  Mallet knows I 'm

a hopeless humbug; so I need n't mince my words with him."

"Ah, my dear, don't use such dreadful language!" said Mrs. Hudson.

"Are n't we all devoted to you, and proud of you, and waiting only

to hear what you want, so that we may do it?"

Roderick got up, and began to walk about the room; he was evidently

in a restless, reckless, profoundly demoralized condition.

Rowland felt that it was literally true that he did not care a straw

for anything, but he observed with anxiety that Mrs. Hudson, who did

not know on what delicate ground she was treading, was disposed

to chide him caressingly, as a mere expression of tenderness.

He foresaw that she would bring down the hovering thunderbolt

on her head.

"In God's name," Roderick cried, "don't remind me of my obligations!

It 's intolerable to me, and I don't believe it 's pleasant to Mallet.

I know they 're tremendous--I know I shall never repay them.  I 'm bankrupt!

Do you know what that means?"

The poor lady sat staring, dismayed, and Rowland angrily interfered.

"Don't talk such stuff to your mother!" he cried.  "Don't you see you

're frightening her?"

"Frightening her? she may as well be frightened first as last.

Do I frighten you, mother?"  Roderick demanded.

"Oh, Roderick, what do you mean?" whimpered the poor lady.

"Mr. Mallet, what does he mean?"

"I mean that I 'm an angry, savage, disappointed, miserable man!"

Roderick went on.  "I mean that I can't do a stroke of work nor

think a profitable thought!  I mean that I 'm in a state of helpless

rage and grief and shame!  Helpless, helpless--that 's what it is.

You can't help me, poor mother--not with kisses, nor tears,

nor prayers!  Mary can't help me--not for all the honor she

does me, nor all the big books on art that she pores over.

Mallet can't help me--not with all his money, nor all his good example,

nor all his friendship, which I 'm so profoundly well aware of:

not with it all multiplied a thousand times and repeated

to all eternity!  I thought you would help me, you and Mary;

that 's why I sent for you.  But you can't, don't think it!

The sooner you give up the idea the better for you.  Give up being

proud of me, too; there 's nothing left of me to be proud of!

A year ago I was a mighty fine fellow; but do you know what has

become of me now?  I have gone to the devil!"

There was something in the ring of Roderick's voice, as he uttered

these words, which sent them home with convincing force.

He was not talking for effect, or the mere sensuous pleasure

of extravagant and paradoxical utterance, as had often enough

been the case ere this; he was not even talking viciously or

ill-humoredly. He was talking passionately, desperately, and from

an irresistible need to throw off the oppressive burden of his

mother's confidence.  His cruel eloquence brought the poor

lady to her feet, and she stood there with clasped hands,

petrified and voiceless.  Mary Garland quickly left her place,

came straight to Roderick, and laid her hand on his arm,

looking at him with all her tormented heart in her eyes.

He made no movement to disengage himself; he simply shook his

head several times, in dogged negation of her healing powers.

Rowland had been living for the past month in such intolerable

expectancy of disaster that now that the ice was broken,

and the fatal plunge taken, his foremost feeling was almost elation;

but in a moment his orderly instincts and his natural love

of superficial smoothness overtook it.

"I really don't see, Roderick," he said, "the profit

of your talking in just this way at just this time.

Don't you see how you are making your mother suffer?"

"Do I enjoy it myself?" cried Roderick.  "Is the suffering

all on your side and theirs?  Do I look as if I were happy,

and were stirring you up with a stick for my amusement?

Here we all are in the same boat; we might as well understand

each other!  These women must know that I 'm not to be counted on.

That sounds remarkably cool, no doubt, and I certainly don't

deny your right to be utterly disgusted with me."

"Will you keep what you have got to say till another time,"

said Mary, "and let me hear it alone?"

"Oh, I 'll let you hear it as often as you please; but what 's

the use of keeping it?  I 'm in the humor; it won't keep!

It 's a very simple matter.  I 'm a failure, that 's all; I 'm not

a first-rate man.  I 'm second-rate, tenth-rate, anything you please.

After that, it 's all one!"

Mary Garland turned away and buried her face in her hands;

but Roderick, struck, apparently, in some unwonted fashion

with her gesture, drew her towards him again, and went on

in a somewhat different tone.  "It 's hardly worth while we

should have any private talk about this, Mary," he said.

"The thing would be comfortable for neither of us.  It 's better,

after all, that it be said once for all and dismissed.

There are things I can't talk to you about.  Can I, at least?

You are such a queer creature!"

"I can imagine nothing you should n't talk to me about," said Mary.

"You are not afraid?" he demanded, sharply, looking at her.

She turned away abruptly, with lowered eyes, hesitating a moment.

"Anything you think I should hear, I will hear," she said.

And then she returned to her place at the window and took

up her work.

"I have had a great blow," said Roderick.  "I was a great ass,

but it does n't make the blow any easier to bear."

"Mr. Mallet, tell me what Roderick means!" said Mrs. Hudson,

who had found her voice, in a tone more peremptory than Rowland

had ever heard her use.

"He ought to have told you before," said Roderick.

"Really, Rowland, if you will allow me to say so, you ought!

You could have given a much better account of all this than I myself;

better, especially, in that it would have been more lenient to me.

You ought to have let them down gently; it would have saved them

a great deal of pain.  But you always want to keep things so smooth!

Allow me to say that it 's very weak of you."

"I hereby renounce such weakness!" said Rowland.

"Oh, what is it, sir; what is it?" groaned Mrs. Hudson, insistently.

"It 's what Roderick says:  he 's a failure!"

Mary Garland, on hearing this declaration, gave Rowland a single glance

and then rose, laid down her work, and walked rapidly out of the room.

Mrs. Hudson tossed her head and timidly bristled.  "This from you,

Mr. Mallet!" she said with an injured air which Rowland found harrowing.

But Roderick, most characteristically, did not in the least resent his

friend's assertion; he sent him, on the contrary, one of those large,

clear looks of his, which seemed to express a stoical pleasure

in Rowland's frankness, and which set his companion, then and there,

wondering again, as he had so often done before, at the extraordinary

contradictions of his temperament.  "My dear mother," Roderick said,

"if you had had eyes that were not blinded by this sad maternal vanity,

you would have seen all this for yourself; you would have seen that I

'm anything but prosperous."

"Is it anything about money?" cried Mrs. Hudson.

"Oh, do write to Mr. Striker!"

"Money?" said Roderick.  "I have n't a cent of money;

I 'm bankrupt!"

"Oh, Mr. Mallet, how could you let him?" asked Mrs. Hudson, terribly.

"Everything I have is at his service," said Rowland, feeling ill.

"Of course Mr. Mallet will help you, my son!" cried the poor lady, eagerly.

"Oh, leave Mr. Mallet alone!" said Roderick.  "I have squeezed him dry;

it 's not my fault, at least, if I have n't!"

"Roderick, what have you done with all your money?" his mother demanded.

"Thrown it away!  It was no such great amount.  I have done

nothing this winter."

"You have done nothing?"

"I have done no work!  Why in the world did n't you guess it and spare

me all this?  Could n't you see I was idle, distracted, dissipated?"

"Dissipated, my dear son?"  Mrs. Hudson repeated.

"That 's over for the present!  But could n't you see--could n't Mary see--

that I was in a damnably bad way?"

"I have no doubt Miss Garland saw," said Rowland.

"Mary has said nothing!" cried Mrs. Hudson.

"Oh, she 's a fine girl!"  Rowland said.

"Have you done anything that will hurt poor Mary?"

Mrs. Hudson asked.

"I have only been thinking night and day of another woman!"

Mrs. Hudson dropped helplessly into her seat again.

"Oh dear, dear, had n't we better go home?"

"Not to get out of her way!"  Roderick said.  "She has started

on a career of her own, and she does n't care a straw for me.

My head was filled with her; I could think of nothing else;

I would have sacrificed everything to her--you, Mary, Mallet, my work,

my fortune, my future, my honor!  I was in a fine state, eh?

I don't pretend to be giving you good news; but I 'm telling the simple,

literal truth, so that you may know why I have gone to the dogs.

She pretended to care greatly for all this, and to be willing to make

any sacrifice in return; she had a magnificent chance, for she was

being forced into a mercenary marriage with a man she detested.

She led me to believe that she would give this up, and break

short off, and keep herself free and sacred and pure for me.

This was a great honor, and you may believe that I valued it.

It turned my head, and I lived only to see my happiness come to pass.

She did everything to encourage me to hope it would; everything that

her infernal coquetry and falsity could suggest."

"Oh, I say, this is too much!"  Rowland broke out.

"Do you defend her?"  Roderick cried, with a renewal of his passion.

"Do you pretend to say that she gave me no hopes?"

He had been speaking with growing bitterness, quite losing sight

of his mother's pain and bewilderment in the passionate joy

of publishing his wrongs.  Since he was hurt, he must cry out;

since he was in pain, he must scatter his pain abroad.

Of his never thinking of others, save as they spoke and moved

from his cue, as it were, this extraordinary insensibility

to the injurious effects of his eloquence was a capital example;

the more so as the motive of his eloquence was never an appeal

for sympathy or compassion, things to which he seemed

perfectly indifferent and of which he could make no use.

The great and characteristic point with him was the perfect

absoluteness of his own emotions and experience.  He never saw

himself as part of a whole; only as the clear-cut, sharp-edged,

isolated individual, rejoicing or raging, as the case might be,

but needing in any case absolutely to affirm himself.

All this, to Rowland, was ancient history, but his perception

of it stirred within him afresh, at the sight of Roderick's sense

of having been betrayed.  That he, under the circumstances,

should not in fairness be the first to lodge a complaint

of betrayal was a point to which, at his leisure,

Rowland was of course capable of rendering impartial justice;

but Roderick's present desperation was so peremptory that it

imposed itself on one's sympathies.  "Do you pretend to say,"

he went on, "that she did n't lead me along to the very edge

of fulfillment and stupefy me with all that she suffered me

to believe, all that she sacredly promised?  It amused her

to do it, and she knew perfectly well what she really meant.

She never meant to be sincere; she never dreamed she could be.

She 's a ravenous flirt, and why a flirt is a flirt is more than I

can tell you.  I can't understand playing with those matters;

for me they 're serious, whether I take them up or lay them down.

I don't see what 's in your head, Rowland, to attempt to defend

Miss Light; you were the first to cry out against her!

You told me she was dangerous, and I pooh-poohed you.

You were right; you 're always right.  She 's as cold

and false and heartless as she 's beautiful, and she

has sold her heartless beauty to the highest bidder.

I hope he knows what he gets!"

"Oh, my son," cried Mrs. Hudson, plaintively, "how could you

ever care for such a dreadful creature?"

"It would take long to tell you, dear mother!"

Rowland's lately-deepened sympathy and compassion for Christina

was still throbbing in his mind, and he felt that, in loyalty to it,

he must say a word for her.  "You believed in her too much at first,"

he declared, "and you believe in her too little now."

Roderick looked at him with eyes almost lurid, beneath lowering brows.

"She is an angel, then, after all?--that 's what you want to prove!"

he cried.  "That 's consoling for me, who have lost her!

You 're always right, I say; but, dear friend, in mercy,

be wrong for once!"

"Oh yes, Mr. Mallet, be merciful!" said Mrs. Hudson, in a tone which,

for all its gentleness, made Rowland stare.  The poor fellow's

stare covered a great deal of concentrated wonder and apprehension--

a presentiment of what a small, sweet, feeble, elderly lady

might be capable of, in the way of suddenly generated animosity.

There was no space in Mrs. Hudson's tiny maternal mind for

complications of feeling, and one emotion existed only by turning

another over flat and perching on top of it.  She was evidently

not following Roderick at all in his dusky aberrations.

Sitting without, in dismay, she only saw that all was darkness

and trouble, and as Roderick's glory had now quite outstripped

her powers of imagination and urged him beyond her jurisdiction,

so that he had become a thing too precious and sacred for blame,

she found it infinitely comfortable to lay the burden of their common

affliction upon Rowland's broad shoulders.  Had he not promised

to make them all rich and happy?  And this was the end of it!

Rowland felt as if his trials were, in a sense, only beginning.

"Had n't you better forget all this, my dear?"  Mrs. Hudson said.

"Had n't you better just quietly attend to your work?"

"Work, madame?" cried Roderick.  "My work 's over.  I can't work--

I have n't worked all winter.  If I were fit for anything,

this sentimental collapse would have been just the thing

to cure me of my apathy and break the spell of my idleness.

But there 's a perfect vacuum here!"  And he tapped his forehead.

"It 's bigger than ever; it grows bigger every hour!"

"I 'm sure you have made a beautiful likeness of your poor little mother,"

said Mrs. Hudson, coaxingly.

"I had done nothing before, and I have done nothing since!

I quarreled with an excellent man, the other day, from mere

exasperation of my nerves, and threw away five thousand dollars!"

"Threw away--five thousand dollars!"  Roderick had been

wandering among formidable abstractions and allusions too dark

to penetrate.  But here was a concrete fact, lucidly stated,

and poor Mrs. Hudson, for a moment, looked it in the face.

She repeated her son's words a third time with a gasping murmur,

and then, suddenly, she burst into tears.  Roderick went to her,

sat down beside her, put his arm round her, fixed his eyes

coldly on the floor, and waited for her to weep herself out.

She leaned her head on his shoulder and sobbed broken-heartedly.

She said not a word, she made no attempt to scold;

but the desolation of her tears was overwhelming.

It lasted some time--too long for Rowland's courage.

He had stood silent, wishing simply to appear very respectful;

but the elation that was mentioned a while since had

utterly ebbed, and he found his situation intolerable.

He walked away--not, perhaps, on tiptoe, but with a total

absence of bravado in his tread.

The next day, while he was at home, the servant brought

him the card of a visitor.  He read with surprise the name

of Mrs. Hudson, and hurried forward to meet her.

He found her in his sitting-room, leaning on the arm of

her son and looking very pale, her eyes red with weeping,

and her lips tightly compressed.  Her advent puzzled him,

and it was not for some time that he began to understand

the motive of it.  Roderick's countenance threw no light upon it;

but Roderick's countenance, full of light as it was,

in a way, itself, had never thrown light upon anything.

He had not been in Rowland's rooms for several weeks,

and he immediately began to look at those of his own works

that adorned them.  He lost himself in silent contemplation.

Mrs. Hudson had evidently armed herself with dignity,

and, so far as she might, she meant to be impressive.

Her success may be measured by the fact that Rowland's whole

attention centred in the fear of seeing her begin to weep.

She told him that she had come to him for practical advice;

she begged to remind him that she was a stranger in the land.

Where were they to go, please? what were they to do?

Rowland glanced at Roderick, but Roderick had his back turned

and was gazing at his Adam with the intensity with which he might

have examined Michael Angelo's Moses.

"Roderick says he does n't know, he does n't care," Mrs. Hudson said;

"he leaves it entirely to you."

Many another man, in Rowland's place, would have greeted

this information with an irate and sarcastic laugh,

and told his visitors that he thanked them infinitely

for their confidence, but that, really, as things stood now,

they must settle these matters between themselves;

many another man might have so demeaned himself, even if,

like Rowland, he had been in love with Mary Garland and pressingly

conscious that her destiny was also part of the question.

But Rowland swallowed all hilarity and all sarcasm,

and let himself seriously consider Mrs. Hudson's petition.

His wits, however, were but indifferently at his command;

they were dulled by his sense of the inexpressible change in

Mrs. Hudson's attitude.  Her visit was evidently intended as a formal

reminder of the responsiblities Rowland had worn so lightly.

Mrs. Hudson was doubtless too sincerely humble a person to suppose

that if he had been recreant to his vows of vigilance and tenderness,

her still, small presence would operate as a chastisement.

But by some diminutive logical process of her own she

had convinced herself that she had been weakly trustful,

and that she had suffered Rowland to think too meanly,

not only of her understanding, but of her social consequence.

A visit in her best gown would have an admonitory effect

as regards both of these attributes; it would cancel some

favors received, and show him that she was no such fool!

These were the reflections of a very shy woman, who, determining for

once in her life to hold up her head, was perhaps carrying it

a trifle extravagantly.

"You know we have very little money to spend," she said,

as Rowland remained silent.  "Roderick tells me that he has

debts and nothing at all to pay them with.  He says I must write

to Mr. Striker to sell my house for what it will bring, and send

me out the money.  When the money comes I must give it to him.

I 'm sure I don't know; I never heard of anything so dreadful!

My house is all I have.  But that is all Roderick will say.

We must be very economical."

Before this speech was finished Mrs. Hudson's voice had begun to

quaver softly, and her face, which had no capacity for the expression

of superior wisdom, to look as humbly appealing as before.

Rowland turned to Roderick and spoke like a school-master. "Come

away from those statues, and sit down here and listen to me!"

Roderick started, but obeyed with the most graceful docility.

"What do you propose to your mother to do?"  Rowland asked.

"Propose?" said Roderick, absently.  "Oh, I propose nothing."

The tone, the glance, the gesture with which this was said were

horribly irritating (though obviously without the slightest intention

of being so), and for an instant an imprecation rose to Rowland's lips.

But he checked it, and he was afterwards glad he had done so.

"You must do something," he said.  "Choose, select, decide!"

"My dear Rowland, how you talk!"  Roderick cried.

"The very point of the matter is that I can't do anything.

I will do as I 'm told, but I don't call that doing.

We must leave Rome, I suppose, though I don't see why.

We have got no money, and you have to pay money on the railroads."

Mrs. Hudson surreptitiously wrung her hands.

"Listen to him, please!" she cried.  "Not leave Rome, when we

have staid here later than any Christians ever did before!

It 's this dreadful place that has made us so unhappy."

"That 's very true," said Roderick, serenely.  "If I had not come to Rome,

I would n't have risen, and if I had not risen, I should n't have fallen."

"Fallen--fallen!" murmured Mrs. Hudson.  "Just hear him!"

"I will do anything you say, Rowland," Roderick added.

"I will do anything you want.  I have not been unkind to my mother--

have I, mother?  I was unkind yesterday, without meaning it;

for after all, all that had to be said.  Murder will out,

and my low spirits can't be hidden.  But we talked it over and

made it up, did n't we?  It seemed to me we did.  Let Rowland

decide it, mother; whatever he suggests will be the right thing."

And Roderick, who had hardly removed his eyes from the statues,

got up again and went back to look at them.

Mrs. Hudson fixed her eyes upon the floor in silence.

There was not a trace in Roderick's face, or in his voice,

of the bitterness of his emotion of the day before, and not

a hint of his having the lightest weight upon his conscience.

He looked at Rowland with his frank, luminous eye as if there

had never been a difference of opinion between them; as if each

had ever been for both, unalterably, and both for each.

Rowland had received a few days before a letter from a lady

of his acquaintance, a worthy Scotswoman domiciled in a villa

upon one of the olive-covered hills near Florence.  She held her

apartment in the villa upon a long lease, and she enjoyed for a sum

not worth mentioning the possession of an extraordinary number

of noble, stone-floored rooms, with ceilings vaulted and frescoed,

and barred windows commanding the loveliest view in the world.

She was a needy and thrifty spinster, who never hesitated to

declare that the lovely view was all very well, but that for her

own part she lived in the villa for cheapness, and that if she

had a clear three hundred pounds a year she would go and really

enjoy life near her sister, a baronet's lady, at Glasgow.

She was now proposing to make a visit to that exhilarating city,

and she desired to turn an honest penny by sub-letting for a few

weeks her historic Italian chambers.  The terms on which she occupied

them enabled her to ask a rent almost jocosely small, and she begged

Rowland to do what she called a little genteel advertising for her.

Would he say a good word for her rooms to his numerous friends,

as they left Rome?  He said a good word for them now to Mrs. Hudson,

and told her in dollars and cents how cheap a summer's lodging

she might secure.  He dwelt upon the fact that she would

strike a truce with tables-d'hote and have a cook of her own,

amenable possibly to instruction in the Northampton mysteries.

He had touched a tender chord; Mrs. Hudson became almost cheerful.

Her sentiments upon the table-d'hote system and upon foreign household

habits generally were remarkable, and, if we had space for it,

would repay analysis; and the idea of reclaiming a lost soul to the

Puritanic canons of cookery quite lightened the burden of her depression.

While Rowland set forth his case Roderick was slowly walking

round the magnificent Adam, with his hands in his pockets.

Rowland waited for him to manifest an interest in their discussion,

but the statue seemed to fascinate him and he remained calmly heedless.

Rowland was a practical man; he possessed conspicuously what is called

the sense of detail.  He entered into Mrs. Hudson's position minutely,

and told her exactly why it seemed good that she should remove

immediately to the Florentine villa.  She received his advice

with great frigidity, looking hard at the floor and sighing,

like a person well on her guard against an insidious optimism.

But she had nothing better to propose, and Rowland received her

permission to write to his friend that he had let the rooms.

Roderick assented to this decision without either sighs or smiles.

"A Florentine villa is a good thing!" he said.  "I am at your service."

"I 'm sure I hope you 'll get better there," moaned his mother,

gathering her shawl together.

Roderick laid one hand on her arm and with the other pointed

to Rowland's statues.  "Better or worse, remember this:

I did those things!" he said.

Mrs. Hudson gazed at them vaguely, and Rowland said, "Remember it yourself!"

"They are horribly good!" said Roderick.

Rowland solemnly shrugged his shoulders; it seemed to him

that he had nothing more to say.  But as the others were going,

a last light pulsation of the sense of undischarged duty led

him to address to Roderick a few words of parting advice.

"You 'll find the Villa Pandolfini very delightful, very comfortable,"

he said.  "You ought to be very contented there.  Whether you work

or whether you loaf, it 's a place for an artist to be happy in.

I hope you will work."

"I hope I may!" said Roderick with a magnificent smile.

"When we meet again, have something to show me."

"When we meet again?  Where the deuce are you going?"  Roderick demanded.

"Oh, I hardly know; over the Alps."

"Over the Alps!  You 're going to leave me?"  Roderick cried.

Rowland had most distinctly meant to leave him, but his resolution

immediately wavered.  He glanced at Mrs. Hudson and saw that

her eyebrows were lifted and her lips parted in soft irony.

She seemed to accuse him of a craven shirking of trouble, to demand of him

to repair his cruel havoc in her life by a solemn renewal of zeal.

But Roderick's expectations were the oddest!  Such as they were,

Rowland asked himself why he should n't make a bargain with them.

"You desire me to go with you?" he asked.

"If you don't go, I won't--that 's all!  How in the world shall

I get through the summer without you?"

"How will you get through it with me?  That 's the question."

"I don't pretend to say; the future is a dead blank.

But without you it 's not a blank--it 's certain damnation!"

"Mercy, mercy!" murmured Mrs. Hudson.

Rowland made an effort to stand firm, and for a moment succeeded.

"If I go with you, will you try to work?"

Roderick, up to this moment, had been looking as unperturbed as if

the deep agitation of the day before were a thing of the remote past.

But at these words his face changed formidably; he flushed

and scowled, and all his passion returned.  "Try to work!" he cried.

"Try--try! work--work!  In God's name don't talk that way,

or you 'll drive me mad!  Do you suppose I 'm trying not to work?

Do you suppose I stand rotting here for the fun of it?

Don't you suppose I would try to work for myself before I

tried for you?"

"Mr. Mallet," cried Mrs. Hudson, piteously, "will you leave me

alone with this?"

Rowland turned to her and informed her, gently, that he would go

with her to Florence.  After he had so pledged himself he thought not

at all of the pain of his position as mediator between the mother's

resentful grief and the son's incurable weakness; he drank deep,

only, of the satisfaction of not separating from Mary Garland.

If the future was a blank to Roderick, it was hardly less so to himself.

He had at moments a lively foreboding of impending calamity.

He paid it no especial deference, but it made him feel indisposed

to take the future into his account.  When, on his going to take leave

of Madame Grandoni, this lady asked at what time he would come back

to Rome, he answered that he was coming back either never or forever.

When she asked him what he meant, he said he really could

n't tell her, and parted from her with much genuine emotion;

the more so, doubtless, that she blessed him in a quite loving,

maternal fashion, and told him she honestly believed him to be

the best fellow in the world.

The Villa Pandolfini stood directly upon a small grass-grown piazza,

on the top of a hill which sloped straight from one of the gates of Florence.

It offered to the outer world a long, rather low fa;alcade, colored a dull,

dark yellow, and pierced with windows of various sizes, no one of which,

save those on the ground floor, was on the same level with any other.

Within, it had a great, cool, gray cortile, with high, light arches

around it, heavily-corniced doors, of majestic altitude, opening out of it,

and a beautiful mediaeval well on one side of it.  Mrs. Hudson's rooms

opened into a small garden supported on immense substructions, which were

planted on the farther side of the hill, as it sloped steeply away.

This garden was a charming place.  Its south wall was curtained with a dense

orange vine, a dozen fig-trees offered you their large-leaved shade,

and over the low parapet the soft, grave Tuscan landscape kept you company.

The rooms themselves were as high as chapels and as cool as royal sepulchres.

Silence, peace, and security seemed to abide in the ancient house and

make it an ideal refuge for aching hearts.  Mrs. Hudson had a stunted,

brown-faced Maddalena, who wore a crimson handkerchief passed over

her coarse, black locks and tied under her sharp, pertinacious chin,

and a smile which was as brilliant as a prolonged flash of lightning.

She smiled at everything in life, especially the things she did n't

like and which kept her talent for mendacity in healthy exercise.

A glance, a word, a motion was sufficient to make her show her teeth

at you like a cheerful she-wolf. This inexpugnable smile constituted

her whole vocabulary in her dealings with her melancholy mistress,

to whom she had been bequeathed by the late occupant of the apartment,

and who, to Rowland's satisfaction, promised to be diverted from her

maternal sorrows by the still deeper perplexities of Maddalena's theory

of roasting, sweeping, and bed-making.

Rowland took rooms at a villa a trifle nearer Florence,

whence in the summer mornings he had five minutes'

walk in the sharp, black, shadow-strip projected by winding,

flower-topped walls, to join his friends.  The life at

the Villa Pandolfini, when it had fairly defined itself,

was tranquil and monotonous, but it might have borrowed from

exquisite circumstance an absorbing charm.  If a sensible shadow

rested upon it, this was because it had an inherent vice;

it was feigning a repose which it very scantily felt.

Roderick had lost no time in giving the full measure of his

uncompromising chagrin, and as he was the central figure

of the little group, as he held its heart-strings all in his

own hand, it reflected faithfully the eclipse of his own genius.

No one had ventured upon the cheerful commonplace of saying that

the change of air and of scene would restore his spirits; this would

have had, under the circumstances, altogether too silly a sound.

The change in question had done nothing of the sort, and his

companions had, at least, the comfort of their perspicacity.

An essential spring had dried up within him, and there

was no visible spiritual law for making it flow again.

He was rarely violent, he expressed little of the irritation

and ennui that he must have constantly felt; it was as if

he believed that a spiritual miracle for his redemption was

just barely possible, and was therefore worth waiting for.

The most that one could do, however, was to wait grimly

and doggedly, suppressing an imprecation as, from time to time,

one looked at one's watch.  An attitude of positive urbanity

toward life was not to be expected; it was doing one's

duty to hold one's tongue and keep one's hands off one's

own windpipe, and other people's. Roderick had long silences,

fits of profound lethargy, almost of stupefaction.

He used to sit in the garden by the hour, with his head

thrown back, his legs outstretched, his hands in his pockets,

and his eyes fastened upon the blinding summer sky.  He would

gather a dozen books about him, tumble them out on the ground,

take one into his lap, and leave it with the pages unturned.

These moods would alternate with hours of extreme restlessness,

during which he mysteriously absented himself.

He bore the heat of the Italian summer like a salamander,

and used to start off at high noon for long walks over the hills.

He often went down into Florence, rambled through her close,

dim streets, and lounged away mornings in the churches and galleries.

On many of these occasions Rowland bore him company,

for they were the times when he was most like his former self.

Before Michael Angelo's statues and the pictures of

the early Tuscans, he quite forgot his own infelicities,

and picked up the thread of his old aesthetic loquacity.

He had a particular fondness for Andrea del Sarto, and affirmed

that if he had been a painter he would have taken the author

of the Madonna del Sacco for his model.  He found in Florence

some of his Roman friends, and went down on certain evenings

to meet them.  More than once he asked Mary Garland to go with

him into town, and showed her the things he most cared for.

He had some modeling clay brought up to the villa and deposited

in a room suitable for his work; but when this had been done

he turned the key in the door and the clay never was touched.

His eye was heavy and his hand cold, and his mother put up

a secret prayer that he might be induced to see a doctor.

But on a certain occasion, when her prayer became articulate,

he had a great outburst of anger and begged her to know,

once for all, that his health was better than it had ever been.

On the whole, and most of the time, he was a sad spectacle;

he looked so hopelessly idle.  If he was not querulous and bitter,

it was because he had taken an extraordinary vow not to be;

a vow heroic, for him, a vow which those who knew him well had

the tenderness to appreciate.  Talking with him was like skating

on thin ice, and his companions had a constant mental vision

of spots designated "dangerous."

This was a difficult time for Rowland; he said to himself that he would

endure it to the end, but that it must be his last adventure of the kind.

Mrs. Hudson divided her time between looking askance at her son,

with her hands tightly clasped about her pocket-handkerchief,

as if she were wringing it dry of the last hour's tears, and turning

her eyes much more directly upon Rowland, in the mutest, the feeblest,

the most intolerable reproachfulness.  She never phrased her accusations,

but he felt that in the unillumined void of the poor lady's mind they

loomed up like vaguely-outlined monsters.  Her demeanor caused him

the acutest suffering, and if, at the outset of his enterprise, he had seen,

how dimly soever, one of those plaintive eye-beams in the opposite scale,

the brilliancy of Roderick's promises would have counted for little.

They made their way to the softest spot in his conscience and kept it

chronically aching.  If Mrs. Hudson had been loquacious and vulgar,

he would have borne even a less valid persecution with greater fortitude.

But somehow, neat and noiseless and dismally lady-like, as she

sat there, keeping her grievance green with her soft-dropping tears,

her displeasure conveyed an overwhelming imputation of brutality.

He felt like a reckless trustee who has speculated with the widow's mite,

and is haunted with the reflection of ruin that he sees in her tearful eyes.

He did everything conceivable to be polite to Mrs. Hudson, and to treat

her with distinguished deference.  Perhaps his exasperated nerves made

him overshoot the mark, and rendered his civilities a trifle peremptory.

She seemed capable of believing that he was trying to make a fool of her;

she would have thought him cruelly recreant if he had suddenly departed

in desperation, and yet she gave him no visible credit for his constancy.

Women are said by some authorities to be cruel; I don't know how true this is,

but it may at least be pertinent to remark that Mrs. Hudson was very much

of a woman.  It often seemed to Rowland that he had too decidedly forfeited

his freedom, and that there was something positively grotesque in a man

of his age and circumstances living in such a moral bondage.

But Mary Garland had helped him before, and she helped him now--

helped him not less than he had assured himself she would

when he found himself drifting to Florence.  Yet her help

was rendered in the same unconscious, unacknowledged fashion

as before; there was no explicit change in their relations.

After that distressing scene in Rome which had immediately

preceded their departure, it was of course impossible that there

should not be on Miss Garland's part some frankness of allusion

to Roderick's sad condition.  She had been present, the reader

will remember, during only half of his unsparing confession,

and Rowland had not seen her confronted with any absolute

proof of Roderick's passion for Christina Light.

But he knew that she knew far too much for her happiness;

Roderick had told him, shortly after their settlement at

the Villa Pandolfini, that he had had a "tremendous talk"

with his cousin.  Rowland asked no questions about it;

he preferred not to know what had passed between them.

If their interview had been purely painful, he wished to ignore

it for Miss Garland's sake; and if it had sown the seeds

of reconciliation, he wished to close his eyes to it for his own--

for the sake of that unshaped idea, forever dismissed and yet

forever present, which hovered in the background of his consciousness,

with a hanging head, as it were, and yet an unshamed glance,

and whose lightest motions were an effectual bribe to patience.

Was the engagement broken?  Rowland wondered, yet without asking.

But it hardly mattered, for if, as was more than probable,

Miss Garland had peremptorily released her cousin,

her own heart had by no means recovered its liberty.

It was very certain to Rowland's mind that if she had given him

up she had by no means ceased to care for him passionately,

and that, to exhaust her charity for his weaknesses,

Roderick would have, as the phrase is, a long row to hoe.

She spoke of Roderick as she might have done of a person

suffering from a serious malady which demanded much tenderness;

but if Rowland had found it possible to accuse her of dishonesty

he would have said now that she believed appreciably less than

she pretended to in her victim's being an involuntary patient.

There are women whose love is care-taking and patronizing,

and who rather prefer a weak man because he gives them

a comfortable sense of strength.  It did not in the least

please Rowland to believe that Mary Garland was one of these;

for he held that such women were only males in petticoats,

and he was convinced that Miss Garland's heart was constructed

after the most perfect feminine model.  That she was a very different

woman from Christina Light did not at all prove that she was less

a woman, and if the Princess Casamassima had gone up into a high

place to publish her disrelish of a man who lacked the virile will,

it was very certain that Mary Garland was not a person to put up,

at any point, with what might be called the princess's leavings.

It was Christina's constant practice to remind you of the complexity

of her character, of the subtlety of her mind, of her troublous

faculty of seeing everything in a dozen different lights.

Mary Garland had never pretended not to be simple; but Rowland had a

theory that she had really a more multitudinous sense of human things,

a more delicate imagination, and a finer instinct of character.

She did you the honors of her mind with a grace far less regal,

but was not that faculty of quite as remarkable an adjustment?

If in poor Christina's strangely commingled nature there was

circle within circle, and depth beneath depth, it was to be

believed that Mary Garland, though she did not amuse herself

with dropping stones into her soul, and waiting to hear them fall,

laid quite as many sources of spiritual life under contribution.

She had believed Roderick was a fine fellow when she bade him

farewell beneath the Northampton elms, and this belief, to her young,

strenuous, concentrated imagination, had meant many things.

If it was to grow cold, it would be because disenchantment

had become total and won the battle at each successive point.

Miss Garland had even in her face and carriage something

of the preoccupied and wearied look of a person who is watching

at a sick-bed; Roderick's broken fortunes, his dead ambitions,

were a cruel burden to the heart of a girl who had believed

that he possessed "genius," and supposed that genius was to one's

spiritual economy what full pockets were to one's domestic.

And yet, with her, Rowland never felt, as with Mrs. Hudson,

that undercurrent of reproach and bitterness toward himself,

that impertinent implication that he had defrauded her of happiness.

Was this justice, in Miss Garland, or was it mercy?

The answer would have been difficult, for she had almost let

Rowland feel before leaving Rome that she liked him well enough

to forgive him an injury.  It was partly, Rowland fancied,

that there were occasional lapses, deep and sweet, in her sense

of injury.  When, on arriving at Florence, she saw the place Rowland

had brought them to in their trouble, she had given him a look

and said a few words to him that had seemed not only a remission

of guilt but a positive reward.  This happened in the court

of the villa--the large gray quadrangle, overstretched, from edge

to edge of the red-tiled roof, by the soft Italian sky.

Mary had felt on the spot the sovereign charm of the place;

it was reflected in her deeply intelligent glance, and Rowland

immediately accused himself of not having done the villa justice.

Miss Garland took a mighty fancy to Florence, and used to look

down wistfully at the towered city from the windows and garden.

Roderick having now no pretext for not being her cicerone,

Rowland was no longer at liberty, as he had been in Rome,

to propose frequent excursions to her.  Roderick's own

invitations, however, were not frequent, and Rowland more than

once ventured to introduce her to a gallery or a church.

These expeditions were not so blissful, to his sense,

as the rambles they had taken together in Rome, for his

companion only half surrendered herself to her enjoyment,

and seemed to have but a divided attention at her command.

Often, when she had begun with looking intently at a picture,

her silence, after an interval, made him turn and glance at her.

He usually found that if she was looking at the picture still,

she was not seeing it.  Her eyes were fixed, but her thoughts

were wandering, and an image more vivid than any that Raphael

or Titian had drawn had superposed itself upon the canvas.

She asked fewer questions than before, and seemed to have lost

heart for consulting guide-books and encyclopaedias.  From time

to time, however, she uttered a deep, full murmur of gratification.

Florence in midsummer was perfectly void of travelers, and the dense

little city gave forth its aesthetic aroma with a larger frankness,

as the nightingale sings when the listeners have departed.

The churches were deliciously cool, but the gray streets

were stifling, and the great, dove-tailed polygons of pavement

as hot to the tread as molten lava.  Rowland, who suffered from

intense heat, would have found all this uncomfortable in solitude;

but Florence had never charmed him so completely as during

these midsummer strolls with his preoccupied companion.

One evening they had arranged to go on the morrow to the Academy.

Miss Garland kept her appointment, but as soon as she appeared,

Rowland saw that something painful had befallen her.

She was doing her best to look at her ease, but her face bore

the marks of tears.  Rowland told her that he was afraid she was ill,

and that if she preferred to give up the visit to Florence

he would submit with what grace he might.  She hesitated

a moment, and then said she preferred to adhere to their plan.

"I am not well," she presently added, "but it 's a moral malady,

and in such cases I consider your company beneficial."

"But if I am to be your doctor," said Rowland, "you must tell

me how your illness began."

"I can tell you very little.  It began with Mrs. Hudson

being unjust to me, for the first time in her life.

And now I am already better!"

I mention this incident because it confirmed an impression

of Rowland's from which he had derived a certain consolation.

He knew that Mrs. Hudson considered her son's ill-regulated passion

for Christina Light a very regrettable affair, but he suspected

that her manifest compassion had been all for Roderick, and not

in the least for Mary Garland.  She was fond of the young girl,

but she had valued her primarily, during the last two years,

as a kind of assistant priestess at Roderick's shrine.

Roderick had honored her by asking her to become his wife,

but that poor Mary had any rights in consequence Mrs. Hudson was

quite incapable of perceiving.  Her sentiment on the subject was

of course not very vigorously formulated, but she was unprepared

to admit that Miss Garland had any ground for complaint.

Roderick was very unhappy; that was enough, and Mary's duty was

to join her patience and her prayers to those of his doting mother.

Roderick might fall in love with whom he pleased; no doubt that women

trained in the mysterious Roman arts were only too proud and too

happy to make it easy for him; and it was very presuming in poor,

plain Mary to feel any personal resentment.  Mrs. Hudson's

philosophy was of too narrow a scope to suggest that a mother may

forgive where a mistress cannot, and she thought herself greatly

aggrieved that Miss Garland was not so disinterested as herself.

She was ready to drop dead in Roderick's service, and she was

quite capable of seeing her companion falter and grow faint,

without a tremor of compassion.  Mary, apparently, had given

some intimation of her belief that if constancy is the flower

of devotion, reciprocity is the guarantee of constancy,

and Mrs. Hudson had rebuked her failing faith and called it cruelty.

That Miss Garland had found it hard to reason with Mrs. Hudson,

that she suffered deeply from the elder lady's softly bitter imputations,

and that, in short, he had companionship in misfortune--

all this made Rowland find a certain luxury in his discomfort.

The party at Villa Pandolfini used to sit in the garden

in the evenings, which Rowland almost always spent with them.

Their entertainment was in the heavily perfumed air, in the dim,

far starlight, in the crenelated tower of a neighboring villa,

which loomed vaguely above them in the warm darkness,

and in such conversation as depressing reflections allowed.

Roderick, clad always in white, roamed about like a restless ghost,

silent for the most part, but making from time to time a

brief observation, characterized by the most fantastic cynicism.

Roderick's contributions to the conversation were indeed

always so fantastic that, though half the time they wearied

him unspeakably, Rowland made an effort to treat them humorously.

With Rowland alone Roderick talked a great deal more; often about

things related to his own work, or about artistic and aesthetic

matters in general.  He talked as well as ever, or even better;

but his talk always ended in a torrent of groans and curses.

When this current set in, Rowland straightway turned his back

or stopped his ears, and Roderick now witnessed these movements

with perfect indifference.  When the latter was absent

from the star-lit circle in the garden, as often happened,

Rowland knew nothing of his whereabouts; he supposed him

to be in Florence, but he never learned what he did there.

All this was not enlivening, but with an even, muffled tread the days

followed each other, and brought the month of August to a close.

One particular evening at this time was most enchanting;

there was a perfect moon, looking so extraordinarily large

that it made everything its light fell upon seem small;

the heat was tempered by a soft west wind, and the wind

was laden with the odors of the early harvest.  The hills,

the vale of the Arno, the shrunken river, the domes of Florence,

were vaguely effaced by the dense moonshine; they looked

as if they were melting out of sight like an exorcised vision.

Rowland had found the two ladies alone at the villa, and he had sat

with them for an hour.  He felt absolutely hushed by the solemn

splendor of the scene, but he had risked the remark that,

whatever life might yet have in store for either of them,

this was a night that they would never forget.

"It 's a night to remember on one's death-bed!" Miss Garland exclaimed.

"Oh, Mary, how can you!" murmured Mrs. Hudson, to whom this savored

of profanity, and to whose shrinking sense, indeed, the accumulated

loveliness of the night seemed to have something shameless and defiant.

They were silent after this, for some time, but at last Rowland

addressed certain idle words to Miss Garland.  She made no reply,

and he turned to look at her.  She was sitting motionless,

with her head pressed to Mrs. Hudson's shoulder, and the latter lady

was gazing at him through the silvered dusk with a look which gave

a sort of spectral solemnity to the sad, weak meaning of her eyes.

She had the air, for the moment, of a little old malevolent fairy.

Miss Garland, Rowland perceived in an instant, was not

absolutely motionless; a tremor passed through her figure.

She was weeping, or on the point of weeping, and she could not trust

herself to speak.  Rowland left his place and wandered to another

part of the garden, wondering at the motive of her sudden tears.

Of women's sobs in general he had a sovereign dread, but these,

somehow, gave him a certain pleasure.  When he returned to his

place Miss Garland had raised her head and banished her tears.

She came away from Mrs. Hudson, and they stood for a short time

leaning against the parapet.

"It seems to you very strange, I suppose," said Rowland,

"that there should be any trouble in such a world as this."

"I used to think," she answered, "that if any trouble came

to me I would bear it like a stoic.  But that was at home,

where things don't speak to us of enjoyment as they do here.

Here it is such a mixture; one does n't know what to choose,

what to believe.  Beauty stands there--beauty such as this night

and this place, and all this sad, strange summer, have been

so full of--and it penetrates to one's soul and lodges there,

and keeps saying that man was not made to suffer, but to enjoy.

This place has undermined my stoicism, but--shall I tell you?

I feel as if I were saying something sinful--I love it!"

"If it is sinful, I absolve you," said Rowland, "in so far as I have power.

We are made, I suppose, both to suffer and to enjoy.  As you say,

it 's a mixture.  Just now and here, it seems a peculiarly strange one.

But we must take things in turn."

His words had a singular aptness, for he had hardly uttered them

when Roderick came out from the house, evidently in his darkest mood.

He stood for a moment gazing hard at the view.

"It 's a very beautiful night, my son," said his mother, going to him timidly,

and touching his arm.

He passed his hand through his hair and let it stay there,

clasping his thick locks.  "Beautiful?" he cried;

"of course it 's beautiful!  Everything is beautiful;

everything is insolent, defiant, atrocious with beauty.

Nothing is ugly but me--me and my poor dead brain!"

"Oh, my dearest son," pleaded poor Mrs. Hudson, "don't you

feel any better?"

Roderick made no immediate answer; but at last he spoke in a different voice.

"I came expressly to tell you that you need n't trouble yourselves any longer

to wait for something to turn up.  Nothing will turn up!  It 's all over!

I said when I came here I would give it a chance.  I have given it a chance.

Have n't I, eh?  Have n't I, Rowland?  It 's no use; the thing 's a failure!

Do with me now what you please.  I recommend you to set me up there at the end

of the garden and shoot me."

"I feel strongly inclined," said Rowland gravely, "to go

and get my revolver."

"Oh, mercy on us, what language!" cried Mrs. Hudson.

"Why not?"  Roderick went on.  "This would be a lovely night for it,

and I should be a lucky fellow to be buried in this garden.

But bury me alive, if you prefer.  Take me back to Northampton."

"Roderick, will you really come?" cried his mother.

"Oh yes, I 'll go!  I might as well be there as anywhere--

reverting to idiocy and living upon alms.  I can do nothing

with all this; perhaps I should really like Northampton.

If I 'm to vegetate for the rest of my days, I can do it there

better than here."

"Oh, come home, come home," Mrs. Hudson said, "and we shall all be safe

and quiet and happy.  My dearest son, come home with your poor mother!"

"Let us go, then, and go quickly!"

Mrs. Hudson flung herself upon his neck for gratitude.

"We 'll go to-morrow!" she cried.  "The Lord is very good to me!"

Mary Garland said nothing to this; but she looked at Rowland,

and her eyes seemed to contain a kind of alarmed appeal.

Rowland noted it with exultation, but even without it he would

have broken into an eager protest.

"Are you serious, Roderick?" he demanded.

"Serious? of course not!  How can a man with a crack

in his brain be serious? how can a muddlehead reason?

But I 'm not jesting, either; I can no more make jokes

than utter oracles!"

"Are you willing to go home?"

"Willing?  God forbid!  I am simply amenable to force;

if my mother chooses to take me, I won't resist.

I can't! I have come to that!"

"Let me resist, then," said Rowland.  "Go home as you are now?

I can't stand by and see it."

It may have been true that Roderick had lost his sense of humor, but he

scratched his head with a gesture that was almost comical in its effect.

"You are a queer fellow!  I should think I would disgust you horribly.  "

"Stay another year," Rowland simply said.

"Doing nothing?"

"You shall do something.  I am responsible for your doing something."

"To whom are you responsible?"

Rowland, before replying, glanced at Miss Garland, and his glance

made her speak quickly.  "Not to me!"

"I 'm responsible to myself," Rowland declared.

"My poor, dear fellow!" said Roderick.

"Oh, Mr. Mallet, are n't you satisfied?" cried Mrs. Hudson, in the tone

in which Niobe may have addressed the avenging archers, after she had seen

her eldest-born fall.  "It 's out of all nature keeping him here.  When we

're in a poor way, surely our own dear native land is the place for us.

Do leave us to ourselves, sir!"

This just failed of being a dismissal in form, and Rowland bowed his head

to it.  Roderick was silent for some moments; then, suddenly, he covered

his face with his two hands.  "Take me at least out of this terrible Italy,"

he cried, "where everything mocks and reproaches and torments and eludes me!

Take me out of this land of impossible beauty and put me in the midst

of ugliness.  Set me down where nature is coarse and flat, and men and

manners are vulgar.  There must be something awfully ugly in Germany.

Pack me off there!"

Rowland answered that if he wished to leave Italy the thing might

be arranged; he would think it over and submit a proposal on the morrow.

He suggested to Mrs. Hudson, in consequence, that she should spend

the autumn in Switzerland, where she would find a fine tonic climate,

plenty of fresh milk, and several pensions at three francs and a half a day.

Switzerland, of course, was not ugly, but one could not have everything.

Mrs. Hudson neither thanked him nor assented; but she wept and packed

her trunks.  Rowland had a theory, after the scene which led

to these preparations, that Mary Garland was weary of waiting

for Roderick to come to his senses, that the faith which had

bravely borne his manhood company hitherto, on the tortuous march

he was leading it, had begun to believe it had gone far enough.

This theory was not vitiated by something she said to him on the day

before that on which Mrs. Hudson had arranged to leave Florence.

"Cousin Sarah, the other evening," she said, "asked you to please leave us.

I think she hardly knew what she was saying, and I hope you have

not taken offense."

"By no means; but I honestly believe that my leaving you would contribute

greatly to Mrs. Hudson's comfort.  I can be your hidden providence, you know;

I can watch you at a distance, and come upon the scene at critical moments."

Miss Garland looked for a moment at the ground; and then,

with sudden earnestness, "I beg you to come with us!" she said.

It need hardly be added that after this Rowland went with them.

CHAPTER XII.  The Princess Casamassima

Rowland had a very friendly memory of a little mountain inn,

accessible with moderate trouble from Lucerne, where he had once

spent a blissful ten days.  He had at that time been trudging,

knapsack on back, over half Switzerland, and not being,

on his legs, a particularly light weight, it was no shame to him

to confess that he was mortally tired.  The inn of which I speak

presented striking analogies with a cow-stable; but in spite

of this circumstance, it was crowded with hungry tourists.

It stood in a high, shallow valley, with flower-strewn Alpine

meadows sloping down to it from the base of certain rugged

rocks whose outlines were grotesque against the evening sky.

Rowland had seen grander places in Switzerland that pleased

him less, and whenever afterwards he wished to think of Alpine

opportunities at their best, he recalled this grassy concave

among the mountain-tops, and the August days he spent there,

resting deliciously, at his length, in the lee of a sun-warmed boulder,

with the light cool air stirring about his temples, the wafted

odors of the pines in his nostrils, the tinkle of the cattle-bells

in his ears, the vast progression of the mountain shadows

before his eyes, and a volume of Wordsworth in his pocket.

His face, on the Swiss hill-sides, had been scorched to within

a shade of the color nowadays called magenta, and his bed

was a pallet in a loft, which he shared with a German botanist

of colossal stature--every inch of him quaking at an open window.

These had been drawbacks to felicity, but Rowland hardly cared

where or how he was lodged, for he spent the livelong day under

the sky, on the crest of a slope that looked at the Jungfrau.

He remembered all this on leaving Florence with his friends,

and he reflected that, as the midseason was over,

accommodations would be more ample, and charges more modest.

He communicated with his old friend the landlord, and, while September

was yet young, his companions established themselves under his

guidance in the grassy valley.

He had crossed the Saint Gothard Pass with them, in the same carriage.

During the journey from Florence, and especially during this portion of it,

the cloud that hung over the little party had been almost dissipated,

and they had looked at each other, in the close contiguity of the train

and the posting-carriage, without either accusing or consoling glances.

It was impossible not to enjoy the magnificent scenery of the Apennines

and the Italian Alps, and there was a tacit agreement among the travelers

to abstain from sombre allusions.  The effect of this delicate compact

seemed excellent; it ensured them a week's intellectual sunshine.

Roderick sat and gazed out of the window with a fascinated stare,

and with a perfect docility of attitude.  He concerned himself not a

particle about the itinerary, or about any of the wayside arrangements;

he took no trouble, and he gave none.  He assented to everything

that was proposed, talked very little, and led for a week a perfectly

contemplative life.  His mother rarely removed her eyes from him;

and if, a while before, this would have extremely irritated him,

he now seemed perfectly unconscious of her observation and profoundly

indifferent to anything that might befall him.  They spent a couple

of days on the Lake of Como, at a hotel with white porticoes smothered

in oleander and myrtle, and the terrace-steps leading down to little

boats with striped awnings.  They agreed it was the earthly paradise,

and they passed the mornings strolling through the perfumed alleys

of classic villas, and the evenings floating in the moonlight in a

circle of outlined mountains, to the music of silver-trickling oars.

One day, in the afternoon, the two young men took a long stroll together.

They followed the winding footway that led toward Como, close to

the lake-side, past the gates of villas and the walls of vineyards,

through little hamlets propped on a dozen arches, and bathing

their feet and their pendant tatters in the gray-green ripple;

past frescoed walls and crumbling campaniles and grassy village piazzas,

and the mouth of soft ravines that wound upward, through belts

of swinging vine and vaporous olive and splendid chestnut, to high

ledges where white chapels gleamed amid the paler boskage, and bare

cliff-surfaces, with their sun-cracked lips, drank in the azure light.

It all was confoundingly picturesque; it was the Italy that we

know from the steel engravings in old keepsakes and annuals,

from the vignettes on music-sheets and the drop-curtains at theatres;

an Italy that we can never confess to ourselves--in spite of our

own changes and of Italy's--that we have ceased to believe in.

Rowland and Roderick turned aside from the little paved footway

that clambered and dipped and wound and doubled beside the lake,

and stretched themselves idly beneath a fig-tree, on a grassy promontory.

Rowland had never known anything so divinely soothing as the dreamy

softness of that early autumn afternoon.  The iridescent mountains

shut him in; the little waves, beneath him, fretted the white pebbles

at the laziest intervals; the festooned vines above him swayed just

visibly in the all but motionless air.

Roderick lay observing it all with his arms thrown back and his

hands under his head.  "This suits me," he said; "I could be

happy here and forget everything.  Why not stay here forever?"

He kept his position for a long time and seemed lost in his thoughts.

Rowland spoke to him, but he made vague answers; at last

he closed his eyes.  It seemed to Rowland, also, a place to stay

in forever; a place for perfect oblivion of the disagreeable.

Suddenly Roderick turned over on his face, and buried it in his arms.

There had been something passionate in his movement; but Rowland

was nevertheless surprised, when he at last jerked himself back

into a sitting posture, to perceive the trace of tears in his eyes.

Roderick turned to his friend, stretching his two hands out toward

the lake and mountains, and shaking them with an eloquent gesture,

as if his heart was too full for utterance.

"Pity me, sir; pity me!" he presently cried.  "Look at this lovely world,

and think what it must be to be dead to it!"

"Dead?" said Rowland.

"Dead, dead; dead and buried!  Buried in an open grave,

where you lie staring up at the sailing clouds, smelling the

waving flowers, and hearing all nature live and grow above you!

That 's the way I feel!"

"I am glad to hear it," said Rowland.  "Death of that sort

is very near to resurrection."

"It 's too horrible," Roderick went on; "it has all come over me

here tremendously!  If I were not ashamed, I could shed a bushel of tears.

For one hour of what I have been, I would give up anything I may be!"

"Never mind what you have been; be something better!"

"I shall never be anything again:  it 's no use talking!

But I don't know what secret spring has been touched

since I have lain here.  Something in my heart seemed

suddenly to open and let in a flood of beauty and desire.

I know what I have lost, and I think it horrible!

Mind you, I know it, I feel it!  Remember that hereafter.

Don't say that he was stupefied and senseless;

that his perception was dulled and his aspiration dead.

Say that he trembled in every nerve with a sense of the beauty

and sweetness of life; that he rebelled and protested

and shrieked; that he was buried alive, with his eyes open,

and his heart beating to madness; that he clung to every

blade of grass and every way-side thorn as he passed;

that it was the most horrible spectacle you ever witnessed;

that it was an outrage, a murder, a massacre!"

"Good heavens, man, are you insane?"  Rowland cried.

"I never have been saner.  I don't want to be bad company, and in this

beautiful spot, at this delightful hour, it seems an outrage to break

the charm.  But I am bidding farewell to Italy, to beauty, to honor,

to life!  I only want to assure you that I know what I lose.

I know it in every pulse of my heart!  Here, where these things

are all loveliest, I take leave of them.  Farewell, farewell!"

During their passage of the Saint Gothard, Roderick absented

himself much of the time from the carriage, and rambled far

in advance, along the huge zigzags of the road.  He displayed

an extraordinary activity; his light weight and slender figure

made him an excellent pedestrian, and his friends frequently saw

him skirting the edge of plunging chasms, loosening the stones

on long, steep slopes, or lifting himself against the sky,

from the top of rocky pinnacles.  Mary Garland walked a great deal,

but she remained near the carriage to be with Mrs. Hudson.

Rowland remained near it to be with Miss Garland.

He trudged by her side up that magnificent ascent from Italy,

and found himself regretting that the Alps were so low, and that

their trudging was not to last a week.  She was exhilarated;

she liked to walk; in the way of mountains, until within the last

few weeks, she had seen nothing greater than Mount Holyoke,

and she found that the Alps amply justified their reputation.

Rowland knew that she loved nature, but he was struck afresh

with the vivacity of her observation of it, and with her

knowledge of plants and stones.  At that season the wild flowers

had mostly departed, but a few of them lingered, and Miss

Garland never failed to espy them in their outlying corners.

They interested her greatly; she was charmed when they

were old friends, and charmed even more when they were new.

She displayed a very light foot in going in quest of them,

and had soon covered the front seat of the carriage with a tangle

of strange vegetation.  Rowland of course was alert in her service,

and he gathered for her several botanical specimens which at

first seemed inaccessible.  One of these, indeed, had at

first appeared easier of capture than his attempt attested,

and he had paused a moment at the base of the little peak

on which it grew, measuring the risk of farther pursuit.

Suddenly, as he stood there, he remembered Roderick's defiance

of danger and of Miss Light, at the Coliseum, and he was seized

with a strong desire to test the courage of his companion.

She had just scrambled up a grassy slope near him, and had seen

that the flower was out of reach.  As he prepared to approach it,

she called to him eagerly to stop; the thing was impossible!

Poor Rowland, whose passion had been terribly starved,

enjoyed immensely the thought of having her care, for three minutes,

what became of him.  He was the least brutal of men, but for

a moment he was perfectly indifferent to her suffering.

"I can get the flower," he called to her.  "Will you trust me?"

"I don't want it; I would rather not have it!" she cried.

"Will you trust me?" he repeated, looking at her.

She looked at him and then at the flower; he wondered

whether she would shriek and swoon, as Miss Light had done.

"I wish it were something better!" she said simply; and then

stood watching him, while he began to clamber.  Rowland was

not shaped for an acrobat, and his enterprise was difficult;

but he kept his wits about him, made the most of narrow

foot-holds and coigns of vantage, and at last secured his prize.

He managed to stick it into his buttonhole and then he contrived

to descend.  There was more than one chance for an ugly fall,

but he evaded them all.  It was doubtless not gracefully done,

but it was done, and that was all he had proposed to himself.

He was red in the face when he offered Miss Garland the flower,

and she was visibly pale.  She had watched him without moving.

All this had passed without the knowledge of Mrs. Hudson,

who was dozing beneath the hood of the carriage.  Mary Garland's

eyes did not perhaps display that ardent admiration which was

formerly conferred by the queen of beauty at a tournament;

but they expressed something in which Rowland found his reward.

"Why did you do that?" she asked, gravely.

He hesitated.  He felt that it was physically possible to say,

"Because I love you!" but that it was not morally possible.

He lowered his pitch and answered, simply, "Because I wanted

to do something for you."

"Suppose you had fallen," said Miss Garland.

"I believed I would not fall.  And you believed it, I think."

"I believed nothing.  I simply trusted you, as you asked me."

"Quod erat demonstrandum!" cried Rowland.  "I think you know Latin."

When our four friends were established in what I have called their

grassy valley, there was a good deal of scrambling over slopes both

grassy and stony, a good deal of flower-plucking on narrow ledges,

a great many long walks, and, thanks to the lucid mountain air,

not a little exhilaration.  Mrs. Hudson was obliged to intermit

her suspicions of the deleterious atmosphere of the old world,

and to acknowledge the edifying purity of the breezes of Engelthal.

She was certainly more placid than she had been in Italy;

having always lived in the country, she had missed in Rome

and Florence that social solitude mitigated by bushes and

rocks which is so dear to the true New England temperament.

The little unpainted inn at Engelthal, with its plank partitions,

its milk-pans standing in the sun, its "help," in the form of angular

young women of the country-side, reminded her of places of summer

sojourn in her native land; and the beautiful historic chambers

of the Villa Pandolfini passed from her memory without a regret,

and without having in the least modified her ideal of domiciliary grace.

Roderick had changed his sky, but he had not changed his mind;

his humor was still that of which he had given Rowland a glimpse

in that tragic explosion on the Lake of Como.  He kept his despair

to himself, and he went doggedly about the ordinary business of life;

but it was easy to see that his spirit was mortally heavy,

and that he lived and moved and talked simply from the force of habit.

In that sad half-hour among the Italian olives there had been

such a fierce sincerity in his tone, that Rowland began to abdicate

the critical attitude.  He began to feel that it was essentially

vain to appeal to the poor fellow's will; there was no will left;

its place was an impotent void.  This view of the case indeed

was occasionally contravened by certain indications on Roderick's

part of the power of resistance to disagreeable obligations:

one might still have said, if one had been disposed to be

didactic at any hazard, that there was a method in his madness,

that his moral energy had its sleeping and its waking hours,

and that, in a cause that pleased it, it was capable of rising

with the dawn.  But on the other hand, pleasure, in this case,

was quite at one with effort; evidently the greatest bliss

in life, for Roderick, would have been to have a plastic idea.

And then, it was impossible not to feel tenderly to a despair

which had so ceased to be aggressive--not to forgive a great deal

of apathy to a temper which had so unlearned its irritability.

Roderick said frankly that Switzerland made him less miserable

than Italy, and the Alps seemed less to mock at his enforced leisure

than the Apennines.  He indulged in long rambles, generally alone,

and was very fond of climbing into dizzy places, where no sound could

overtake him, and there, flinging himself on the never-trodden moss,

of pulling his hat over his eyes and lounging away the hours in

perfect immobility.  Rowland sometimes walked with him; though Roderick

never invited him, he seemed duly grateful for his society.

Rowland now made it a rule to treat him like a perfectly sane man,

to assume that all things were well with him, and never to allude

to the prosperity he had forfeited or to the work he was not doing.

He would have still said, had you questioned him, that Roderick's

condition was a mood--certainly a puzzling one.  It might last yet

for many a weary hour; but it was a long lane that had no turning.

Roderick's blues would not last forever.  Rowland's interest in Miss

Garland's relations with her cousin was still profoundly attentive,

and perplexed as he was on all sides, he found nothing transparent here.

After their arrival at Engelthal, Roderick appeared to seek the young

girl's society more than he had done hitherto, and this revival of

ardor could not fail to set his friend a-wondering. They sat together

and strolled together, and Miss Garland often read aloud to him.

One day, on their coming to dinner, after he had been lying half

the morning at her feet, in the shadow of a rock, Rowland asked

him what she had been reading.

"I don't know," Roderick said, "I don't heed the sense."

Miss Garland heard this, and Rowland looked at her.

She looked at Roderick sharply and with a little blush.

"I listen to Mary," Roderick continued, "for the sake of her voice.

It 's distractingly sweet!"  At this Miss Garland's blush deepened,

and she looked away.

Rowland, in Florence, as we know, had suffered his imagination

to wander in the direction of certain conjectures which

the reader may deem unflattering to Miss Garland's constancy.

He had asked himself whether her faith in Roderick had

not faltered, and that demand of hers which had brought

about his own departure for Switzerland had seemed almost

equivalent to a confession that she needed his help to believe.

Rowland was essentially a modest man, and he did not risk

the supposition that Miss Garland had contrasted him

with Roderick to his own advantage; but he had a certain

consciousness of duty resolutely done which allowed itself

to fancy, at moments, that it might be not illogically

rewarded by the bestowal of such stray grains of enthusiasm

as had crumbled away from her estimate of his companion.

If some day she had declared, in a sudden burst of passion,

that she was outwearied and sickened, and that she gave up

her recreant lover, Rowland's expectation would have gone

half-way to meet her.  And certainly if her passion had taken

this course no generous critic would utterly condemn her.

She had been neglected, ignored, forsaken, treated with

a contempt which no girl of a fine temper could endure.

There were girls, indeed, whose fineness, like that of Burd Helen

in the ballad, lay in clinging to the man of their love through

thick and thin, and in bowing their head to all hard usage.

This attitude had often an exquisite beauty of its own,

but Rowland deemed that he had solid reason to believe it

never could be Mary Garland's. She was not a passive creature;

she was not soft and meek and grateful for chance bounties.

With all her reserve of manner she was proud and eager;

she asked much and she wanted what she asked; she believed

in fine things and she never could long persuade herself that

fine things missed were as beautiful as fine things achieved.

Once Rowland passed an angry day.  He had dreamed--it was the most

insubstantial of dreams--that she had given him the right to

believe that she looked to him to transmute her discontent.

And yet here she was throwing herself back into Roderick's arms

at his lightest overture, and playing with his own half fearful,

half shameful hopes!  Rowland declared to himself that his

position was essentially detestable, and that all the philosophy

he could bring to bear upon it would make it neither honorable

nor comfortable.  He would go away and make an end of it.

He did not go away; he simply took a long walk, stayed away

from the inn all day, and on his return found Miss Garland

sitting out in the moonlight with Roderick.

Rowland, communing with himself during the restless ramble in question,

had determined that he would at least cease to observe, to heed,

or to care for what Miss Garland and Roderick might do or might

not do together.  Nevertheless, some three days afterward,

the opportunity presenting itself, he deliberately broached

the subject with Roderick.  He knew this was inconsistent

and faint-hearted; it was indulgence to the fingers that itched

to handle forbidden fruit.  But he said to himself that it

was really more logical to be inconsistent than the reverse;

for they had formerly discussed these mysteries very candidly.

Was it not perfectly reasonable that he should wish to know

the sequel of the situation which Roderick had then delineated?

Roderick had made him promises, and it was to be expected

that he should ascertain how the promises had been kept.

Rowland could not say to himself that if the promises had been

extorted for Mary Garland's sake, his present attention to them

was equally disinterested; and so he had to admit that he was indeed

faint-hearted. He may perhaps be deemed too narrow a casuist,

but we have repeated more than once that he was solidly burdened

with a conscience.

"I imagine," he said to Roderick, "that you are not sorry, at present,

to have allowed yourself to be dissuaded from making a final rupture

with Miss Garland."

Roderick eyed him with the vague and absent look which had lately

become habitual to his face, and repeated "Dissuaded?"

"Don't you remember that, in Rome, you wished to break your engagement,

and that I urged you to respect it, though it seemed to hang by

so slender a thread?  I wished you to see what would come of it?

If I am not mistaken, you are reconciled to it."

"Oh yes," said Roderick, "I remember what you said; you made it a kind

of personal favor to yourself that I should remain faithful.  I consented,

but afterwards, when I thought of it, your attitude greatly amused me.

Had it ever been seen before?--a man asking another man to gratify him

by not suspending his attentions to a pretty girl!"

"It was as selfish as anything else," said Rowland.

"One man puts his selfishness into one thing, and one into another.

It would have utterly marred my comfort to see Miss Garland

in low spirits."

"But you liked her--you admired her, eh?  So you intimated."

"I admire her profoundly."

"It was your originality then--to do you justice you have a great deal,

of a certain sort--to wish her happiness secured in just that fashion.

Many a man would have liked better himself to make the woman he admired happy,

and would have welcomed her low spirits as an opening for sympathy.

You were awfully queer about it."

"So be it!" said Rowland.  "The question is, Are you not glad I was queer?

Are you not finding that your affection for Miss Garland has a permanent

quality which you rather underestimated?"

"I don't pretend to say.  When she arrived in Rome, I found I did n't care

for her, and I honestly proposed that we should have no humbug about it.

If you, on the contrary, thought there was something to be gained

by having a little humbug, I was willing to try it!  I don't see that

the situation is really changed.  Mary Garland is all that she ever was--

more than all.  But I don't care for her!  I don't care for anything,

and I don't find myself inspired to make an exception in her favor.

The only difference is that I don't care now, whether I care for her or not.

Of course, marrying such a useless lout as I am is out of the question

for any woman, and I should pay Miss Garland a poor compliment to assume

that she is in a hurry to celebrate our nuptials."

"Oh, you 're in love!" said Rowland, not very logically.

It must be confessed, at any cost, that this assertion was made

for the sole purpose of hearing Roderick deny it.

But it quite failed of its aim.  Roderick gave a liberal shrug

of his shoulders and an irresponsible toss of his head.

"Call it what you please!  I am past caring for names."

Rowland had not only been illogical, he had also been slightly disingenuous.

He did not believe that his companion was in love; he had argued the false

to learn the true.  The true was that Roderick was again, in some degree,

under a charm, and that he found a healing virtue in Mary's presence,

indisposed though he was to admit it.  He had said, shortly before,

that her voice was sweet to his ear; and this was a promising beginning.

If her voice was sweet it was probable that her glance was not amiss,

that her touch had a quiet magic, and that her whole personal presence

had learned the art of not being irritating.  So Rowland reasoned,

and invested Mary Garland with a still finer loveliness.

It was true that she herself helped him little to definite conclusions,

and that he remained in puzzled doubt as to whether these happy

touches were still a matter of the heart, or had become simply

a matter of the conscience.  He watched for signs that she rejoiced

in Roderick's renewed acceptance of her society; but it seemed to him

that she was on her guard against interpreting it too largely.

It was now her turn--he fancied that he sometimes gathered from

certain nameless indications of glance and tone and gesture--

it was now her turn to be indifferent, to care for other things.

Again and again Rowland asked himself what these things were that Miss

Garland might be supposed to care for, to the injury of ideal constancy;

and again, having designated them, he divided them into two portions.

One was that larger experience, in general, which had come

to her with her arrival in Europe; the vague sense, borne in upon

her imagination, that there were more things one might do with one's

life than youth and ignorance and Northampton had dreamt of;

the revision of old pledges in the light of new emotions.

The other was the experience, in especial, of Rowland's--what?

Here Rowland always paused, in perfect sincerity, to measure afresh

his possible claim to the young girl's regard.  What might he call it?

It had been more than civility and yet it had been less than devotion.

It had spoken of a desire to serve, but it had said nothing of a hope

of reward.  Nevertheless, Rowland's fancy hovered about the idea

that it was recompensable, and his reflections ended in a reverie

which perhaps did not define it, but at least, on each occasion,

added a little to its volume.  Since Miss Garland had asked

him as a sort of favor to herself to come also to Switzerland,

he thought it possible she might let him know whether he seemed

to have effectively served her.  The days passed without her doing so,

and at last Rowland walked away to an isolated eminence some five miles

from the inn and murmured to the silent rocks that she was ungrateful.

Listening nature seemed not to contradict him, so that, on the morrow,

he asked the young girl, with an infinitesimal touch of irony,

whether it struck her that his deflection from his Florentine plan

had been attended with brilliant results.

"Why, we are delighted that you are with us!" she answered.

He was anything but satisfied with this; it seemed to imply

that she had forgotten that she had solemnly asked him to come.

He reminded her of her request, and recalled the place and time.

"That evening on the terrace, late, after Mrs. Hudson had gone to bed,

and Roderick being absent."

She perfectly remembered, but the memory seemed to trouble her.

"I am afraid your kindness has been a great charge upon you," she said.

"You wanted very much to do something else."

"I wanted above all things to oblige you, and I made no sacrifice.

But if I had made an immense one, it would be more than made up to me

by any assurance that I have helped Roderick into a better mood."

She was silent a moment, and then, "Why do you ask me?" she said.

"You are able to judge quite as well as I."

Rowland blushed; he desired to justify himself in the most veracious manner.

"The truth is," he said, "that I am afraid I care only in the second place

for Roderick's holding up his head.  What I care for in the first place

is your happiness."

"I don't know why that should be," she answered.

"I have certainly done nothing to make you so much my friend.

If you were to tell me you intended to leave us to-morrow,

I am afraid that I should not venture to ask you to stay.

But whether you go or stay, let us not talk of Roderick!"

"But that," said Rowland, "does n't answer my question.

Is he better?"

"No!" she said, and turned away.

He was careful not to tell her that he intended to leave them.

One day, shortly after this, as the two young men sat

at the inn-door watching the sunset, which on that evening

was very striking and lurid, Rowland made an attempt to sound

his companion's present sentiment touching Christina Light.

"I wonder where she is," he said, "and what sort of a life

she is leading her prince."

Roderick at first made no response.  He was watching a figure

on the summit of some distant rocks, opposite to them.

The figure was apparently descending into the valley,

and in relief against the crimson screen of the western sky,

it looked gigantic.  "Christina Light?"  Roderick at last repeated,

as if arousing himself from a reverie.  "Where she is?

It 's extraordinary how little I care!"

"Have you, then, completely got over it?"

To this Roderick made no direct reply; he sat brooding a while.

"She 's a humbug!" he presently exclaimed.

"Possibly!" said Rowland.  "But I have known worse ones."

"She disappointed me!"  Roderick continued in the same tone.

"Had she, then, really given you hopes?"

"Oh, don't recall it!"  Roderick cried.  "Why the devil should I think

of it?  It was only three months ago, but it seems like ten years."

His friend said nothing more, and after a while he went on

of his own accord.  "I believed there was a future in it all!

She pleased me--pleased me; and when an artist--such as I was--

is pleased, you know!"  And he paused again.  "You never saw

her as I did; you never heard her in her great moments.

But there is no use talking about that!  At first she would

n't regard me seriously; she chaffed me and made light of me.

But at last I forced her to admit I was a great man.

Think of that, sir!  Christina Light called me a great man.

A great man was what she was looking for, and we

agreed to find our happiness for life in each other.

To please me she promised not to marry till I gave her leave.

I was not in a marrying way myself, but it was damnation to think

of another man possessing her.  To spare my sensibilities,

she promised to turn off her prince, and the idea of her doing so made

me as happy as to see a perfect statue shaping itself in the block.

You have seen how she kept her promise!  When I learned it,

it was as if the statue had suddenly cracked and turned hideous.

She died for me, like that!"  And he snapped his fingers.

"Was it wounded vanity, disappointed desire, betrayed confidence?

I am sure I don't know; you certainly have some name for it."

"The poor girl did the best she could," said Rowland.

"If that was her best, so much the worse for her!

I have hardly thought of her these two months, but I have

not forgiven her."

"Well, you may believe that you are avenged.  I can't think

of her as happy."

"I don't pity her!" said Roderick.  Then he relapsed into silence,

and the two sat watching the colossal figure as it made its way downward

along the jagged silhouette of the rocks.  "Who is this mighty man,"

cried Roderick at last, "and what is he coming down upon us for?

We are small people here, and we can't undertake to keep company with giants."

"Wait till we meet him on our own level," said Rowland,

"and perhaps he will not overtop us."

"For ten minutes, at least," Roderick rejoined, "he will have

been a great man!"  At this moment the figure sank beneath

the horizon line and became invisible in the uncertain light.

Suddenly Roderick said, "I would like to see her once more--

simply to look at her."

"I would not advise it," said Rowland.

"It was her beauty that did it!"  Roderick went on.

"It was all her beauty; in comparison, the rest was nothing.

What befooled me was to think of it as my property!

And I had made it mine--no one else had studied it as I had,

no one else understood it.  What does that stick of a Casamassima

know about it at this hour?  I should like to see it just once more;

it 's the only thing in the world of which I can say so."

"I would not advise it," Rowland repeated.

"That 's right, dear Rowland," said Roderick; "don't advise!

That 's no use now."

The dusk meanwhile had thickened, and they had not perceived

a figure approaching them across the open space in front

of the house.  Suddenly it stepped into the circle

of light projected from the door and windows, and they

beheld little Sam Singleton stopping to stare at them.

He was the giant whom they had seen descending along the rocks.

When this was made apparent Roderick was seized with a fit

of intense hilarity--it was the first time he had laughed

in three months.  Singleton, who carried a knapsack and

walking-staff, received from Rowland the friendliest welcome.

He was in the serenest possible humor, and if in the way

of luggage his knapsack contained nothing but a comb and a

second shirt, he produced from it a dozen admirable sketches.

He had been trudging over half Switzerland and making everywhere

the most vivid pictorial notes.  They were mostly in a box

at Interlaken, and in gratitude for Rowland's appreciation,

he presently telegraphed for his box, which, according to

the excellent Swiss method, was punctually delivered by post.

The nights were cold, and our friends, with three or four

other chance sojourners, sat in-doors over a fire of logs.

Even with Roderick sitting moodily in the outer shadow they

made a sympathetic little circle, and they turned over

Singleton's drawings, while he perched in the chimney-corner,

blushing and grinning, with his feet on the rounds of his chair.

He had been pedestrianizing for six weeks, and he was glad

to rest awhile at Engelthal.  It was an economic repose,

however, for he sallied forth every morning, with his sketching

tools on his back, in search of material for new studies.

Roderick's hilarity, after the first evening, had subsided,

and he watched the little painter's serene activity with a

gravity that was almost portentous.  Singleton, who was not

in the secret of his personal misfortunes, still treated him

with timid frankness as the rising star of American art.

Roderick had said to Rowland, at first, that Singleton

reminded him of some curious little insect with a remarkable

mechanical instinct in its antennae; but as the days went

by it was apparent that the modest landscapist's unflagging

industry grew to have an oppressive meaning for him.

It pointed a moral, and Roderick used to sit and con the moral

as he saw it figured in Singleton's bent back, on the hot

hill-sides, protruding from beneath his white umbrella.

One day he wandered up a long slope and overtook him as he sat

at work; Singleton related the incident afterwards to Rowland,

who, after giving him in Rome a hint of Roderick's aberrations,

had strictly kept his own counsel.

"Are you always like this?" said Roderick, in almost sepulchral accents.

"Like this?" repeated Singleton, blinking confusedly,

with an alarmed conscience.

"You remind me of a watch that never runs down.

If one listens hard one hears you always--tic-tic, tic-tic."

"Oh, I see," said Singleton, beaming ingenuously.

"I am very equable."

"You are very equable, yes.  And do you find it pleasant to be equable?"

Singleton turned and grinned more brightly, while he sucked

the water from his camel's-hair brush.  Then, with a quickened

sense of his indebtedness to a Providence that had endowed him

with intrinsic facilities, "Oh, delightful!" he exclaimed.

Roderick stood looking at him a moment.  "Damnation!" he said

at last, solemnly, and turned his back.

One morning, shortly after this, Rowland and Roderick took a long walk.

They had walked before in a dozen different directions, but they

had not yet crossed a charming little wooded pass, which shut in

their valley on one side and descended into the vale of Engelberg.

In coming from Lucerne they had approached their inn by this path,

and, feeling that they knew it, had hitherto neglected it in favor

of untrodden ways.  But at last the list of these was exhausted,

and Rowland proposed the walk to Engelberg as a novelty.

The place is half bleak and half pastoral; a huge white monastery

rises abruptly from the green floor of the valley and complicates

its picturesqueness with an element rare in Swiss scenery.

Hard by is a group of chalets and inns, with the usual appurtenances

of a prosperous Swiss resort--lean brown guides in baggy homespun,

lounging under carved wooden galleries, stacks of alpenstocks

in every doorway, sun-scorched Englishmen without shirt-collars.

Our two friends sat a while at the door of an inn, discussing a

pint of wine, and then Roderick, who was indefatigable,

announced his intention of climbing to a certain rocky pinnacle

which overhung the valley, and, according to the testimony

of one of the guides, commanded a view of the Lake of Lucerne.

To go and come back was only a matter of an hour, but Rowland,

with the prospect of his homeward trudge before him,

confessed to a preference for lounging on his bench, or at most

strolling a trifle farther and taking a look at the monastery.

Roderick went off alone, and his companion after a while bent

his steps to the monasterial church.  It was remarkable, like most

of the churches of Catholic Switzerland, for a hideous style of

devotional ornament; but it had a certain cold and musty picturesqueness,

and Rowland lingered there with some tenderness for Alpine piety.

While he was near the high-altar some people came in at the west door;

but he did not notice them, and was presently engaged in deciphering

a curious old German epitaph on one of the mural tablets.

At last he turned away, wondering whether its syntax or its theology

was the more uncomfortable, and, to this infinite surprise,

found himself confronted with the Prince and Princess Casamassima.

The surprise on Christina's part, for an instant, was equal, and at first she

seemed disposed to turn away without letting it give place to a greeting.

The prince, however, saluted gravely, and then Christina, in silence,

put out her hand.  Rowland immediately asked whether they were staying

at Engelberg, but Christina only looked at him without speaking.

The prince answered his questions, and related that they had been

making a month's tour in Switzerland, that at Lucerne his wife had been

somewhat obstinately indisposed, and that the physician had recommended

a week's trial of the tonic air and goat's milk of Engelberg.

The scenery, said the prince, was stupendous, but the life was terribly sad--

and they had three days more!  It was a blessing, he urbanely added,

to see a good Roman face.

Christina's attitude, her solemn silence and her penetrating gaze

seemed to Rowland, at first, to savor of affectation; but he presently

perceived that she was profoundly agitated, and that she was afraid

of betraying herself.  "Do let us leave this hideous edifice,"

she said; "there are things here that set one's teeth on edge."

They moved slowly to the door, and when they stood outside,

in the sunny coolness of the valley, she turned to Rowland and said,

"I am extremely glad to see you."  Then she glanced about her

and observed, against the wall of the church, an old stone seat.

She looked at Prince Casamassima a moment, and he smiled

more intensely, Rowland thought, than the occasion demanded.

"I wish to sit here," she said, "and speak to Mr. Mallet--alone."

"At your pleasure, dear friend," said the prince.

The tone of each was measured, to Rowland's ear; but that of

Christina was dry, and that of her husband was splendidly urbane.

Rowland remembered that the Cavaliere Giacosa had told

him that Mrs. Light's candidate was thoroughly a prince,

and our friend wondered how he relished a peremptory accent.

Casamassima was an Italian of the undemonstrative type, but Rowland

nevertheless divined that, like other princes before him,

he had made the acquaintance of the thing called compromise.

"Shall I come back?" he asked with the same smile.

"In half an hour," said Christina.

In the clear outer light, Rowland's first impression of her was

that she was more beautiful than ever.  And yet in three months she

could hardly have changed; the change was in Rowland's own vision

of her, which that last interview, on the eve of her marriage,

had made unprecedentedly tender.

"How came you here?" she asked.  "Are you staying in this place?"

"I am staying at Engelthal, some ten miles away; I walked over."

"Are you alone?"

"I am with Mr. Hudson."

"Is he here with you?"

"He went half an hour ago to climb a rock for a view."

"And his mother and that young girl, where are they?"

"They also are at Engelthal."

"What do you do there?"

"What do you do here?" said Rowland, smiling.

"I count the minutes till my week is up.  I hate mountains;

they depress me to death.  I am sure Miss Garland likes them."

"She is very fond of them, I believe."

"You believe--don't you know?  But I have given up trying to imitate

Miss Garland," said Christina.

"You surely need imitate no one."

"Don't say that," she said gravely.  "So you have walked ten

miles this morning?  And you are to walk back again?"

"Back again to supper."

"And Mr. Hudson too?"

"Mr. Hudson especially.  He is a great walker."

"You men are happy!"  Christina cried.  "I believe I

should enjoy the mountains if I could do such things.

It is sitting still and having them scowl down at you!

Prince Casamassina never rides.  He only goes on a mule.

He was carried up the Faulhorn on a litter."

"On a litter?" said Rowland.

"In one of those machines--a chaise a porteurs--like a woman."

Rowland received this information in silence; it was equally

unbecoming to either to relish or deprecate its irony.

"Is Mr. Hudson to join you again?  Will he come here?"  Christina asked.

"I shall soon begin to expect him."

"What shall you do when you leave Switzerland?"  Christina continued.

"Shall you go back to Rome?"

"I rather doubt it.  My plans are very uncertain."

"They depend upon Mr. Hudson, eh?"

"In a great measure."

"I want you to tell me about him.  Is he still in that perverse

state of mind that afflicted you so much?"

Rowland looked at her mistrustfully, without answering.

He was indisposed, instinctively, to tell her that Roderick was unhappy;

it was possible she might offer to help him back to happiness.

She immediately perceived his hesitation.

"I see no reason why we should not be frank," she said.

"I should think we were excellently placed for that sort of thing.

You remember that formerly I cared very little what I said,

don't you?  Well, I care absolutely not at all now.

I say what I please, I do what I please!  How did Mr. Hudson

receive the news of my marriage?"

"Very badly," said Rowland.

"With rage and reproaches?"  And as Rowland hesitated

again--"With silent contempt?"

"I can tell you but little.  He spoke to me on the subject,

but I stopped him.  I told him it was none of his business,

or of mine."

"That was an excellent answer!" said Christina, softly.  "Yet it was a

little your business, after those sublime protestations I treated you to.

I was really very fine that morning, eh?"

"You do yourself injustice," said Rowland.  "I should be at liberty

now to believe you were insincere."

"What does it matter now whether I was insincere or not?

I can't conceive of anything mattering less.  I was very fine--

is n't it true?"

"You know what I think of you," said Rowland.

And for fear of being forced to betray his suspicion of

the cause of her change, he took refuge in a commonplace.

"Your mother, I hope, is well."

"My mother is in the enjoyment of superb health, and may be

seen every evening at the Casino, at the Baths of Lucca,

confiding to every new-comer that she has married her daughter

to a pearl of a prince."

Rowland was anxious for news of Mrs. Light's companion,

and the natural course was frankly to inquire about him.

"And the Cavaliere Giacosa is well?" he asked.

Christina hesitated, but she betrayed no other embarrassment.

"The Cavaliere has retired to his native city of Ancona,

upon a pension, for the rest of his natural life.

He is a very good old man!"

"I have a great regard for him," said Rowland, gravely, at the same time

that he privately wondered whether the Cavaliere's pension was paid by

Prince Casamassima for services rendered in connection with his marriage.

Had the Cavaliere received his commission?  "And what do you do,"

Rowland continued, "on leaving this place?"

"We go to Italy--we go to Naples."  She rose and stood silent

a moment, looking down the valley.  The figure of Prince Casamassima

appeared in the distance, balancing his white umbrella.

As her eyes rested upon it, Rowland imagined that he saw

something deeper in the strange expression which had lurked

in her face while he talked to her.  At first he had been dazzled

by her blooming beauty, to which the lapse of weeks had only

added splendor; then he had seen a heavier ray in the light

of her eye--a sinister intimation of sadness and bitterness.

It was the outward mark of her sacrificed ideal.

Her eyes grew cold as she looked at her husband, and when,

after a moment, she turned them upon Rowland, they struck him

as intensely tragical.  He felt a singular mixture of sympathy

and dread; he wished to give her a proof of friendship,

and yet it seemed to him that she had now turned her face

in a direction where friendship was impotent to interpose.

She half read his feelings, apparently, and she gave a beautiful,

sad smile.  "I hope we may never meet again!" she said.

And as Rowland gave her a protesting look--"You have seen me

at my best.  I wish to tell you solemnly, I was sincere!

I know appearances are against me," she went on quickly.

"There is a great deal I can't tell you.  Perhaps you have guessed it;

I care very little.  You know, at any rate, I did my best.

It would n't serve; I was beaten and broken; they were stronger

than I. Now it 's another affair!"

"It seems to me you have a large chance for happiness yet,"

said Rowland, vaguely.

"Happiness?  I mean to cultivate rapture; I mean to go in for

bliss ineffable!  You remember I told you that I was, in part,

the world's and the devil's. Now they have taken me all.

It was their choice; may they never repent!"

"I shall hear of you," said Rowland.

"You will hear of me.  And whatever you do hear, remember this:

I was sincere!"

Prince Casamassima had approached, and Rowland looked at him

with a good deal of simple compassion as a part of that "world"

against which Christina had launched her mysterious menace.

It was obvious that he was a good fellow, and that he could not,

in the nature of things, be a positively bad husband;

but his distinguished inoffensiveness only deepened

the infelicity of Christina's situation by depriving her

defiant attitude of the sanction of relative justice.

So long as she had been free to choose, she had esteemed him:

but from the moment she was forced to marry him she had detested him.

Rowland read in the young man's elastic Italian mask a profound

consciousness of all this; and as he found there also a record

of other curious things--of pride, of temper, of bigotry,

of an immense heritage of more or less aggressive traditions--

he reflected that the matrimonial conjunction of his two

companions might be sufficiently prolific in incident.

"You are going to Naples?"  Rowland said to the prince by way of conversation.

"We are going to Paris," Christina interposed, slowly and softly.

"We are going to London.  We are going to Vienna.

We are going to St. Petersburg."

Prince Casamassima dropped his eyes and fretted the earth with the point

of his umbrella.  While he engaged Rowland's attention Christina turned away.

When Rowland glanced at her again he saw a change pass over her face;

she was observing something that was concealed from his own eyes by the angle

of the church-wall. In a moment Roderick stepped into sight.

He stopped short, astonished; his face and figure were jaded,

his garments dusty.  He looked at Christina from head to foot,

and then, slowly, his cheek flushed and his eye expanded.

Christina returned his gaze, and for some moments

there was a singular silence.  "You don't look well!"

Christina said at last.

Roderick answered nothing; he only looked and looked,

as if she had been a statue.  "You are no less beautiful!"

he presently cried.

She turned away with a smile, and stood a while gazing

down the valley; Roderick stared at Prince Casamassima.

Christina then put out her hand to Rowland.  "Farewell," she said.

"If you are near me in future, don't try to see me!"

And then, after a pause, in a lower tone, "I was sincere!"

She addressed herself again to Roderick and asked him some commonplace

about his walk.  But he said nothing; he only looked at her.

Rowland at first had expected an outbreak of reproach, but it

was evident that the danger was every moment diminishing.

He was forgetting everything but her beauty, and as she stood there

and let him feast upon it, Rowland was sure that she knew it.

"I won't say farewell to you," she said; "we shall meet again!"

And she moved gravely away.  Prince Casamassima took leave

courteously of Rowland; upon Roderick he bestowed a bow

of exaggerated civility.  Roderick appeared not to see it;

he was still watching Christina, as she passed over the grass.

His eyes followed her until she reached the door of her inn.

Here she stopped and looked back at him.

CHAPTER XIII.  Switzerland

On the homeward walk, that evening, Roderick preserved

a silence which Rowland allowed to make him uneasy.

Early on the morrow Roderick, saying nothing of his intentions,

started off on a walk; Rowland saw him striding with light

steps along the rugged path to Engelberg.  He was absent

all day and he gave no account of himself on his return.

He said he was deadly tired, and he went to bed early.

When he had left the room Miss Garland drew near to Rowland.

"I wish to ask you a question," she said.  "What happened to Roderick

yesterday at Engelberg?"

"You have discovered that something happened?"  Rowland answered.

"I am sure of it.  Was it something painful?"

"I don't know how, at the present moment, he judges it.

He met the Princess Casamassima."

"Thank you!" said Miss Garland, simply, and turned away.

The conversation had been brief, but, like many small things,

it furnished Rowland with food for reflection.

When one is looking for symptoms one easily finds them.

This was the first time Mary Garland had asked Rowland

a question which it was in Roderick's power to answer,

the first time she had frankly betrayed Roderick's reticence.

Rowland ventured to think it marked an era.

The next morning was sultry, and the air, usually so fresh at

those altitudes, was oppressively heavy.  Rowland lounged on the grass

a while, near Singleton, who was at work under his white umbrella,

within view of the house; and then in quest of coolness he wandered

away to the rocky ridge whence you looked across at the Jungfrau.

To-day, however, the white summits were invisible; their heads were muffled

in sullen clouds and the valleys beneath them curtained in dun-colored mist.

Rowland had a book in his pocket, and he took it out and opened it.

But his page remained unturned; his own thoughts were more importunate.

His interview with Christina Light had made a great impression upon him,

and he was haunted with the memory of her almost blameless bitterness,

and of all that was tragic and fatal in her latest transformation.

These things were immensely appealing, and Rowland thought with

infinite impatience of Roderick's having again encountered them.

It required little imagination to apprehend that the young sculptor's

condition had also appealed to Christina.  His consummate indifference,

his supreme defiance, would make him a magnificent trophy, and Christina

had announced with sufficient distinctness that she had said good-by

to scruples.  It was her fancy at present to treat the world as a

garden of pleasure, and if, hitherto, she had played with Roderick's

passion on its stem, there was little doubt that now she would pluck

it with an unfaltering hand and drain it of its acrid sweetness.

And why the deuce need Roderick have gone marching back to destruction?

Rowland's meditations, even when they began in rancor, often brought

him peace; but on this occasion they ushered in a quite peculiar quality

of unrest.  He felt conscious of a sudden collapse in his moral energy;

a current that had been flowing for two years with liquid strength

seemed at last to pause and evaporate.  Rowland looked away at

the stagnant vapors on the mountains; their dreariness seemed a symbol

of the dreariness which his own generosity had bequeathed him.

At last he had arrived at the uttermost limit of the deference

a sane man might pay to other people's folly; nay, rather, he had

transgressed it; he had been befooled on a gigantic scale.

He turned to his book and tried to woo back patience, but it gave him cold

comfort and he tossed it angrily away.  He pulled his hat over his eyes,

and tried to wonder, dispassionately, whether atmospheric conditions

had not something to do with his ill-humor. He remained for some time

in this attitude, but was finally aroused from it by a singular

sense that, although he had heard nothing, some one had approached him.

He looked up and saw Roderick standing before him on the turf.

His mood made the spectacle unwelcome, and for a moment he felt like uttering

an uncivil speech.  Roderick stood looking at him with an expression

of countenance which had of late become rare.  There was an unfamiliar

spark in his eye and a certain imperious alertness in his carriage.

Confirmed habit, with Rowland, came speedily to the front.

"What is it now?" he asked himself, and invited Roderick to sit down.

Roderick had evidently something particular to say, and if he remained

silent for a time it was not because he was ashamed of it.

"I would like you to do me a favor," he said at last.

"Lend me some money."

"How much do you wish?"  Rowland asked.

"Say a thousand francs."

Rowland hesitated a moment.  "I don't wish to be indiscreet,

but may I ask what you propose to do with a thousand francs?"

"To go to Interlaken."

"And why are you going to Interlaken?"

Roderick replied without a shadow of wavering, "Because that woman

is to be there."

Rowland burst out laughing, but Roderick remained serenely grave.

"You have forgiven her, then?" said Rowland.

"Not a bit of it!"

"I don't understand."

"Neither do I. I only know that she is incomparably beautiful,

and that she has waked me up amazingly.  Besides, she asked

me to come."

"She asked you?"

"Yesterday, in so many words."

"Ah, the jade!"

"Exactly.  I am willing to take her for that."

"Why in the name of common sense did you go back to her?"

"Why did I find her standing there like a goddess who had

just stepped out of her cloud?  Why did I look at her?

Before I knew where I was, the harm was done."

Rowland, who had been sitting erect, threw himself back

on the grass and lay for some time staring up at the sky.

At last, raising himself, "Are you perfectly serious?" he asked.

"Deadly serious."

"Your idea is to remain at Interlaken some time?"

"Indefinitely!" said Roderick; and it seemed to his companion that the tone

in which he said this made it immensely well worth hearing.

"And your mother and cousin, meanwhile, are to remain here?

It will soon be getting very cold, you know."

"It does n't seem much like it to-day."

"Very true; but to-day is a day by itself."

"There is nothing to prevent their going back to Lucerne.

I depend upon your taking charge of them."

At this Rowland reclined upon the grass again; and again,

after reflection, he faced his friend.  "How would you express,"

he asked, "the character of the profit that you expect to derive

from your excursion?"

"I see no need of expressing it.  The proof of the pudding is in the eating!

The case is simply this.  I desire immensely to be near Christina Light,

and it is such a huge refreshment to find myself again desiring something,

that I propose to drift with the current.  As I say, she has waked me up,

and it is possible something may come of it.  She makes me feel as if I

were alive again.  This," and he glanced down at the inn, "I call death!"

"That I am very grateful to hear.  You really feel as if you

might do something?"

"Don't ask too much.  I only know that she makes my heart beat,

makes me see visions."

"You feel encouraged?"

"I feel excited."

"You are really looking better."

"I am glad to hear it.  Now that I have answered your questions,

please to give me the money."

Rowland shook his head.  "For that purpose, I can't!"

"You can't?"

"It 's impossible.  Your plan is rank folly.  I can't help you in it."

Roderick flushed a little, and his eye expanded.  "I will borrow

what money I can, then, from Mary!"  This was not viciously said;

it had simply the ring of passionate resolution.

Instantly it brought Rowland to terms.  He took a bunch

of keys from his pocket and tossed it upon the grass.

"The little brass one opens my dressing-case," he said.

"You will find money in it."

Roderick let the keys lie; something seemed to have struck him;

he looked askance at his friend.  "You are awfully gallant!"

"You certainly are not.  Your proposal is an outrage."

"Very likely.  It 's a proof the more of my desire."

"If you have so much steam on, then, use it for something else.

You say you are awake again.  I am delighted; only be so in

the best sense.  Is n't it very plain?  If you have the energy

to desire, you have also the energy to reason and to judge.

If you can care to go, you can also care to stay, and staying

being the more profitable course, the inspiration, on that side,

for a man who has his self-confidence to win back again,

should be greater."

Roderick, plainly, did not relish this simple logic,

and his eye grew angry as he listened to its echo.

"Oh, the devil!" he cried.

Rowland went on.  "Do you believe that hanging about Christina

Light will do you any good?  Do you believe it won't? In either

case you should keep away from her.  If it won't, it 's your duty;

and if it will, you can get on without it."

"Do me good?" cried Roderick.  "What do I want of 'good'--

what should I do with 'good'? I want what she gives me,

call it by what name you will.  I want to ask no questions,

but to take what comes and let it fill the impossible hours!

But I did n't come to discuss the matter."

"I have not the least desire to discuss it," said Rowland.

"I simply protest."

Roderick meditated a moment.  "I have never yet thought twice of accepting

a favor of you," he said at last; "but this one sticks in my throat."

"It is not a favor; I lend you the money only under compulsion."

"Well, then, I will take it only under compulsion!"  Roderick exclaimed.

And he sprang up abruptly and marched away.

His words were ambiguous; Rowland lay on the grass, wondering what

they meant.  Half an hour had not elapsed before Roderick reappeared,

heated with rapid walking, and wiping his forehead.  He flung himself

down and looked at his friend with an eye which expressed something

purer than bravado and yet baser than conviction.

"I have done my best!" he said.  "My mother is out of money;

she is expecting next week some circular notes from London.

She had only ten francs in her pocket.  Mary Garland gave me every sou

she possessed in the world.  It makes exactly thirty-four francs.

That 's not enough."

"You asked Miss Garland?" cried Rowland.

"I asked her."

"And told her your purpose?"

"I named no names.  But she knew!"

"What did she say?"

"Not a syllable.  She simply emptied her purse."

Rowland turned over and buried his face in his arms.

He felt a movement of irrepressible elation, and he barely

stifled a cry of joy.  Now, surely, Roderick had shattered

the last link in the chain that bound Mary to him, and after

this she would be free!.... When he turned about again,

Roderick was still sitting there, and he had not touched

the keys which lay on the grass.

"I don't know what is the matter with me," said Roderick,

"but I have an insurmountable aversion to taking your money."

"The matter, I suppose, is that you have a grain of wisdom left."

"No, it 's not that.  It 's a kind of brute instinct.

I find it extremely provoking!"  He sat there for some time

with his head in his hands and his eyes on the ground.

His lips were compressed, and he was evidently, in fact,

in a state of profound irritation.  "You have succeeded

in making this thing excessively unpleasant!" he exclaimed.

"I am sorry," said Rowland, "but I can't see it in any other way.

"

"That I believe, and I resent the range of your vision pretending

to be the limit of my action.  You can't feel for me nor judge

for me, and there are certain things you know nothing about.

I have suffered, sir!"  Roderick went on with increasing emphasis.

"I have suffered damnable torments.  Have I been such a placid, contented,

comfortable man this last six months, that when I find a chance

to forget my misery, I should take such pains not to profit by it?

You ask too much, for a man who himself has no occasion to play the hero.

I don't say that invidiously; it 's your disposition, and you can't help it.

But decidedly, there are certain things you know nothing about."

Rowland listened to this outbreak with open eyes, and Roderick,

if he had been less intent upon his own eloquence,

would probably have perceived that he turned pale.

"These things--what are they?"  Rowland asked.

"They are women, principally, and what relates to women.

Women for you, by what I can make out, mean nothing.

You have no imagination--no sensibility!"

"That 's a serious charge," said Rowland, gravely.

"I don't make it without proof!"

"And what is your proof?"

Roderick hesitated a moment.  "The way you treated Christina Light.

I call that grossly obtuse."

"Obtuse?"  Rowland repeated, frowning.

"Thick-skinned, beneath your good fortune."

"My good fortune?"

"There it is--it 's all news to you!  You had pleased her.

I don't say she was dying of love for you, but she took

a fancy to you."

"We will let this pass!" said Rowland, after a silence.

"Oh, I don't insist.  I have only her own word for it."

"She told you this?"

"You noticed, at least, I suppose, that she was not afraid to speak.

I never repeated it, not because I was jealous, but because I was curious

to see how long your ignorance would last if left to itself."

"I frankly confess it would have lasted forever.

And yet I don't consider that my insensibility is proved."

"Oh, don't say that," cried Roderick, "or I shall begin to suspect--

what I must do you the justice to say that I never have suspected--

that you are a trifle conceited.  Upon my word, when I

think of all this, your protest, as you call it, against my

following Christina Light seems to me thoroughly offensive.

There is something monstrous in a man's pretending to lay down

the law to a sort of emotion with which he is quite unacquainted--

in his asking a fellow to give up a lovely woman for conscience'

sake, when he has never had the impulse to strike a blow for

one for passion's!"

"Oh, oh!" cried Rowland.

"All that 's very easy to say," Roderick went on; "but you must

remember that there are such things as nerves, and senses,

and imagination, and a restless demon within that may sleep

sometimes for a day, or for six months, but that sooner or later

wakes up and thumps at your ribs till you listen to him!

If you can't understand it, take it on trust, and let a poor

imaginative devil live his life as he can!"

Roderick's words seemed at first to Rowland like something heard

in a dream; it was impossible they had been actually spoken--

so supreme an expression were they of the insolence of egotism.

Reality was never so consistent as that!  But Roderick sat there

balancing his beautiful head, and the echoes of his strident

accent still lingered along the half-muffled mountain-side.

Rowland suddenly felt that the cup of his chagrin was full

to overflowing, and his long-gathered bitterness surged into

the simple, wholesome passion of anger for wasted kindness.

But he spoke without violence, and Roderick was probably at

first far from measuring the force that lay beneath his words.

"You are incredibly ungrateful," he said.  "You are talking

arrogant nonsense.  What do you know about my sensibilities and

my imagination?  How do you know whether I have loved or suffered?

If I have held my tongue and not troubled you with my complaints,

you find it the most natural thing in the world to put an ignoble

construction on my silence.  I loved quite as well as you;

indeed, I think I may say rather better.  I have been constant.

I have been willing to give more than I received.

I have not forsaken one mistress because I thought another

more beautiful, nor given up the other and believed all

manner of evil about her because I had not my way with her.

I have been a good friend to Christina Light, and it seems to me

my friendship does her quite as much honor as your love!"

"Your love--your suffering--your silence--your friendship!" cried Roderick.

"I declare I don't understand!"

"I dare say not.  You are not used to understanding such things--

you are not used to hearing me talk of my feelings.

You are altogether too much taken up with your own.

Be as much so as you please; I have always respected your right.

Only when I have kept myself in durance on purpose to leave

you an open field, don't, by way of thanking me, come and call

me an idiot."

"Oh, you claim then that you have made sacrifices?"

"Several!  You have never suspected it?"

"If I had, do you suppose I would have allowed it?" cried Roderick.

"They were the sacrifices of friendship and they were easily made;

only I don't enjoy having them thrown back in my teeth."

This was, under the circumstances, a sufficiently generous speech;

but Roderick was not in the humor to take it generously.

"Come, be more definite," he said.  "Let me know where it

is the shoe has pinched."

Rowland frowned; if Roderick would not take generosity,

he should have full justice.  "It 's a perpetual sacrifice,"

he said, "to live with a perfect egotist."

"I am an egotist?" cried Roderick.

"Did it never occur to you?"

"An egotist to whom you have made perpetual sacrifices?"

He repeated the words in a singular tone; a tone that denoted neither

exactly indignation nor incredulity, but (strange as it may seem)

a sudden violent curiosity for news about himself.

"You are selfish," said Rowland; "you think only of yourself and believe only

in yourself.  You regard other people only as they play into your own hands.

You have always been very frank about it, and the thing seemed so mixed

up with the temper of your genius and the very structure of your mind,

that often one was willing to take the evil with the good and to be

thankful that, considering your great talent, you were no worse.

But if one believed in you, as I have done, one paid a tax upon it."

Roderick leaned his elbows on his knees, clasped his

hands together, and crossed them, shadewise, over his eyes.

In this attitude, for a moment, he sat looking coldly at his friend.

"So I have made you very uncomfortable?" he went on.

"Extremely so."

"I have been eager, grasping, obstinate, vain, ungrateful,

indifferent, cruel?"

"I have accused you, mentally, of all these things,

with the exception of vanity."

"You have often hated me?"

"Never.  I should have parted company with you before coming to that."

"But you have wanted to part company, to bid me go my way and be hanged!"

"Repeatedly.  Then I have had patience and forgiven you."

"Forgiven me, eh?  Suffering all the while?"

"Yes, you may call it suffering."

"Why did you never tell me all this before?"

"Because my affection was always stronger than my resentment;

because I preferred to err on the side of kindness;

because I had, myself, in a measure, launched you in the world

and thrown you into temptations; and because nothing short

of your unwarrantable aggression just now could have made me

say these painful things."

Roderick picked up a blade of long grass and began to bite it;

Rowland was puzzled by his expression and manner.

They seemed strangely cynical; there was something revolting

in his deepening calmness.  "I must have been hideous,"

Roderick presently resumed.

"I am not talking for your entertainment," said Rowland.

"Of course not.  For my edification!"  As Roderick said these words

there was not a ray of warmth in his brilliant eye.

"I have spoken for my own relief," Rowland went on, "and so that you need

never again go so utterly astray as you have done this morning.  "

"It has been a terrible mistake, then?"  What his tone

expressed was not willful mockery, but a kind of persistent

irresponsibility which Rowland found equally exasperating.

He answered nothing.

"And all this time," Roderick continued, "you have been in love?

Tell me the woman."

Rowland felt an immense desire to give him a visible, palpable pang.

"Her name is Mary Garland," he said.

Apparently he succeeded.  The surprise was great;

Roderick colored as he had never done.  "Mary Garland?

Heaven forgive us!"

Rowland observed the "us;" Roderick threw himself back on the turf.

The latter lay for some time staring at the sky.  At last he sprang to

his feet, and Rowland rose also, rejoicing keenly, it must be confessed,

in his companion's confusion.

"For how long has this been?"  Roderick demanded.

"Since I first knew her."

"Two years!  And you have never told her?"

"Never."

"You have told no one?"

"You are the first person."

"Why have you been silent?"

"Because of your engagement."

"But you have done your best to keep that up."

"That 's another matter!"

"It 's very strange!" said Roderick, presently.  "It 's like something

in a novel."

"We need n't expatiate on it," said Rowland.  "All I wished

to do was to rebut your charge that I am an abnormal being."

But still Roderick pondered.  "All these months, while I was going on!

I wish you had mentioned it."

"I acted as was necessary, and that 's the end of it."

"You have a very high opinion of her?"

"The highest."

"I remember now your occasionally expressing it and my being

struck with it.  But I never dreamed you were in love with her.

It 's a pity she does n't care for you!"

Rowland had made his point and he had no wish to prolong the conversation;

but he had a desire to hear more of this, and he remained silent.

"You hope, I suppose, that some day she may?"

"I should n't have offered to say so; but since you ask me, I do."

"I don't believe it.  She idolizes me, and if she never were to see

me again she would idolize my memory."

This might be profound insight, and it might be profound fatuity.

Rowland turned away; he could not trust himself to speak.

"My indifference, my neglect of her, must have seemed to you horrible.

Altogether, I must have appeared simply hideous."

"Do you really care," Rowland asked, "what you appeared?"

"Certainly.  I have been damnably stupid.  Is n't an artist supposed

to be a man of perceptions?  I am hugely disgusted."

"Well, you understand now, and we can start afresh."

"And yet," said Roderick, "though you have suffered, in a degree,

I don't believe you have suffered so much as some other men

would have done."

"Very likely not.  In such matters quantitative analysis is difficult."

Roderick picked up his stick and stood looking at the ground.

"Nevertheless, I must have seemed hideous," he repeated--"hideous."

He turned away, scowling, and Rowland offered no contradiction.

They were both silent for some time, and at last Roderick gave

a heavy sigh and began to walk away.  "Where are you going?"

Rowland then asked.

"Oh, I don't care!  To walk; you have given me something to think of."

This seemed a salutary impulse, and yet Rowland felt a nameless perplexity.

"To have been so stupid damns me more than anything!"  Roderick went on.

"Certainly, I can shut up shop now."

Rowland felt in no smiling humor, and yet, in spite of himself,

he could almost have smiled at the very consistency of the fellow.

It was egotism still:  aesthetic disgust at the graceless contour of

his conduct, but never a hint of simple sorrow for the pain he had given.

Rowland let him go, and for some moments stood watching him.

Suddenly Mallet became conscious of a singular and most

illogical impulse--a desire to stop him, to have another word with him--

not to lose sight of him.  He called him and Roderick turned.

"I should like to go with you," said Rowland.

"I am fit only to be alone.  I am damned!"

"You had better not think of it at all," Rowland cried,

"than think in that way."

"There is only one way.  I have been hideous!"  And he broke off

and marched away with his long, elastic step, swinging his stick.

Rowland watched him and at the end of a moment called to him.

Roderick stopped and looked at him in silence, and then abruptly turned,

and disappeared below the crest of a hill.

Rowland passed the remainder of the day uncomfortably.  He was

half irritated, half depressed; he had an insufferable feeling of having

been placed in the wrong, in spite of his excellent cause.  Roderick did

not come home to dinner; but of this, with his passion for brooding

away the hours on far-off mountain sides, he had almost made a habit.

Mrs. Hudson appeared at the noonday repast with a face which showed that

Roderick's demand for money had unsealed the fountains of her distress.

Little Singleton consumed an enormous and well-earned dinner.

Miss Garland, Rowland observed, had not contributed her scanty assistance

to her kinsman's pursuit of the Princess Casamassima without an effort.

The effort was visible in her pale face and her silence; she looked so ill

that when they left the table Rowland felt almost bound to remark upon it.

They had come out upon the grass in front of the inn.

"I have a headache," she said.  And then suddenly, looking about at

the menacing sky and motionless air, "It 's this horrible day!"

Rowland that afternoon tried to write a letter to his cousin Cecilia,

but his head and his heart were alike heavy, and he traced upon

the paper but a single line.  "I believe there is such a thing as being

too reasonable.  But when once the habit is formed, what is one to do?"

He had occasion to use his keys and he felt for them in his pocket;

they were missing, and he remembered that he had left them

lying on the hill-top where he had had his talk with Roderick.

He went forth in search of them and found them where he had thrown them.

He flung himself down in the same place again; he felt indisposed to walk.

He was conscious that his mood had vastly changed since the morning;

his extraordinary, acute sense of his rights had been replaced

by the familiar, chronic sense of his duties.  Only, his duties now

seemed impracticable; he turned over and buried his face in his arms.

He lay so a long time, thinking of many things; the sum of them all was that

Roderick had beaten him.  At last he was startled by an extraordinary sound;

it took him a moment to perceive that it was a portentous growl of thunder.

He roused himself and saw that the whole face of the sky had altered.

The clouds that had hung motionless all day were moving from

their stations, and getting into position, as it were, for a battle.

The wind was rising; the sallow vapors were turning dark and consolidating

their masses.  It was a striking spectacle, but Rowland judged

best to observe it briefly, as a storm was evidently imminent.

He took his way down to the inn and found Singleton still at his post,

profiting by the last of the rapidly-failing light to finish his study,

and yet at the same time taking rapid notes of the actual condition

of the clouds.

"We are going to have a most interesting storm," the little painter

gleefully cried.  "I should like awfully to do it."

Rowland adjured him to pack up his tools and decamp, and repaired

to the house.  The air by this time had become portentously dark,

and the thunder was incessant and tremendous; in the midst of it the

lightning flashed and vanished, like the treble shrilling upon the bass.

The innkeeper and his servants had crowded to the doorway, and were looking

at the scene with faces which seemed a proof that it was unprecedented.

As Rowland approached, the group divided, to let some one pass from within,

and Mrs. Hudson came forth, as white as a corpse and trembling in every limb.

"My boy, my boy, where is my boy?" she cried.  "Mr. Mallet,

why are you here without him?  Bring him to me!"

"Has no one seen Mr. Hudson?"  Rowland asked of the others.

"Has he not returned?"

Each one shook his head and looked grave, and Rowland attempted to reassure

Mrs. Hudson by saying that of course he had taken refuge in a chalet.

"Go and find him, go and find him!" she cried, insanely.

"Don't stand there and talk, or I shall die!"  It was now as dark

as evening, and Rowland could just distinguish the figure of Singleton

scampering homeward with his box and easel.  "And where is Mary?"

Mrs. Hudson went on; "what in mercy's name has become of her?

Mr. Mallet, why did you ever bring us here?"

There came a prodigious flash of lightning, and the limitless

tumult about them turned clearer than midsummer noonday.

The brightness lasted long enough to enable Rowland to see

a woman's figure on the top of an eminence near the house.

It was Mary Garland, questioning the lurid darkness for Roderick.

Rowland sprang out to interrupt her vigil, but in a moment

he encountered her, retreating.  He seized her hand and hurried her

to the house, where, as soon as she stepped into the covered gallery,

Mrs. Hudson fell upon her with frantic lamentations.

"Did you see nothing,--nothing?" she cried.  "Tell Mr. Mallet he must go

and find him, with some men, some lights, some wrappings.  Go, go, go, sir!

In mercy, go!"

Rowland was extremely perturbed by the poor lady's

vociferous folly, for he deemed her anxiety superfluous.

He had offered his suggestion with sincerity; nothing was more

probable than that Roderick had found shelter in a herdsman's cabin.

These were numerous on the neighboring mountains, and the storm

had given fair warning of its approach.  Miss Garland stood

there very pale, saying nothing, but looking at him.

He expected that she would check her cousin's importunity.

"Could you find him?" she suddenly asked.  "Would it be of use?"

The question seemed to him a flash intenser than the lightning that was raking

the sky before them.  It shattered his dream that he weighed in the scale!

But before he could answer, the full fury of the storm was upon them;

the rain descended in sounding torrents.  Every one fell back into the house.

There had been no time to light lamps, and in the little uncarpeted parlor,

in the unnatural darkness, Rowland felt Mary's hand upon his arm.

For a moment it had an eloquent pressure; it seemed to retract her senseless

challenge, and to say that she believed, for Roderick, what he believed.

But nevertheless, thought Rowland, the cry had come, her heart had spoken;

her first impulse had been to sacrifice him.  He had been uncertain before;

here, at least, was the comfort of certainty!

It must be confessed, however, that the certainty in question

did little to enliven the gloom of that formidable evening.

There was a noisy crowd about him in the room--noisy even

with the accompaniment of the continual thunder-peals;

lodgers and servants, chattering, shuffling, and bustling,

and annoying him equally by making too light of the tempest

and by vociferating their alarm.  In the disorder, it was some

time before a lamp was lighted, and the first thing he saw,

as it was swung from the ceiling, was the white face of Mrs. Hudson,

who was being carried out of the room in a swoon by two

stout maid-servants, with Mary Garland forcing a passage.

He rendered what help he could, but when they had laid the poor

woman on her bed, Miss Garland motioned him away.

"I think you make her worse," she said.

Rowland went to his own chamber.  The partitions in Swiss

mountain-inns are thin, and from time to time he heard

Mrs. Hudson moaning, three rooms off.  Considering its great fury,

the storm took long to expend itself; it was upwards of three

hours before the thunder ceased.  But even then the rain

continued to fall heavily, and the night, which had come on,

was impenetrably black.  This lasted till near midnight.

Rowland thought of Mary Garland's challenge in the porch,

but he thought even more that, although the fetid interior

of a high-nestling chalet may offer a convenient refuge

from an Alpine tempest, there was no possible music in

the universe so sweet as the sound of Roderick's voice.

At midnight, through his dripping window-pane, he saw a star,

and he immediately went downstairs and out into the gallery.

The rain had ceased, the cloud-masses were dissevered here

and there, and several stars were visible.  In a few minutes

he heard a step behind him, and, turning, saw Miss Garland.

He asked about Mrs. Hudson and learned that she was sleeping,

exhausted by her fruitless lamentations.  Miss Garland kept

scanning the darkness, but she said nothing to cast doubt

on Roderick's having found a refuge.  Rowland noticed it.

"This also have I guaranteed!" he said to himself.

There was something that Mary wished to learn, and a question

presently revealed it.

"What made him start on a long walk so suddenly?" she asked.

"I saw him at eleven o'clock, and then he meant to go

to Engelberg, and sleep."

"On his way to Interlaken?"  Rowland said.

"Yes," she answered, under cover of the darkness.

"We had some talk," said Rowland, "and he seemed, for the day,

to have given up Interlaken."

"Did you dissuade him?"

"Not exactly.  We discussed another question, which, for the time,

superseded his plan."

Miss Garland was silent.  Then--"May I ask whether your discussion

was violent?" she said.

"I am afraid it was agreeable to neither of us."

"And Roderick left you in--in irritation?"

"I offered him my company on his walk.  He declined it."

Miss Garland paced slowly to the end of the gallery and then came back.

"If he had gone to Engelberg," she said, "he would have reached the hotel

before the storm began."

Rowland felt a sudden explosion of ferocity.  "Oh, if you like,"

he cried, "he can start for Interlaken as soon as he comes back!"

But she did not even notice his wrath.  "Will he come back early?"

she went on.

"We may suppose so."

"He will know how anxious we are, and he will start with the first light!"

Rowland was on the point of declaring that Roderick's readiness to throw

himself into the feelings of others made this extremely probable;

but he checked himself and said, simply, "I expect him at sunrise."

Miss Garland bent her eyes once more upon the irresponsive darkness,

and then, in silence, went into the house.  Rowland, it must

be averred, in spite of his resolution not to be nervous,

found no sleep that night.  When the early dawn began to

tremble in the east, he came forth again into the open air.

The storm had completely purged the atmosphere, and the day gave

promise of cloudless splendor.  Rowland watched the early sun-shafts

slowly reaching higher, and remembered that if Roderick did not come

back to breakfast, there were two things to be taken into account.

One was the heaviness of the soil on the mountain-sides,

saturated with the rain; this would make him walk slowly:

the other was the fact that, speaking without irony, he was not

remarkable for throwing himself into the sentiments of others.

Breakfast, at the inn, was early, and by breakfast-time Roderick

had not appeared.  Then Rowland admitted that he was nervous.

Neither Mrs. Hudson nor Miss Garland had left their apartment;

Rowland had a mental vision of them sitting there praying and listening;

he had no desire to see them more directly.  There were a couple

of men who hung about the inn as guides for the ascent of the Titlis;

Rowland sent each of them forth in a different direction, to ask

the news of Roderick at every ch; afalet door within a morning's walk.

Then he called Sam Singleton, whose peregrinations had made

him an excellent mountaineer, and whose zeal and sympathy were

now unbounded, and the two started together on a voyage of research.

By the time they had lost sight of the inn, Rowland was obliged

to confess that, decidedly, Roderick had had time to come back.

He wandered about for several hours, but he found only the sunny

stillness of the mountain-sides. Before long he parted company

with Singleton, who, to his suggestion that separation would multiply

their resources, assented with a silent, frightened look which reflected

too vividly his own rapidly-dawning thought.  The day was magnificent;

the sun was everywhere; the storm had lashed the lower slopes into

a deeper flush of autumnal color, and the snow-peaks reared themselves

against the near horizon in glaring blocks and dazzling spires.

Rowland made his way to several chalets, but most of them were empty.

He thumped at their low, foul doors with a kind of nervous, savage anger;

he challenged the stupid silence to tell him something about his friend.

Some of these places had evidently not been open in months.

The silence everywhere was horrible; it seemed to mock at

his impatience and to be a conscious symbol of calamity.

In the midst of it, at the door of one of the chalets, quite alone,

sat a hideous cretin, who grinned at Rowland over his goitre when,

hardly knowing what he did, he questioned him.  The creature's family

was scattered on the mountain-sides; he could give Rowland no help

to find them.  Rowland climbed into many awkward places, and skirted,

intently and peeringly, many an ugly chasm and steep-dropping ledge.

But the sun, as I have said, was everywhere; it illumined the deep places

over which, not knowing where to turn next, he halted and lingered,

and showed him nothing but the stony Alpine void--nothing so human

even as death.  At noon he paused in his quest and sat down on a stone;

the conviction was pressing upon him that the worst that was now

possible was true.  He suspended his search; he was afraid to go on.

He sat there for an hour, sick to the depths of his soul.

Without his knowing why, several things, chiefly trivial, that had

happened during the last two years and that he had quite forgotten,

became vividly present to his mind.  He was aroused at last by the sound

of a stone dislodged near by, which rattled down the mountain.

In a moment, on a steep, rocky slope opposite to him, he beheld

a figure cautiously descending--a figure which was not Roderick.

It was Singleton, who had seen him and began to beckon to him.

"Come down--come down!" cried the painter, steadily making his own way down.

Rowland saw that as he moved, and even as he selected his foothold and

watched his steps, he was looking at something at the bottom of the cliff.

This was a great rugged wall which had fallen backward from the perpendicular,

and the descent, though difficult, was with care sufficiently practicable.

"What do you see?" cried Rowland.

Singleton stopped, looked across at him and seemed to hesitate;

then, "Come down--come down!" he simply repeated.

Rowland's course was also a steep descent, and he attacked it so

precipitately that he afterwards marveled he had not broken his neck.

It was a ten minutes' headlong scramble.  Half-way down he saw

something that made him dizzy; he saw what Singleton had seen.

In the gorge below them a vague white mass lay tumbled upon the stones.

He let himself go, blindly, fiercely.  Singleton had reached the rocky

bottom of the ravine before him, and had bounded forward and fallen

upon his knees.  Rowland overtook him and his own legs collapsed.

The thing that yesterday was his friend lay before him as the chance of

the last breath had left it, and out of it Roderick's face stared upward,

open-eyed, at the sky.

He had fallen from a great height, but he was singularly little disfigured.

The rain had spent its torrents upon him, and his clothes and hair were

as wet as if the billows of the ocean had flung him upon the strand.

An attempt to move him would show some hideous fracture,

some horrible physical dishonor; but what Rowland saw on first

looking at him was only a strangely serene expression of life.

The eyes were dead, but in a short time, when Rowland had closed them,

the whole face seemed to awake.  The rain had washed away all blood;

it was as if Violence, having done her work, had stolen away in shame.

Roderick's face might have shamed her; it looked admirably handsome.

"He was a beautiful man!" said Singleton.

They looked up through their horror at the cliff from which he had

apparently fallen, and which lifted its blank and stony face above him,

with no care now but to drink the sunshine on which his eyes were closed,

and then Rowland had an immense outbreak of pity and anguish.

At last they spoke of carrying him back to the inn.  "There must be

three or four men," Rowland said, "and they must be brought here quickly.

I have not the least idea where we are."

"We are at about three hours' walk from home," said Singleton.

"I will go for help; I can find my way."

"Remember," said Rowland, "whom you will have to face."

"I remember," the excellent fellow answered.  "There was nothing

I could ever do for him in life; I will do what I can now."

He went off, and Rowland stayed there alone.  He watched

for seven long hours, and his vigil was forever memorable.

The most rational of men was for an hour the most passionate.

He reviled himself with transcendent bitterness,

he accused himself of cruelty and injustice, he would

have lain down there in Roderick's place to unsay the words

that had yesterday driven him forth on his lonely ramble.

Roderick had been fond of saying that there are such things

as necessary follies, and Rowland was now proving it.

At last he grew almost used to the dumb exultation of

the cliff above him.  He saw that Roderick was a mass of

hideous injury, and he tried to understand what had happened.

Not that it helped him; before that confounding mortality

one hypothesis after another faltered and swooned away.

Roderick's passionate walk had carried him farther and higher

than he knew; he had outstayed, supposably, the first menace

of the storm, and perhaps even found a defiant entertainment

in watching it.  Perhaps he had simply lost himself.

The tempest had overtaken him, and when he tried to return,

it was too late.  He had attempted to descend the cliff

in the darkness, he had made the inevitable slip, and whether

he had fallen fifty feet or three hundred little mattered.

The condition of his body indicated the shorter fall.

Now that all was over, Rowland understood how exclusively,

for two years, Roderick had filled his life.

His occupation was gone.

Singleton came back with four men--one of them the landlord of the inn.

They had formed a sort of rude bier of the frame of a chaise a porteurs,

and by taking a very round-about course homeward were able to follow

a tolerably level path and carry their burden with a certain decency.

To Rowland it seemed as if the little procession would never reach

the inn; but as they drew near it he would have given his right hand

for a longer delay.  The people of the inn came forward to meet them,

in a little silent, solemn convoy.  In the doorway, clinging together,

appeared the two bereaved women.  Mrs. Hudson tottered forward with

outstretched hands and the expression of a blind person; but before she

reached her son, Mary Garland had rushed past her, and, in the face

of the staring, pitying, awe-stricken crowd, had flung herself,

with the magnificent movement of one whose rights were supreme,

and with a loud, tremendous cry, upon the senseless vestige of her love.

That cry still lives in Rowland's ears.  It interposes,

persistently, against the reflection that when he sometimes--

very rarely--sees her, she is unreservedly kind to him;

against the memory that during the dreary journey back to America,

made of course with his assistance, there was a great frankness

in her gratitude, a great gratitude in her frankness.

Miss Garland lives with Mrs. Hudson, at Northampton, where Rowland

visits his cousin Cecilia more frequently than of old.

When he calls upon Miss Garland he never sees Mrs. Hudson.

Cecilia, who, having her shrewd impression that he comes to see

Miss Garland as much as to see herself, does not feel obliged

to seem unduly flattered, calls him, whenever he reappears,

the most restless of mortals.  But he always says to her in answer,

"No, I assure you I am the most patient!"